View allAll Photos Tagged largeformat
Pinhole photo taken with a homemade 8x10" foamboard pinhole camera.
8x10" Efke PL100 developed in Rodinal 1:50.
Please do not invite my photos to groups that I am not a member of. If you want to do so, invite me to become a member of the group first. Otherwise I'll decline the invitations. Although I appreciate likes, if you have no photos of your own, and you have lots of pornographic or "voyeuristic" stuff in your faves, I will block you without any questions. If your photostream mostly contains your dick pics you will be blocked immediately.
Shot with Fomapan 200 with an orange filter. Quite a difficult shot to get in camera. I had to tilt the camera up then straighten the standards with a spirit level to get the verticals right.
Today’s Collodion tintype test with Lars.
This is UV Photographics new X formula collodion (very fast compared to OWH!) and I’m also testing a new magic lantern lens a friend has offered me. I estimate it to be about f8. No waterhouse stops - just wide open chromatic aberration goodness.
Exposure was 6 seconds in open shade, cloudy November conditions.
Walking through this place was one of the most peaceful and enjoyable things I've had the pleasure of experiencing. The juxtaposition of vivid leaves with warm desert tones and geology makes an unusually beautiful combination. I love this scene because it captures an incredibly ephemeral moment in time. The wash had just been flooded, leaving the sand wet and forming gorgeous ripple and wave patterns. The vivid leaves fell onto the sand and rested there. A few days earlier, there would have been dry, loose sand and no leaves. A few days later, and there would be dry, loose sand and a bunch of dry, dead, colorless leaves.
This was a rather precarious scene to capture. I used my Intrepid 4x5 view camera, and view cameras are designed to be used perfectly level. They have a flat "bed" on which are mounted two moving "standards," one holding the film, and the other holding the lens, connected by a fabric bellows in between. Tipping that assembly on end so it faces the ground puts all the weight on the standard mounts, which aren't made to support it. It also makes viewing the dim ground glass under a focusing hood very difficult, as I had to lean out over the top of the tripod, which was balanced spread over these leaves, trying not to ruin the delicate mud with footprints or shadow, while focusing on the reversed & inverted ground glass. Then it began to rain! I was in a flash flood wash, where 7 people were suddenly killed by a flash flood a couple years ago. I hurriedly finished the image, and ran to high ground to wait out the rain before getting back to work.
By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!
Details:
This large format film image was made on Fuji Velvia 100 with my Intrepid 4x5 Camera and Schneider-Kreuznach 90mm Æ’/8 Super-Angulon lens. 2s @ Æ’/45, swing & tilt. It was my only exposure of this scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.
This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.
For more behind the scenes, blog and tutorials visit my site:
Inverness Shipwreck (Reprocessed)
Sinar Norma 4x5
Ilford HP5+ ISO400
Fujinon 90mm F8
Reprocessed using wetscan on my Epson v800, and alternate editing to preserve detail and tones
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/10 sec. Scanned with Epson Perfection V800.
Snuck away for a sunset shoot from the Cox Bay lookout during last weeks family getaway. Didn't get much of a sunset as the sun dipped below a thick band of clouds minutes after taking this shot, but I was more than satisfied with the few moments of golden light the evening provided.
Kodak Portra 160 4x5 film
Chamonix 45f2
Nikon 135mm f5.6
135mm f32 1/30s
No filters
IG: @vladyurkov
Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)
#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper
"Struwwelpeterbrunnen"
by Franziska Lenz-Gerharz
Frankfurt, Germany
Hybrid large format 40x40 cm
Meyer Görlitz Epidon 3.6/420mm
A C13th church located in a tiny village in the Southdowns. Shot with a Wista 45DX and a 210mm Lens. HP5 with a yellow-green filter.
You can see the reflection of one of the chefs working the range in the mirror.
Color 4x5, 150mm f/5.6 Portra 160
Cropped from a 4x5 negative. The amount of detail from 4x5 is truly amazing. Even this cropped image is over 30mp.
This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.
This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...
MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.
Over the Memorial Day Weekend, I took a drive down to Hocking Hills State Park and hiked down into Old Man's cave gorge. This is the Upper Falls near the beginning of the hiking trail. I brought my Speed Graphic 4x5 Camera and some Kodak Portra 160 film. 180mm lens at f/5.6 1/25th of a second exposure.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Tulips in our garden...
MPP Micro Technical camera with Fujinon 150mm f6.3 lens, Fomapan 100 film, f22 at 1/8th sec.
Finished with Nik Collection Analog Efex Pro 2...
Lock down gives us plenty of time to explore post processing techniques...