View allAll Photos Tagged largeformat
Derek Keaton Photo // Instagram
FPP Mummy 400 at 32
Nikkor 120mm f/8 at f64
Developed in Pyrocat HD fro 7min.
I went to Astoria, Oregon shortly after moving back to the Portland area this past summer. I dragged a bunch of film cameras along, and managed to get them out and use them. This is a picture I wanted to take another crack at since my first LF negatives of the Astoria-Megler Bridge had, shall we say, issues. This one is much better.
Camera: Sinar Alpina 4x5
Lens: 90mm Nikkor
Film: Kodak T-Max 400 developed in Clayton F76+
# #pnwexplored #myoregon #astoriaoregon #garyquay #columbiariver #cascadiaexplored #oregonexplored #outside #outdoors #onlyinoregon #pnwcrew #astoriamegler #largeformat #largeformatphotography #viewcamera #4x5 #sinar #filmphotography #kodak
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In addition to digital photographs, I've also recently taken shots of flowers on 4x5 film. This exposure was taken on a Wista M450 4x5 studio camera using a Schneider-Kreuznach Symmar-S 5.6/150 lens. The film was exposed on Acros 100 @ f32 for 13 seconds in natural light. It was then processed in Rodinal (1:50) for 13:30 @ 20C in a Stearman SP-445 tank. The image was scanned on an Epson GT-X980 (V850) then spotted and dodged & burned in Lightroom.
Starring / В ролях:
Jester - Katherine / Катерина
Knight - Uncle Misha / дядь Миша
Assistant director / Первый, второй и третий режиссеры:
Secondary Assistant director / Помощник режиссера:
Vovan / Вован
Props / Реквизит - Uncle Smith Misha / дядя кузнец Миша
Place / Место:
1. Church of John the Apostle at Bogorodskoe, Tulskaya oblast / Церковь Иоанна Богослова в Богородском, Тульская область
2. Church of St. Nicholas at Kaverino, Tulskaya oblast / Церковь Николая Чудотворца в Каверино, Тульская область
On my walk today I saw a teasel partly opened so I took one home and cut it half to photograph on X ray film (with my New Countess 10x8 camera from 1890). F45, 40s. Photographed and inverted in Photoshop Very pleased with the way this has come out
"Gasthof Hirsch" lonley chairs waiting for customers and the Beer Garden season. Shot with Sinar 4x5 on Ilford FP4. Print 30x40 on Foma MG Classic 131 an dev in Moersch Eco 4812. By Mistake I printed 2 stops far to dark, so I decided to bleach until this interesting result and color came out. So I like it as my finish Print, and didn't do a second one.
Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)
#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper
©2021 Gary L. Quay
Lyle, Washington is located in the eastern Columbia Gorge, directly across from Rowena Crest. The Columbia River is fairly wide there, and it takes one hell of a lens to do this. I used one hell of a camera too. It's an Eastman Kodak Commercial 8x10 view camera that is capable of a yard of bellows extension.
I have had some trouble with the film. I'm not sure why it was happening, but this film, and a pack of HP5 had some diffuse lines of higher density running through it. I have to clean them up in Photoshop. They are about 3/4" wide, and there is sometimes smaller lines. You can see them in the water at the bottom, and in the sky at the top. I cleaned them up as best as I could. I keep the film in the freezer until I am ready to load it, but I am wondering if something happened in the freezer. I am going to try some different film from the freezer soon, but what is concerning is that I have about 5 boxes of Efke film, which is no longer available, in the freezer. If all of the film that was in the freezer at about the same time period was ruined like this, that would really suck.
Camera: Eastman Kodak Commercial view camera
Lens: 760mm SK Grimes
Film: Ilford Ortho+ developed in Kodak HC-110
# #pnwexplored #columbiagorge #pacificnorthwest #garyquay #cascadiaexplored #oregon #viewfromhere #8x10 #YourShotPhotographer #ilford #filmphotography #pnwcrew #largeformat #washington #blackandwhite #viewcamera
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and Flickr Today 2
Réparation de l'optique Som-Berthiot Color 360 F/4.
Vendue en l'état avec la chambre, les lamelles dans un sac.
Testée à pleine ouverture pour du portrait à 1m. Profondeur de champ de 0,009m. Juste l'oeil qui était net, le reste flou...
Bref, dégommage, dégraissage puis remise en place des 26 lamelles dans le fût.
Walking through this place was one of the most peaceful and enjoyable things I've had the pleasure of experiencing. The juxtaposition of vivid leaves with warm desert tones and geology makes an unusually beautiful combination. I love this scene because it captures an incredibly ephemeral moment in time. The wash had just been flooded, leaving the sand wet and forming gorgeous ripple and wave patterns. The vivid leaves fell onto the sand and rested there. A few days earlier, there would have been dry, loose sand and no leaves. A few days later, and there would be dry, loose sand and a bunch of dry, dead, colorless leaves.
This was a rather precarious scene to capture. I used my Intrepid 4x5 view camera, and view cameras are designed to be used perfectly level. They have a flat "bed" on which are mounted two moving "standards," one holding the film, and the other holding the lens, connected by a fabric bellows in between. Tipping that assembly on end so it faces the ground puts all the weight on the standard mounts, which aren't made to support it. It also makes viewing the dim ground glass under a focusing hood very difficult, as I had to lean out over the top of the tripod, which was balanced spread over these leaves, trying not to ruin the delicate mud with footprints or shadow, while focusing on the reversed & inverted ground glass. Then it began to rain! I was in a flash flood wash, where 7 people were suddenly killed by a flash flood a couple years ago. I hurriedly finished the image, and ran to high ground to wait out the rain before getting back to work.
By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!
Details:
This large format film image was made on Fuji Velvia 100 with my Intrepid 4x5 Camera and Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens. 2s @ ƒ/45, swing & tilt. It was my only exposure of this scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion