Sinar
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Camera: Chamonix 045F-1
Film: ILFORD Delta 100
Developer: Kodak XTOL
Location: Tung Ping Chau(東坪洲), Hong Kong
Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
From the Napoelon war to protect production of salt.
Taken with Linhof color, Computar Symmetrigon 150mm.
Kodak Plus X at ISO 50, developed in Fomadon Excel.
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
From a small street in Åsgårdsstrand in Norway, leading towards a house where Edvard Munch had his studio and lived during summer time.
A contact print made on Fomaspeed 311.
Taken with Linhof color, Leitz EPIS 400mm f4 at f8 and 5x7" Fomapan 200.
Another paper negative test. Iso 3 (overexposed) and developed by inspection (5 minutes, rodinal 1+60)
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Father and daughter...
Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.
Speedlight with grid and black flag above left.
No season for snow this year.
Fomapan 100 developed in Rodinal 1:50.
Linhof color, Computar Symmetrigon 150mm f6.3.
Camera: Toyo Field 45A
Lens: Fujinon-W 135mm f:5.6 (yellow filter)
Exposure: 1/15 @ F/22
Film: Ilford FP4+ 4x5" hand developed in Xtol Replenished
Baker Nevada just outside of the Great Basin Range National Park. This is a re-edit of a large-format film photo I took several years ago.
Taken August 12, 2024.
Toyo 45G Fujinon A 240mm/9. Rollei Infrared 400 film. Hoya 720nm IR filter - 5 stops exposure compensation. 1/8s F16.
Standard development in Rollei Supergrain developer 1:12 for 7 minutes.
This has been sitting on the desktop for some time - there were technical difficulties developing the negative, but I like the overall look of the image.
There is a substantial anti-halation layer on the Rollei IR film which must be washed off. The exposed film sheet sits on a rack in the developing tank, held in place by tabs around the edges - I suspect that the film was not adequately washed around the edges, and so the border is underdeveloped. In addition, it was a real struggle for my hazy 240mm lens to shoot into the bright blue sky at F16, so there is some faint mottling.
Taken early autumn 2024 on Kodak Portra with the Toyo 5x4 view camera. I need to find a backpack I can fit all this thing in, the carry case is almost as heavy as the camera. I wanted a shot much deeper into this woodland, but I can't carry the thing very far. Since found that if I get it all set up on a tripod, compress the bellows, clamp everything down very well, put if over my shoulder, I can go further. The Portra was home developed in Kodak C41 chemicals.
Every time i enter the #gate to the #forest it is like something is #soaking me in. I #enter a #special #world. It is filled with #mood, #easy #vibes and #simple #living. It is like coming #home. I #love this #feeling. It #heals my #heart.
#polaroid 59, #4x5 #ebonycera
waiting for new developer and fixer.
these were 4x5 paper negatives taken ????
I used the wrong developer. sigh..
but they're fun to play with.
5 more after this.
of course, no comments needed.
some paper, dunno which.
see what you can see.
**wednesday I was playing with the LF camera and managed to screw up four more negatives. I'm glad it's photo paper and not 4x5 film.
this is how I learn, and in this case, relearn.
Callie is known locally as 'black jesus' - he is kind, a deep thinker, ridiculously easy company.
Six days a week, his long gangly legs and endless ropey arms make their way around the island by bicycle, (often balancing a variety of fruits and coconuts on his handlebars to sell), easily traversing 20km-30km a day.
On this day, he told me that he had recently had a stroke and that he had some paralysis down his right side. The doctor told Callie that it was a good thing that he took one of his epic bicycle rides shortly after the stroke had hit, because doing so had minimised the lasting affect of the heart-event on his limbs.
Before the portraits, I showed Callie the images I had taken of his sister Anna - he got emotional: there she is...there she is'...
Callie, and ordinary men and women like him, make you feel part of something that matters. That a world of decency, respect, hard work, honesty and self-sufficiency, can and does still exist.
Whenever I speak to Callie or see one of his enormous hands lift from a handlebar to waive as I pass him, his give-everything smile beaming, I realise that 'god is one of us' and that our blessings are too many to count.
Graflex Speed Graphic Large Format 4X5
Lens: No.3 Acme synchro Ilex F4.5 6 1/2 inches (166mm) ( Year 1950-1960)
Film: Fomapan 100 4x5
Shot: F11 1/50s
Develop: HC110, 1:63
Develop Time: 10.5 mins
Scan Epson V800
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