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Standing like unstrung lutes in a temple like gallery these forms could be instruments waiting to be strung and played to bring the gods into contact with the worshippers. Strings will never be set into these forms and yet they and tuned and played. The setting arranged by the artist and the scene made in the gallery create the tension on the strings. The viewers play the notes and follow the ephemeral chords to reach their own divine imaginings.
At the time of taking these pictures The Hepworth Wakefield was just over a year old. It houses a superb collection of works by Barbara Hepworth and features displays from other artists. Designed by David Chipperfield Architects with 10 galleries this is definitely a place to make a visit to.
The Hepworth Wakefield
Gallery Walk, Wakefield, West Yorkshire, WF1 5AW
T: +44 (0)1924 247360
Printmaking Project
Initially this project was to create a concept of the elevation for the Museum of Technology.
The topic for the series of those prints was „Mechanical Forms”. I wanted to make the series of prints which would produce one consistent pattern that would be sequential. I drew two different combinations of the set of the cogs on the linoleum and engraved it very deeply. I printed the actual linocut in black using the printing press. After experiencing it I wanted to make it look more interesting, that is why I developed the idea further and made another linocut to obtain even deeper printing matrix. I wanted to use it as a block printing form made of an elastic silicone rubber. I poured the silicon over the matrix and waited till it hardens. When it was solid I rolled the gold and white oil based ink over the silicon “stamps” and printed it by hand onto the black paper. I had to be very careful, because I did print it with a different stamp every time so, that it would be duplicated without a noticeable gap. The effect was quite stoning and very textile like. The mechanical character of the composition was strengthen by multiplying of the forms. I have also noticed that I have reached proper limit of the scale of a singular printing element versus the total size of a print and that further multiplying of the stamp would diminish the power of the image. I am planning to explore this technique in the future.
FORM V by Mark Andrew Webber. The fifth in a 5-part series of works published by The Future Tense.
Email info@thefuturetense.net for more details.
Best viewed as a set here: www.flickr.com/photos/thefuturetense/sets/72157636580595424/
a bunch of clips put together to form this... make sure to watch in large :) oh and once again im sorry for the black mark across the screen, like i said before my cameras kinda gone wierd..
While getting closer in our dom/sub bond, we showed our true selves to each other, furthering trust.
170111 formed of 50111 and 79111 is seen departing Manchester Piccadilly with a Liverpool Lime Street to Norwich working. It carries Midland Mainline livery but with Central Trains branding.
A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, realizada a 17 de novembro no Auditório da ESTIG, com Gil do Carmo e Felipe Pereira.
Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:
gicom@ipbeja.pt
apassarinho@ipbeja.pt
jdomingos@ipbeja.pt
Site Institucional: WWW.ipbeja.pt
38° 00' 46.87''N
7° 52' 22.19''W
The corner by the kitchen is, as usual, tricky. The foundation doesn't come all the way up to the electrical main, but they'll have to cut the form down.
In an effort to build solidarity and form important bridges between our various communities, Sakhi is bringing together Asian and Asian American artists who identify as women, transgender, nonbinary, or gender non-conforming and have a strong commitment to gender justice as part of their creative work.
Featuring performances by: ELSZ, Anju Madhok, Ashni Davé, Anjna Swaminathan, Dee Mandiyan, Shriya Samavai, Kiran Bath, Zadian Madhuri, Dheiva Moorthy, Debayani Kar, and the Assemkala Initiative.
© Marjorie Becker Shah 2018
All Rights Reserved.
Biology/ ecology fieldtrip to Beechenhurst, Forest of Dean with Julia Webb. Model release forms signed.
Diesel locomotive Mk45 2005 is seen at Huvosvolgy running on to the coach to form a service to Széchenyihegy.
Budapest Childrens Railway
4 February 2017
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
平成２６年１月１８日（土） 僕は基本的に逆光よりも順光ののっぺりした画のほうが好きだし、露出を考えたり調整するのも億劫で逆光を避けるのだが、時折モノを眺めてピンと来た時に陰影をつける為に太陽と対峙する。冬の太陽は夏に比べて低い位置にあるから光の当たりが際立ち易い。
From the experience in the first session, forms were printed out so they could be filled in by women and men while waiting in line, this also helped speed up the process
Southern Hawker Dragonfly. The two shots I've posted are the result of 40 intensely frustrating minutes of mostly following the flight, pressing the shutter and trashing the out of focus result! Swallows in flight are easy by comparison. (The title is because I mis-identied it as an Emperor. Thanks again to Fenwalker whose shots of invertebrates are superb!)
via Blogger ipmanmovie.blogspot.com/2018/02/pregnant-by-mascha-halber...
#Ip Man Movie, #Black Flag Wing Chun Movie, #Wing Chun Kung fu, #Wing Chun Technique, #Wing Chun Video, #Wing Chun Training, #Wing Chun Forms, #Wing Chun Dummy, #Wing Chun Schools, #Yim Wing Chun, #Ip Man Wing Chun
Henry Moore - Form and Material - Museum Beelden aan Zee - The Hague
In collaboration with the Henry Moore Foundation, Museum Beelden aan Zee has made a selection of works from the artist's substantial oeuvre. Around 70 objects and sculptures portray the artistic vision and creative process of one of the most important innovators of modern sculpture. The exhibition in Beelden aan Zee focuses on the influence of nature on his work and his growth and development as a sculptor. From promoting direct carving – carving without using preparatory sketches and studies – to experimenting with casting in lead and bronze. Henry Moore (1898-1986) is one of the most important British artists of the twentieth century. His sculptures balance on the boundary between figurative and abstract art and continue to be a source of inspiration to artists. His work has a recognisable and characteristic formal language. Important themes in his oeuvre are ‘mother and child’ and his reclining figures, which he explored extensively.
From the 1920s, Moore participated in countless British and international exhibitions, with solo as well as group exhibitions, he sold work on a regular basis, and so made a name for himself as an important modernist sculptor. However, the Second World War called a halt to these positive developments. Henry Moore left his teaching post and took up a commission as a war artist. It was in this capacity that he produced his deeply moving Shelter Drawings of Londoners crowding the city's underground stations sheltering from the Blitz. In the 1950s he created larger groups of figures. The prices for his works increased considerably and his fame as an international artist continued to grow. In later years he served as a trustee at both the Tate Gallery and the National Gallery and he was the recipient of a large number of prizes and honours.
Nachzucht / captive breed - Deutschland / Germany. (Auch wir sind Wittener...)
Halsbandleguane dieser Couleur sind typisch für die weit verstreut liegenden Abbruchkanten, Tafelberge und Canyons in den Great Plains (deutsch „Große Ebenen“). Hier liegt auch die "Black Mesa", aus der die Vorfahren des hier gezeigten Tieres ursprünglich stammten. Die Black Mesa selbst ist ein 1737 Meter hoher Tafelberg im US-amerikanischen Bundesstaat Colorado, der in Teilen in die angrenzenden Staaten New Mexico und Oklahoma reicht.
In diesem Bereich östlich der Rocky Mountains gibt es braun-beige bis zu auffallend orange-gelb gefärbte Halsbandleguane, Männchen wie Weibchen..
Formed 1.5 billion years ago from a dome of molten magma, the large granite boulders at Elephant Rocks State Park resemble a train of pink elephants. The reddish or pink granite has been quarried in this area since 1869, and has provided red architectural granite for buildings all across the country, particularly in nearby St. Louis, Missouri. Stones unsuitable for architectural use were made into paving stones that were used on the streets of St. Louis, as well as the wharf along the Mississippi River. The granite from this area is commercially known as Missouri Red monument stone.
One of the largest boulders, named “Dumbo,” measures 27 feet tall, 35 feet long and 17 feet wide, tipping the scales at a hefty 680 tons.
Elephant Rocks State Park was created in 1967 following donation of the land by geologist John Stafford, and is managed by the Missouri Department of Natural Resources. It is located in Iron County, Missouri, and is part of the Saint Francois Mountains, which rise over the Ozark Plateau in southeastern Missouri. This mountain range is one of the oldest exposures of igneous rock in North America. The park has a one-mile paved Braille Trail designed for people with visual and physical disabilities.
© All rights reserved - - No Usage Allowed in Any Form Without the Written Consent of the photographer, Mark Schuver.
The best way to view my photostream is on Flickriver: Nikon66's photos on Flickriver
Artist: Henry Moore
Title: Large Two Forms
Material: bronze
Yorkshire Sculpture Park
West Bretton, Wakefield
West Yorkshire, England, UK
Treecreeper, ( Certhia familiaris ),
The Treecreeper forms a sibling species with the Short-toed Treecreeper in Europe. The Treecreeper is found in coniferous,mixed and some deciduous woodland ( the latter in places where the short-toed Treecreeperdoes not occur ). It prefers more upland or montane forests to the Short-toed species. The diet is mainly small insects and larvae, spiders and woodlice, as well as a few seeds, The food is obtained by searching cracks in the bark of trees and the species runs rapidly up and around tree-trunks, It uses its tail as a support like a woodpecker and rarely descends head-down like a Nuthatch. It is not gregarious and is seldom seen in a group other than family parties, but often associates with mixed feeding flocks of Tits in winter.
The nest is concealed behind loose bark on a tree or in a crevice, and is a loose cup of twigs, moss, roots and plant material, lined with feathers, wool or fine bark debris, Both sexes take part in nest-building. The Female incubates alone and the young are tended by both parents,
The Treecreeper is mainly resident and sedentary, though some movement of northern birds takes place in winter, with some of the Scandinavian form occasionally reaching Britain,
Length, - 13 cm
Wing Length, - 5.9 - 6.7 cm
Weight, - 9 g
Breeding,- End of April to June, 2 broods per year,