View allAll Photos Tagged largeformat

Large format, Deardorff 8x10

Channeling my inner "Indiana Jones" on this self portrait. Captured using a Cambo 4x5 view camera on Foma 100 film. Developed with Fomadon LQR at 1:10 and scanned with my Canon 5D mk IV DSLR. Lit with a Photogenic 1250 strobe with 24x48 softbox.

the intrepid camera

fujinon SW 90mm f/8

ilford HP5+

hc-110, 1+63, 10 min

Fomapan 200 / 4x5 / Self developed

Gozo's North Shore, with Ta' Giordan Lighthouse in the distance.

Jersey City, NJ. Test shot. I thought there was something wrong with my 60 year old lens, but there isn't. I never thought I'd see this area get cleaned up, but with luxury condos going up on both sides of the highway it's only a matter of time before they figure out how to make this block the next cool place to be.

A triptych of three 4x5 frames taken on May 6, 2021 on a perch overlooking the Smoky Mountains.

  

Ive been missing my 8x10....

Sinar Norma 4x5

Fujinon SW 90mm F8

Kodak Portra 160

IN ENGLISH BELOW THE LINE

 

Provant la combinació Trousse Parisienne, d'entorn l'any 1900, que permet tenir multiples objectius en un de sol. Aquesta disposició forma un gran angular de 200mm. Calcular els diafragmes adequats (doncs aquests cambien per a cada combinació) és complicat, però m'ha sortit prou bé.

 

Fotografia feta amb una Sinar P, fabricada cap als anys 70; obturador Sinar-Copal; objectiu combinable Trousse Parisienne (probablement fabricat per DeMaria), d'entorn 1900; Fomapan 100.

 

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Trying the Trousse Parisienne combination, from around the year 1900, which allows you to have multiple lenses in one. This arrangement forms a wide angle (grand angulaire) of 200mm. Calculating the right apertures (as these change for each combination) is tricky, but it worked out well enough for me.

 

Picture taken with a Sinar P 4x5 camera, manufactured around the 70s; Sinar-Copal leaf shutter; brass Trousse Parisienne combine lens, made c.1900; Fomapan 100.

Sinar Norma 4x5

Ilford HP5+ ISO400

Fujinon 90mm F8

Intrepid MK4, Schneider Kreuznach Symmar-S 5.6/150

Adox CHS 100, Rodinal 1+50

Inverted full plate negative.

Silver gelatine on Fabriano artistico, extra sizing.

Paper rated at 0.15 asa, half an hour at f32.

4x5 palladium print on Arches Platine paper from in-camera negative.

Image made with Crown Graphic Special,film HP5+ developed in D-76(1+1) 20 min

Fuji 3000b shot on 600SE, F4.5 at 1 sec

Recovering the lifeboat. Shot on Fomapan 100 with the Toyo D45 4x5 view camera. Film developed in Xtol.

13x18cm wet plate on clear glass

Sinar 8x10

Hermagis 15”

5 sec. F3.5

Scanned with dslr camera

Chamonix 45N-2, Nikkor-W 150 5.6, Kodak Tri-X 320 developed in CineStill Df96

Yesterday was international cats day ;)

Intrepid 8x10 + Rodenstock 210/5.6

Kodak MIN-R 2000 Mammography Film + CaffenolCM

158x126cm or 80x64cm, Lightjet on photographic paper

Another large format portrait taken with a 5x4 view camera.

 

Visit my blog and website Tobias Key Photography

#largeformat #graflex #speedgraphic #aeroektar #kodak #320TXP

the intrepid camera mk IV

fujinon W 125mm f/5,6

fuji astia 100F 9x12cm, expired

 

Another seascape with leaks / glitches. Shooting large format E6 is a big event for me so I am posting it anyway.

Intrepid 8x10 + Rodenstock 210/5.6

Foma 100 + HC100 dil E

During our Eastern Sierra autumn color trip, I woke up early one morning to head up to this chilly ridge line overlooking the Minarets in California's Eastern Sierra in time for sunrise and was treated to this incredible show of light, texture. and color! The view you see here looks out across Devil's Postpile National Monument and into the high Sierra at the Minarets.

 

This is one of the first large format images from my Intrepid 4x5 view camera and represents a major leap in quality for my work. The image you see here is a tiny web version of a 100-megapixel scan from a 4x5" transparency, and that was only to save space and time! I can scan to around 300 MP myself, or have it drum scanned at a lab to around 500 MP. The aesthetic qualities and beautiful fine grain structure of the film give the images a look and a quality level that really shines in large prints.

 

Details:

Intrepid 4x5 large format view camera

Fuji Velvia 100 color transparency film

Schneider-Kreuznach 90mm f/8 Super-Angulon lens

2-stop grad ND

 

Goniochromatype 8x10 on glass

model: Kate Ri

 

www.facebook.com/ambrotypiste

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Camera: Chamonix 45F-2

Lens: Nikon Nikkor 135 f/5.6

Exposure: f/22 @ 1/15

Film: FPP Frankenstein 200 @ 800

Developer: HC110 @ 20'c / 1+31 / 9:30

Crown Graphic 4x5 and Burke and James 5x7

Ilford HP5+

Tunnel View, Yosemite

Sinar Norma 4x5

Ilford HP5+ ISO400

Fujinon 90mm F8

My first large format experience.

Get understand if I like it better than my MF works.

Wista 4*5 with Fomapan 100 in Microphen

Intrepid 8x10 + Rodenstock 210/5.6

Foma 100 + HC110 dil H

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