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Astragalus shultziorum, a phenotypically, genetically, and geographically distinct segregate of Astragalus molybdenus, is common on talus slopes and rocky benches dominated by short-statured vegetation and from Rendezvous Mountain to the Mount Meek area in the Teton Range. This site is along the trail just north of Mount Meek Pass. The long-attenuate style emanating from the distal tip of a triquetrous legume (triangular in cross-section), peduncles that are distinctly shorter than the leaves (averaging not much over 2 cm long) and that generally bear one or two sometimes three flowers or fruits are distinguishing traits of this mat-forming perennial milkvetch. Barneby refers to the infructescence as humistrately ascending, which is generally the case.
Ivy, owner of this woderful farm kindly gave lovecycling.sg riders an inspiring introduction to her farm. Plus many little childhood story of her kampong life.
Nikkō Tōshō-gū (日光東照宮) is a Tōshō-gū Shinto shrine located in Nikkō, Tochigi Prefecture, Japan.
Together with Futarasan Shrine and Rinnō-ji, it forms the Shrines and Temples of Nikkō UNESCO World Heritage Site, with 42 structures of the shrine included in the nomination. Five of them are designated as National Treasures of Japan, and three more as Important Cultural Properties.
Tōshō-gū is dedicated to Tokugawa Ieyasu, the founder of the Tokugawa shogunate. It was initially built in 1617, during the Edo period, while Ieyasu's son Hidetada was shōgun.[1] It was enlarged during the time of the third shōgun, Iemitsu. Ieyasu is enshrined there, where his remains are also entombed.[2] This shrine was built by Tokugawa retainer Tōdō Takatora.
During the Edo period, the Tokugawa shogunate carried out stately processions from Edo to the Nikkō Tōshō-gū along the Nikkō Kaidō. The shrine's annual spring and autumn festivals reenact these occasions, and are known as "processions of a thousand warriors". Also part of the beauty is the row of majestic trees lining the roadway, termed the Cedar Avenue of Nikkō.
Five structures at Nikkō Tōshō-gū are categorized as National Treasures of Japan, and three more as Important Cultural Properties.[3][4] Additionally, two swords in the possession of the shrine are National Treasures, and lots other objects are Important Cultural Properties. Famous buildings at the Tōshō-gū include the richly decorated Yōmeimon, a gate that is also known as "higurashi-no-mon". The latter name means that one could look at it until sundown, and not tire of seeing it. Carvings in deep relief, painted in rich colors, decorate the surface of the structure. The next gate is the karamon decorated with white ornaments. Located nearby is a woodcarving of a sleepy cat, "Nemuri-neko", attributed to Hidari Jingorō.
Five-story pagoda at Nikkō Tōshō-gū
Three Wise Monkeys
The stable of the shrine's sacred horses bears a carving of the three wise monkeys, who hear, speak and see no evil, a traditional symbol in Chinese and Japanese culture.
The original five-storey pagoda was donated by a daimyō in 1650, but it was burned down during a fire, and was rebuilt in 1818. Each storey represents an element–earth, water, fire, wind and aether (or void)–in ascending order. Inside the pagoda, a central shinbashira pillar hangs from chains[5] to minimize damage from earthquakes.[6]
The collection of carvings including The Three Wise Monkeys
Stone steps and Torii to Ieyasu's tomb
Ieyasu's enshrinement
Hundreds of stone steps lead through the cryptomeria forest up to the grave of Ieyasu. A torii at the top bears calligraphy attributed to Emperor Go-Mizunoo. A bronze urn contains the remains of Tokugawa Ieyasu.
In 2008 Yuri Kawasaki became the first female Shinto priest ever to serve at Nikkō Tōshō-gū.[7] （From Wikipedia）
Electronic transmedia project based in Bogotá - Colombia - Southern waves and frequencies.
"of the cold and noisy nights, of the depths of the emotions, of the darkness of the soul and life. a sordid, hypnotic work of strong and energetic rhythms, with basses that reference in this digital age the decadent notes of the 80s, the dark cyber punk synths, cold wave, garage post punk, the abandoned floor, voices heartbreaking, sensual and energetic of our underground mental world, our most abstract and dense thoughts. Mental abstractions, immersed in our analogue digital synthetic atmosphere of emotions and noises, lost among electronic scrap, between technologies, neon lights and shadows of the universe of the present...
Forming Words, showcases a selection of contemporary craft objects, which have been inspired and informed by text. Each work in this exhibition was specially commissioned by Flow Gallery, London, and responds to a piece of writing of the artist's choice, from poetry to a letter to lyrics.
For more info visit: www.craftanddesign.com
Como pegar as fotos, duas formas:
(todas as duas maneiras são considerando que você clicou na foto pequena para abri-lá num tamanho maios)
1.a) Clica com o botão direito na imagem
1.b) Clica em "original" (referente ao tamanho da foto)
1.c) ali em cima da nova janela que abrir terá a opção "fazer download", vai lá
2.a) em cima da foto, existirá uma opção chamada "ações", clica lá
2.b) Clicar em "ver todos os tamanhos"
2.c) ali em cima da nova janela que abrir terá a opção "fazer download", vai lá
Sei que parece complicado e que é muito mais fácil eu colocar todas as fotos no facebook pra vocês clicarem com o botão direito nela, botar "salvar como" e já elvis... mas no Facebook a imagem perde muita qualidade. Não faria muito sentido o "registro profissional" com qualidade de "registro amador". Qualidade e quantidade é tudo na vida (ou não)
Qualquer dúvida me chamem no facebookson :)
Formado em 2010, o Planta na Mente estabeleceu em seus ensaios abertos um espaço onde músicos e doidões com diferentes níveis de experiência, artistas de diversas áreas e o respeitável público se encontram para a criação coletiva de um espetáculo lúdico em prol da legalização da maconha. Queremos que as pessoas, principalmente negros e negras, parem de ser presos e mortos por causa da atual guerra às drogas.
Marchinhas de carnaval, sempre recheadas de bom humor, não são apenas músicas, são gritos de liberdade e de transformação! Assim, o Planta se destaca pelas suas paródias voltadas para o tema canábico e militante e por tocar, com o seu versátil formato de fanfarra, uma inusitada mistura de ritmos do Brasil e do mundo: dentre outros, o ijexá, samba, rock, jazz, funk e, claro, o reggae!
#marcelovallefotografia #plantanamente #legalizaçãodamachonha #foratemer
Form 3C Spalding Grammar School circa 1973: Back ?, ?, John Sneath, John Gent, Simon Hiscocks, ?, J Cooke, Dickie Cox, "Tigger" Johnson: Next Paul Smalley, Jerry ?, Kevin Harris, ? Lever, Ken Greetham, John Bennett, Jeremy Porter, ? Next. Steve Green, ? Neil Fovargue, Kevin Hilton, ?, Mick Shotbolt, Richard peel, Mick ?, Colin Staniforth. Front. Adrian Booth?, Jerry Baker, Mick Elsdon, "Jimmy" Calcutt, Adrian Vandervoet, ? Cook, Bill Breese
Carpinteiro, Deck, Pergolado, Telhado, Portas, Assoalhos, Tacos, Escadas, Formas para concretos, e outros serviços em madeiras.
Formed in 2013, Blossoms are an indie pop band from Stockport, Greater Manchester.
Day 2 of the tenth annual Tramlines Festival in Hillsborough Park, Sheffield, Saturday 21st July 2018. There were performances from the likes of Coasts, Reverend and the Makers, and Blossoms, and the day was headlined by Noel Gallagher's High Flying Birds.
I got this glass of Blue Moon at some damned brewing company restaurant in Westwood Village, and they brought it with this lemon jammed on the side. I wouldn't have been so upset if I hadn't been specifically ordering that beer because of how good it tastes with an orange in it... I should know better.
These are my first go at a chinese serving set for a friend. She likes Kate Spade so I tried to make them cutsie by adding red polka dots on the green rims. The whole set didn't turn out the best. The glaze bubbled on the egg drop soup bowl that I couldn't give her. The glaze needs to be more even too.
Exposição de Bonsais
Ocorreu com todo êxito mais uma Exposição de Bonsais realizada na Praça de Ciências em Vitória.
Estiveram expondo mais de 15 Bonsaístas de várias Regiões do Estado e o Público adepto desta Arte ou "Não" esteve presente; sendo este, o fator mais importante do Evento.
Foram mais de 50 bonsais expostos que demonstravam as Formas, Fases de Desenvolvimento e Espécies de Bonsais.
Durante o Evento (das 14 às 18 horas) foram feitas várias demonstrações de técnicas de como se preparar, cuidar e manter um Bonsai.
O próximo evento deverá ocorrer em Abril/2014 na Cidade de Linhares e oportunamente o Bonsai Clube Capixaba - BCC estará, através das Redes Sociais, divulgando o Local, Data e Hora da próxima Exposição.
Agradecemos a Todos pela Organização, Colaboração Patrocínio e Presença à "Exposição de Bonsai" e em Especial pela Recepção com a qual fomos recebidos por este Grupo.