Lilliehookbreen glacier with misty weather - Svalbard islands

Days getting colder, hopefully...

Sinar F

Schneider-Kreuznach 150mm F5.6

Shanghai GP3 100

Kodak HC110 1+31 19C 8:17mins

Epson Scan V800

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Sinar F 4x5 camera

Schneider 150mm F5.6

Shanghai GP3 ISO 100

Blazinal 1+25 20C 10mins

Fix 5mins.

© All Rights Reserved

© All Rights Reserved

Thank you very much for your kind visit, comments and faves!

Toutes mes photos et créations sont © copyright et tous droits réservés.

Lensless 4x5 pinhole camera

50mm@f/154

Exposure about 80’s

Ilford Delta 100 Profesional

Kodak HC-110

DsLr DiGiTiZeD

PS

Thanks all for your fav & comments!! 🙏🙏

Tiny Humans

@polaroidweek day 6, 1st image

Graflex Speed Graphic Large Format 4X5

Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)

120 film Back

Kodak EPP

CineStill D9 First Developer Bath 1+1 9mins 15 Sec)

Rinse 6 Lifes or 6 Inversion Cycles

Color&Reversal Bath 7mins

Rinse Fill and Empty Tank 6 times

Bleaches & Fixer Bath 8mins

Wash fill and Empty 10 times

Stabilizer: 1min

Scan：Epson V800

© All Rights Reserved

Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.

1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.

Standard development Ilfosol-3.

11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.

again in the east side of the Zion National Park autumn 2019

Chamonix F2

Rodenstock Grandagon-N 90mm f/4.5

Kodak Ektar 100

Epson V800

(C) www.skyline-panorama.de

One of the best ways to start a new day. I am hungry for more moments like this.

Paper negative

Self-made film holder still lets in light.

But the effect of it makes the picture almost picturesque.

The thin strip of light only hits the elevations in the paper.

Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.

Fomaspeed 311 with yellow filter and exposed at ISO3.

A collaboration with the one & only aaaamandaaaa

Kodak Plus X, Rodenstock Apo Ronar 360mm, f15 and 6 sec. Developed in Fomadon R09 1:50

Hyons Wood, Walker Titan SF with Rodenstock 150mm Lens, Rollei Ortho 25+ in HC110

And every time i try to sit down, clear my mind and enjoy this simple beauty.

Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.

I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)

The picture was finished long time ago and when I put it out here, I was misled by the prefix.

I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.

The time is up now.

Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.

Have a nice week ✌️

Roidweek Day 1, Image 1

Older 4x5" negative I stumbled across during my most recent darkroom session :)

It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)

Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14

Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50

Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.

That was my thought while standing there at the edge.

Nochmals überarbeitet.

Neptun Brunnen und Schloß Schönbrunn in Wien

5x7 paper negative

Linhof color, Rodenstock Apo Ronar 360mm.

Fomaspeed 311.

Paper negative

Linhof color

f27 and 30 sec

The paper negative can give excellent results, but it also requires respect for the light and the right exposure.

I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.

Harman Titan 8x10 Pinhole with Ilford HP4+ developed in PMK Pyro.

www.kirtecarterfineartphotography.com

The Roaches, Derbyshire Peak District

1931 Voigtlander Avus 9x12cm, Kodabrome paper negative

Developed in ilfotek HC, Scanned with an Epson V800.

Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.

Speedlight with softbox, left. White V-flat right.

2:1 Magnification.

Taken with Linhof color 4x5 and Computar Symmetrigon 150mm f6.3. Fomapan 100 developed in Ilford DD-X 1:4.

@polaroidweek day 5, 1st image

Hyons Wood, Walker Titan SF, Rodenstock 300mm, Rollei Ortho 25 in HC110

VDB on Arches Aquarelle from 8x10 Film Negative.

No season for snow this year.

Fomapan 100 developed in Rodinal 1:50.

Linhof color, Computar Symmetrigon 150mm f6.3.

Father and daughter...

Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.

Speedlight with grid and black flag above left.

The photo was taken with Linhof Color 4x5, Rodenstock Apo Ronar 360mm and Harman DPP.

Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle