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Misty mountain lake, Norway 2017.

Chamonix F1, Fujinon 125mm f/5.6, 6x17 back, Ilford Delta 100.

5x7 Rittreck w 4x5 back, Fujinar 250, Aviphot, Dektol.

Red Rock Canyon Ntl Recreation area, Feb. 2019, Intrepid 4x5 mk2, Fomapan 100

(Explored　2016-1-14)

TOYO-FIELD45A

Nikkor W 135mm f5.6

FUJI PRO160NS

EPSON GT-X980

Tintype 4x5

#largeformat #4x5 #graflex #speedgraphic #aeroektar #kodak #320TXP

The dried-out bed of the Alme under the Wewelsburg

Shen Hao PTB 45B, Schneider Kreuznach Super Angulon 8/90, red filter, Fomapan 100 developed in HC-110 1+31 using the SP-445 developing tank, scanned on an Epson V800. The negatiive is overexposed owing to a miscalculation of the reciprocity factor.

Antique "quarter plate" studio camera and Ilford Ortho Plus 80.

Scan from 8x10 black-and-white negative shot on Deardorff V8 large format camera.

Graflex Crown Graphic 4x5. Schneider-Kreuznach Xenar 135mm f4.7. HP5 at EI200. Taken May 2020

Cyanotype 7 min at 17:00 EDT, late May, sunny

Passaic's miniature flatiron building

Rollei INFRARED, Rodinal 1:50, 10 min.

Le jardin du château de Versailles, 2019.

Chamonix F1, Fujinon 125mm, Ilford Delta 100 4x5.

Stanley Burn Woods, Walker Titan SF 4x5 with Nikkor 210mm lens, 1 sec @ f32, HP5+ in Ultrafin

5x4 film negative, scanned and converted with PS. I'm enjoying this hybrid approach although have to say I've also enjoyed being in the darkroom this weekend.

Zero Image 5x4, Fomapan 200.

5 second exposure

Camera: Horseman L45

Lens: Fujinon W 135mm F/5.6

Film: Fujifilm Super RX-N @ 100 ISO

Developer: Rodinal 1+100

Scanner: Epson V850 Pro

Developed in Rodinal 1+100 for 7 minutes at 77F. The highlights are pretty hot so I would probably develop at 5:45 at the same temperature or 9 minutes at 68F. That being said, I am getting better results with this blue sensitive emulsion than the green sensitive Fujifilm HR-U. The base is clearer and it seems to have more dynamic range. Grain seems to be about the same. I'd say rate it at around 80-100 ISO. 50 seems a bit overexposed but passable albeit with a fair bit of blooming around the highlights.

For anyone curious, the typewriter is an Olympia SM-9 with a 10 CPI font.

Ilford HP5, 4x5 Camera, Satisfy The Rocker shoes

Intrepid 8x10 + Symmar 300/5.6

Foma 100

Linhof　MASTER TECHNIKA2000　FUJINON-T 400 F8　ILFORD DELTA100

jessrees.com/

f5.6 for 2 seconds

TOYO 45A II, SCHNEIDER 210mm APO-SYMMAR, KODAK TRI-X, TMAX developer

The Nordfjord, Norway 2017.

Chamonix F1, Nikkor 180mm, 6x17 roll film back, Ilford Delta 100.

4x5 film

1949 Pacemaker Speed Graphic, Ektar 127mm, Ilford HP5 film, developed in Rodinal 1+50 for 12 mins

tsvi and i on the roof. 4x5 fuji provia

Lower Falls in Yellowstone National Park, Wyoming. Camera: Graflex Crown Graphic Pacemaker (1955). Film: New 55 Atomic-X. Process: Kodak D-76 (1+1) 11:00 @ 20c.⠀

Shot with a Wista 45DX, Schneider 75mm Super Angulon, FP4+ with red filter

From Sunday's Live Draw event. Was doing instant oilgraph portraits and these were the negs that came from them. I mounted and painted the polaroids and either sold them outright or put them out for auction.

Most of these were portraits of the patrons at the event.

Haven't shot 4x5 in years. It's like shooting with a cow, but I began to get my stride soon. I wasn't going to add any of these actually since it's not my usual thing and a bit more static that I am used to, but I figured why not.

I despise job hunting.

One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.

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