Days getting colder, hopefully...

Camera: Chamonix 045F-1

Lens: Schneider 90mm F5.6

Film: ILFORD Delta 100

Developer: ILFOTEC DD-X

Exposure time: 8Mins

Location: Miyajima, Japan

Sinar F

Schneider-Kreuznach 150mm F5.6

Shanghai GP3 100

Kodak HC110 1+31 19C 8:17mins

Epson Scan V800

© All Rights Reserved

Thank you very much for your kind visit, comments and faves!

Toutes mes photos et créations sont © copyright et tous droits réservés.

4X5 glass plate

Collodion Process

Camera: Sinar F

Lens: Schneider-Kreuznach F5.6/150mm

Shot at: F5.6, 2mins, Indoor,2 LED Lights

© All Rights Reserved

Lensless 4x5 pinhole camera

50mm@f/154

Exposure about 80’s

Ilford Delta 100 Profesional

Kodak HC-110

DsLr DiGiTiZeD

PS

Thanks all for your fav & comments!! 🙏🙏

Tiny Humans

@polaroidweek day 6, 1st image

Graflex Speed Graphic Large Format 4X5

Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)

120 film Back

Kodak EPP

CineStill D9 First Developer Bath 1+1 9mins 15 Sec)

Rinse 6 Lifes or 6 Inversion Cycles

Color&Reversal Bath 7mins

Rinse Fill and Empty Tank 6 times

Bleaches & Fixer Bath 8mins

Wash fill and Empty 10 times

Stabilizer: 1min

Scan：Epson V800

© All Rights Reserved

Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.

1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.

Standard development Ilfosol-3.

11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.

again in the east side of the Zion National Park autumn 2019

Chamonix F2

Rodenstock Grandagon-N 90mm f/4.5

Kodak Ektar 100

Epson V800

(C) www.skyline-panorama.de

Bamburgh, Northumberland, Walker Titan SF with Rodenstock 150mm, Ilford Ortho + in Ilfotec HC, 16"x12" Silver Gelatin Print on Ilford MG RC Satin

An old friend, photographed on 8x10 Ilford FP4+

Intrepid camera with my 12" Kodak Ektar f4.5 lens. Film developed with Pyrocat HD.

www.youtube.com/watch?v=A2_snSkpULQ

Paper negative

Self-made film holder still lets in light.

But the effect of it makes the picture almost picturesque.

The thin strip of light only hits the elevations in the paper.

Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.

Fomaspeed 311 with yellow filter and exposed at ISO3.

Southwest Arizona, USA

Zone VI 4x5 large format field camera. Full frame. No crop. No post processing. Scan from negative.

www.catherinesienko.com

For a little while, anyway. The best part of a great vacation!

Photographed many years ago with a Kodak 4X5 view camera. I don’t remember the date, lens used or much else. I did use Ektachrome film. This shot was made before all the”improvements and beautifications” to the area around the mill.

Starr’s Mill located In Fayette County Georgia USA

And every time i try to sit down, clear my mind and enjoy this simple beauty.

Kodak Plus X, Rodenstock Apo Ronar 360mm, f15 and 6 sec. Developed in Fomadon R09 1:50

Everyday you can see

Changes in her hair and smile

I can wait a million days

While her smile goes away (Mazzy Star – Roseblood)

Lith Print onto Forte FN14 Fortezo Museum using Moersch Easy Lith @ 1+20

Toyo 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Ilford FP4+ in Rodinal @ 1+50

Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.

Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.

I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)

The picture was finished long time ago and when I put it out here, I was misled by the prefix.

I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.

That was my thought while standing there at the edge.

Nochmals überarbeitet.

Neptun Brunnen und Schloß Schönbrunn in Wien

Paper negative

Linhof color

f27 and 30 sec

The paper negative can give excellent results, but it also requires respect for the light and the right exposure.

I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.

5x7 paper negative

Linhof color, Rodenstock Apo Ronar 360mm.

Fomaspeed 311.

Older 4x5" negative I stumbled across during my most recent darkroom session :)

It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)

Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14

Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50

Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.

bigger

Paper negative - Fomaspeed 311, Linhof color with 5x7 adapter.

Rodenstock Apo Ronar 360mm

Harman Titan 8x10 Pinhole with Ilford HP4+ developed in PMK Pyro.

www.kirtecarterfineartphotography.com

Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.

Speedlight with softbox, left. White V-flat right.

2:1 Magnification.

Hyons Wood, Walker Titan SF with 150mm lens, HP5+ in Ilfotec HC

Linhof Color 4x5, Computar Symmetrigon 150mm

Not sufficiently motivated winter swimmers

Camera: Toyo Field 45A

Lens: Nikon Nikkor-W 210mm f:5.6 (yellow filter)

Exposure: 1/8 sec @ F/22

Film: Fomapan 200 Creative 4x5" hand developed in Xtol Replenished

Hyons Wood, Walker Titan SF with Nikkor 90mm, Ilford Delta 100 in HC110

@polaroidweek day 5, 1st image

4x5 Kodak Plus-X that expired in 1987. exposed as ISO 50 and developed in Fomadon 1:50

Linhof color, Computar Symmetrigon 150mm with a slight tilt.

When the weather gets better I'll try shooting with the one in the background.