View allAll Photos Tagged largeformat
IG: @vladyurkov
Fuji Velvia 50 4x5 [Expired 2018]
Chamonix 45f2
500mm f45 21s
81b warming filter
When its this green it doesn't even feel like winter. I managed to pick up a couple boxes of the legendary and now discontinued Velvia 50 for a more than reasonable price. After shooting a couple of test duplicate sheets vs. Provia I am blown away by the colours, contrast, and tonal separation of this film and can understand why it was once favoured by many landscape photographers.
Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)
#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper
"Struwwelpeterbrunnen"
by Franziska Lenz-Gerharz
Frankfurt, Germany
Hybrid large format 40x40 cm
Meyer GĂśrlitz Epidon 3.6/420mm
You can see the reflection of one of the chefs working the range in the mirror.
Color 4x5, 150mm f/5.6 Portra 160
This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.
This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...
MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Tulips in our garden...
MPP Micro Technical camera with Fujinon 150mm f6.3 lens, Fomapan 100 film, f22 at 1/8th sec.
Finished with Nik Collection Analog Efex Pro 2...
Lock down gives us plenty of time to explore post processing techniques...
speed test
4x5 dry plate.
no exposure, and one stop increments from 25 to 800 seconds, 25 seconds is at 1,5 asa.
3,5 minutes development,
Slow emulsion, no fog.
What a great day that was. First being at the wonderful Wiener FotobĂśrse by Jo Geier and then I captured a âmemory laneâ dry plate on my way home and did a salt print of it. Check out my video about it: youtu.be/0C3MvXUT86M #analog #largeformat #analogue #landscapephotography #handmade
One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.
This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.
For more behind the scenes, blog and tutorials visit my site:
SigĂźenza, Guadalajara - Castilla la Mancha - EspaĂąa
Chamonix F1 : Nikkor-W 150/5.6
Adox CHS 100 II : HC-110 (e)
Salt Print
8in x 10in
- Digital negative made from original 4x5 Kodak TMAX 100 negative shot using Calumet studio camera
- Fabriano Artistico paper
- Sodium Chloride and gelatin base
- Silver Nitrate with one drop of potassium dichromate for increased contrast
- Gold Borax Toner
- Dual Sodium Thiosulfite fixer baths
- Sodium Sulfate clearing agent
Making progress with #Cyanotype gelatine on glass prints of my XRay film negatives. #largeformat #largeformatphotography #cyanotypeprint #studiothreegallery #clevedon #pier
Cyanotype - washed in citric acid solution, hydrogen peroxide, washing soda and then toned in black tea.
Recently purchased "Mind Your Own Business" and salt glazed pot shot on a 5x7 Szabad. The glaze resembles the surface of the moon. Ilford FP4+ developed in Kodak HC-110
Bulldog 4x5 with Nikkor 90mm f8, 8 sec at f64, fomapan 100 stand developed in rodinol @ 1+200 for 30 minute
the intrepid camera
fujinon SW 90mm f/8
foma retropan 320 soft
hc-110, 1+31 (B), 8 min
Framing with my 90mm lens got so much easier after I added the grid on the focusing screen and the fresnel lens on top. But even with that, I think I will never be able to get this kind of shot 100% perfect.
Large format really shows me how easily I can become distracted despite slowing down and really looking around me. I missed a shot because other hikers wanted to interact as I was setting up a shot, and I totally screwed up and missed it since I lost my concentration. I'll go back (hopefully!) to see if I can recreate the shot. But I so value LF since it makes me more observant, and the details are just incomparable. This is the last of my expired HP5 so will need to pick up some more 4x5 - I'll be finishing up my Ultra 8x10 soon as well, so time to find deals on film! Thanks to all the flickeranians who continue to inspire!
An image taken from my project that was displayed at an Image Circle exhibition last November.
Taken with the Ebony 45S and 90mm lens, delta 100 and a yellow filter.
Captured Youth Series 1997-2005
represented by the James Harris Gallery, jamesharrisgallery.com, stevedavisphotography.com