View allAll Photos Tagged largeformat
Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle
Baker Nevada just outside of the Great Basin Range National Park. This is a re-edit of a large-format film photo I took several years ago.
From a small street in Åsgårdsstrand in Norway, leading towards a house where Edvard Munch had his studio and lived during summer time.
A contact print made on Fomaspeed 311.
Taken with Linhof color, Leitz EPIS 400mm f4 at f8 and 5x7" Fomapan 200.
Camera: Toyo Field 45A
Lens: Fujinon-W 135mm f:5.6 (yellow filter)
Exposure: 1/15 @ F/22
Film: Foma Fomapan 400 Action 4x5" hand developed in Xtol Replenished
Every time i enter the #gate to the #forest it is like something is #soaking me in. I #enter a #special #world. It is filled with #mood, #easy #vibes and #simple #living. It is like coming #home. I #love this #feeling. It #heals my #heart.
#polaroid 59, #4x5 #ebonycera
Luebeck-2022-1
Shen Hao PTB45, Schneider-Kreuznach Super Angulon 5.6/90, yellow filter, Adox CHS 100 II developed in Rodinal 1+25 using the SP445 developing tank, scanned on an Epson V800, adjusted in Lightroom.
waiting for new developer and fixer.
these were 4x5 paper negatives taken ????
I used the wrong developer. sigh..
but they're fun to play with.
5 more after this.
of course, no comments needed.
some paper, dunno which.
see what you can see.
**wednesday I was playing with the LF camera and managed to screw up four more negatives. I'm glad it's photo paper and not 4x5 film.
this is how I learn, and in this case, relearn.
Callie is known locally as 'black jesus' - he is kind, a deep thinker, ridiculously easy company.
Six days a week, his long gangly legs and endless ropey arms make their way around the island by bicycle, (often balancing a variety of fruits and coconuts on his handlebars to sell), easily traversing 20km-30km a day.
On this day, he told me that he had recently had a stroke and that he had some paralysis down his right side. The doctor told Callie that it was a good thing that he took one of his epic bicycle rides shortly after the stroke had hit, because doing so had minimised the lasting affect of the heart-event on his limbs.
Before the portraits, I showed Callie the images I had taken of his sister Anna - he got emotional: there she is...there she is'...
Callie, and ordinary men and women like him, make you feel part of something that matters. That a world of decency, respect, hard work, honesty and self-sufficiency, can and does still exist.
Whenever I speak to Callie or see one of his enormous hands lift from a handlebar to waive as I pass him, his give-everything smile beaming, I realise that 'god is one of us' and that our blessings are too many to count.
Hyons Wood, Walker Titan SF with Nikkor 210mm Lens, Ilford Otho Plus in HC110, 12" x 16" Silver Gelatin Print on Ilford MG RC Satin
Graflex Speed Graphic Large Format 4X5
Lens: No.3 Acme synchro Ilex F4.5 6 1/2 inches (166mm) ( Year 1950-1960)
Film: Fomapan 100 4x5
Shot: F11 1/50s
Develop: HC110, 1:63
Develop Time: 10.5 mins
Scan Epson V800
© All Rights Reserved
5x7 Harman Direct Positive Paper
Preflashed and exposed at ISO3
Linhof color with adapter and Leitz EPIS 400mm f4.
I always develop the paper complete.
The edges from the film holder goes black, and I know the development is good. This way, I only need to control the preflash and exposure.
I control exposure to get the right Highligt and preflash to control the shadows. Ligth source is also important as always.
Another picture from this very special place.
The old graveyard is peaceful. The place connects me emotionally to the ancient mysteries. The magic and beauty of the place is there to see and feel, but so difficult to capture.
It was raining and windy but it did not stop me from taking the pictures.
Taken with Linhof Color 4x5 and Fomapan 100. Developed in Fomadon Excel.
Taken with Linhof Color 4x5, Computar Symmetrigon 150mm.
Ilford FP4, expired in 2000. Developed in Fomadon LQN
Taken August 12, 2024.
Toyo 45G Fujinon A 240mm/9. Rollei Infrared 400 film. Hoya 720nm IR filter - 5 stops exposure compensation. 1/8s F16.
Standard development in Rollei Supergrain developer 1:12 for 7 minutes.
This has been sitting on the desktop for some time - there were technical difficulties developing the negative, but I like the overall look of the image.
There is a substantial anti-halation layer on the Rollei IR film which must be washed off. The exposed film sheet sits on a rack in the developing tank, held in place by tabs around the edges - I suspect that the film was not adequately washed around the edges, and so the border is underdeveloped. In addition, it was a real struggle for my hazy 240mm lens to shoot into the bright blue sky at F16, so there is some faint mottling.
Taken early autumn 2024 on Kodak Portra with the Toyo 5x4 view camera. I need to find a backpack I can fit all this thing in, the carry case is almost as heavy as the camera. I wanted a shot much deeper into this woodland, but I can't carry the thing very far. Since found that if I get it all set up on a tripod, compress the bellows, clamp everything down very well, put if over my shoulder, I can go further. The Portra was home developed in Kodak C41 chemicals.
Had some expired HP5 in the freezer, and given the opportunity in the cold and rain, decided to pull it out to use at a local park. My Horseman Woodman 45 Field camera is pretty robust, so decided to try some shots, along with developing in the combination of rodinal then xtol. I used EI300, and in retrospect should've gone a full stop given the weather and cloud cover. Good experience in seeing my limitations with an umbrella and large format gear, as well as how the film ages. However, having issues with my computer so scanning and editing have been at best challenging. Hopefully can rectify that soon. Thanks for the flickerainias who continue to encourage the rest of us to just get out there and capture.
Darvin is something of a legend in the Cayman Islands, known for dressing in full regalia as a Buccaneer for the annual Pirates' Week festivities. He is a serious and passionate man, and a champion of local culture, speaking in schools and the university. He is fiercely proud of his heritage but embraces the diversity of the community on the island. A man you can have a real conversation with.
Photographed on 8x10 inch Bergger Pancro 400, rated at 160 ASA and processed in Xtol.
Deardorff 8x10 camera with the 12" f4.5 Kodak Ektar lens, at f11.5, 12 seconds exposure.
@bergger
PRINTS AVAILABLE!
I've made a few 11X14" prints of this image (on 13X19" paper) and I'm offering them for $50 (plus shipping)! This is half what I usually charge for large prints.
You can message me in Flickr mail or contact me directly at bardenphotographics 'at' gmail 'dot' com
Camera: Chamonix 045F-1
Lens: Schneider 210mm F5.6
Filter: B+W Red
Film: ILFORD Delta 100
Developer: ILFOTEC DD-X
Location: 波浪谷, 靖邊, China
Date: Jan 2014
You can’t go wrong seeing things from different angles. It often opens doors into new ways of thinking, living or feeling.
Just let it happen.
@polaroidweek day 6, 2nd image.
My @polaroid films are gone. I first thought that my photography time is over but i found a new path to keep my eyes open for some new images.
I wish a good time to all the people especially here in the @polaroidweek. If i find some fresh images next year i take part again.
Hidden behind some bushes and away from the path people uasually go, I found this tree with its beautiful trunk.
4x5 Kodak Plus-X that expired in 1987. exposed as ISO 50 and developed in Fomadon 1:50
Linhof color, Computar Symmetrigon 150mm
A "simple"? reposting of a recent image. Exactly the same transparency, (badly underexposed). This time scanned and "rescued" by excellent professional drum scanning. many thanks to Tim Parkin of cheapdrumscanning.com/ for going well above and beyond the call of duty with this.
Polaroid Week Day 3, image 1.
la première image faite avec mon Speed Graphic sur les pellicules New55.
The first photo taken with my Speed Graphic on New55 film.
A relic from the Napoleon war.
5x7" Harman Direct Positive Paper (EI 3)
Rodenstock Apo Ronar 360mm
Linhof color with adapter for 5x7.
Photopolymer Gravure
I believe in the power of what I call "universal gestures". I talk about this idea in my portrait workshops as a way to insure portrait photographs transcend beyond the identity of the sitter. In this case it is this game I think most of us played when we were small. I trust that for at least a short moment you were taken back in time upon viewing my picture, It is that trip I am always striving to take you, my viewer on.
This hand-pulled photogravure, print is made with Charbonnel F66 Black,and Bistre inks ink on Hahnemühle copperplate paper. I printed an edition of 8 numbered prints and 3 A/P prints.
Hand-pulled print by Ray Bidegain
Limited edition of 8
6.5 x 8.0 inches on an 11 x 15.5 sheet.
Signed numbered and dated by the artist on the lower front.