View allAll Photos Tagged largeformat
Gandolfi with 6x7 back.
Loaded with Fomapan 200 @ 100, developed in Fomatol Excel.
Kodak portrait lens 305, f. 5,6.
This lens is without shutter and I’m tested the “Galli-shutter”, I.e. using to dark slides flipping them en front of the lens.
Also trying to learn development by inspection.
Edited in CaptureOne.
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6
Fomapan 100@160 + Caffenol-CM(RS)
These were the most extreme weather conditions I used my 4x5 in. My son and I started hiking up to the Rainbow Falls, expecting no more than a few drops of rain, but once we climbed high enough, light rain turned into snow. A lot of snow, yet still melting when touching the ground. We reached a bridge over the mountains stream and here decided to turn back. But before that, I quickly unpacked my camera and set up this composition.
At one second of exposure, I expected the falling snow to completely disappear. Instead, it left a lot of faint, long streaks across the image, predominantly visible in shadow areas. No complaints though, I like it that way.
8 X 10 pinhole, f250
30 minute exposure
arista.edu ultra 100 film, xtrol 1:1 @ 8 mins.
ilford pearl rc, contact print.
dodge, burn, ferri
leon working on the coop, fine-tuning.
he is the little blob by the ladder behind the door, adjusting.
zero image 4x5 pinhole
First attempt at large format photography. Lots to learn. Ebony45s with 4x5 HP5+ sheet film, developed in ID11, V850 scan.
Finally got around to mixing up my first batch of E6 chemicals and developing all the slide film I've been shooting this year. Incredibly impressed with how E100 handled the variety of scenes I threw at it. Also developed some Provia and Velvia 100, but surprisingly I think E100 came out on top as my favourite. Digitizing was also an absolute pleasure compared to colour negative film.
I'm sure many of you are very familiar with E6, but it was a novel experience for me seeing a 4x5 positive sheet on a light table.
IG: @vladyurkov
Kodak E100 4x5 film
Chamonix 45f2
Fuji T 300mm f8
300mm f32 1/4s
Tiffen 812 filter
One of two shots of same setting, one with film [Ortho Plus] and one on paper negative for comparison]
Crown Graphic with 130mm Zeiss Jena and Ilford Ortho Plus developed in Kodak D-76 1+1
Dry plate 5x7 (crop)
Lerebours & Secretan
uncropped image on 500px: 500px.com/photo/1092704474/michaela-dp1-by-patrick-van-de...
- Camera: 1947 4x5 Graflex Crown Graphic
- Lens: 1953 Wollensak 127mm f/4.5 Raptar
- Negative: Arista EDU Ultra VC RC Paper
- Exposition at ISO 3
- Developer: Caffenol C-M
- Location: Hartland, NB, Canada
the old rum factory - the world could end and those girders would remain standing - how curious it is that we can build things that last forever and yet the one thing without which we cannot live is being destroyed at a rate that would suggest infinite reserves
Behold, for in the middle of the Garden I planted two trees. One is the tree of life and the other is the tree of science. To not make everything overly complicated I told them, hey, maybe just eat from the life one; that one should be safe. Yeah, forget about the other one. I honestly don't see how this could go South.
Along the coast of California's Highway One there are many, many places to pull off and explore the rocks, wonder about the sea, watch for whales, seals, huge brown pelicans, and the furtive crabs. Here, the sea and rocks contend over long ages, though these are obviously rather new to the game.
One of my favorite lines from any song is when the Scarecrow in the Wizard of Oz sings, "Oh I, can tell you why, the ocean's near the shore..."
May you too, find your mind's eye view of mother ocean...
as an example, as I was taking this, I met another lad, scrambling around on the rocks, looking... Chris Axe apparently saw this scene in color... :)
This young Maple sapling has taken root among some boulders and sand in the middle of a very narrow slot canyon created by violent flash floods. The sand is still wet from a flash flood that had gushed through the canyon only a few days prior, and yet the beautiful little Maple stands, defiantly displaying its coat of brilliant autumn leaves. It is amazing to me that this Maple can even exist in such adverse conditions, with no topsoil, no nutrients, and only loose sand and boulders to grow in, and yet there it is, defiant, beautiful, strong.
To make this image, I set my tripod up low to the ground, backed all the way into the opposite wall, and leaned in to see my ground glass under the hood. There are is about a foot or two of sand between the red sandstone slope in the foreground and my camera, so composing this scene was rather tricky. I made a single 8 second exposure at ƒ/32 on Fuji Velvia 100 using a CPL on my Schneider 90mm lens and some front rise on the Intrepid 4x5" view camera, made at 6pm as the light was fading fast. A few minutes later, I ran into Thomas Heaton in the same wash as I was finishing up with my next composition, and then Ben Horne a few minutes after that!
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
I have got a Leitz medium format projector on a flemarket with this monster of a lens on it. It should cover up until 5x7. I have afapted it to a custom made Linhof size board. It is challanging to shoot with it as it has no iris nor shutter. But it is unique for sure. I will share some results with it.
Tangmere is where the famous WW2 pilot Douglas Bader flew many of his missions. This was shot on a Wista 45DX with a small amount of front rise to keep the verticals straight.