View allAll Photos Tagged largeformat
The only sunny day on New Year's vacation. Went to the coast of the Taganrog Bay, to take pictures of the agricultural buildings of the local farms.
Dry plate 5x7 (crop)
Lerebours & Secretan
uncropped image on 500px: 500px.com/photo/1092704474/michaela-dp1-by-patrick-van-de...
palladium print on Bergger COT 320.Contact print from 8x10 in camera negative.
camera Deardorff,film HP5+,developer Potassium Oxalate
Sample from recent shooting with stunning Melanie De Toni
#largeformat #graflex #speedgraphic #aeroektar #kodak #320TXP
Kullaberg. Waves breaking the shore.
Camera: ONDU 4x5 inch Pinhole camera
Film back: Polaroid 545 Land Film holder
Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)
Exposure: 2 seconds
Scanner: Epson Perfection V700
Just a phone grab for now. Will update this with a scan, and hopefully also post the consequent anthotype.
ORIGINAL EXPOSURE
2.30pm, 23/04/22
Subject on white baking parchment
Chamonix 810V, Rodenstock APO-Sironar S 240mm f/5.6
Ilford FP4+ 10x8, EI 64
7" f/5.6, 440mm bellows extension, no movements
Metered +2EV off bright paper.
FILM REVERSAL DEVELOPMENT
26/04/22
DIY B&W Reversal Development to make a slide for anthotype contact-printing
Stearman SP810 daylight tray then white Paterson open tray
Ingredients:
FD: 500ml Ilford Multigrade 1+5 (no hypo addition for EI64), 12mins 20ºC
Second Dev: 500ml Ilford Multigrade 1+9
Bleach: 3% Hydrogen peroxide 500ml, 26.2g EDTA-4Na with 9.5g sodium bicarbonate, 18.33g Citric acid crystals.
Bleach lasts for 3 films only: now exhausted.
Clearing Bath: 500ml water, 12.5g sodium sulphite
Stage 1 in SP810
FD: 12mins 20ºC, standard agitation
First Wash: 5mins with 5 changes of water
Bleach: 20ºC 9mins, constant agitation
Remove lid from tray
Clearing Bath: 2mins, continuous agitation
Second Wash: 5mins with 5 changes of water (easier to put lid back on for this)
Transfer sheet to white Paterson tray.
Stage 2: Re-exposure: 60secs about 45cm with 100watt bulb in inspection lamp;
Stage 3 in Paterson Tray
Second Dev: 6mins 20ºC
Third Wash: 2x rinses with ±750ml water
Fix: 500ml Ilford Rapid Fixer 5mins
Final Wash : 10 changes of 750ml water, continuous agitation (back in SP810)
Final rinse in Ilfotol, 1 min, in Paterson tray.
Will attempt an anthotype soon, using a suitable colour of emulsion, perhaps blackberry.
model: www.instagram.com/lisia.dama/
Intrepid 8x10 + Schneider-Kreuznach Symmar 300/5.6
Fomapan 100@160 + Caffenol-CM(RS)
These were the most extreme weather conditions I used my 4x5 in. My son and I started hiking up to the Rainbow Falls, expecting no more than a few drops of rain, but once we climbed high enough, light rain turned into snow. A lot of snow, yet still melting when touching the ground. We reached a bridge over the mountains stream and here decided to turn back. But before that, I quickly unpacked my camera and set up this composition.
At one second of exposure, I expected the falling snow to completely disappear. Instead, it left a lot of faint, long streaks across the image, predominantly visible in shadow areas. No complaints though, I like it that way.
- Camera: 1947 4x5 Graflex Crown Graphic
- Lens: 1953 Wollensak 127mm f/4.5 Raptar
- Negative: Arista EDU Ultra VC RC Paper
- Exposition at ISO 3
- Developer: Caffenol C-M
- Location: Hartland, NB, Canada
Amanda and I were married at the Anderson Japanese Gardens on October 20th this year. Traditionally, the Gardens haven't been a great location for large format photography as they don't usually allow tripods. This year they instituted a pilot program and they allowed tripods in the afternoons on Wednesdays in October. I took advantage of that and brought out my LF gear the Wednesday after our wedding.
Toyo 45A
Rodenstock Sironar-N 150mm f5.6
Kodak Ektar 100
B+W Polarizing Filter
"Scanned" with Nikon D800
A contact print of the 5x7" Xray negative. Printed on Rollei Vintage 111, toned with selenium followed by a light treatment with Foma Sepia toner (12 sec bleach).
First attempt at large format photography. Lots to learn. Ebony45s with 4x5 HP5+ sheet film, developed in ID11, V850 scan.
The Great Rift traverses the constellation Aquila in this 40 minute exposure using large format camera
Calumet / Cambo 45 Schneider 150mm f/5.6 Super Symmar HM
40 minutes exposure on Fuji Acros 100 developed @ 200 in Xtol 1+1 13 minutes 68 degrees F.
Camera tracking by riding atop 8" SCT
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4x5 Dry plate negative, homemade silver gelatin.
Still unhardened gelatin,, dried for two days, plates were subbed with albumen, no frilling but as you can see the gelatine did not cover the albumen when pouring the plates. They are dried laying flat hence the dust I think. Shot at 6 asa, in the morning that worked fine but 3 or 1,5 asa would have been better here.
This is my third batch of silver gelatine, followed a recipe given by Mark Osterman this time, It involves a lot more treatment then my first recipe but gives a faster and cleaner gelatine. And I left out the ripening which will make it even faster.
I just did the chilling, noodling and washing, pretty advanced stuff.
And the light is awfully grey here lately.
