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CRAZY FORM DUOS
Yunho and Mingi is an exciting duo, always ready to make you laugh, ATINY
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photo: Hong Joongie
editing: VH - Photostudio
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Mobile scaffolding and scissor lifts are used to prepare the surface of the station box interior for spraying sound-absorbing material called Pyrok, while the construction of concrete forms for the station platform continues below.
Aplicatii:
O razuitoare de gheata cu forma de trapez cu 4 suprafete de lucru.
Prima suprafata din stanga este plata pentru a razui chiciura de pe geam.
A doua si a treia suprafata sunt zimtate, pentru a razui gheata de pe geam.
A patra suprafata inferioara a razuitoarii gheata – TR – 85 ...
Common landscaping tree in tropical climates.
If I ever move to a climate conducive to this species I really want the variegated form!
Species native to the Americas.
This combination lamp/clock/cigarette lighter is multi-tasking its little heart out. From the Venetian blind shade down to the working cigarette lighter in the receiver, all its features still work (and I've got a burn in my palm to prove it). The only thing it doesn't do is function as a telephone. This wonderful lamp is the antithesis of the major tenet of Bauhaus design: form follows function. This one's got great form, but its function ran off into three different directions. From www.tackytreasures.com/
Formado pela dupla Mayra (vocal) e Bruno (guitarra elétrica e acústica), o College 11 tem seduzido multidões por onde passa com seu som que abusa de sintetizadores, bits eletrônicos, instrumentos acústicos, incorporando guitarras e vocais vibrantes com grande personalidade.
Show de abertura para o 3OH!3. São Paulo. 17.09.10
Le lac Pavin est un lac d'origine volcanique situé dans les monts Dore, en Auvergne, sur le territoire de la commune de Besse-et-Saint-Anastaise. Formé par phréatomagmatisme il y a 6 900 ans, ce lac de cratère est le plus jeune volcan de France métropolitaine.
The stoat (Mustela erminea), also known as the short-tailed weasel, is a species of Mustelidae native to Eurasia and North America, distinguished from the least weasel by its larger size and longer tail with a prominent black tip. The name ermine is often, but not always, used for the animal in its pure white winter coat, or the fur thereof.[2] In the late 19th century, stoats were introduced into New Zealand to control rabbits. The stoats have had a devastating effect on native bird populations (see stoats in New Zealand).
It is classed by the IUCN as Least Concern, due to its wide circumpolar distribution, and because it does not face any significant threat to its survival.[1] It was named one of the world's top 100 "worst invasive species" by the IUCN Species Survival Commission's Invasive Species Specialist Group.[3]
The ermine luxury fur is often used by Catholic monarchs, Pontiffs and Cardinals who sometimes use it as the mozetta cape, and devotional images such as the Infant Jesus of Prague. It also forms part of the parliamentary and coronation robes of British peers of the Realm.
Final inspection for concrete housing forms destine for the Bahammas. For more information on formwork visit Concrete Forms
Positive Runway Global Catwalk African Fashion Show African Ambassadors & Diaspora Interactive Form AAIF United Nations buildings International Maritime Organization HQ IMO London.
Pentimento: the presence or emergence of earlier images, forms, or strokes that have been changed and painted over.
K1 TRAINING CENTER, Iraq – Iraqi Army soldiers from 12th Field Engineer Regiment stand in formation during a graduation ceremony for the engineers at the K1 Training Center, Kirkuk province, Iraq, July 2, 2011. The Iraqi Army soldiers of the field engineer platoons conducted combined operations and training missions with U.S. forces during the past seven months.
(U.S. Army photo by Sgt. David Strayer, 109th MPAD, USD – N)
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Piazzale Pier Luigi Nervi Roma - EUR.
"L'opera a forma di spirale crescente e avvolgente, sempre più sottile con un senso di progresso continuo, che è insieme di uguaglianza e elevamento" Arnaldo Pomodoro.
"Novecento" obelisco di Arnaldo Pomodoro è un'opera in bronzo alta 21 mt. con un diametro di 7 mt.
Spirit board (gope) with stylized human form and rayed design
Spirit boards were the embodiment of benevolent spirits that helped families in everyday life. They were kept in family shrines as reminders of the continual presence of clan spirits.
Wood and pigment
Wapo Creek Region, western Papuan Gulf
Papua New Guinea
Late 19th - early 20th century
Fantastic book by Casey Reas, Chandler McWilliams, and the design/interactive shop LUST. Backdrop, Casey's Process Compendium 2004-2010.
Forms of Resistance, a two-person exhibition featuring works on paper by Tim McFarlane and Washington, D.C.-based artist, Miguel Rodriguez. The show consists of 20 new works on paper by each artist, with all work produced in 2017.
Reception
Friday, May 5 at 6 - 9 PM
Exhibition Statement: When talking about the “why” behind this show, we made a list of some of the things which drew our interest. We spoke about survival, how it relates to cities, oppression, graffiti being put up, then erased, then put up again. Graffiti as protest art. How the traces of words and marks build up and form a sort of collective language over time. We touched on how that relates to evolutionary biology. How all organisms belong to the same tree of life and contain elements of each other, morphed into endless variety through long periods of adaptation and reproduction over time. How we are derived from microscopic meteor particles, our alien origins. How we dream of life beyond our planet, or wish that we would be rescued. Or how terms like “illegal” aliens take a whole group of people and make them the other. We found ourselves deep into the role of artists in societies, whose free speech and thinking goes against the grain of authoritarian ideologies, and how every mark we make, every painting we realize is a form of resistance.
Tim McFarlane and Miguel Rodriguez
Exhibition
May 5 - May 27
Gallery Hours
Saturdays 11 - 2 pm
ARTIST BIOS
Tim McFarlane is a painter based in Philadelphia, PA. McFarlane’s paintings and works on paper examine the fluid nature of memory, time and place, with an emphasis on color, multi-layered systems and process. A 1994 Temple University/Tyler School of Art graduate, McFarlane exhibited in various group exhibitions around the Philadelphia region before gaining representation with the Bridgette Mayer Gallery in 2002, where he has had several solo exhibitions.
Tim McFarlane has exhibited his work extensively in the U.S. in group exhibitions and featured at art fairs in New York, Miami, Dallas and San Francisco. He has been a visiting artist at several universities, participated in artist panels and has been a juror for exhibitions and grants. McFarlane’s paintings and works on paper reside in numerous private and public collections, including those of West Virginia University, Bucknell University, Temple University, the Hyatt Hotel at the Bellevue and more.
Miguel Rodriguez is a Washington D.C. based painter. He is a graduate of Tufts University/School of the Museum of Fine Arts, Boston, and has shown his work in Philadelphia, Trenton and Boston. He is part of the Earth Issue Artist's Collective, and was interviewed recently for Young Space, an online platform dedicated to emerging artists. His work is included in numerous private collections.
Images left to right:
Miguel Rodgriquez: Ange, 2017, acrylic and collage on paper, 15" x 11"
Tim McFarlane Uncharted (Blue Seas), 2017, acrylic on paper, 15" x 11"
Observar la relación entre la pantalla de pilotes ( aquí sólo se representa uno, pero esta previsto que se construyan en una longitud de 230 metros). Observar la cercanía física entre la pantalla de pilotes de 41 m de largo y 1,5m de diámetro (en rojo), y los cimientos de la Sagrada Familia (con el extremo de sus cimientos engrosado en rojo en forma de bulbo) En realidad estos cimientos de 16 m de longitud, tienen unos límites reales muy difíciles de precisar pues la técnica de construcción de pilotes no está tan avanzada como la de las tuneladoras. Y bien pudiera suceder que llegaran a tocarse con alguno de los pilotes de la pantalla "protectora" en el momento de la construcción. No hay más espacio para proceder de otra manera. Son problemas que se presentan al ir definiendo los detalles de los proyectos y que hay que re-estudiar atentamente.
Visita a las obras del Templo de la Sagrada Familia 2008.09.30
Una forma de poder llegar a otros usuarios, clientes, interesados y artistas de la misma generación
Un ejemplo
La llegada de la informatización de todos los procesos ha afectado a todos los sectores y actividades profesionales. De hecho, en algunos casos, se ha conseguido ahorrar en tiempo, gestión de las obligaciones con una administración concreta y ha logrado la eficiencia desde cualquier lugar con acceso a la red. De esta manera, la figura del pintor Iñaki García Ergüin ha optado por el camino de la digitalización de toda su colección, desde las obras de estudio hasta la documentación del pasado, con especial hincapié a las referencias de las primeras exposiciones, cuadros y testimonios recogidos en los medios de comunicación. En la innovación, como es el caso, ha logrado centrar la atención de sus seguidores en la Aldea Global, que es aquella en la que participamos todos y donde Internet ha impuesto unas nuevas reglas de juego para comunicar, compartir y vender. Por otro lado, el pintor bilbaíno participará en los próximos meses en una serie de eventos, con el fin de seguir exhibiendo su obra. Es muy reseñable que un profesional del mundo del arte haya decidido subirse a la nube. Éste, que es el camino, es un ejemplo de los muchos que veremos para poder realizar una Campaña de Comunicación en redes sociales, por medio de la web y llegando a todo tipo de público.
En el evento que participamos ayer, que está publicado en Facebook, un artista, que inició su trayectoria profesional en 1951 en la ciudad de Bilbao, se ha decantado por la comunicación, así como por llevar a cabo un proceso que implica la digitalización de toda su obra, con el objeto de catalogarla, saber qué es lo que tiene, conocer la documentación y poder llegar a todos los ámbitos, para que los interesados, amantes del mundo de la pintura y del dibujo sepan de la existencia de las distintas colecciones, exposiciones y técnicas desarrolladas en cada cuadro.
Iñaki García Ergüin se ha subido a una nube, donde la organización es una realidad y las aplicaciones de gestión han logrado sintetizar el importante legado documental, que abarca desde la década de los cuarenta del siglo XX, una significativa carrera profesional hasta nuestros días.
En ese sentido, en el colectivo de los artistas, pintores y otros profesionales de las distintas actividades, el conseguir llevar a cabo un proceso de digitalización es una obligación y ventaja, no sólo por el análisis de una forma cómoda del material, sino por la valoración que supone saber qué es lo que tienen.
En otro orden de cosas, a día de ayer nos llamó la atención la noticia del ahorro de costes que ha supuesto la puesta en marcha de una tramitación telemática y digital por parte del Ayuntamiento de Catarroja en la Comunidad Autónoma de Valencia.
Dos millones de euros, ha sido la estimación de los dirigentes de la entidad local, lo cual, si atendemos a la ley y a las formas de poder llevar a cabo una gestión inteligente en la burocracia de los Ayuntamientos hacia la ciudadanía, es una noticia que hace referencia al cambio de hábitos y costumbres, sin olvidarnos de ponérselo fácil a las personas que desean llevar a cabo sus trámites con las Administraciones.
El Cloud Computing, su escenario, opciones y posibilidades, o bien, la capacidad de almacenar y diseñar una plataforma a gusto, tanto en una nube pública como privada, es el ejemplo a seguir, dado que el día de mañana cada organización será capaz de administrar sus servidores, discos duros, máquinas virtuales y recursos de red (IaaS) en cuestión de segundos, bajo una dirección coherente que sepa cómo realizar los pasos, acciones y desarrollo de las políticas de comunicación de cada entidad, empresa y organización.
Esa alternativa, que rompe con el modelo tradicional, el de toda la vida, es una cuestión de confianza, que no es tan sencilla como parece, pero que requiere de nuevos profesionales que realicen un trabajo de especialización y de futuro para una sociedad interconectada por medio de Internet, así como a través de la Intranet corporativa.
En ese sentido, la figura y capacidad artística de un profesional como Iñaki García Ergüin representa a una persona pionera en un campo donde la gestión documental online puede agilizar la síntesis de la obra, cuadros y resumir la trayectoria en todo tipo de formatos, desde los documentos conocidos (.doc, .docx, .odt) hasta la realización de libros digitales (ePub, .mobi). Una oportunidad que no debe dejar pasar.
Fuente de información:
-Archivos de Iñaki García Ergüin.
-Medios de comunicación.
Para más información
Ignacio García Ergüin
Web: www.garciaerguin.es
Facebook: facebook.com/garciaerguin
Twitter: twitter.com/garciaerguin
Flickr: flickr.com/photos/garciaerguin
YouTube: youtube.com/inakigarciaerguin
I've been studying black and white "fine art" lately. This was a clean white VW beetle sitting in a parking lot catching some pretty white sun. Gave it a shot. Your thoughts?
Raku, a revered Japanese art form, embodies simplicity, imperfection, and an intimate connection between the maker and their medium. Originating in the 16th century, it was traditionally used to craft tea bowls for the esteemed tea ceremony. Each piece, be it a tea cup, platter, or teapot, tells a story of fire and clay. The process embraces unpredictability as the objects are removed from the kiln while still molten, subjected to cooling that creates crackled glazes, smoky hues, and an air of serendipity.
The wabi-sabi aesthetic, rooted in the appreciation of transience and imperfection, finds its perfect partner in Raku. Together, they celebrate the beauty of flaws—the uneven edges, the crackled surfaces, the asymmetry that speaks of the artist’s hand and the elements’ influence. Raku is not about perfection but about presence, creating vessels that hold not just tea but the soul of the moment.
The Soul of Raku
In flames it breathes, the clay’s true form,
A dance of chaos, fire-streaked warm.
Crackled lines like life's own face,
Each flaw, a mark of time and grace.
In Raku’s hand, wabi-sabi gleams,
Imperfection woven into dreams.
A tea bowl speaks of transient days,
Beauty found in life's uneven ways.
Haikus
Crackled glaze whispers,
Flames kiss the clay with beauty,
Wabi-sabi’s truth.
Hands shape imperfection,
Kiln’s fire carves life in the clay,
Time’s breath etched within.
Tea cradles its bowl,
Fragile, transient, yet whole,
Raku’s humble soul.