View allAll Photos Tagged largeformat
the intrepid camera
fujinon SW 90mm f/8
kodak portra 400
An abandoned bus stop by the abandoned coal mine.
Taken last winter here in Austin. Alice is one of my oldest friends, we've known each other since first grade. I think she's beautiful.
Another high-contrast scene on a sunny day ...
Camera: Toyo Field 45A
Lens: Fujinon-W 135mm f:5.6 (yellow filter)
Exposure: 1/4 @ F/45
Film: Foma Fomapan 100 Classic 4x5" dev. in XTOL Replenished in a Jobo 2521 tank (2509n reel)
Event: Bathpool photowalk
Location: Bathpool Park, Staffordshire
Camera: Wista 45VX
Lens(s): Schneider-Kreuznach Super-Angulon 90mm f/5.6
Film: Ilford HP5+ (expired 2003)
Shot ISO: 100
Light Meter: Minolta Spot Meter F
Movements: Front tilt forwards
Bellows: 115mm (+1)
Exposure: 2s @ f/32
Lighting: Overcast - 1:30pm
Mounting: Tripod - Manfrotto
Firing: Cable release
Developer: Ilford Ilfotec HC (1+31) - 5m45s
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Near the exit to the famed "wall street" section of the Virgin River Narrows, lies the Imlay Boulder. This boulder is frequently photographed, as you must pass it to enter or exit this section of the Narrows, and in the afternoon for a short time, the sun filters down into the 1800 foot deep slot canyon creating this gorgeous reflected light.
In July of 2013, after visiting the Narrows for the first time, I returned a second time to explore and photograph the entire 16-mile length of this canyon, and made my first version of this image. At the time, I'd never seen any photograph of this scene, and was simply captivated by the scene and this seemed the best composition. Only over a year later did I see images from other photographers of the scene.
In January of 2016, I decided to switch back to film for my fine art work, and purchased a 6x4.5cm sized medium format film camera to begin getting used to exposing film instead of digital sensors again. Later in the year, I switched to a 6x7cm format camera, to get used to bellows focusing and a larger image capture plane. Finally, in early fall of 2016, I switched to 4x5in format, and a wooden view camera - technology that has existed since the 1800s, but which has not yet been surpassed in the digital age.
In November, I made this trip to Zion National Park for the fall colors, and decided to take the opportunity to recreate this image on the vastly improved quality of large format color transparency film. Arriving on-site, I captured 4 exposures of the scene, 3 on Kodak Ektar 100, and 1 on Fujifilm Velvia 100. Other large format photographers told me the Velvia wouldn't be able to contain the wide range of light in this scene, from the brilliant highlights to the deep shadows. However, I decided to give it a try anyway, and the result is what you see here. I love the way the Velvia renders this beautiful canyon scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
The earliest mill built on this land was built by Johann Heinrich Kersten in 1725. Kersten shortened his name to Kerst as many immigrants did to make for easier pronunciation. The current mill was built in 1841, a 40'x 55' limestone mill standing 3.5 stories and covered with stucco. The head race is fed from Manatawny Creek and the tail race empties into the pond. The mill is located on Bertolet Mill Road near the intersection with Kauffman Road in Oley, Berks County, Pennsylvania.
I made this photo back in September of 2014 during my 4x5 for 365 project but for whatever reason, never posted it or so it seems.
Technical details:
Toko 4x5 wooden large format field camera.
150mm F6.8 Rodenstock Geronar lens in Copal BT shutter.
Ilford Delta 100 B&W film, shot at ISO 80.
1/8th second at F32.
Developed in Pyrocat HD at 1:1:100 dilution for 8 minutes @ 20 degrees Celsius in Jobo Multitank 5 with 2509N sheet film reels with drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
Negative scanned with Epson 4990 on holders fitted with ANR glass.
Camera: Toyo Field 45A
Lens: Fujinon-W 180mm f:5.6 (yellow filter)
Exposure: 1/8 @ F/32
Film: Foma Fomapan 100 Classic 4x5" hand developed in Xtol Replenished
Contactprint on Fomabrom 111 from a full plate negative.
White sides, dark lines et cetera, all artifacts from tray development of the negative.
-press L for about life size- 16,5 x21,5 cm
-Rosa new dawn- I think
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Rodenstock Sinaron-N 210mm/5.6
Fomapan 100@160 + Caffenol-CM(RS)
11x14" palladium print on Arches Platine paper.
contact print from 8x10" in camera negative.
Deardorff V8,HP5
Hilba 4x5" camera,
Schneider Symmar 90mm,
Tmax sheet film, EXP. 07/2001, dev 8* in TMAX
8. Dezember 2019
This is a very special place. At the end of WWII, resistance people were shot here by the occupants. The dead make their presence felt through the monument. People acknowledge the connection by placing small found items on top of the monument. A special energy.
salvaged black and white large format negatives from the B Dutt archive
scanned 4 x 5 kodak safety film circa 1955
Berlin-Prenzlauer Berg, Gethsemanekirche
Zeiss Ikon Donata 227/7U, Foma Retropan 320 in Foma Retro Special Developer
US Life project
Scan from Vintage Negative
Kodak Safety Film 4x5
Large Format
Scan: Epson V800
© All Rights Reserved
Diesmal im Großformat aufgenommen 4x10 Zoll.
Mit dem Handy habe ich ein ähnliches Ergebnis bekommen aber wenn man es genau betrachtet und nicht nur Pixel zählt dann gibt Großformat schon Sinn. Zumindest macht es Spaß.
Apparently, I have a 5x7 camera. It's like I forgot. Now, rusty and ill fitting to it, I start again. Blessings to you, wherever you walk. This one is a Karl-size scan...
Note: I am happy to say, this image was selected to be included in the 2015 National All Media Juried Exhibition, at the Chico Art Center.