View allAll Photos Tagged largeformat
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6
Fomapan 100@160 + Caffenol-CM(RS)
IN ENGLISH BELOW THE LINE
Per fi puc fotografiar decentment en format 4x5 amb un objectiu petzval realment antic, gràcies a la Sinar P i el seu obturador central de gran format Sinar-Copal.
Fotografia feta amb una Sinar P, fabricada cap als anys 70; objectiu petzval Derogy de llautó, fabricat cap a 1872-1880; Fomapan 100.
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I can finally shoot decently film in 4x5 format with a really old petzval lens, thanks to the Sinar P and its Sinar-Copal large format central shutter.
Picture taken with a Sinar P 4x5 camera, manufactured around the 70s; brass petzval Derogy lens, made circa 1872-1880; Fomapan 100.
One of cold morning i took my camera on walk with my dog around railway tracks close to me. Nice depressive weather and nothing to see far away like we can not see our future.
I love this shot but for me is showing big problem with my camera what i must solve, its focused to different point on ground glass.
Shoted with my Large format Camera Graflex Pacemaker Speed Graphic on film Foma Fomapan 100 in format 4x5 and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev
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I love film photography most. I started to shoot on the film when i was 12 yo. after my high school I photographed on digital and in 2020 i came back to the film. In two year i spread my point of view to film and raised my family size to medium format 6x6 and 4.5x6 and finaly in 2022 i juped to do Large format 4x5.
Are you interesed into my gear check out this page and look what i`m using and why [My photograpy gear]
If you like my work and want to support me, Thank you and go to adlg.cz/donate
All my photos are in same license, see the info on the site. If you like to use my photo outside of this license pleas write me message with your offer and plan.
Quickly view my LargeFormat 4x5 | MediumFormat 6x6 or 645 | 35mm | 360degrees photography
Camera: elliptical coffee can
Paper: Ilford Ilfospeed 1.1M, 9x21 cm
Exposure: 3-5 min
Developer: D-76 1:1
Scanner: CanoScan 9950f
"Gasthof Hirsch" lonley chairs waiting for customers and the Beer Garden season. Shot with Sinar 4x5 on Ilford FP4. Print 30x40 on Foma MG Classic 131 an dev in Moersch Eco 4812. By Mistake I printed 2 stops far to dark, so I decided to bleach until this interesting result and color came out. So I like it as my finish Print, and didn't do a second one.
Crown Graphic w/ 150mm Rodenstock Sironar APO lens / Arista EDU 100 film / developed in Kodak HC-110.
Gandolfi with 6x7 back.
Loaded with Fomapan 200 @ 100, developed in Fomatol Excel.
Kodak portrait lens 305, f. 5,6.
This lens is without shutter and I’m tested the “Galli-shutter”, I.e using to dark slides flipping them en front of the lens.
Also trying to learn development by inspection.
Edited in CaptureOne.
As a few of you may have noticed, I haven't been around here at all for some time. I felt it was time to take a break, and I've mostly been out walking instead of shooting and making pictures. I will continue to do that for some time to come, but sooner or later I'll try to catch up and be more active. I do miss seeing your pictures, so it will probably be sooner :-)
Shot with Toyo 45CF and Symmar-S 210/5.6. FFP Frankenstein 200 shot at 100. Dev with 510Pryo from Zone Imaging.
I found this old machine at the edge of the forest. A scan from the paper negative Fomaspeed 311, Intrepid 8x10 and 600mm triplet at F64.
Derek Keaton Photo // Instagram
FPP Mummy 400 at 32
Nikkor 120mm f/8 at f64
Developed in Pyrocat HD fro 7min.
Studio portrait of Florence. Shot on 4x5 Portra 160 with a Cambo SC with Rodenstock Sironar 300mm f5.6 lens.
Rotary processed in Fuji Hunt Jobo CPE3
IN ENGLISH BELOW THE LINE
Placa de col·lodió sec, mètode Russell (col·lodió-taní), en format 13x18cm; realitzat amb una reisekamera Konrad Seitz, fabricada cap al 1895; objectiu K. Seitz Rapid Aplanat f8; col·lodió barreja i taní; revelat amb acid pirogalic.
I encara continua l'enderroc de la Salinera de Cardona més d'una setmana després. La veritat, pensava que haurien avançat més, però encara estan desballestant la darrera part d'aquesta gran estructura metal·lica.
Potser pararan aquí, encara ho desconec...
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Dry collodion plate, Russell process (tanine-collodion) in 13x18cm format; made with a Konrad Seitz tailboard camera, made c.1895; K. Seitz Rapid Aplanat f8 lens; re-used collodion and tannin; developed in pyrogalol.
The demolition of the Salinera de Cardona salt mill continues more than a week after my last visit. They are still finishing the disassembly of this large steel girded hall.
Maybe the demolition stops with this remains, leaving the other halls for future uses, who knows...
Avebury is a World heritage site, and the stone may be touched.
Image taken with my Wanderlust Travelwide 4x5" camera on very expired Kodak Plus-X (1982).
No. 4 Screen Focus Kodak [circa 1909] shot on Instax Wide Monochrome using a "century style" studio camera w/ Industar 210mm barrel lens. [ 8x10 crop ]
A northerly wind and a small swell make for a calm day at the Twelve Apostles.
Linhof Technika V, Nikkor 75mm f4.5 lens, Ilford Delta 100...well expired.