Handheld Large Format Camera
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
© All Rights Reserved
Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Hyons Wood, Walker Titan SF with 150mm, Delta 100 in FX 39, 12x16 Silver Gelatin Print on Ilford MG RC Satin
again in the east side of the Zion National Park autumn 2019
Chamonix F2
Rodenstock Grandagon-N 90mm f/4.5
Kodak Ektar 100
Epson V800
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.
I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)
The picture was finished long time ago and when I put it out here, I was misled by the prefix.
I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.
Speedlight with softbox, left. White V-flat right.
2:1 Magnification.
Little Deer Isle, Maine.
Toyo 45G Nikkor SW 90mm/4.5. Ilford FP4+ @ASA100. Hoya 25A Red Filter 3-stops. Standard Development Ilfosol-3 @68F 4;15.
Mid-Morning, Bright Sun.
Older 4x5" negative I stumbled across during my most recent darkroom session :)
It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)
Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14
Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Everyday you can see
Changes in her hair and smile
I can wait a million days
While her smile goes away (Mazzy Star – Roseblood)
Lith Print onto Forte FN14 Fortezo Museum using Moersch Easy Lith @ 1+20
Toyo 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Ilford FP4+ in Rodinal @ 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Through a magic lantern lens.
The lens made of Wrench & Son is probably from 1890.
5x7" Fomaspeed 311 paper negative taken on Linhof color with adapter.
Local woodland, Meltham, West Yorkshire.
MPP 4x5, Unnamed 8" F/4.5 brass petzval lens, Ilford FP4 developed in Ilfotec HC