View allAll Photos Tagged largeformat
Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)
#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/10 sec. Scanned with Epson Perfection V800.
Pinhole photo taken with a homemade 8x10" foamboard pinhole camera.
8x10" Efke PL100 developed in Rodinal 1:50.
Please do not invite my photos to groups that I am not a member of. If you want to do so, invite me to become a member of the group first. Otherwise I'll decline the invitations. Although I appreciate likes, if you have no photos of your own, and you have lots of pornographic or "voyeuristic" stuff in your faves, I will block you without any questions. If your photostream mostly contains your dick pics you will be blocked immediately.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
You can see the reflection of one of the chefs working the range in the mirror.
Color 4x5, 150mm f/5.6 Portra 160
"Struwwelpeterbrunnen"
by Franziska Lenz-Gerharz
Frankfurt, Germany
Hybrid large format 40x40 cm
Meyer GĂśrlitz Epidon 3.6/420mm
RĂŠparation de l'optique Som-Berthiot Color 360 F/4.
Vendue en l'ĂŠtat avec la chambre, les lamelles dans un sac.
TestĂŠe Ă pleine ouverture pour du portrait Ă 1m. Profondeur de champ de 0,009m. Juste l'oeil qui ĂŠtait net, le reste flou...
Bref, dĂŠgommage, dĂŠgraissage puis remise en place des 26 lamelles dans le fĂťt.
speed test
4x5 dry plate.
no exposure, and one stop increments from 25 to 800 seconds, 25 seconds is at 1,5 asa.
3,5 minutes development,
Slow emulsion, no fog.
quite a few years ago. Notice the headrest, so I would keep still for long enough (-:
Taken by Stephen also with a Large Format camera
A C13th church located in a tiny village in the Southdowns. Shot with a Wista 45DX and a 210mm Lens. HP5 with a yellow-green filter.
Tulips in our garden...
MPP Micro Technical camera with Fujinon 150mm f6.3 lens, Fomapan 100 film, f22 at 1/8th sec.
Finished with Nik Collection Analog Efex Pro 2...
Lock down gives us plenty of time to explore post processing techniques...
Salt Print
8in x 10in
- Digital negative made from original 4x5 Kodak TMAX 100 negative shot using Calumet studio camera
- Fabriano Artistico paper
- Sodium Chloride and gelatin base
- Silver Nitrate with one drop of potassium dichromate for increased contrast
- Gold Borax Toner
- Dual Sodium Thiosulfite fixer baths
- Sodium Sulfate clearing agent
This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.
What a great day that was. First being at the wonderful Wiener FotobĂśrse by Jo Geier and then I captured a âmemory laneâ dry plate on my way home and did a salt print of it. Check out my video about it: youtu.be/0C3MvXUT86M #analog #largeformat #analogue #landscapephotography #handmade
One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.
This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.
For more behind the scenes, blog and tutorials visit my site:
This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...
MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.
Making progress with #Cyanotype gelatine on glass prints of my XRay film negatives. #largeformat #largeformatphotography #cyanotypeprint #studiothreegallery #clevedon #pier
Cyanotype - washed in citric acid solution, hydrogen peroxide, washing soda and then toned in black tea.
SigĂźenza, Guadalajara - Castilla la Mancha - EspaĂąa
Chamonix F1 : Nikkor-W 150/5.6
Adox CHS 100 II : HC-110 (e)
Recently purchased "Mind Your Own Business" and salt glazed pot shot on a 5x7 Szabad. The glaze resembles the surface of the moon. Ilford FP4+ developed in Kodak HC-110
