View allAll Photos Tagged largeformat
Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)
#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper
"Struwwelpeterbrunnen"
by Franziska Lenz-Gerharz
Frankfurt, Germany
Hybrid large format 40x40 cm
Meyer Görlitz Epidon 3.6/420mm
A C13th church located in a tiny village in the Southdowns. Shot with a Wista 45DX and a 210mm Lens. HP5 with a yellow-green filter.
Kim, from my project "Photographers photographed".
Shot on HP5 sheet film (4x5) with a Cambo SC and a Rodenstock Sironar 210mm f5.6. Gridded stripbox front right, stripbox rear left. Dev in Kodak D76, Epson scan (V850).
You can see the reflection of one of the chefs working the range in the mirror.
Color 4x5, 150mm f/5.6 Portra 160
This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.
This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...
MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Tulips in our garden...
MPP Micro Technical camera with Fujinon 150mm f6.3 lens, Fomapan 100 film, f22 at 1/8th sec.
Finished with Nik Collection Analog Efex Pro 2...
Lock down gives us plenty of time to explore post processing techniques...
speed test
4x5 dry plate.
no exposure, and one stop increments from 25 to 800 seconds, 25 seconds is at 1,5 asa.
3,5 minutes development,
Slow emulsion, no fog.
What a great day that was. First being at the wonderful Wiener Fotobörse by Jo Geier and then I captured a „memory lane“ dry plate on my way home and did a salt print of it. Check out my video about it: youtu.be/0C3MvXUT86M #analog #largeformat #analogue #landscapephotography #handmade
One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.
This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.
For more behind the scenes, blog and tutorials visit my site:
Sigüenza, Guadalajara - Castilla la Mancha - España
Chamonix F1 : Nikkor-W 150/5.6
Adox CHS 100 II : HC-110 (e)
Salt Print
8in x 10in
- Digital negative made from original 4x5 Kodak TMAX 100 negative shot using Calumet studio camera
- Fabriano Artistico paper
- Sodium Chloride and gelatin base
- Silver Nitrate with one drop of potassium dichromate for increased contrast
- Gold Borax Toner
- Dual Sodium Thiosulfite fixer baths
- Sodium Sulfate clearing agent
Making progress with #Cyanotype gelatine on glass prints of my XRay film negatives. #largeformat #largeformatphotography #cyanotypeprint #studiothreegallery #clevedon #pier
Cyanotype - washed in citric acid solution, hydrogen peroxide, washing soda and then toned in black tea.
©2009 Gary L. Quay
Taken from the Burnside Bridge in Portland, Oregon.
The Deardorff I use was made in 1939. It isn't a museum piece. It's heavy, and bulky. I have to be very careful not to break the ground glass while carting it around. Folks stop and ask, "Do they still make film for that?" while I'm using it. That's the question I was asked while setting up for this shot. What inspires me to continue using bulky, old camera with weighty optics is, quite simply, magic. I am always amazed by what film can capture, especially while using tiny apertures.
Camera: Deardorff 8x10
Lens: 12" Kodak Ektar
Film: Ilford HP5+ Developed in Kodak HC-110.
# #pnwexplored #portlandoregon #myoregon #deardorff #oregonexplored #pacificnorthwest #portland #garyquay #cascadiaexplored #8x10film #outside #outdoors #oregon #onlyinoregon #viewfromhere #traveloregon #pdxnightowls #viewcamera #filmphotography #largeformat
My Web Site and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
Feel free to join my Flickr groups
Wasco County, Oregon
Mosier, Oregon
Old School Film Photography
and Flickr Today 2
Calibri pocket watch on a Graflex Graphic View II. Taken with Graflex Crown Graphic 4x5. Schneider Xenar 135mm f4.7, Ektachrome 100G expired ~2006. Exposed as EI 64. Developed as a positive in D76 stock 10min at 38C. Exposed to video LED daylight about 15s per side 5 inches away. C41 4.5min, blix 10min
The tide rolls in and out twice per day. Fourteen times per week. Sixty times per month. Seven hundred and thirty times per year. Seven thousand three hundred times per decade. The ocean slowly beats against and eats away at the sandstone bluffs without any perceptible changes from day to day or year to year. However, given enough time the ocean carves beautiful patterns into the sandstone bluffs overhanging the shorelines south of Nanaimo. Exploring and capturing these tidal creations basking in warm reflective light has been one of the highlights of my summer.
IG: @vladyurkov
Fuji Provia 100f 4x5 film
Chamonix 45f2
Nikon 210mm f5.6
210mm f32 1s