View allAll Photos Tagged largeformat
Calumet 4x5 atop a 7 ft. tripod, plus its height, and that in the bed of my 1-ton... so the lens is about 11.5 ft. or 3.5m above the road. All to get it over the side-cut in the hill for a proper view of the flowers.
10 seconds at f4.5 18 inch Taylor-hobson cooke portrait setting 3 diffusion- one 450wcfl and reflector
check out this Video By Mr. Patrick Wright on the wet plate process
Another shot taken on Cayman's Mastic Trail, the largest contiguous area of untouched, old-growth forest in Grand Cayman - an area where the woodland has been evolving undisturbed for the last two million years. It houses all manner of wildlife - exotic native birds, hermit crabs, frogs, snakes and one or two mosquitoes. This day, there were parts of the trail were littered with fallen fruit from wild mango trees.
Early morning in may. Phortograped with Gandolfi and a 8 x 10 back. Using Fomapan 200 @ 100. Developed i fomatol Excel.
Printed on Fomabrom and developed in Moersch Eco and toned in thiourea
Dedicated to Rebecca Lim aka Rebecca Lee-Steere, a very smart, talented and hard-working scientist and sportswomen (and who knows what else...) with a great sense of humour. She hates ginger, so here it is, Bec!
Camera: Toyo 45GII, Fuji Fujinon NW 125mm f5,6, 25s, f32, back shift up 17.5mm. Film: Fuji FP-100C. Light: Kicklight, slightly yellow hue.
The film holder is from an old laboratory Polaroid gel documentation system.
This scene has such a magical dream-like quality to it for me. The leaves on the trees glow and almost seem disconnected like they are floating in space like a cloud of glowing fairies. As I made this image, I stood beneath an overhanging weeping wall covered in dripping water, wrapping over me like a cave. The trees were illuminated by sunlight filtering into the depths of the canyon from above and reflected light filled the colossal majestic space.
Details:
This image is a 0.8% sized export of an 180MP scan from a large format film image made on Fuji Velvia 100 with The Intrepid Camera Co. 4x5 Field Camera and my Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens. 10am, 8s @ ƒ/32, CPL
In other words, this thing will print to 40x50 inches with enough quality that you can put your face right up to it with a magnifying glass and only see more detail. These large format film images contain approximately 20x the level of detail of my digital images made with current generation DSLRs, and I've printed those to 40x60" with good results! This is one of many reasons I am now working in large format film instead of digital. I also prefer the aesthetic qualities of these films. Additionally, the experience of working with the silent elegant simplicity a wooden view camera in the field is so much better than dealing with scrolling menus, flickering lights, and glowing screens while in the wilderness.
By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!
Båstnäs car cemetary.
Toyo metal field camera.
Fujinon-w 150mm/f5.6
Yellow filter.
Adox CHS 100 II 4x5
Rodinal 1:50 11.30 min.
Predawn from Namsan.
Just came back from Hong Kong, what a week. I managed to get 74 exposures, despite the rainy and stormy weather. I'll start uploading these, once I am done with Seoul!
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DSLR scan of an 8x10 negative
Intrepid MkII, Schneider Kreuznach 240/420 convertible, Fuji HR-U x-ray film @100 ISO, Diafine 4+4
Graflex Crown Graphic 4x5. Schneider-Kreuznach Xenar 135mm f4.7. HP5 at EI200. Taken May 2020
Cyanotype 7 min at 17:00 EDT, late May, sunny
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6
Fomapan 100@160 + Caffenol-CM(RS)
Large Format Photographer Roland Meier shooting his Linhof Technika
Picture shot on 35mm Kentmere400 Film with my Nikon F100
IN ENGLISH BELOW THE LINE
Per fi puc fotografiar decentment en format 4x5 amb un objectiu petzval realment antic, gràcies a la Sinar P i el seu obturador central de gran format Sinar-Copal.
Fotografia feta amb una Sinar P, fabricada cap als anys 70; objectiu petzval Derogy de llautó, fabricat cap a 1872-1880; Fomapan 100.
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I can finally shoot decently film in 4x5 format with a really old petzval lens, thanks to the Sinar P and its Sinar-Copal large format central shutter.
Picture taken with a Sinar P 4x5 camera, manufactured around the 70s; brass petzval Derogy lens, made circa 1872-1880; Fomapan 100.
One of cold morning i took my camera on walk with my dog around railway tracks close to me. Nice depressive weather and nothing to see far away like we can not see our future.
I love this shot but for me is showing big problem with my camera what i must solve, its focused to different point on ground glass.
Shoted with my Large format Camera Graflex Pacemaker Speed Graphic on film Foma Fomapan 100 in format 4x5 and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev
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I love film photography most. I started to shoot on the film when i was 12 yo. after my high school I photographed on digital and in 2020 i came back to the film. In two year i spread my point of view to film and raised my family size to medium format 6x6 and 4.5x6 and finaly in 2022 i juped to do Large format 4x5.
Are you interesed into my gear check out this page and look what i`m using and why [My photograpy gear]
If you like my work and want to support me, Thank you and go to adlg.cz/donate
All my photos are in same license, see the info on the site. If you like to use my photo outside of this license pleas write me message with your offer and plan.
Quickly view my LargeFormat 4x5 | MediumFormat 6x6 or 645 | 35mm | 360degrees photography