View allAll Photos Tagged largeformat

One of those scenes I have visited frequently but never felt the conditions were right for shooting. I wasn't actually planning to shoot this on the day, I was a couple of miles away scouting something else and had a light bulb moment. Shot just before sunset with an orange filter.

Scan from 8x10 black-and-white negative shot on Deardorff V8 large format camera.

Antique "quarter plate" studio camera and Ilford Ortho Plus 80.

5x4 film negative, scanned and converted with PS. I'm enjoying this hybrid approach although have to say I've also enjoyed being in the darkroom this weekend.

 

Zero Image 5x4, Fomapan 200.

5 second exposure

Stanley Burn Woods, Walker Titan SF 4x5 with Nikkor 210mm lens, 1 sec @ f32, HP5+ in Ultrafin

 

Camera: Horseman L45

Lens: Fujinon W 135mm F/5.6

Film: Fujifilm Super RX-N @ 100 ISO

Developer: Rodinal 1+100

Scanner: Epson V850 Pro

 

Developed in Rodinal 1+100 for 7 minutes at 77F. The highlights are pretty hot so I would probably develop at 5:45 at the same temperature or 9 minutes at 68F. That being said, I am getting better results with this blue sensitive emulsion than the green sensitive Fujifilm HR-U. The base is clearer and it seems to have more dynamic range. Grain seems to be about the same. I'd say rate it at around 80-100 ISO. 50 seems a bit overexposed but passable albeit with a fair bit of blooming around the highlights.

 

For anyone curious, the typewriter is an Olympia SM-9 with a 10 CPI font.

The Nordfjord, Norway 2017.

 

Chamonix F1, Nikkor 180mm, 6x17 roll film back, Ilford Delta 100.

Intrepid 8x10 + Symmar 300/5.6

Foma 100

Ilford HP5, 4x5 Camera, Satisfy The Rocker shoes

Shot with a Wista 45DX, Schneider 75mm Super Angulon, FP4+ with red filter

Lower Falls in Yellowstone National Park, Wyoming. Camera: Graflex Crown Graphic Pacemaker (1955). Film: New 55 Atomic-X. Process: Kodak D-76 (1+1) 11:00 @ 20c.⠀

From Sunday's Live Draw event. Was doing instant oilgraph portraits and these were the negs that came from them. I mounted and painted the polaroids and either sold them outright or put them out for auction.

 

Most of these were portraits of the patrons at the event.

 

Haven't shot 4x5 in years. It's like shooting with a cow, but I began to get my stride soon. I wasn't going to add any of these actually since it's not my usual thing and a bit more static that I am used to, but I figured why not.

One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.

 

This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.

 

For more behind the scenes, blog and tutorials visit my site:

 

www.joelgrimes.com

  

Canham DLC45, Nikkor SW 90mm f/8, Fuji Astia 100F.

8x10 Print Ilford warm-tone semi-matt. FP4+ 4x5 Film Pyrocat HD Toyo G 150mm Nikkor

Horseman monorail camera

4x5" largeformat

Apo-Ronar f=480mm

Fomapan400 @200ASA

Developer: XTOL 1+2

4x5 film

 

1949 Pacemaker Speed Graphic, Ektar 127mm, Ilford HP5 film, developed in Rodinal 1+50 for 12 mins

Chamonix 45H-1

Rollei Infrared 400 4x5

Schneider Super Angulon 8/90

Developed in CineStill Df96 Monobath, ca. 10 min at 25°C

#largeformat #graflex #speedgraphic #aeroektar #kodak #320TXP

Another early AM shooting session, experimenting with Arista Ultra 100 shot at box speed. Fairly wide light capture here with somewhat harsh shadows and cloudless sky. This combination doesn't quite pull out the details in the shadows as much as I'd like, despite some very favorable comments about this film with D76. Will likely go back to Xtol in the next round.

Sinar P2

Rodinal 1+50

 

Large Format Photograph

Another shot taken on Cayman's Mastic Trail, the largest contiguous area of untouched, old-growth forest in Grand Cayman - an area where the woodland has been evolving undisturbed for the last two million years. It houses all manner of wildlife - exotic native birds, hermit crabs, frogs, snakes and one or two mosquitoes. This day, there were parts of the trail were littered with fallen fruit from wild mango trees.

select 4 x 5 b&w scans of salvaged negs from the Brooks Dutt archive

kodak safety film circa 1955

Lone tree beside an old taxi-way on the (Ex) RAF Little Walden...

 

MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f11 at 1/50 sec. Scanned with Epson Perfection V800.

Brooks Dutt archive continued

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