Inverness Shipwreck (Reprocessed)

Sinar Norma 4x5

Ilford HP5+ ISO400

Fujinon 90mm F8

Reprocessed using wetscan on my Epson v800, and alternate editing to preserve detail and tones

Original: www.flickr.com/photos/sheelkapur/26230497242

MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/10 sec. Scanned with Epson Perfection V800.

158x126cm or 80x64cm, Lightjet on photographic paper

speed test

4x5 dry plate.

no exposure, and one stop increments from 25 to 800 seconds, 25 seconds is at 1,5 asa.

3,5 minutes development,

Slow emulsion, no fog.

I loved the magnificent shape of this tree. Somewhere in the Torridon area. Ebony SU, Fuji Acros.

some 4x5 slides from Korea 2014

Rochester Kenwood capturing a Alb. Glock 13x18cm camera

Shen Hao 4x10. 210mm Fujinon W. Ilford FP4+ in Pyrocat HD. Scan from contact print on G3 Lodima.

"Struwwelpeterbrunnen"

by Franziska Lenz-Gerharz

Frankfurt, Germany

Hybrid large format 40x40 cm

Meyer Görlitz Epidon 3.6/420mm

large format black and white negs from the archive of B Dutt

kodak safety film circa 1957

Camera .. Rittreck View

Lens .. Fujinon 90mm

Film .. Provia100(Expired)

Apature .. F64

SS .. 1/30sec

This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.

MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.

1891 Rochester Optical Company Universal - G-Claron 210mm - f/64 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

busch pressman, kodak ektar127, fomapan200

This old fence at the Beechwoods Nature Reserve will be instantly recognised by anyone who walks there...

MPP Micro Technical 5 x 4 and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f22 at 1/10 sec. Scanned with Epson Perfection V800.

What a great day that was. First being at the wonderful Wiener Fotobörse by Jo Geier and then I captured a „memory lane“ dry plate on my way home and did a salt print of it. Check out my video about it: youtu.be/0C3MvXUT86M #analog #largeformat #analogue #landscapephotography #handmade

Tulips in our garden...

MPP Micro Technical camera with Fujinon 150mm f6.3 lens, Fomapan 100 film, f22 at 1/8th sec.

Finished with Nik Collection Analog Efex Pro 2...

Lock down gives us plenty of time to explore post processing techniques...

Hyons Wood, Walker Titan SF with 150mm lens, HP5+ in Ilfotec HC

Vance, shot on 8 x10 Impossible PQ

Kodak Tri-X 4x5” film

Tanol 1:1:100 (tray)

Kogaku 105mm f3.5 @ f11.5 + red filter

Film was expired (February) but developer was fresh. Tanol is my favorite but this is the last of my Tri-X, so I’ve acquired some Rodinal to try with a box of very fresh FP-4 next time.

Im going to New York tommorow for two weeks! Im taking the 8x10 with me. Ill mostly be in union sguare, tompkins, and bit coney island bothering strangers for portraits. :)

An almost centenary old lady

not up and down the boulevard

Salt Print

8in x 10in

- Digital negative made from original 4x5 Kodak TMAX 100 negative shot using Calumet studio camera

- Fabriano Artistico paper

- Sodium Chloride and gelatin base

- Silver Nitrate with one drop of potassium dichromate for increased contrast

- Gold Borax Toner

- Dual Sodium Thiosulfite fixer baths

- Sodium Sulfate clearing agent

Large Format Fuji Velvia 50 Film

Sigüenza, Guadalajara - Castilla la Mancha - España

Chamonix F1 : Nikkor-W 150/5.6

Adox CHS 100 II : HC-110 (e)

One light in medium soft box. Shot on Polaroid Type 55 positive/negative 4x5 film.

This image is protected by copyright, no use of this image shall be granted without the written permission from Joel Grimes.

For more behind the scenes, blog and tutorials visit my site:

www.joelgrimes.com

I'm not sure about this one, if it's too soft and too awful romantic

looking?

It came out a bit overexposed and therefore a lot of glowing halation in it.

Large format really shows me how easily I can become distracted despite slowing down and really looking around me. I missed a shot because other hikers wanted to interact as I was setting up a shot, and I totally screwed up and missed it since I lost my concentration. I'll go back (hopefully!) to see if I can recreate the shot. But I so value LF since it makes me more observant, and the details are just incomparable. This is the last of my expired HP5 so will need to pick up some more 4x5 - I'll be finishing up my Ultra 8x10 soon as well, so time to find deals on film! Thanks to all the flickeranians who continue to inspire!

Chamonix 4x5

Rollei 400

90mm

wista 45, lens fujinon 125, Shanghai gp3, home develop d76(1+3)

Shot with a 1994 Tachihara Fiel45 view camera. Ilford HP5+ film.

omega view 45d | schneider xenar 150mm/f5.6 | ilford ortho plus (15 years expired)

Negative “scanned” with A7R2

Zsámbék, Hungary

half plate negative (old orwo stock) from my Toyo

printed in weak lith on fomatone 131

It's Roid Week! And so I'm back on Flickr again this week, and looking forward to seeing lots of instant analogue magic & inspiration. Here's a 4x5 Polaroid I shot in a collaboration with Kyotocat to kick things off.

For the rest of the year, if anyone wants to see what I'm up to, the place to go is my Twitter.