Handheld Large Format Camera
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Beach Tractor on Filey Beach in North Yorkshire.
Okuhara Half Plate Camera, Wollensak Verito 7 1/4" Soft Focus Lens, J Lane Dry Plate. Developed in Ilfotec HC, 1 + 47 for 6 minutes.
Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Polaroid 79
I was thinking about another picture for today but I think that this is the best for the this year's Spring Roidweek.
This is how it looks after a few hours of snowing in the woods.
Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Camera: Wista 45DX
Lens: Nikkor W 150mm f5.6
Film: Kodak 320TXP (ei: 160)
Subject: Stopped in to a church I passed along the way
Date: October 10, 2022
Bellows Extension: 165mm
Bellows Compensation: +2/3
Reciprocity Compensation +29s
Actual Exposure: 37s @ f/22.7
Processing: Tray Development
Developer: HC-110 H 1:62
Temperature: 20°c
Developing Time: 8’ 0” (N)
Digitized: Nikon D850, Nikkor 55mm Micro ais
Stopped in to a church I passed along the way…
I been visiting for over three years now, and every time I visit it’s been empty. At first I felt awkward sitting alone, but soon realizing it’s the first church I sat in where I truly feel spiritually enlightened. Today I quietly prayed for Dad. Three days later he passed peacefully at the age of ninety-seven. And although he never knew I like to photograph or seen any of my photos…this one’s for you Dad.
May you Rest In Peace 🙏
-Thomas
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.
I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)
The picture was finished long time ago and when I put it out here, I was misled by the prefix.
I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
Older 4x5" negative I stumbled across during my most recent darkroom session :)
It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)
Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14
Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
The old graveyard is peaceful. The place connects me emotionally to the ancient mysteries. The magic and beauty of the place is there to see and feel, but so difficult to capture.
It was raining but it did not stop me from taking the picture.
Taken with Linhof Color 4x5 and Fomapan 100. Developed in Fomadon Excel.
No season for snow this year.
Fomapan 100 developed in Rodinal 1:50.
Linhof color, Computar Symmetrigon 150mm f6.3.
Father and daughter...
Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.
Speedlight with grid and black flag above left.
Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle
Baker Nevada just outside of the Great Basin Range National Park. This is a re-edit of a large-format film photo I took several years ago.
From an 8x10 inch Fomapan 100 negative (well, branded as CatLabs X80, but it's Fomapan) developed in PMK Pyro. Not bad, but the shoulder rolls off very early, making for somewhat difficult to visualize high values. But it works in its own way.
Deardoff with Schneider 240mm Symmar-S
40 seconds exposure at f16. (Long reciprocity + bellows extension)