View allAll Photos Tagged largeformat
Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Dockside Reflections (Pillar Point Harbor)
Date: July 19, 2023
Camera: KB Canham T657
Lens: Nikkor W 210mm f/5.6
Film: Kodak 320 TXP (ei: 160)
Bellows Extension 210mm
Exposure: 1/8s @ f/22
Developer: Kodak HC-110 1:62
Processing: Tray (continuous agitation)
Temperature: 20°c
Developing Time: 9’ 0” (N)
Digitized: Nikon D850, Nikkor 60mm Micro AF-S
-Thomas
Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
© All Rights Reserved
Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Hyons Wood, Walker Titan SF with Rodenstock 150mm Lens, Ilford HP5+ in FX39, Silver Gelatin Print, Ilford MG RC Deluxe Satin Paper
Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.
I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)
The picture was finished long time ago and when I put it out here, I was misled by the prefix.
I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.
Paper negative with Fomaspeed 311 and yellow filter. Developed in Fomatol P in normal dilution for 60 sec.
Rodenstock Apo Ronar 360mm at F32 and some use of tilt.
Linhof color with an adapter for 5x7
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
Fort Madison. Castine, Maine
Castine observes the head of Penobscot Bay and the mouth of the Bagaduce River, and was the sight of fighting during both the Revolutionary War and the War of 1812.
Toyo 45G Fujinon A 240mm/9. Rollei Infrared 400 film. Hoya 720nm IR filter - 5 stops exposure compensation. F16 0.5 secs.
Standard development in Rollei Supergrain developer 1:12 for 7 minutes.
This was taken on September 4, 2024 - I just got around to developing the negative.
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle
Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.
Speedlight with softbox, left. White V-flat right.
2:1 Magnification.
Father and daughter...
Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.
Speedlight with grid and black flag above left.
From a small street in Åsgårdsstrand in Norway, leading towards a house where Edvard Munch had his studio and lived during summer time.
A contact print made on Fomaspeed 311.
Taken with Linhof color, Leitz EPIS 400mm f4 at f8 and 5x7" Fomapan 200.
No season for snow this year.
Fomapan 100 developed in Rodinal 1:50.
Linhof color, Computar Symmetrigon 150mm f6.3.
I have been pushing the boundaries of my photography a bit recently with the addition of Wet Plate Collodion as a new "skill"
Its not easy as it forces you to work fast. however you do get to control the process start to finish.
I am looking forward to incorporating it into my workflow a bit
around 90 sec f4 large format 75mm lens
Baker Nevada just outside of the Great Basin Range National Park. This is a re-edit of a large-format film photo I took several years ago.