View allAll Photos Tagged largeformat
Dedicated to Rebecca Lim aka Rebecca Lee-Steere, a very smart, talented and hard-working scientist and sportswomen (and who knows what else...) with a great sense of humour. She hates ginger, so here it is, Bec!
Camera: Toyo 45GII, Fuji Fujinon NW 125mm f5,6, 25s, f32, back shift up 17.5mm. Film: Fuji FP-100C. Light: Kicklight, slightly yellow hue.
The film holder is from an old laboratory Polaroid gel documentation system.
This scene has such a magical dream-like quality to it for me. The leaves on the trees glow and almost seem disconnected like they are floating in space like a cloud of glowing fairies. As I made this image, I stood beneath an overhanging weeping wall covered in dripping water, wrapping over me like a cave. The trees were illuminated by sunlight filtering into the depths of the canyon from above and reflected light filled the colossal majestic space.
Details:
This image is a 0.8% sized export of an 180MP scan from a large format film image made on Fuji Velvia 100 with The Intrepid Camera Co. 4x5 Field Camera and my Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens. 10am, 8s @ ƒ/32, CPL
In other words, this thing will print to 40x50 inches with enough quality that you can put your face right up to it with a magnifying glass and only see more detail. These large format film images contain approximately 20x the level of detail of my digital images made with current generation DSLRs, and I've printed those to 40x60" with good results! This is one of many reasons I am now working in large format film instead of digital. I also prefer the aesthetic qualities of these films. Additionally, the experience of working with the silent elegant simplicity a wooden view camera in the field is so much better than dealing with scrolling menus, flickering lights, and glowing screens while in the wilderness.
By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!
Båstnäs car cemetary.
Toyo metal field camera.
Fujinon-w 150mm/f5.6
Yellow filter.
Adox CHS 100 II 4x5
Rodinal 1:50 11.30 min.
Predawn from Namsan.
Just came back from Hong Kong, what a week. I managed to get 74 exposures, despite the rainy and stormy weather. I'll start uploading these, once I am done with Seoul!
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model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6
Fomapan 100@160 + Caffenol-CM(RS)
IN ENGLISH BELOW THE LINE
Per fi puc fotografiar decentment en format 4x5 amb un objectiu petzval realment antic, gràcies a la Sinar P i el seu obturador central de gran format Sinar-Copal.
Fotografia feta amb una Sinar P, fabricada cap als anys 70; objectiu petzval Derogy de llautó, fabricat cap a 1872-1880; Fomapan 100.
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I can finally shoot decently film in 4x5 format with a really old petzval lens, thanks to the Sinar P and its Sinar-Copal large format central shutter.
Picture taken with a Sinar P 4x5 camera, manufactured around the 70s; brass petzval Derogy lens, made circa 1872-1880; Fomapan 100.
One of cold morning i took my camera on walk with my dog around railway tracks close to me. Nice depressive weather and nothing to see far away like we can not see our future.
I love this shot but for me is showing big problem with my camera what i must solve, its focused to different point on ground glass.
Shoted with my Large format Camera Graflex Pacemaker Speed Graphic on film Foma Fomapan 100 in format 4x5 and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev
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I love film photography most. I started to shoot on the film when i was 12 yo. after my high school I photographed on digital and in 2020 i came back to the film. In two year i spread my point of view to film and raised my family size to medium format 6x6 and 4.5x6 and finaly in 2022 i juped to do Large format 4x5.
Are you interesed into my gear check out this page and look what i`m using and why [My photograpy gear]
If you like my work and want to support me, Thank you and go to adlg.cz/donate
All my photos are in same license, see the info on the site. If you like to use my photo outside of this license pleas write me message with your offer and plan.
Quickly view my LargeFormat 4x5 | MediumFormat 6x6 or 645 | 35mm | 360degrees photography
Camera: elliptical coffee can
Paper: Ilford Ilfospeed 1.1M, 9x21 cm
Exposure: 3-5 min
Developer: D-76 1:1
Scanner: CanoScan 9950f
"Gasthof Hirsch" lonley chairs waiting for customers and the Beer Garden season. Shot with Sinar 4x5 on Ilford FP4. Print 30x40 on Foma MG Classic 131 an dev in Moersch Eco 4812. By Mistake I printed 2 stops far to dark, so I decided to bleach until this interesting result and color came out. So I like it as my finish Print, and didn't do a second one.
Gandolfi with 6x7 back.
Loaded with Fomapan 200 @ 100, developed in Fomatol Excel.
Kodak portrait lens 305, f. 5,6.
This lens is without shutter and I’m tested the “Galli-shutter”, I.e using to dark slides flipping them en front of the lens.
Also trying to learn development by inspection.
Edited in CaptureOne.
As a few of you may have noticed, I haven't been around here at all for some time. I felt it was time to take a break, and I've mostly been out walking instead of shooting and making pictures. I will continue to do that for some time to come, but sooner or later I'll try to catch up and be more active. I do miss seeing your pictures, so it will probably be sooner :-)
Lockdown #3 - day Five.
Ashdon Windmill on a frosty Sunday morning.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f16 at 1/25 sec with orange filter. Scanned with Epson Perfection V800.
Shot with Toyo 45CF and Symmar-S 210/5.6. FFP Frankenstein 200 shot at 100. Dev with 510Pryo from Zone Imaging.
Was wandering (trespassing) behind some buildings and stumbled upon these trailers. Apparently, they are rented out 'anonymously' but they don't change the monikers on the sides. I spent some time lining up the image tilting and shifting to get as much of the image in focus as possible at the same time keeping lines reasonably straight and not distorted.
Derek Keaton Photo // Instagram
FPP Mummy 400 at 32
Nikkor 120mm f/8 at f64
Developed in Pyrocat HD fro 7min.