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Lilliehookbreen glacier with misty weather - Svalbard islands

Days getting colder, hopefully...

Sinar F

Schneider-Kreuznach 150mm F5.6

Shanghai GP3 100

Kodak HC110 1+31 19C 8:17mins

Epson Scan V800

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Sinar F 4x5 camera

Schneider 150mm F5.6

Shanghai GP3 ISO 100

Blazinal 1+25 20C 10mins

Fix 5mins.

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The Artist

Date: April 24, 2023

Camera: KB Canham T657 Wood Field

Lens: Nikkor W 210mm f/5.6

Film: Kodak 320 TXP ei:160

Bellows Extension: 270mm

Bellows Compensation: +1 Stop

Exposure: 1s @ f/5.6

Developer: Kodak HC-110 1:62

Development: Tray (continuous agitation)

Temperature: 20°c

Developing Time: 9’ 0” (N)

Digitized: Nikon D850, Nikkor 60mm Micro AF-S

-Thomas

Tiny Humans

 

@polaroidweek day 6, 1st image

Graflex Speed Graphic Large Format 4X5

Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)

120 film Back

Kodak EPP

CineStill D9 First Developer Bath 1+1 9mins 15 Sec)

Rinse 6 Lifes or 6 Inversion Cycles

Color&Reversal Bath 7mins

Rinse Fill and Empty Tank 6 times

Bleaches & Fixer Bath 8mins

Wash fill and Empty 10 times

Stabilizer: 1min

Scan:Epson V800

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Pinhole

Zero 45

Expired Kodak T Max

 

September 2021

again in the east side of the Zion National Park autumn 2019

 

Chamonix F2

Rodenstock Grandagon-N 90mm f/4.5

Kodak Ektar 100

Epson V800

 

(C) www.skyline-panorama.de

One of the best ways to start a new day. I am hungry for more moments like this.

Bradley Fell Road, Ebony RW45 with 210mm, D100 in DDX

Roidweek 2018 Day 4, Image 2

Paper negative

Self-made film holder still lets in light.

But the effect of it makes the picture almost picturesque.

The thin strip of light only hits the elevations in the paper.

Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.

Fomaspeed 311 with yellow filter and exposed at ISO3.

Paderborn-08-02-2021-001

Shen Hao PTB45, Fujinon W 5.6/210, yellow filter, Adox CHS 100 II developed in Rodinal 1+25 using the SP-445 development tank, scanned on an Epson V800.

Bradley Fell Road, Ebony RW45 with 150mm, D100 in DDX

For a little while, anyway. The best part of a great vacation!

Fomaspeed 311, ISO 12 and yellow filter. Developed in strong paper developer (no extra dilution)

Sinar F ;

Schneider 150mm F5.6

4x5 Film

Film: ***HP4*** 4x5 400ASA

Develop:HC110 1+31; ***20mins***

Fix: 10mins

Scan:Epson E800

 

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And every time i try to sit down, clear my mind and enjoy this simple beauty.

Kodak Plus X, Rodenstock Apo Ronar 360mm, f15 and 6 sec. Developed in Fomadon R09 1:50

The time is up now.

Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.

 

Have a nice week ✌️

 

Roidweek Day 1, Image 1

That was my thought while standing there at the edge.

Paper negative

Linhof color

f27 and 30 sec

 

The paper negative can give excellent results, but it also requires respect for the light and the right exposure.

I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.

Nochmals überarbeitet.

Neptun Brunnen und Schloß Schönbrunn in Wien

Hyons Wood, Walker Titan SF with Nikkor 90mm, Ilford Ortho + in HC110

Ilford HP5+ developed in Barry Thornton's 2 Bath developer, 5 + 5 minutes.

Intrepid 8x10 camera with the Schneider 240mm Symmar-S lens

About 10 seconds exposure at f32.

5x7 paper negative

Linhof color, Rodenstock Apo Ronar 360mm.

Fomaspeed 311.

Paper negative - Fomaspeed 311, Linhof color with 5x7 adapter.

Rodenstock Apo Ronar 360mm

When the weather gets better I'll try shooting with the one in the background.

Alpenhause Polaroid 900

Polaroid 79

  

Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.

 

Speedlight with softbox, left. White V-flat right.

 

2:1 Magnification.

  

@polaroidweek day 5, 1st image

Another paper negative test. Iso 3 (overexposed) and developed by inspection (5 minutes, rodinal 1+60)

Harman Titan 8x10 Pinhole with Ilford HP4+ developed in PMK Pyro.

www.kirtecarterfineartphotography.com

Older 4x5" negative I stumbled across during my most recent darkroom session :)

 

It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)

 

Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14

 

Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50

 

Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.

Everyday you can see

Changes in her hair and smile

I can wait a million days

While her smile goes away (Mazzy Star – Roseblood)

 

Lith Print onto Forte FN14 Fortezo Museum using Moersch Easy Lith @ 1+20

 

Toyo 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Ilford FP4+ in Rodinal @ 1+50

 

Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.

This is "the other" photograph I made to evaluate the pairing of DD-23 with Bergger Pancro 400.

 

12 minutes in Part A

3 Minutes in Part B

  

Camera: 8x10 Deardorff

Lens: Gundlach Turner-Reich 12" convertible, both cells used. This is a 100 year old lens (give or take), and in spite of its limitations its capable of making spectacular photographs. This is one of the better lenses for giving very soft out-of-focus areas, devoid of vibrations or aperture shapes, etc. (many lenses fare really poorly in this regard. My Hasselblad is one of the worst, with its pentagonal bokeh!) If it was good enough for Edward Weston, its good enough for me.

Exposure: 15 seconds at f16

 

Divided D-23 is a two part developer; the developing agent + preservative in Part A, and the accelerator in Part B

In this case, Part A was 3 grams of Metol and 50 grams of Sodium sulfite in 500 ML of water, and Part B was 2 grams of Borax in 500 ml of water.

Depending on the film, time in Part A is between 4 and 12 minutes, and time in Part B is pretty much a constant: 3 minutes, plus or minus.

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