View allAll Photos Tagged largeformat
Salt print from an «impossible» calotype which suffered heavy fogging. It is rather laughable how long it needed to get printed 😅 luckily for that print I stayed home on Monday….
No plans to print it again, oh no, not another time with 4 hours by lamplight and 2 more hours in sunlight the day after!
IN ENGLISH BELOW THE LINE
Provant la combinació Trousse Parisienne, d'entorn l'any 1900, que permet tenir multiples objectius en un de sol. Aquesta disposició forma un gran angular de 200mm. Calcular els diafragmes adequats (doncs aquests cambien per a cada combinació) és complicat, però m'ha sortit prou bé.
Fotografia feta amb una Sinar P, fabricada cap als anys 70; obturador Sinar-Copal; objectiu combinable Trousse Parisienne (probablement fabricat per DeMaria), d'entorn 1900; Fomapan 100.
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Trying the Trousse Parisienne combination, from around the year 1900, which allows you to have multiple lenses in one. This arrangement forms a wide angle (grand angulaire) of 200mm. Calculating the right apertures (as these change for each combination) is tricky, but it worked out well enough for me.
Picture taken with a Sinar P 4x5 camera, manufactured around the 70s; Sinar-Copal leaf shutter; brass Trousse Parisienne combine lens, made c.1900; Fomapan 100.
Somehow, two negatives got stuck to each other in the development tank, with the emulsion sides kissing each other. The result is seriously underdeveloped, but interesting and not too bad for scanning.
Recovering the lifeboat. Shot on Fomapan 100 with the Toyo D45 4x5 view camera. Film developed in Xtol.
Yesterday was international cats day ;)
Intrepid 8x10 + Rodenstock 210/5.6
Kodak MIN-R 2000 Mammography Film + CaffenolCM
Another large format portrait taken with a 5x4 view camera.
Visit my blog and website Tobias Key Photography
Shot on Kodak Portra 160 with a Cambo SC and Rodenstock Sironar 210mm f5.6. Elinchrom strobes. Developed in Fuji Hunt on a Jobo processor (Multitank 2520). Epson scan.
During our Eastern Sierra autumn color trip, I woke up early one morning to head up to this chilly ridge line overlooking the Minarets in California's Eastern Sierra in time for sunrise and was treated to this incredible show of light, texture. and color! The view you see here looks out across Devil's Postpile National Monument and into the high Sierra at the Minarets.
This is one of the first large format images from my Intrepid 4x5 view camera and represents a major leap in quality for my work. The image you see here is a tiny web version of a 100-megapixel scan from a 4x5" transparency, and that was only to save space and time! I can scan to around 300 MP myself, or have it drum scanned at a lab to around 500 MP. The aesthetic qualities and beautiful fine grain structure of the film give the images a look and a quality level that really shines in large prints.
Details:
Intrepid 4x5 large format view camera
Fuji Velvia 100 color transparency film
Schneider-Kreuznach 90mm f/8 Super-Angulon lens
2-stop grad ND
IG: @vladyurkov
Kodak Ektachrome E100 4x5
Chamonix 45f2
210mm f45 3s
812 warming filter
Some rare mornings the perfect combination of high humidity, calm wind, and low overnight temperatures combines to blanket nature in a delicate layer of frost. These are the kinds of winter mornings I hope to be out tromping about with my large format camera.
Ektachrome is the only readily available slide film remaining. Thank you Kodak for continuing to support film and producing this wonderful product.
8 X 10 pinhole, f250
30 minute exposure
arista.edu ultra 100 film, xtrol 1:1 @ 8 mins.
ilford pearl rc, contact print.
dodge, burn, ferri
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6
Fomapan 100@160 + Caffenol-CM(RS)