Gandolfi with 6x7 back.

Loaded with Fomapan 200 @ 100, developed in Fomatol Excel.

Kodak portrait lens 305, f. 5,6.

This lens is without shutter and I’m tested the “Galli-shutter”, I.e using to dark slides flipping them en front of the lens.

Also trying to learn development by inspection.

Edited in CaptureOne.

Jim Kish, Titanium Bicycle Frame Legend. Shot on Impossible 8x10 PQ. Portland, Oregon.

Camera: elliptical coffee can

Paper: Ilford Ilfospeed 1.1M, 9x21 cm

Exposure: 3-5 min

Developer: D-76 1:1

Scanner: CanoScan 9950f

Intrepid 8x10 + Symmar-S 300/5.6

Kodak MIN-R 2000 Mammography Film + CaffenolCM

Lockdown #3 - day Five.

Ashdon Windmill on a frosty Sunday morning.

MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f16 at 1/25 sec with orange filter. Scanned with Epson Perfection V800.

A beautiful location hugging the coast above St Agnes in Cornwall

Chamonix 4x5

HP5 400

90mm

f11

1/15

Intrepid Camera

Nikkor-W 180mm lens

Fomapan 400

Inspired by Anne Clark:

youtu.be/cb0_hTDKYB4

Hybrid large format 40x40 cm

Meyer Görlitz Epidon 3.6/420mm

Studio portrait of Florence. Shot on 4x5 Portra 160 with a Cambo SC with Rodenstock Sironar 300mm f5.6 lens.

Rotary processed in Fuji Hunt Jobo CPE3

Was wandering (trespassing) behind some buildings and stumbled upon these trailers. Apparently, they are rented out 'anonymously' but they don't change the monikers on the sides. I spent some time lining up the image tilting and shifting to get as much of the image in focus as possible at the same time keeping lines reasonably straight and not distorted.

March, 2008

USA

Nagaoka 4x5

Fujinon 150/6.3

Ilford FP4

Camera: Sinar P, Lens: Schneider-Kreuznach Apo-Symmar 150mm F/5.6 Film: Kodak T-MAX 100 developed in Rodinal 1+50

back when I worked at my local photo store in 2021, we'd frequently inherit estate's worth of gear from photographers that had passed away. This particular hoard of large format 4 x 5 negatives, originally destined for the dumpster, contains heaps of divinely-inspired boudoir shots by Brooks Dutt circa 1950.

Derek Keaton Photo // Instagram

FPP Mummy 400 at 32

Nikkor 120mm f/8 at f64

Developed in Pyrocat HD fro 7min.

Wista 45 | Rodenstock 210 mm f5.6 | FP-100c

Plener CK

Polaroid Chocolate

Polaroid Land Camera 195

Rochester Optical Premo Pony No. 15 & Rollei 400 IR film

in progress:

42% (ETA III) & 100% (ETA II) & 100% (ETA I)

www.willemvandenhoed.com

Intrepid 8x10 + Symmar 300/5.6

Foma 100 + HC110 dil E

Toyo 45a field camera

150mm schneider super angulon

ilford FP4

geraniums.

polaroid chemical transfer 4x5 Zone VI field camera circa 2001

Crown Graphic and Ilford Ortho Plus

Sinar Norma 4x5

Fujinon SW 90mm F8

Kodak Portra 160

Full res scan from a 4x5 sheet,

In addition to digital photographs, I've also recently taken shots of flowers on 4x5 film. This exposure was taken on a Wista M450 4x5 studio camera using a Schneider-Kreuznach Symmar-S 5.6/150 lens. The film was exposed on Acros 100 @ f32 for 13 seconds in natural light. It was then processed in Rodinal (1:50) for 13:30 @ 20C in a Stearman SP-445 tank. The image was scanned on an Epson GT-X980 (V850) then spotted and dodged & burned in Lightroom.

Anatoly Sobino Park of Culture and Recreation in Rostov-on-Don, Russia

Toyo 45A

Nikkor-W 180/5.6

Ilford Delta 100

Ilford DD-X

Epson V750

4x5 Tachihara /210mm Komura Commercial 6.3 lens

f/11 @ 1 second

158x126cm or 80x64cm, Lightjet on photographic paper

instagram

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Toyo 45A

Nikkor-W 180/5.6

Fomapan 100

Epson V750

sinar f

fomapan 100 (4x5)

rodinal 1:50

On my walk today I saw a teasel partly opened so I took one home and cut it half to photograph on X ray film (with my New Countess 10x8 camera from 1890). F45, 40s. Photographed and inverted in Photoshop Very pleased with the way this has come out

Chamonix F1, Fuji 250mm, Kodak TMAX400 4x5.

I loves me Type 55...