View allAll Photos Tagged largeformat

Toyo 45cx

Fujinon 250mm 6.3

Ilford Delta 100

Toned cyanotype 8x10 inch

+ watercolor

Voigtlander Heliar 300mm

model: Thien Anh

 

www.facebook.com/ambrotypiste

  

Taken by Sinar F1, Fuji Provia 100F. My grandma.

Kullaberg. Waves breaking the shore.

 

Camera: ONDU 4x5 inch Pinhole camera

 

Film back: Polaroid 545 Land Film holder

 

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)

 

Exposure: 2 seconds

 

Scanner: Epson Perfection V700

Fischboedle lake - Vosges mountains - France

I was asked how I compose with my pinhole box camera, to which my standard response is: “I point it that-a-way”. People laugh when I say that and it’s a little moment of camaraderie. It is practically the antithesis of all things “Ansel”. “Why even bother?” may be the unspoken thought in some minds, and indeed I often wonder why I enjoy the relative lack of precision afforded -and required- by pinhole photography. In truth, there are a number of reasons.

 

First and foremost, perhaps, is that I cannot be Ansel. [or Ruth Bernard, or Atget, etc]. No one can. And if I try to be any of them, I won’t have enough energy left over to find out who I, myself, can be.

 

Next, there are surprises. Not always. Like most things photographic, true successes are few, and the time spent in the field is often the only reward I get. But occasionally, the result ends up being a gift I had not completely anticipated.

 

The last I might mention is surrender. When I place the camera, I have to wait. This image took 30 mins. During that time, I wandered, I wondered, I looked about, watched others work, talked to passers-by. I was alive in the moment, tethered but awake, slacking, lollygagging. Time is it’s own reward, it is precious beyond description. And this surrendering to the moment, this abiding… well, maybe I’m actually chasing this, maybe I just think I’m a photographer.

 

Point it that-a-way.

2024. My only wish;

 

We start making decisions that favor all life. Instead of only favoring corporate life.

 

Different view from previously; still see the relatively low contrast due to the diffuse lighting, but clouds were brought out with a yellow filter held over the lens.

Polaroid 809 expired 1993, gundlach korona 8x10, handshutter

wanderlust travelwide 90

schneider-kreuznach angulon 90mm f/6.8

shanghai GP3

hc-110 dil. H (1+63), 15 min

1/50 sec. exposure at f/11, handheld, focused to 15m

Nancy and my son have been friends since they were two. Shot on 4x5 with a 210mm Apo Symmar.

Cambo SC Rodenstock Sironar 210mm f5.6

Ilford HP5 in D76 1+1

Epson scan

Loaded up five 4x5 negatives in the Jobo I got the other day.

 

Loading the negatives was a bit tricky in the dark but I am sure I will get used to it. As I shot all of these negatives in the same lighting conditions, I loaded them all and mixed up some Rodinal to see how the Arista EDU Ultra 100 would pan out.

 

I went with a 1:100 stand development for 50 minutes.

 

Negatives look pretty good, just need to scan them and see how everything turned out.

Astral 18x24cm, Industar 30cm, photopa

One of my increasingly rare shoots with colour 4x5 film. I shot this with Portra 160.

Camera .. Rittreck View

Lens .. Rapter TelePhoto WoolLensAK 10inch f/5.6

Film .. Provia100(Expired)

Apature .. F64

SS .. 1/30sec

RB Tele Graflex, New55 Atomic X in Kodak XTOL (1+1)

Graflex Speed Graphic

Kodak Tri-X 320

XTOL + Rodinal

Large Format Fuji Velvia 50 Film

4x5 Pacemaker Speed Graphic + Kodak Aero Ektar lens 178mm f2.5 + Fuji FP-3000B instant film

 

Eliazabeth shot at 1/1000 f4 as it was too bright for f2.5

 

Photo scan

 

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

MPP Mk8, New55 Colour film

Sinar Norma 4x5

Fujinon 90mm f8

Ilford HP5+

London. 2011.

 

instagram.

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more: emilytebbetts.blogspot.com/2012/01/large-format-photograp...

 

A test shoot with Mia yesterday to test out my large format camera with instant back. I'm in love with it :)

A core human need is to find meaning, some underlying truth in an increasingly complex and bewildering world, a world that has the potential to devour or collapse upon itself, seemingly at any time. Large format photography, I find, engages the eye, the mind, the imagination and the heart. Yes there is banality, superficiality, sterility, but the poetry is still there to be found.

An alternative shot from my sitting with Alison last month.

 

Visit my blog and website Tobias Key Photography

   

the intrepid camera mk IV

fujinon W 125mm f/5,6

fuji astia 100F 9x12cm, expired

Chamonix 45n2

Congo 150mm f4

 

TMAX 100 @D76 8'30" at 20º

V700

LR

Westlake Amidst Misty Rain - Hangzhou China

10 seconds at f4.5 18 inch Taylor-hobson cooke portrait setting 3 diffusion- one 450wcfl and reflector

Print Method: Digital C-Print

Original: Fujifilm Velvia 4х5" (Large Format)

Place: Russia. Taganay is a group of mountain ridges in the Southern Urals

 

www.efimch.com

9.25x7.5 tintype

12" Laverne Paris Petzval lens

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