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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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The Artist
Date: April 24, 2023
Camera: KB Canham T657 Wood Field
Lens: Nikkor W 210mm f/5.6
Film: Kodak 320 TXP ei:160
Bellows Extension: 270mm
Bellows Compensation: +1 Stop
Exposure: 1s @ f/5.6
Developer: Kodak HC-110 1:62
Development: Tray (continuous agitation)
Temperature: 20°c
Developing Time: 9’ 0” (N)
Digitized: Nikon D850, Nikkor 60mm Micro AF-S
-Thomas
Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan:Epson V800
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again in the east side of the Zion National Park autumn 2019
Chamonix F2
Rodenstock Grandagon-N 90mm f/4.5
Kodak Ektar 100
Epson V800
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Paderborn-08-02-2021-001
Shen Hao PTB45, Fujinon W 5.6/210, yellow filter, Adox CHS 100 II developed in Rodinal 1+25 using the SP-445 development tank, scanned on an Epson V800.
Sinar F ;
Schneider 150mm F5.6
4x5 Film
Film: ***HP4*** 4x5 400ASA
Develop:HC110 1+31; ***20mins***
Fix: 10mins
Scan:Epson E800
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The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Ilford HP5+ developed in Barry Thornton's 2 Bath developer, 5 + 5 minutes.
Intrepid 8x10 camera with the Schneider 240mm Symmar-S lens
About 10 seconds exposure at f32.
Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.
Speedlight with softbox, left. White V-flat right.
2:1 Magnification.
Another paper negative test. Iso 3 (overexposed) and developed by inspection (5 minutes, rodinal 1+60)
Older 4x5" negative I stumbled across during my most recent darkroom session :)
It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)
Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14
Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Everyday you can see
Changes in her hair and smile
I can wait a million days
While her smile goes away (Mazzy Star – Roseblood)
Lith Print onto Forte FN14 Fortezo Museum using Moersch Easy Lith @ 1+20
Toyo 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Ilford FP4+ in Rodinal @ 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
This is "the other" photograph I made to evaluate the pairing of DD-23 with Bergger Pancro 400.
12 minutes in Part A
3 Minutes in Part B
Camera: 8x10 Deardorff
Lens: Gundlach Turner-Reich 12" convertible, both cells used. This is a 100 year old lens (give or take), and in spite of its limitations its capable of making spectacular photographs. This is one of the better lenses for giving very soft out-of-focus areas, devoid of vibrations or aperture shapes, etc. (many lenses fare really poorly in this regard. My Hasselblad is one of the worst, with its pentagonal bokeh!) If it was good enough for Edward Weston, its good enough for me.
Exposure: 15 seconds at f16
Divided D-23 is a two part developer; the developing agent + preservative in Part A, and the accelerator in Part B
In this case, Part A was 3 grams of Metol and 50 grams of Sodium sulfite in 500 ML of water, and Part B was 2 grams of Borax in 500 ml of water.
Depending on the film, time in Part A is between 4 and 12 minutes, and time in Part B is pretty much a constant: 3 minutes, plus or minus.