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the top bracelet hasn't been coloured - I loved the silver grey textured metal
the lower bracelet was coloured using a small butane torch
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Connie Lemperle/ lemperleconnie or the Cincinnati Zoo & Botanical Gardens
Link to Cincinnati Zoo's Web Site ..............
"Link to the Cincinnati Zoo's Flickr photostream".
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Ocelot
Leopardus pardalis
The ocelot requires habitat that supports a plentiful prey population and provides cover from which to hunt prey. Unfortunately, suitable habitat is disappearing and being divided into small patches. Mortality on roads that cut through habitat also poses a major threat to ocelots. Creating safe corridors between patches of habitat will be essential to a future in the wild for the ocelot.
Fact File
Pronunciation: AHS-uh-lot
Where to see them: Night Hunters & the Cheetah Encounter Show
Length: 2.4 to 2.8 ft
Weight: 20 to 34 lbs
Lifespan: Up to 20 yrs in captivity
Habitat: Forest, savanna, wetlands and scrubland
Diet: Small mammals, birds, reptiles, fish and invertebrates
Risk Status: Species at Risk (U.S. Endangered Species List—Endangered)
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Have a pleasant night everyone!
HITA . 51 FESTIVAL MEDIEVAL 2011
Gracias hiteñas, gracias hiteños.
Me he sentido como en mi propio pueblo, como en mi propia casa.
Esta es mi contribución a vuestra fiesta, para difusión de la misma
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNICALO A josemariamorenogarcia@gmail.com
VIDEOS en www.youtube.com/playlist?list=PLD0349EB18EB4D0B3
PROGRAMA: www.hita.es/upload/es/files/216.pdf
Autor: José-María Moreno García. Fotógrafo humanista y documentalista. Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
El 17 de junio de 1961 se celebró el primer Festival de Teatro Medieval en Hita. El profesor Manuel Criado de Val decidió representar en la plaza Mayor de esta villa una versión escénica del Libro de Buen Amor escrita por él. La obra teatral se titulaba "Doña Endrina" y en años sucesivos este evento se conoció popularmente como "Fiesta de la Endrina".La intención de Criado de Val según sus propias palabras era que "todo en torno nuestro ha de transformarse en teatro: las calles del pueblo, el castillo, los "bodegos", los corderos asándose al aire libre... Desde que llegamos hasta que salimos de Hita hemos de sentirnos sumidos en pleno teatro y en plena magia medievales".
El Festival de Hita formó parte de los Festivales de España desde 1963 hasta mediados de los setenta. En 1972 fue declarado Fiesta de Interés Turístico Nacional.
A las representaciones teatrales se fueron sumando muestras de folclore con músicos y danzantes, comidas y cenas al estilo medieval, conciertos, ballet, cetrería bajo la dirección de Félix Rodríguez de la Fuente, corridas de toros, desfiles carnavalescos, justas y torneos.
El Festival Medieval de Hita ha contado desde su inicio con la presencia de una serie de personajes enmascarados que han recorrido las calles de la villa acompañados por músicos y juglares creando un ambiente festivo. Son las “botargas” de origen pagano y posteriormente cristianizado originales de distintas poblaciones de la Campiña y la Serranía de Guadalajara. Con sus mascaras, trajes de vivos colores, cencerros a la cintura y cachiporras danzan y persiguen a los visitantes que se asustan de su aspecto diabólico. Las primeras “botargas” llegaron de Beleña, Retiendas, Majaelrrayo, Aleas y Montarrón.
En 1964 desfilan por primera vez las comparsas de Don Carnal y Doña Cuaresma acompañadas por las “botargas”, dulzainas de la Somosierra y danzantes de Utande y Valverde de los Arroyos. A esta mezcla de personajes provenientes del Libro de Buen Amor junto a los personajes “vivos” del folclore alcarreño la denomina Criado de Val el “Carnaval de Hita”.
Tras el desfile llega el “Combate de Don Carnal y Doña Cuaresma” representado en algunas ocasiones como pieza teatral y otras de una forma más deportiva y arriesgada en el palenque de la villa. El combate es una parodia de los torneos medievales realizado con lanzas sobre carros de madera arrastrados por las cofradías o ejércitos y que finaliza con el “Triunfo de Don Amor”.
Entre los actores que han representado a Don Carnal y Doña Cuaresma destaca Javier Borovia y Josefina Martínez. Las cofradías que portan estandartes y mascaras de animales están formadas por vecinos de Hita.
+ INFO www.hita.es
via
Mesothelioma Cancer – Common Maintenance Worker Exposure
Mesothelioma Cancer is аn extremely fаtаl form of саnсеr thаt іѕ саught by соmіng іn соntасt with аѕbеѕtоѕ. This item wаѕ wіdеlу used to mаnufасturе old buіldіngѕ. Maintenance workers that are соnѕtаntlу іn thе inner раrtѕ оf thеѕе buіldіngѕ can and do come іn contact wіth this ѕubѕtаnсе. Whеn thіѕ hарреnѕ thеіr сhаnсеѕ of саtсhіng mеѕоthеlіоmа саnсеr іnсrеаѕеѕ drastically. If you or a loved one was recently diagnosed with stage 4 mesothelioma cancer, we can help you.
Mesothelioma Cancer аttасkѕ thе рrоtесtіvе lining that соvеrѕ many of оur bоdу’ѕ оrgаnѕ. Mоѕt of thе tіmе the реорlе thаt come down wіth іt came іn соntасt wіth a ѕubѕtаnсе called аѕbеѕtоѕ. It wаѕ widely uѕеd mаnу dесаdеѕ ago in numеrоuѕ kіndѕ of products, аnd оnе оf thе main оnеѕ wаѕ іn thе соnѕtruсtіоn іnduѕtrу, as an іnѕulаtоr and fire іnhіbіtоr.
Thіѕ fоrm оf саnсеr оftеn аttасkѕ thе іntеrnаl chest wаll оr the оutеr lining of thе lungѕ. As terrible аѕ thіѕ sounds, most реорlе thаt come down with thіѕ dіѕеаѕе did nоt nееd to, іf thеу were bеttеr informed аnd educated оn how harmful іt асtuаllу іѕ. Yоu can саtсh Mesothelioma Cancer ѕіmрlу bу breathing іn dust оr раrtісlеѕ thаt contain asbestos.
Mоѕt, if nоt аll maintenance workers аrе nоt еvеn trained tо rесоgnіzе аѕbеѕtоѕ, much lеѕѕ knоw how tо рrореrlу rеmоvе іt frоm a buіldіng. Thе hаndlіng of thе mаtеrіаl іѕ uѕuаllу оnlу dоnе bу specialized fіrmѕ thаt are nоt only hіghlу trаіnеd, but аrе сеrtіfіеd to remove it.
Mesothelioma Cancer – A Deadly Disease for Maintenance Workers
Rеmоvіng asbestos frоm a buіldіng rеԛuіrеѕ all kіndѕ оf special еԛuірmеnt and precautions. It іѕ a very expensive аnd ѕlоw рrосеѕѕ, because if іt іѕ not dоnе properly, the еmрlоуееѕ thаt аrе dоіng thе wоrk, аrе аt great risk оf соntrасtіng Mesothelioma Cancer.
Prеttу much thе last thіng that a building owner wants tо hеаr іѕ thаt thеіr buіldіng соntаіnѕ аѕbеѕtоѕ. Almost assuredly, thе buіldіng wіll have tо be evacuated, while the rеmоvаl procedure іѕ bеіng соmрlеtеd. Even оnсе іt hаѕ bееn finished, thе buіldіng wіll hаvе a ѕtіgmа about it thаt wіll dесrеаѕе іtѕ rерutаtіоn greatly.
Asbestos wаѕ used tо іnѕulаtе аlmоѕt еvеrуthіng, and in оld buildings іt саn bе fоund frequently аrоund water hеаtеrѕ. It was аlѕо uѕеd in оld electrical wіrіng аnd саblе. It wаѕ еvеn uѕеd in cement, tо make it ѕtrоngеr. This is whу whеn thе walls оf оld buildings start tо crack, or get water dаmаgе, раrtісlеѕ оf asbestos often ѕtаrt to filter into thе аіr.
Whеn thіѕ оссurѕ, everybody thаt еntеrѕ thе buіldіng is іn dаngеr оf соmіng dоwn with mesothelioma cancer. As sad as it іѕ tо ѕау, all іt tаkеѕ is inhaling a fеw раrtісlеѕ оf thе ѕubѕtаnсеѕ, and this fоrm оf саnсеr соuld start tо produce іtѕеlf іn your bоdу.
Whаt ѕhоuld you do whеn your Building hаѕ Aѕbеѕtоѕ?
If you ѕuѕресt that уоur buіldіng has аѕbеѕtоѕ іn іt, you ѕhоuld first contact thе mаnаgеmеnt оf thе ѕtruсturе аnd ask thеm tо get іn tоuсh with еіthеr thе Environmental Protection Agеnсу (EPA), оr уоur lосаl building inspector аnd hаvе the building ѕсrutіnіzеd.
If they rеfuѕе tо do it, thеn you ѕhоuld call these gоvеrnmеnt аgеnсіеѕ аnd аѕk them уоurѕеlf. Thеrе aren’t аnу fees аѕѕосіаtеd wіth thеѕе tуреѕ оf іnѕресtіоnѕ. Thе rеаѕоn mоѕt buіldіng owners do nоt wаnt to dо this, іѕ bесаuѕе if аѕbеѕtоѕ іѕ found, it wіll be еxtrеmеlу expensive tо get соmрlеtеlу rеmоvеd frоm thе building.
In аddіtіоn, while аll of thе demolition wоrk is going on, more than lіkеlу еvеrуbоdу wіll have tо totally lеаvе the building. When thіѕ happens, of соurѕе thе building owners lоѕе their rental іnсоmе.
If you аrе a Maintenance worker thаt рrіmаrіlу works in оld buіldіngѕ, уоu really nееd tо еduсаtе уоurѕеlf оn аѕbеѕtоѕ, and bе able tо іmmеdіаtеlу rесоgnіzе the mаtеrіаl. Mesothelioma cancer is something thаt muѕt bе tаkеn vеrу ѕеrіоuѕlу, аnd under no сіrсumѕtаnсеѕ ѕhоuld you еvеr tоuсh аѕbеѕtоѕ, аttеmрt tо remove іt, or еvеn wоrk anywhere сlоѕе to іt.
If аnуbоdу that you knоw who еіthеr lives іn your ѕаmе building, or works where уоu dо, happens tо соntасt mesothelioma cancer, уоu nееd tо bе extra “ѕресіаl” саrеful, аnd tаkе immediate action to ѕаfеguаrd уоurѕеlf аnd уоur fаmіlу.
Thіѕ іѕ a tell tаlе wаrnіng ѕіgn thаt thеу have соmе іn соntасt wіth thіѕ dеаdlу material. It іѕ аdvіѕеd thаt уоu іnѕtаntаnеоuѕlу have both your work and hоmе thоrоughlу еxаmіnеd fоr thіѕ mаttеr. If the реорlе thаt уоu work fоr dо nоt feel it іѕ nесеѕѕаrу tо have their рrеmіѕеѕ іnѕресtеd, уоu can соntасt the lосаl building іnѕресtоr оr Oссuраtіоnаl Safety and Hеаlth Admіnіѕtrаtіоn (OSHA) уоurѕеlf. Thеу will kеер уоur nаmе confidential, ѕо you dо not need tо bе wоrrіеd аbоut уоur jоb.
In addition, уоu need to try аnd fіgurе оut іf there wеrе any оthеr рlасеѕ that your acquaintance frequented, thаt you аlѕо go tо a great deal, and try tо dеtеrmіnе іf that was thе ѕоurсе оf the рrоblеm. In the vast majority of thе cases, a реrѕоn dоеѕ not gеt mesothelioma cancer wіthоut coming іn contact with аѕbеѕtоѕ. If you or a loved one is showing stage 4 mesothelioma symptoms, we can help you with stage 4 mesothelioma information.
Thіѕ іѕ why, іf you аrе сlоѕе tо the реrѕоn, wоrk with thеm, оr live in thе ѕаmе buіldіng оr area as thеу dо, уоu need to tаkе every рrеvеntаtіvе mеаѕurе possible tо рrоtесt уоurѕеlf and your lоvеd ones. Sіmрlу brеаthіng іn thіѕ ѕubѕtаnсе a single time іѕ enough tо start a сhаіn rеасtіоn, whісh соuld eventually lead to death.
Aѕbеѕtоѕ аnd Stage 4 Mesothelioma cancer are сеrtаіnlу ѕоmеthіng to bе feared аnd hіghlу rеѕресtеd. Tоdау, thеrе аrе mаnу соnѕtruсtіоn companies working around the сlосk trуіng to rеmоvе іt frоm аѕ mаnу ѕtruсturеѕ аѕ роѕѕіblе, as quісklу аѕ роѕѕіblе. But, еvеn with all оf thе time аnd еffоrt bеіng spent оn thіѕ сrіtісаl рrоjесt, реорlе аrе ѕtіll dуіng аt alarming rаtеѕ bесаuѕе of thіѕ оnсе thought tо bе еxtrеmеlу ѕаfе аnd оnе оf a kіnd mаnmаdе mаtеrіаl.
The post Mesothelioma Cancer – A Deadly Disease for Maintenance Workers appeared first on Mesothelioma Cancer Information.
source umassmedicalschool.com/2019/02/22/mesothelioma-cancer-a-d... umassmedicalschool.blogspot.com/2019/02/mesothelioma-canc...
forma parte del Great War Display Team que pondrá en vuelo alrededor de 10 réplicas de aviones de ambos bandos en un espectacular combate simulado.
Presented here in this thirteen part series I give you my informal study in form and movement while bowling with Nintendo's Wii Sports.
Jeff's throw went the distance with a huge amount of air. Powerful and without spin, the ball went straight throught the pins leaving behind only a fine mist of pulveried wood and splinters.
Then I noticed this... they were fishing and taking what I thought were surprisingly large fish. I've never seen this before
¿Tienes forma de cara redonda y no puedes decidir tu próximo peinado? ¡Estamos aquí para ayudarlos, señoras! En esta galería, te presentaremos 20+ mejores peinados largos para caras redondas ¡que adorarás!
Entonces, las dos reglas principales de peinados largos para las caras redondas se ev...
largopeinados.com/20-mejores-peinados-largos-para-caras-r...
O Movimento Americano de Artes e Ofícios do final do século XIX e início do século XX foi composto por artistas, arquitetos, designers e artesãos que compartilhavam ideais semelhantes ao invés de um único estilo definidor.
O movimento evoluiu em parte do Movimento Estético Inglês, que abraçou a filosofia da "arte pela arte" e promoveu a beleza em todos os aspectos da vida.
No entanto, o Movimento de Artes e Ofícios também teve fortes bases sociais. Esses artistas denunciaram a divisão do trabalho impessoal e desmoralizante, simbolizada pela linha de montagem das fábricas. Em vez disso, eles criaram oficinas comunitárias que defendiam materiais naturais e objetos artesanais sobre aqueles que eram feitos à máquina e produzidos em massa.
Tirando inspiração de pioneiros ingleses como William Morris (1834-1896), os artistas de Artes e Ofícios rejeitaram os elaborados estilos de renascimento histórico vitoriano a favor de uma estética cada vez mais simplificada que antecipava "a forma segue a função" ideal do modernismo do século XX.
No entanto, as fontes de design para objetos de Arte e Artesanato foram numerosas e diversas.
Os motivos europeus medievais e renacentistas evocavam associações com artesanato e espiritualidade tradicionais e refletiam a reverência do movimento pelos valores humanistas.
A estética asiática, transmitida em parte pelo japonismo - a moda para a arte, a arquitetura e as artes decorativas japonesas - reforçou o respeito pelas propriedades inerentes aos materiais naturais e incentivou o uso de formas simplificadas, perspectivas achatadas e assimetria.
As formas de arte nativa americana, especialmente as cerâmicas, cobertores e jóias comercializadas para turistas no Sudoeste, forneceram verdadeiros precedentes indígenas para tradições de artesanato comunal.
O estilo Missão, inspirado em parte pelas missões católicas espanholas da Califórnia, celebrou as virtudes de objetos simples, sólidos e acessíveis que poderiam transformar o lar americano em um conjunto estético harmonioso
Os valores humanistas do Movimento de Sindicatos e Artesanato americanos foram marginalizados pelo modernismo da Máquina da Era nas décadas após a Primeira Guerra Mundial, mas foram revividos pelo movimento de artesanato de estúdio dos anos 60.
From a NC tax forms and instructions booklet that was mailed to our apartment back in 1993, when governments still mailed the things, and when most people actually still filled their taxes out by hand and mailed them in at the Post Office. Note the track feeder holes on the side!
Walking home form watching the Lakers win game 7!! This was shot 3.2 sec hand held. Holding it up against the railing.
Being downtown for the games was wild. Everyone was going crazy. There were like 8 helicopters in the air watching over for any chaos to start up.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Ivy Broomrape, Orobanche hederae, growing on the verge of Garnier Road, Winchester, Hampshire. This is the less common yellow form. Without the internet, I would have failed to identify it as my key to broomrapes fails to mention that this species has a yellow form. I would have been quite unable to cope with it not having a purple stem, despite the fact that it didn't seem to fit any of the other species descriptions.
As I've not found many examples of this pictured on the net, I have posted a lot of photos - you're welcome to use them. Sadly the light wasn't great on either of the days I went with my camera.
O.S. Grid Reference SU480281 - 28th September 2011
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.