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We had another great wet plate experience at the Freilichtmuseum Salzburg - I couldn’t resist to take a tintype of this beautiful Hause. check out the full video on my YouTube channel youtu.be/OKZAB59b0UY #tintype #architecture #museum #analogphotography #handmade #keepfilmalive #wetplatecollodion #collodion #nassplatte #kollodium #mhaustria #petzval #largeformat #fieldcamera #woodenhouse #House #Outdoors #Monochrome
An alternative shot from my sitting with Alison last month.
Visit my blog and website Tobias Key Photography
4x5 Pacemaker Speed Graphic + Kodak Aero Ektar lens 178mm f2.5 + Fuji FP-3000B instant film
Eliazabeth shot at 1/1000 f4 as it was too bright for f2.5
Photo scan
mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...
A core human need is to find meaning, some underlying truth in an increasingly complex and bewildering world, a world that has the potential to devour or collapse upon itself, seemingly at any time. Large format photography, I find, engages the eye, the mind, the imagination and the heart. Yes there is banality, superficiality, sterility, but the poetry is still there to be found.
This was made using Chamonix 45F 4x5 camera with Nikon 135mm lens, exposed on Fuji Provia 100F which has amazing exposure latitude for transparency, then converted to BW in SilverEfex.
more: emilytebbetts.blogspot.com/2012/01/large-format-photograp...
A test shoot with Mia yesterday to test out my large format camera with instant back. I'm in love with it :)
Intrepid 4x5 mk2 Nikkor 90mm f4.5, Ilford Delta 100 @80 iso developed in Rodinal 1+100
Epson 4990 Fluid mount
Print Method: Digital C-Print
Original: Fujifilm Velvia 4Ñ…5" (Large Format)
Place: Russia. Taganay is a group of mountain ridges in the Southern Urals
Haven't been posting here for a while, but still playing around with light and chemicals.
I have been experimenting with the salt process over the last year or so, off and on, without great success until today.
The 8×10 negative from which this sun-exposed contact print was made is on Fomapan 100 sheet film, exposed in the Sinar P for 60 seconds at f64 and developed in TMAX developer (1+4) for 6.5 mins at 22 degrees C. The lens used was a vintage 9″ Apotal. It is a contrasty negative but seems well-suited to salt printing.
The paper is Daler Rowney Aquafine Smooth watercolour, sized with gelatin. After drying it was coated with an ammonium chloride base coat, tweaked with potassium dichromate, using a 3″ Japanese hake brush. When dry, a solution of silver nitrate was freshly made and the paper coated. A 3″ foam brush was used and the paper dried in darkness using a drying cabinet.
More info may be found on my site at real-photographs.co.uk/
Having neglected to bring the dark bag I thought I'd have a go at loading sheets in the cellar. A partial success.
We're Here, scarred negatives and all.
Hand-held wobble focused macro (Dah!) of a 4x5 negative laid on an LED lightbox dingus that I acquired for the purpose of digitising negatives with a DSLR. I haven't used this process for ages, so Thanks WAH!
WakaWaka Pelcomb Portraits.
A ruined building on the site of Tangmere Airfield, a WW2 RAF base. Famous for being one of the bases Douglas Bader flew from.
Same story. I've been so busy this year that I haven't had much time to play with my cameras much less my beloved 5x4. So finally I decided to take a picutre of it together with my favorite lamp, the Rosy Angelis from Flos.
This is a nod to the original ad for the lamp which had the designer, Philippe Starck, peeking under the skirt (lamp shade).
I had always seen the similarities of the lamp and the LF camera (the tripod legs, the belows and the pleated shade) but I only thought of the ad last night.