View allAll Photos Tagged largeformat

Toyo 45a field camera

150mm schneider super angulon

ilford FP4

Wista 45 | Rodenstock 210 mm f5.6 | FP-100c

Inspired by Anne Clark:

youtu.be/cb0_hTDKYB4

 

Hybrid large format 40x40 cm

Meyer Görlitz Epidon 3.6/420mm

Rochester Optical Premo Pony No. 15 & Rollei 400 IR film

sinar f

fomapan 100 (4x5)

rodinal 1:50

 

Crown Graphic and Ilford Ortho Plus

Anatoly Sobino Park of Culture and Recreation in Rostov-on-Don, Russia

 

Toyo 45A

Nikkor-W 180/5.6

Ilford Delta 100

Ilford DD-X

Epson V750

 

158x126cm or 80x64cm, Lightjet on photographic paper

Full res scan from a 4x5 sheet,

 

Intrepid 8x10 + Symmar 300/5.6

Foma 100 + HC110 dil E

Continuing with my large format experience, taking my expired Arista Ultra 100 8x10 film on a sunny but windy day, using the super wide (for the format) Nikkor. Theme again was the mountains and water, but no stillness for the latter given the wind. Film is, unfortunately, failing a bit, with mottling no doubt due to age, but moved past it. This time, used Rodinal alone at 1+100, and found the accutance as to be expected as sharp, with contrast a bit more (!) than I expected. Without a filter nice cloud imaging. My tripod sank a couple of times in the sand requiring me to re-set up the shot, and the geese weren't too happy with me with one trying to chase me away. Such is the high excitement and risk of LF image acquisition! Thanks to the flickerans who contine to inspire all of us!

quite a few years ago. Notice the headrest, so I would keep still for long enough (-:

Taken by Stephen also with a Large Format camera

9.5” x 60” (241mm x 1524mm)

Northern Bruce Peninsula, Ontario

1921 No. 10 Cirkut panoramic camera

16.5” Schneider Repro-Claron

#15 Deep Yellow Filter

Agfa Aviphot Pan 200 rated at ISO 50

Developed in Pyrocat-HD 1:1:50

I plan to make a Vandyke print of this negative in the near future

Sinar Norma 4x5

Fujinon SW 90mm F8

Kodak Portra 160

I loves me Type 55...

back when I worked at my local photo store in 2021, we'd frequently inherit estate's worth of gear from photographers that had passed away. This particular hoard of large format 4 x 5 negatives, originally destined for the dumpster, contains heaps of divinely-inspired boudoir shots by Brooks Dutt circa 1950.

Réparation de l'optique Som-Berthiot Color 360 F/4.

Vendue en l'état avec la chambre, les lamelles dans un sac.

Testée à pleine ouverture pour du portrait à 1m. Profondeur de champ de 0,009m. Juste l'oeil qui était net, le reste flou...

 

Bref, dégommage, dégraissage puis remise en place des 26 lamelles dans le fût.

Toyo 45A

Nikkor-W 180/5.6

Fomapan 100

Epson V750

Chamonix F1, Fuji 250mm, Kodak TMAX400 4x5.

4x5 Tachihara /210mm Komura Commercial 6.3 lens

f/11 @ 1 second

Excerpt from “Urban Archive”

Crown Graphic

127mm

Ilford fp4

www.deathbysushi.org

On my walk today I saw a teasel partly opened so I took one home and cut it half to photograph on X ray film (with my New Countess 10x8 camera from 1890). F45, 40s. Photographed and inverted in Photoshop Very pleased with the way this has come out

Burke and James Grover 8x10, Wollaston 125mm f1.6 (@~f5.6), Expired Kodak RC paper negative (single strobe)

 

More tests with the super wide meniscus, in my lair, playing banjo.

 

#BelieveInFilm #LargeFormat #WollastonLens

Large Format Fuji Velvia 50 Film

in progress:

42% (ETA III) & 100% (ETA II) & 100% (ETA I)

 

www.willemvandenhoed.com

wista 45, foma pan 100, xenar 4,5

4x5 sheet film

4x5 pinhole large format

1 2 ••• 5 6 8 10 11 ••• 79 80