View allAll Photos Tagged largeformat

4x5 Pinhole, Fomapn 100, Rodinal

"Struwwelpeterbrunnen"

by Franziska Lenz-Gerharz

Frankfurt, Germany

 

Hybrid large format 40x40 cm

Meyer Görlitz Epidon 3.6/420mm

You can see the reflection of one of the chefs working the range in the mirror.

 

Color 4x5, 150mm f/5.6 Portra 160

Camera .. Rittreck View

Lens .. Fujinon 90mm

Film .. Provia100(Expired)

Apature .. F64

SS .. 1/30sec

Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)

 

#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper

Cyanotype on COT320 toned in catechin. Negs: Foma 100 5x7 in Pyrocat-HD.

Pinhole 4x5 Fomapan 100@50iso, dev in Ordinal 1:100

This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.

 

MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.

busch pressman, kodak ektar127, fomapan200

This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...

 

MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.

What a great day that was. First being at the wonderful Wiener Fotobörse by Jo Geier and then I captured a „memory lane“ dry plate on my way home and did a salt print of it. Check out my video about it: youtu.be/0C3MvXUT86M #analog #largeformat #analogue #landscapephotography #handmade

Tulips in our garden...

 

MPP Micro Technical camera with Fujinon 150mm f6.3 lens, Fomapan 100 film, f22 at 1/8th sec.

 

Finished with Nik Collection Analog Efex Pro 2...

 

Lock down gives us plenty of time to explore post processing techniques...

1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

Vance, shot on 8 x10 Impossible PQ

not up and down the boulevard

Salt Print

8in x 10in

 

- Digital negative made from original 4x5 Kodak TMAX 100 negative shot using Calumet studio camera

- Fabriano Artistico paper

- Sodium Chloride and gelatin base

- Silver Nitrate with one drop of potassium dichromate for increased contrast

- Gold Borax Toner

- Dual Sodium Thiosulfite fixer baths

- Sodium Sulfate clearing agent

   

Large Format Fuji Velvia 50 Film

Sigüenza, Guadalajara - Castilla la Mancha - España

Chamonix F1 : Nikkor-W 150/5.6

Adox CHS 100 II : HC-110 (e)

 

One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.

 

This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.

 

For more behind the scenes, blog and tutorials visit my site:

 

www.joelgrimes.com

  

Large format really shows me how easily I can become distracted despite slowing down and really looking around me. I missed a shot because other hikers wanted to interact as I was setting up a shot, and I totally screwed up and missed it since I lost my concentration. I'll go back (hopefully!) to see if I can recreate the shot. But I so value LF since it makes me more observant, and the details are just incomparable. This is the last of my expired HP5 so will need to pick up some more 4x5 - I'll be finishing up my Ultra 8x10 soon as well, so time to find deals on film! Thanks to all the flickeranians who continue to inspire!

Chamonix 4x5

Rollei 400

90mm

 

Brooks Dutt archive continued

scanned 4 x 5 negs circa 1957

Ilford Delta 100 4x5

First try develop in Caffenol-C-L 50min at 20C

Negative “scanned” with A7R2

Zsámbék, Hungary

half plate negative (old orwo stock) from my Toyo

printed in weak lith on fomatone 131

4 x 5 negs scanned from salvaged B Dutt archive

kodak safety film circa 1956

- Graflex Speed Graphic lens 150mm f3.5

  

- Film Polaroid 59 4x5 expiration date unknown

Photogravure with chine collé

An image taken from my project that was displayed at an Image Circle exhibition last November.

Taken with the Ebony 45S and 90mm lens, delta 100 and a yellow filter.

Making progress with #Cyanotype gelatine on glass prints of my XRay film negatives. #largeformat #largeformatphotography #cyanotypeprint #studiothreegallery #clevedon #pier

Cyanotype - washed in citric acid solution, hydrogen peroxide, washing soda and then toned in black tea.

Chinese visitors to Asakusa, dressing up for the day as Japanese.

Tunnel View, Yosemite; Originally taken in 2016

Sinar Norma 4x5

Kodak Ektar ISO100

Fujinon 90mm F8

 

This scan is basically straight off the scanner (scanmate 5000 drum scanner), but I originally scanned this photo with my Epson v800 and wasn't blown away by the results. I figured the photo itself simply wasn't inspiring and that I failed to capture the beauty before me at Yosemite. I was wrong, and my Scanmate 5000 revealed all the amazing details that were hiding in this negative.

 

I've had my Scanmate 5000 for over 2 years now and I'm continuing to learn so much about it, including maintenance items and tuning. I recently replaced the aperture motor, scsi communication board, IT8 calibration, tuned the aperture, and a number of other items. It's a pain in the ass, but the results are well worth it. Compare it with the original Epson scan, and you can immediately see the depth and detail the SM5K picked up.

 

As far as I can tell, one last thing is left to take care of - there appears to be banding in some scans. I suspect a dying bulb or bulb connection. Fingers crossed!

 

I could not have done this without the help of Pali K, the most knowledgeable individual on these scanners.

 

See the original Epson scan here flic.kr/p/G1TfWS.

 

See the drum scan prior to IT8 and Aperture calibration here, which required lots of post processing to correct colors, and it has lots of grain flic.kr/p/27rkrgH.

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