View allAll Photos Tagged largeformat
In addition to digital photographs, I've also recently taken shots of flowers on 4x5 film. This exposure was taken on a Wista M450 4x5 studio camera using a Schneider-Kreuznach Symmar-S 5.6/150 lens. The film was exposed on Acros 100 @ f32 for 13 seconds in natural light. It was then processed in Rodinal (1:50) for 13:30 @ 20C in a Stearman SP-445 tank. The image was scanned on an Epson GT-X980 (V850) then spotted and dodged & burned in Lightroom.
Starring / В ролях:
Jester - Katherine / Катерина
Knight - Uncle Misha / дядь Миша
Assistant director / Первый, второй и третий режиссеры:
Secondary Assistant director / Помощник режиссера:
Vovan / Вован
Props / Реквизит - Uncle Smith Misha / дядя кузнец Миша
Place / Место:
1. Church of John the Apostle at Bogorodskoe, Tulskaya oblast / Церковь Иоанна Богослова в Богородском, Тульская область
2. Church of St. Nicholas at Kaverino, Tulskaya oblast / Церковь Николая Чудотворца в Каверино, Тульская область
On my walk today I saw a teasel partly opened so I took one home and cut it half to photograph on X ray film (with my New Countess 10x8 camera from 1890). F45, 40s. Photographed and inverted in Photoshop Very pleased with the way this has come out
Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)
#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper
Réparation de l'optique Som-Berthiot Color 360 F/4.
Vendue en l'état avec la chambre, les lamelles dans un sac.
Testée à pleine ouverture pour du portrait à 1m. Profondeur de champ de 0,009m. Juste l'oeil qui était net, le reste flou...
Bref, dégommage, dégraissage puis remise en place des 26 lamelles dans le fût.
American, Japanese and German cameras of the 50s-70s. Crown Graphic, Vitessa, Diacord, Nikon F2, Rollei 35S. Photographed with Graflex Graphic View II, Schneider-Kreuznach Symmar-S 180mm f5.6 at f22. HP5 (a bit underexposed). D76 1:1 13min at 20C. Scanned on Epson V750 at 2400ppi.
Shot with Fomapan 200 with an orange filter. Quite a difficult shot to get in camera. I had to tilt the camera up then straighten the standards with a spirit level to get the verticals right.
More than 8 years ago I decided to go down this path.
Creating all the chemicals I need by myself, refurbishing cameras and lenses by myself, and sometimes creating new parts/recipes myself. This path can be very rewarding and enriching, but there are also dark moments that take a lot of energy. In these 8 years I have experienced and learned a lot.
But while working with this process I will never stop learning, it is a constant problem solving and listening to your gut feelings. I think that is also one of the reasons why I love doing portraits with it. Taking a lot of time for a single portrait is another reason.
People who have been portrayed by me will certainly be able to name many other reasons why this kind of art is so inspiring.
In today’s video you will get a better impression of what I have written.
It was a pleasure to immortalize you on pure silver dear @rita__newman videolink youtu.be/bIXC4gYE6aU #portraitphotography #nassplatte #nassplattenfotografie #tintype #analogphotography #largeformat #handmade #petzval #keepfilmalive #collodion #collodionprocess #largeformatportraiture #portraiture #portrait #curls #blackandwhitephotography
This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...
MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/10 sec. Scanned with Epson Perfection V800.
Large format really shows me how easily I can become distracted despite slowing down and really looking around me. I missed a shot because other hikers wanted to interact as I was setting up a shot, and I totally screwed up and missed it since I lost my concentration. I'll go back (hopefully!) to see if I can recreate the shot. But I so value LF since it makes me more observant, and the details are just incomparable. This is the last of my expired HP5 so will need to pick up some more 4x5 - I'll be finishing up my Ultra 8x10 soon as well, so time to find deals on film! Thanks to all the flickeranians who continue to inspire!