View allAll Photos Tagged largeformat

This is a contact print of the first 8x10 sheet I ever exposed. I’m working on a portrait project of people in my hometown of Vista, CA. Bethany was my first participant, and we made some great images together. Shot on Ilford HP5+, developed in Xtol, printed on Ilford MG Fiber, and finished in selenium.

Loaded up five 4x5 negatives in the Jobo I got the other day.

 

Loading the negatives was a bit tricky in the dark but I am sure I will get used to it. As I shot all of these negatives in the same lighting conditions, I loaded them all and mixed up some Rodinal to see how the Arista EDU Ultra 100 would pan out.

 

I went with a 1:100 stand development for 50 minutes.

 

Negatives look pretty good, just need to scan them and see how everything turned out.

New55PN negative scan taken on MPP Mk8 camera

polaroid 669 / exp. 07/00

sinar f

malahide/portmarnock beach

co. dublin

ireland

 

Orange

4x5 Tintype, varnished.

Wetplate Collodion portrait

19x19cm tintypes

 

Chamonix 45n2

Congo 150mm f4

 

TMAX 100 @D76 8'30" at 20º

V700

LR

Old farm in Kuhmo, eastern Finland

Intrepid 4x5, 150mm

Ilford HP5+ 400ASA f32 44s

Adox XT-3 6min

Camera .. Rittreck View

Lens .. Raptar Telephoto Wallensack 10 inch F5.8

Film .. ARISTA EDU ULTRA100

Toyo 45CF 4x5 Horseman 210mm F5.6 on Foma 100

Sinar Norma 4x5

Fujinon 90mm f8

Ilford HP5+

Camera .. Rittreck View

Lens .. Rapter TelePhoto WoolLensAK 10inch f/5.6

Film .. Provia100(Expired)

Apature .. F64

SS .. 1/30sec

An alternative shot from my sitting with Alison last month.

 

Visit my blog and website Tobias Key Photography

   

4x5 Pacemaker Speed Graphic + Kodak Aero Ektar lens 178mm f2.5 + Fuji FP-3000B instant film

 

Eliazabeth shot at 1/1000 f4 as it was too bright for f2.5

 

Photo scan

 

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

Aspen leaves on the road. Can’t wait to develop the Portra160 4x5

A core human need is to find meaning, some underlying truth in an increasingly complex and bewildering world, a world that has the potential to devour or collapse upon itself, seemingly at any time. Large format photography, I find, engages the eye, the mind, the imagination and the heart. Yes there is banality, superficiality, sterility, but the poetry is still there to be found.

Type 559 4x5, Gundlach Korona

more: emilytebbetts.blogspot.com/2012/01/large-format-photograp...

 

A test shoot with Mia yesterday to test out my large format camera with instant back. I'm in love with it :)

9.25x7.5 tintype

12" Laverne Paris Petzval lens

London. 2011.

 

instagram.

___________

 

Kullaberg. Waves breaking the shore.

 

Camera: ONDU 4x5 inch Pinhole camera

 

Film back: Polaroid 545 Land Film holder

 

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)

 

Exposure: 2 seconds

 

Scanner: Epson Perfection V700

New55PN film print taken on MPP Mk8 camera

Print Method: Digital C-Print

Original: Fujifilm Velvia 4Ñ…5" (Large Format)

Place: Russia. Taganay is a group of mountain ridges in the Southern Urals

 

www.efimch.com

shanghai gp3 100 developed in hc-110(b)

Haven't been posting here for a while, but still playing around with light and chemicals.

 

I have been experimenting with the salt process over the last year or so, off and on, without great success until today.

 

The 8×10 negative from which this sun-exposed contact print was made is on Fomapan 100 sheet film, exposed in the Sinar P for 60 seconds at f64 and developed in TMAX developer (1+4) for 6.5 mins at 22 degrees C. The lens used was a vintage 9″ Apotal. It is a contrasty negative but seems well-suited to salt printing.

 

The paper is Daler Rowney Aquafine Smooth watercolour, sized with gelatin. After drying it was coated with an ammonium chloride base coat, tweaked with potassium dichromate, using a 3″ Japanese hake brush. When dry, a solution of silver nitrate was freshly made and the paper coated. A 3″ foam brush was used and the paper dried in darkness using a drying cabinet.

More info may be found on my site at real-photographs.co.uk/

Don Winery "Elbuzd"

 

Toyo 45A

Nikkor-W 180/5.6

Adox CHS 100 ii

Epson V750

the intrepid camera

fujinon SW 90mm f/8

ilford HP5+

hc-110, 1+63, 10 min

 

Wasn't easy to shoot this. My fingers were freezing, and the camera was at it's limits with this shift. But it worked. Just barely.

Calumet C1

Vitax No.4

4x5 Xray film

Dektol

Westlake Amidst Misty Rain - Hangzhou China

Model: Halyna

Camera: Sinar P2 8x10"

Lens: Taylor Hobson Cooke Ser IIE "Knuckler"

Film: Fomapan 200

Option8 conversion, taken with Gen1 50 ISO film, print

Ivankiv, Kyiv Region, Ukraine/

Wista SP 4x5, Heliar 210/4.5@8

Having neglected to bring the dark bag I thought I'd have a go at loading sheets in the cellar. A partial success.

 

We're Here, scarred negatives and all.

 

Hand-held wobble focused macro (Dah!) of a 4x5 negative laid on an LED lightbox dingus that I acquired for the purpose of digitising negatives with a DSLR. I haven't used this process for ages, so Thanks WAH!

 

WakaWaka Pelcomb Portraits.

Film developed on site outdoors. Good fun.

158x126cm or 80x64cm, Lightjet on photographic paper

4x5 Pacemaker Speed Graphic + Kodak Aero Ektar lens 178mm f2.5 + 2007 expired Fuji FP-100C colour instant film

 

I met will fellow photographer / model Elizabeth this morning to try my Speed Graphic outside. This was my favourite of those shot on colour film, shooting into the sun. You can see the unique bokeh from the Aero Ektar lens

 

Photo scan

 

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

...around dawn.

 

Chamonix 045F1, Skink 0.4mm f.214 pinhole in Copal shutter, Kodak Ektar 100

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