View allAll Photos Tagged largeformat

Brooks Dutt archive continued

scanned 4 x 5 negs circa 1957

Shot the other day in studio with a Sinar 4x5 Rail mount Camera. This is what I got out of my time in studio. Part of a project revolving around "next of kin" working with blood relations.

 

worked with the passing on of identity traits through generations.

 

f.8

1/60

ISO 100

FOMAPAN 4x5 BW negative slide film

strobist info. one studio strobe with soft box from front and one strobe from the back with honey comb for some hair light.

Photogravure with chine collé

Dijon, may 2020

Liberty street

Homemade 18x24 pinhole camera

1 minute exposure

Foma RC negative paper

Brush developed with Cafenol CM

4 x 5 negs scanned from salvaged B Dutt archive

kodak safety film circa 1956

From thedailylumenbox.com Large format Cadobo cam exposure (homemade lumen camera) on dampened 11x11cm photo paper.

A large-format selfie, triggered the old-fashioned way: with a pneumatic bulb and a lot of patience.

 

Chamonix 45n-2

Nikkor SW 90mm f/4.5 wide open

Fomapan 100

Bellini Eco Developer

 

Large format really shows me how easily I can become distracted despite slowing down and really looking around me. I missed a shot because other hikers wanted to interact as I was setting up a shot, and I totally screwed up and missed it since I lost my concentration. I'll go back (hopefully!) to see if I can recreate the shot. But I so value LF since it makes me more observant, and the details are just incomparable. This is the last of my expired HP5 so will need to pick up some more 4x5 - I'll be finishing up my Ultra 8x10 soon as well, so time to find deals on film! Thanks to all the flickeranians who continue to inspire!

Wista 45, foma paper, monocle, F11, exp 10seconds

Graflex Crown Graphic 4x5. Schneider-Kreuznach Xenar 135mm f4.7. HP5 at EI200. Taken May 2020

Cyanotype 7 min at 17:00 EDT, late May, sunny

Chinese visitors to Asakusa, dressing up for the day as Japanese.

Graflex Crown Graphic / Kodak Ektar 127mm f/4.7 / Kodak Ektar 100 / Colortec C-41

model Hysterica Pantomima

 

The evening sun sets on this bizarre alien landscape of delicate mineral formations as the vivid pink sky is reflected in the calm lake waters in the background.

 

Details:

Intrepid 4x5" Large Format Field Camera

Schneider-Kreuznach 90mm f/8 Super-Angulon

Fuji Velvia 100 4x5" color transparency sheet film

This was made at Zion NP using Arca Swiss F Line Metric with Nikon 150mm, Fuji Velvia 50 film

Linhof Technika IV

Nikon SW 90mm f/4.5

Kodak Portra 160

 

TOYO-FIELD45A

Nikkor W 135mm f5.6

FUJI PRO160NS

EPSON GT-X980

Camera:Sinar f1

Lens:Symmar-S 150mm f/5.6

Filter:no

Light:natural, morning

Exposure:f/3230"recip. →1'26" PS: negtive seems 1 stop overexposed

Focus:camera tilt, front tilt

Film:Rollei RPX25

Format:4x5'

Developing:R09 1:40 10'45" agitation first 30" & every 1'45"

Scaning: Epson V550

Software:Gimp, ACDsee Pro10

Intrepid 8x10 + Symmar 300/5.6

 

Foma 100 + HC110 dil E

Le combat des chefs.

A notre droite, le super poids plume, le Zero Image 2000,6x6, 250g, 0,18 mm, f/138

A notre gauche, le gigantesque Gilles-Faller, 18x24, 30 kg, Som- Berthiot Color 360 mm, f/4

Digitally colorized B&W pinhole shot on 4x5 (cma20250202-L-06 koloriert+ausgefleckt 4zu3 250218).

model: www.instagram.com/lisia.dama/

 

Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6

Fomapan 100@160 + Caffenol-CM(RS)

www.instagram.com/szadow/

Graflex Crown Graphic

Polaroid 59 expired 5/04

 

Fluidr

It has been quite a while since I've posted here, laying fallow and all that. There is still much to explore and think about, places to find, inside and out.

 

This is in a south bay park, Rancho Cañada del Oro Open Space Preserve in the foothills to the south of San Jose.

Large Format Fuji Velvia 50 Film

Toyo 45CF | Carl Zeiss Planar 135mm ƒ/3.5 | Kodak T-MAX

Cyanotype on paper (toned)

original shot on 5x7 paper negative - scan - digital negative.

Lerebours & Secretan 8 inch

 

www.facebook.com/ambrotypiste

   

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