View allAll Photos Tagged Form
The form of the chrysalis is about half way to what its future shape will, the function being to allow a butterfly to develop.
平成２６年１月１８日（土） 僕は基本的に逆光よりも順光ののっぺりした画のほうが好きだし、露出を考えたり調整するのも億劫で逆光を避けるのだが、時折モノを眺めてピンと来た時に陰影をつける為に太陽と対峙する。冬の太陽は夏に比べて低い位置にあるから光の当たりが際立ち易い。
Southern Hawker Dragonfly. The two shots I've posted are the result of 40 intensely frustrating minutes of mostly following the flight, pressing the shutter and trashing the out of focus result! Swallows in flight are easy by comparison. (The title is because I mis-identied it as an Emperor. Thanks again to Fenwalker whose shots of invertebrates are superb!)
Hi Alex,
I have access to a Shear & Brake at work... They were formed...
A couple of other things I formed ( and saved money )
were my Trailing edges & Piper Channel ( See attachment )
The Stainless - I bought a 24 ga "Drop" for $60 bucks ( $3.00 per lbs )
The Piper channel is just "mild steel" , I bought a 24ga Drop for $7.80 ( .65 per lb - CR )
ACS wants 8-10 bucks for a 6' piece of the Piper channel , I made 16 and have material left.
( in the picture , that's a penny... just for size )
Gotta Fly...
Mike & "Jaz" in MN
.
.
PS If my TIG is the size of a Microwave....
Then that's one big azz Microwave , He he he!
.
.
.
Alex Frizzell wrote:
Brackets look good mike, did you form them up or did you cut them from rectangle tubing? I cut mine from some rectangle tubing.
Alex
----- Original Message -----
Henry Moore - Form and Material - Museum Beelden aan Zee - The Hague
In collaboration with the Henry Moore Foundation, Museum Beelden aan Zee has made a selection of works from the artist's substantial oeuvre. Around 70 objects and sculptures portray the artistic vision and creative process of one of the most important innovators of modern sculpture. The exhibition in Beelden aan Zee focuses on the influence of nature on his work and his growth and development as a sculptor. From promoting direct carving – carving without using preparatory sketches and studies – to experimenting with casting in lead and bronze. Henry Moore (1898-1986) is one of the most important British artists of the twentieth century. His sculptures balance on the boundary between figurative and abstract art and continue to be a source of inspiration to artists. His work has a recognisable and characteristic formal language. Important themes in his oeuvre are ‘mother and child’ and his reclining figures, which he explored extensively.
From the 1920s, Moore participated in countless British and international exhibitions, with solo as well as group exhibitions, he sold work on a regular basis, and so made a name for himself as an important modernist sculptor. However, the Second World War called a halt to these positive developments. Henry Moore left his teaching post and took up a commission as a war artist. It was in this capacity that he produced his deeply moving Shelter Drawings of Londoners crowding the city's underground stations sheltering from the Blitz. In the 1950s he created larger groups of figures. The prices for his works increased considerably and his fame as an international artist continued to grow. In later years he served as a trustee at both the Tate Gallery and the National Gallery and he was the recipient of a large number of prizes and honours.
Los jóvenes de Medellín celebraron su día internacional con una semana entera de actividades. También, conocieron actualización en la Política Pública de la Juventud y disfrutaron de espacios de participación en sus formas únicas de expresarse.
Some more Megahouse goodness in the form of Nanael and Annelotte.
So Nanael is the resident Angel of the Queen's Blade universe. I can't remember her back story but basically she's a banished Angel or something that is tasked to carry out Queen's Blade related duties but will be severely punished if she spills her flask of Magical Milk.
I'll let you figure out which fetish she's designed for.
Through the years, I've actually only had a larger scale resin statue of the character and, well lets just say it didn't survive my handling very well. I might actually have it buried somewhere in the basement at this time. A very cute design, Nanael has one large wing and one smaller wing, and is armed with a Magic Sword that can either be wielded in hand-to-hand, or can attack on its own like a familiar.
Colours are bright and cheery, as one would expect from an Angelic character. Cheerful expression is also present. With regards to the outfit, well your guess is as good as mine. There weren't actually that many ladies properly dressed for battle in the first series, and IIRC Nanael was kind of a clumsy oaf (hence the milk spilling thing) and featured many a pantsu shot as she either was flying through the air or sprawled across the ground. For whatever reason, they gave her a set of armoured Greaves to complete the set.
Cast off is pretty straight forward, though like most of the earlier releases, the tabs to reconnect the outfit together are very small, like the thickness of a pin. There's one seam down the right hand side of the dress and you just slide it off the body and over the neck (after removing the head). You also need to remove the belt with the milk. Some very generous curves and sexy creases are also prevalent across the body. As is the norm for this line, it's always just the torso that receives a strip down, but the underwear is still present though you can still make out some anatomical features.
Annelotte I looked at earlier, or at least the Swimsuit version. The battle version is one I owned back in the day and I was quickly reminded that despite having some pretty awesome (appropriate for someone known as the Mad Knight( looking armour and gear, this was actually one of the more annoying figures to own.
They designed the little tabs on the outfits with those small ones that are hard to connect, then there was the fact the skirt you need to squeeze just right under the breast plate, which can shift the pieces and cause the top to unseal. Then there's that admittedly cool flowing bit at the back the waist, but is a major pain in the ass to get connected (and keep connected) due tot he sheer weight of the piece and not so well thought out connection of two barely connecting peg/hole combinations. The overall design of Annelotte reminds me very much of a classic Saber that wasn't afraid to show off her goodies.
The armour itself is a bit crude in terms of finish, especially compared to more recent releases, but for 2010 or so, this was quite nice and in terms of actual detailing things still hold up nicely. Unlike Airi, I managed to not lose the collar decoration when popping off her head, though I suspect you're supposed to removed it during the cast off process. Sword and Shield are nicely sculpted and finished.
As with Nanael, some pretty nice looking curves (not as nice as Nanael, strangely enough) though it seems that the paint transfer was more severe as compared to Nanael. Now that I think about it, it seems like that the Rebellion figures had more paint transfer, despite them being newer. I wonder if that had to do with their being more paint in general or perhaps a drop in general QC.
Tras realizar un análisis a la forma como operan los programas que maneja el Departamento para la Prosperidad Social, su rol en el sistema de protección social y la estructuración de una ruta eficaz para reducir la pobreza, expertos del Banco Mundial concluyeron que es necesario establecer una ruta secuencial y progresiva de atención por parte de los programas misionales y articularse con el SISBEN IV para alimentar la caracterización de la población objetivo.
Durante la visita realizada esta semana, la Misión recomendó adicionalmente ajustar la focalización de los programas, georreferenciar los hogares para establecer perfiles que permitan construir paquetes de oferta pertinentes, y articular cuatro elementos esenciales para la focalización de los programas como lugar, objetivo común, intervenciones complementarias y seguimiento al hogar.
“Son varios los retos que se desprenden de este trabajo con Banco Mundial, como monitorear de manera continua el piloto de intervención de la Estrategia Unidos en 2019, fortalecer el sistema de información Llave Maestra, definir una ruta integral de atención a población étnica y fortalecer el trabajo de articulación con Planeación Nacional en el marco de la implementación del SISBEN IV". indicó la directora general del Departamento para la Prosperidad Social, Susana Correa Borrero,
De acuerdo con el análisis del organismo, los programas sociales que maneja la entidad cuentan con diversas fortalezas como la fuerte articulación entre Jóvenes y Familias en Acción, acciones urbano-rurales diferenciadas, acompañamiento familiar, apoyo en inclusión productiva y un trabajo interinstitucional con otras entidades de gobierno, que facilitan la correlación de metas y objetivos.
Por su parte, Sara Giannozzi. especialista en Protección Social para América Latina y el Caribe del Banco Mundial explicó que, “Estamos acá porque Prosperidad Social nos solicitó un apoyo para revisar los programas en el contexto de difusión de una ruta de superación de la pobreza y para ver cómo se puede hacer más efectiva la intervención de la Entidad, determinar los diferentes elementos necesarios para constituir esa ruta e intervenir de manera integrada en los hogares para lograr mejores resultados en el mediano y largo plazo".
Finalmente, dentro de la asistencia técnica del Banco Mundial también se contempló el fortalecimiento institucional de Prosperidad Social frente a la gestión del riesgo y se señaló que es importante construir protocolos institucionales para la prevención y atención de desastres naturales, que incorporen los esfuerzos individuales de las direcciones misionales en tales escenarios.
Reunión de Cierre Misión Banco Mundial. / Feb 27, 2019. (Fotografía Oficial Prosperidad Social / Joel González).
Esta fotografía oficial del Departamento Administrativo para la Prosperidad Social está disponible sólo para ser publicada por las organizaciones de noticias, medios nacionales e internacionales y/o para uso personal de impresión por el sujeto de la fotografía. La fotografía no puede ser alterada digitalmente o manipularse de ninguna manera, y tampoco puede usarse en materiales comerciales o políticos, anuncios, correos electrónicos, productos o promociones que de cualquier manera sugieran aprobación por parte del Departamento Administrativo para la Prosperidad Social.
Prosperidad Social Página Web / Twitter / Facebook / Youtube / Instagram
Centro de Rehabilitación Profesional y Social (CERPS) La Victoria de EsSalud formó una bandera humana para alentar a la selección peruana
São Paulo, 18 de Junho de 2011
PETER HOOK , Ex baixista do lendário grupo inglês Joy Division e co-fundador da banda New Order se apresenta pela primeira vez no Brasil com participação especial do seu filho no baixo.
Duas noites de celebração ao Joy Division. Peter Hook desembarca em São Paulo para duas apresentações inéditas – nos dias 16 e 17 de junho – no Estúdio Emme. A turnê intitulada Unknown Pleasures: A Celebration of Joy Division by Peter Hook & The Light, conta com participação especial do seu filho Jack Bates também no baixo.
A turnê - que já passou pelos principais países da Europa – é uma homenagem ao LP homônino Unknown Pleasures (1979), que levou o Joy Division ao estrelato mundial, por isso, os fãs “de carteirinha” podem esperar todas as músicas do álbum na íntegra com direito à apoteótica “Love Will Tear Us Apart”. O repertório também inclui faixas de “An Ideal For Living”, EP de estreia do grupo, então chamada “Warsaw”.
Para esta ocasião tão especial, Hook formou uma banda sob medida: ele, no baixo e nos vocais; o filho, Jack Bates, também no baixo; e Nat Wason, na guitarra, além de Andy Pool, no teclado, e Paul “Leadfoot” Kehoe, na bateria.
FOTO: RENATO LUIZ FERREIRA
Form & Reform helped out as part of the crack team for "Prototype This" for the Backyard Waterslide Simulator episode.
More on Jon Sarriugarte, and Hino's great time Making a Giant water slide.
Looking for an earring that is beautiful, simple, and uniquely you? Your search is over. Play up your sense of presence and proportion with these simply stunning Copper Leaf earrings. Great for everyday wear or a night out on the town, these earrings are sure to be a hit.
Standing like unstrung lutes in a temple like gallery these forms could be instruments waiting to be strung and played to bring the gods into contact with the worshippers. Strings will never be set into these forms and yet they and tuned and played. The setting arranged by the artist and the scene made in the gallery create the tension on the strings. The viewers play the notes and follow the ephemeral chords to reach their own divine imaginings.
At the time of taking these pictures The Hepworth Wakefield was just over a year old. It houses a superb collection of works by Barbara Hepworth and features displays from other artists. Designed by David Chipperfield Architects with 10 galleries this is definitely a place to make a visit to.
The Hepworth Wakefield
Gallery Walk, Wakefield, West Yorkshire, WF1 5AW
T: +44 (0)1924 247360
HMS BELFAST MOORED ON THE RIVER THAMES IN LONDON ENGLAND. THE SHARD AND BUILDING CRANES ACROSS THE WATER. PHOTO TAKEN FORM THE SOUTH BANK DSCN0840 auto
As artistic styles became more complex, greater training in technique was required to master the form. Exceptional natural talent and years of training were required before masterpieces could be created.
Se formó hace 4,500 millones de años, lo habitan 6,500 millones de personas. Nos proporciona muchas riquezas, debemos protegerlo.
¿Sabes cuál es el porcentaje de agua en la Tierra?; ¿Qué proporción es realmente aprovechable?; ¿Cuál es su ciclo?; ¿Por qué el ciclo del agua es indispensable para la vida?; ¿Y si un día ya no hay agua?
Además: La Tierra un planeta vivo; La Energía de la Tierra; Los Recursos de la Tierra; Diversidad de la Tierra; La Tierra de las Personas, Explorar la Tierra.
Sunday 21st of April saw the arrival of Cyclops, the last remaining original single headlight English Electric Unit.
Built in Preston in 1949-1950 these trains saw service in Wellington with the last units finally being retired in 2012.
During 2012 a group of enthusiasts formed a trust to preserve one of the units in Wellington with the aim of eventual return to the mainline.
Today it arrived at Maymorn, the home of the Rimutaka Incline Railway Heritage Trust where WHMUPT have been offered a home and where the work now starts.
A huge debt of gratitude is owed to the following
Greater Wellington Regional Council for assisting with the donation of the unit and the costs to tow Cyclops to her new home.
Kiwirail for support in the costs of the slew of line to enable the transfer to take place and also to
All the members of the RIRHT for all the effort and support shown to our new group.
Reaching 16,390 feet (4,966 m ) in elevation, Mt. Blackburn towers above the land. Storms struggle to pass over this imposing mountain, stalling as they climb. Feet after feet of snow falls as the storms slowly rise or dissipate. Over time, this snow turns into ice & feeds Mt. Blackburn's abundant glaciers. These glaciers actively change the land. They combine to form immense glaciers, like the Kennicott glacier. Their movement creates knife edge ridgelines & jagged peaks. They also change the park's major rivers. Melted glacial ice, & the rock it eroded, turns the waterways draining Mt. Blackburn into cold, muddy, swift moving rivers. Fittingly, the Ahtna people call Mt. Blackburn K"als"Tl"aadi-the one at cold waters.
*On the opposite side of Mt. Blackburn, several small glaciers combine to create the 27 mile long Kennicott glacier. Its strips are different colored rocks from these glaciers.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.