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A PERFECTLY FORMED DESIGN, CHARACTERISED BY SPECIAL DETAILS. The back of the designC is refined by unique engravings: the predicate “Made in Germany” and the individual numbering on the cap, the Otto Hutt logo and the sign for pure 925/- sterling silver, of which the fountain pen is mainly made, on the barrel. These serve as helpful markers when refilling the pen. When the Otto Hutt logo is in line with the mark on the end of the barrel, it signals that the final writing position has been reached. Made of precious 925/- sterling silver, flawlessly finished. The matt black, PVD-coated writing unit sets qualitative and ergonomic standards. The solid 18kt yellow gold index on the barrel and cap replaces the “classic” clip. The specially developed “Pull + Twist” mechanism is in keeping with our philosophy of combining user-oriented design with technical innovation. A slow pull brings it into the filling position. The designC then only needs to be dipped into an inkwell and twisted back to take up ink via its gold nib. As a world first, this complex mechanism is entirely in keeping with the character of Otto Hutt’s 100th anniversary. A leather case made of walk leather offers protection and security. As a southern German, vegetable-tanned and natural product, it is in keeping with sustainability. In the production process, the leather is wetted, carefully shaped and heated in a rare procedure. designC comes in an expressive silver box that underlines the character of the collector’s item. The writing instrument is completed by the high-quality leather case, a silver cleaning cloth, the 100YRS booklet, the numbered certificate of authenticity and a jar of document-proof ink. The total silver weight is 34gr. the total gold weight is 1gr.
Localizada na região metropolitana de Goiânia, especializada na prestação de serviços ocupacionais, medicina e segurança do trabalho. Estamos preparados para atendê-los da melhor forma possível, tanto na sede da clínica ou na sua empresa.
Telefones para contato: (62) 3225-7648 ou (62) 3921-1370
e-mail: climt.comercial@gmail.com
Estamos em uma excelente localização:
Endereço: Avenida Paranaíba, 539 – Setor Central – Goiânia/GO – CEP: 74.020-010.
Obs.: Todas as linhas de ônibus da região metropolitana de Goiânia têm parada em frente à clínica, onde pode conferir em nosso site, www.climt.com.br.
Atendemos de Segunda à Sexta de 07h30 ás 17h00 – Sábado 08h00 às 11h00.
(Sem Intervalo para o almoço para uma melhor comodidade aos nossos clientes parceiros).
Alguns de nossos serviços
PPRA – Programa de prevenção de Riscos Ambientais
PCMSO – Programas de Controle Médico e Saúde Ocupacional
LTCAT – Laudo Técnico de Condições Ambientais de Trabalho
Os Atendimentos, Cursos e Palestras poderão ser realizados na empresa ou em sala de treinamento própria, confortável e climatizada.
Vantagens
Agilidade na entrega dos resultados dos exames (laboratório próprio);
Faturamos todos os serviços e consultas médicas (especialidades);
Transporte coletivo tem sua parada na frente da clínica (Atende a todos os bairros da região metropolitana de Goiânia;
Forma de pagamento (a vista, faturado (boleta bancária) ou cartão de crédito);
Fazemos o controle dos exames periódicos dos funcionários da sua empresa;
Atendimento do médico, exames ocupacionais e laboratoriais, treinamentos, palestras em sua empresa sua empresa;
Estacionamento e fácil acesso;
Todos os exames realizados na sede da clínica.
Para acompanhar nossa área de atuação (Nossos serviços) acesse nosso site: www.climt.com.br ou entre em contato pelo e-mail: climt.comercial@gmail.com ou pelo telefone: (62) 3225 7648 ou 99156-1628.
Exames Ocupacionais
ASO – Atestado de Saúde Ocupacional
Exame Médico Admissional;
Exame Médico de Mudança de Função;
Exame Médico Demissional;
Exame Médico Periódico;
Exame Médico Retorno ao Trabalho.
Acuidade visual
Audiometria
Eletrocardiograma – ECG
Eletroencefalograma – EEG
Espirometria
Exame Psicotécnico
Glicemia em dejejum
Hemograma completo
Homologação de Atestado
Laudo para PCD
Raios X – Coluna lombar
Raios X – Tórax
Raios X – Tórax padrão OIT
TGO
Micológico de unhas
Exames Laboratoriais
Symbolism of Karlskirche Doris Binder
The Karlskirche consists of a central rotunda with a dome, a put in front column construction in the form of a Greek temple, two high provided with pictures columns modeled on Trajan's Column in Rome and of two lateral gate pavilions. The provided with pictures columns represent Charles VI as wise and strong secular ruler, the two great pillars were created by Marder and Matielli. The columns are topped by golden eagles, symbolizing the two virtues of the Emperor - Fortitudo (valor) and Constantia (resistance). The two columns remind the two pillars before the temple in Jerusalem - Jakin and Boaz. However, the imaging of the two columns does not match the model of columns of Trajan in Rome, these ones telling acts of war, but relate the life story of St Borromeo. In the front of the Charles' church facing the open square the different symbols of history are interrelated: the Roman emperors Trajan and Augustus, the Temple of Solomon, St. Peter's in Rome, the Hagia Sophia, Charlemagne and the Empire of Charles V, by the skillfully used symbolism, the claim of the Habsburg to European dominance should be represented.
The plan of the church is, as in the Baroque typical, in the form of an ellipse. Once inside the Charles' church you immediately notice the great Baroque sculpture representing St Borromeo. At the base the four Latin Church Fathers are depicted. The interior of the Karlskirche is dominated by the powerful fresco in the oval dome space, created it was by the famous Baroque painter Johann Michael Rottmayr between 1725-1730. The fresco shows the Mother of God who represents the intercession of the Church Saint to avert the plague, surrounded the scene is of the cardinal virtues (faith, hope and love). In the left wing entrance there is the tomb for the Austrian poet Heinrich Joseph von Collin (17771-1811).
Inside the St. Charles Church there is a museum where the most valuable pieces are exhibited.
These include: the robes of St. Borromeo, a reliquary of gold and silver - a donation of Emperor Charles VI and a Rococo monstrance (1760) which contains a drop of blood of the saint. Thomas Aquinas.
The image of the architect, Fischer von Erlach, painted by Jakob of Schuppen, too is one of the church treasures.
The iconographic program of Karlskirche was written by Carl Gustav Haerus, by this the Saint Charles Borromeo should be connected to the imperial Founder.
Symbolik der Karlskirche Doris Binder
Die Karlskirche besteht aus einem zentralen Rundbau mit Kuppel, einem vorgestellten Säulenbau in griechischer Tempelform, zwei hohen bebilderten Säulen nach dem Vorbild der Trajanssäule in Rom und aus zwei seitlichen Tor Pavillions. Die bebilderten Säulen stellen Karl VI. als weisen und starken weltlichen Herrscher dar, die beiden großen Säulen wurden von Marder und Matielli geschaffen. Die Säulen sind durch goldene Adler gekrönt, welche die zwei Tugenden des Kaisers symbolisieren – fortitudo (Tapferkeit) und constantia (Beständigkeit). Die beiden Säulen erinnern an die beiden Säulen vor dem Tempel in Jerusalem – Jakin und Boas. Die Bebilderung der beiden Säulen entspricht jedoch nicht dem Vorbild der Trajanssäulen in Rom, welche Kriegstaten schilderten, sondern diese erzählen die Lebensgeschichte des Hl. Borromäus. In der Schaufront der Karlskirche verbinden sich die unterschiedlichsten Symbole der Geschichte zu einer Einheit – die römischen Kaiser Trajan und Augustus, den salomonischen Tempel, die Peterskirche in Rom, die Hagia Sophia, Karl den Großen und das Reich Karls V. – durch die gekonnt eingesetzte Symbolik sollte der Anspruch des Hauses Habsburg auf die europäische Vorherrschaft dargestellt werden.
Der Grundriss der Kirche ist, wie im Barock typisch, Elipsenförmig. Im Innenraum der Karlskirche fällt sofort die große Barockskulptur auf, welche den Hl. Borromäus darstellt. Am Sockel sind die vier lateinischen Kirchenväter abgebildet. Das Innere der Karlskirche wird durch das mächtige Fresko im ovalen Kuppelraum geprägt, geschaffen wurde es von dem bedeutenden Barockmaler Johann Michael Rottmayr zwischen 1725-1730. Das Fresko zeigt die Muttergottes, welche die Fürbitte des Kirchenheiligen um Abwendung der Pest darstellt, umgeben ist die Szene von den Kardinaltugenden (Glaube, Liebe und Hoffnung). Im linken Eingangsflügel befindet sich das Grabmal für den österreichischen Dichter Heinrich Joseph von Collin (17771-1811).
Im Inneren der Karlskirche gibt es ein Museum, in dem die wertvollsten Stücke ausgestellt werden.
Zu diesen zählen: die Gewänder des Hl. Borromäus, ein Reliquiar aus Gold und Silber – eine Stiftung Kaiser Karls VI. und eine Rokoko-Monstranz (ca. 1760), welche einen Blutstropfen des Heiligen enthält. Thomas von Aquin.
Auch das Abbild des Baumeisters, Fischer von Erlach, gemalt von Jakob von Schuppen zählt zu den Kirchenschätzen.
Das ikonographische Programm der Karlskirche wurde von Carl Gustav Haerus verfasst, durch dieses sollte der Heilige Karl Borromäus mit dem kaiserlichen Stifter verbunden werden.
www.univie.ac.at/hypertextcreator/ferstel/site/browse.php...
Apparently, all caves form rapidly from acid like they did at Carlsbad Caverns. This is an argument for the Earth only being 6,000 years old. I love it.
SHATT AL ARAB RIVER formed by the confluence of the Euphrates and the Tigris
We walked at the waterfront and took a sunset boat ride to see Saddam Hussein’s destroyed yacht. (Pics following soon)
Here you can also see the statue of poet Badr Shakir al-Sayyab in front of Shatt al Arab river. He was a leading Iraqi poet (born near Basra) well known throughout the Arab world and one of the most influential Arab poets of all time.
Basra, Iraq Nov 2021 #itravelanddance
Castilleja nana, "C. lapidicola" form, Site 3, vicinity of White Mountains Rd., in dolomite barrens NE of Sheep Mountain, White Mountains, Mono Co., CA, 21 Jul 2019. The elevation at this site is about 11,800'.
Another Castilleja question I was exploring in the White Mts. is the relationship between this little known but fairly widespread form of C. nana, originally described as a separate species, C. lapidicola, but reduced to synonymy under the earlier C. nana in the Intermountain Flora (1984). However, the plants of this form rarely if ever are found in the same population, and the lapidicola form usually occurs at even higher elevations, and, at least in the Whites, and on different substrates. The pale or "true" C. nana and the nana-pilosa intergrades occur at around 10,500-11,000' (from what I saw), while the pictured plants are from a population at nearly 12,000'. I saw no evidence of mixing of these forms in either population, though surely our sample size was small, in just one day.
This very harsh, high albido site with medium and fine-grained dolomite gravel, supported only a handful of low alpine species, and Castilleja nana lapidicola was by far the most common species, giving a reddish-purple hue to the mostly uniform, white landscape. The scarcity of other plants made determination of the likely host plants much easier than usual, and, as with most Castillejas, a variety of species appear to be utilized as hosts.
Cambria, San Luis Obispo County, California, USA.
The use of any of my photos, of any file size, for any purpose, is subject to approval by me. Contact me for permission. Image files are available upon request. My email address can be found at my Flickr profile page. Or send me a FlickrMail.
free form study for interm vis comm 1
inspired(ish) from a flyer found at a pizzeria that only said "CHI CHI" in that typeface. if you guys have any suggestions for changing letterforms then let me hear them.
Outdoor Chaise/Recliner of formed plywood. Apologies I can't reference the designer.
Design Collection, Pinakothek der Moderne, Munich
Everyday objects become works of art in the hands of renowned installation artist Harriet Bart. Focusing on memory as a theme, Bart transforms words and things into works of art that draw attention to a past event, place or feeling. A leader among female artists in the Twin Cities, Bart has been a member of Minnesota’s arts community for more than three decades, creating works both large and small, which have been seen around the world.
More Photos from Urban Art Forms 2013 under branz.tv/urbanartf
Foto: Ferdinand Franz
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