View allAll Photos Tagged largeformat

Captured by a stanger who came by.

Graflex Crown Graphic

Polaroid 53

 

Fluidr

Mentor Studio 13x18cm + Tessar 300/4.5 + Ilford Direct Positive Paper 13x18cm + CaffenolCM

Dedicated to Rebecca Lim aka Rebecca Lee-Steere, a very smart, talented and hard-working scientist and sportswomen (and who knows what else...) with a great sense of humour. She hates ginger, so here it is, Bec!

 

Camera: Toyo 45GII, Fuji Fujinon NW 125mm f5,6, 25s, f32, back shift up 17.5mm. Film: Fuji FP-100C. Light: Kicklight, slightly yellow hue.

The film holder is from an old laboratory Polaroid gel documentation system.

This scene has such a magical dream-like quality to it for me. The leaves on the trees glow and almost seem disconnected like they are floating in space like a cloud of glowing fairies. As I made this image, I stood beneath an overhanging weeping wall covered in dripping water, wrapping over me like a cave. The trees were illuminated by sunlight filtering into the depths of the canyon from above and reflected light filled the colossal majestic space.

 

Details:

This image is a 0.8% sized export of an 180MP scan from a large format film image made on Fuji Velvia 100 with The Intrepid Camera Co. 4x5 Field Camera and my Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens. 10am, 8s @ ƒ/32, CPL

 

In other words, this thing will print to 40x50 inches with enough quality that you can put your face right up to it with a magnifying glass and only see more detail. These large format film images contain approximately 20x the level of detail of my digital images made with current generation DSLRs, and I've printed those to 40x60" with good results! This is one of many reasons I am now working in large format film instead of digital. I also prefer the aesthetic qualities of these films. Additionally, the experience of working with the silent elegant simplicity a wooden view camera in the field is so much better than dealing with scrolling menus, flickering lights, and glowing screens while in the wilderness.

 

By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!

Båstnäs car cemetary.

 

Toyo metal field camera.

Fujinon-w 150mm/f5.6

Yellow filter.

Adox CHS 100 II 4x5

Rodinal 1:50 11.30 min.

Fondamenta de la Preson, Venice 2018.

 

Chamonix F1, Fujinon 125mm f/5.6, Ilford Delta 100 4x5.

Predawn from Namsan.

 

Just came back from Hong Kong, what a week. I managed to get 74 exposures, despite the rainy and stormy weather. I'll start uploading these, once I am done with Seoul!

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become a fan on facebook and see behind the scenes shots: www.facebook.com/ThomasBirkeUrbanPhotography

Wista 45, xenar 4.5, foma pan 100

New55PN Print, MPP Mk8

A beautiful location hugging the coast above St Agnes in Cornwall

  

Sunflower from last season.

 

Taken with Intrepid 8x10 and 18x24cm Fomaspeed 311 with yellow filter.

Linhof Technika

Ilford HP5

Instagram

Chamomile

4x5 tintype.

New55PN print taken on MPP Mk8 camera

the intrepid camera

fujinon SW 90mm f/8

foma retropan 320 soft

foma retro special, 5min

Chamonix 045N-2, 210mm Sironar-N, 4x5 Fuji Pro 160NS, Tetenal C41 kit, drumscanned

 

www.fineartdrumscanning.de

Ebony VS45Ti

Carl Zeiss 135mm T*

Provia 100

Ukraine. Wista SP 4x5. Congo 90/6.3@22. FP4 in XTOL 1+1.

tedbelton.com/

instagram.com/tedbelton

  

FP4+ 4x5. Scanned in two parts with Epson v600 and composited in Photoshop.

 

You will never forget your first. This is my first image using 4x5 large format film.

 

- Graflex Speed Graphic

- Kodak Aero Ektar 178mm f2.5

model: www.instagram.com/lisia.dama/

 

Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6

Fomapan 100@160 + Caffenol-CM(RS)

www.instagram.com/szadow/

4x5 210mm

Fujifilm Acros rated at 80

developed in XTOL 7'30" 20˚C

Large Format Photographer Roland Meier shooting his Linhof Technika

Picture shot on 35mm Kentmere400 Film with my Nikon F100

large format - Paper negative

Lerebours & Secretan Lens

 

www.facebook.com/ambrotypiste

  

Camera: elliptical coffee can

Paper: Ilford Ilfospeed 1.1M, 9x21 cm

Exposure: 3-5 min

Developer: D-76 1:1

Scanner: CanoScan 9950f

Crown Graphic and 4x5 CatLabs X80 film

Crown Graphic w/ 150mm Rodenstock Sironar APO lens / Arista EDU 100 film / developed in Kodak HC-110.

As a few of you may have noticed, I haven't been around here at all for some time. I felt it was time to take a break, and I've mostly been out walking instead of shooting and making pictures. I will continue to do that for some time to come, but sooner or later I'll try to catch up and be more active. I do miss seeing your pictures, so it will probably be sooner :-)

Jim Kish, Titanium Bicycle Frame Legend. Shot on Impossible 8x10 PQ. Portland, Oregon.

Gandolfi with 6x7 back.

Loaded with Fomapan 200 @ 100, developed in Fomatol Excel.

 

Kodak portrait lens 305, f. 5,6.

This lens is without shutter and I’m tested the “Galli-shutter”, I.e using to dark slides flipping them en front of the lens.

 

Also trying to learn development by inspection.

 

Edited in CaptureOne.

Intrepid 8x10 + Symmar-S 300/5.6

Kodak MIN-R 2000 Mammography Film + CaffenolCM

Intrepid Camera

Nikkor-W 180mm lens

Fomapan 400

WEB | Blog | Donate | Patreon

  

One of cold morning i took my camera on walk with my dog around railway tracks close to me. Nice depressive weather and nothing to see far away like we can not see our future.

 

I love this shot but for me is showing big problem with my camera what i must solve, its focused to different point on ground glass.

  

Shoted with my Large format Camera Graflex Pacemaker Speed Graphic on film Foma Fomapan 100 in format 4x5 and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev

  

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I love film photography most. I started to shoot on the film when i was 12 yo. after my high school I photographed on digital and in 2020 i came back to the film. In two year i spread my point of view to film and raised my family size to medium format 6x6 and 4.5x6 and finaly in 2022 i juped to do Large format 4x5.

Are you interesed into my gear check out this page and look what i`m using and why [My photograpy gear]

If you like my work and want to support me, Thank you and go to adlg.cz/donate

All my photos are in same license, see the info on the site. If you like to use my photo outside of this license pleas write me message with your offer and plan.

  

Quickly view my LargeFormat 4x5 | MediumFormat 6x6 or 645 | 35mm | 360degrees photography

Shot in the studio on large format film.

Studio portrait of Florence. Shot on 4x5 Portra 160 with a Cambo SC with Rodenstock Sironar 300mm f5.6 lens.

Rotary processed in Fuji Hunt Jobo CPE3

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