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Paige competed in her first competition shortly after achieving her first level green belt. I was certain that she was at a disadvantage, but she still came away with two medals. After having seen her progress to third level green belt, I was sure that this competition she would clean house. It turns out that her adversaries had gained in experience as well.
This competition, Paige competed in three different activities. The first was for her form. The form had changed recently and she was slow to master the new moves. She had earned her stripe (a piece of tape at the end of her belt showing achievement within the rank) for her form just a week earlier. But when it comes to her form, Paige is meticulous. She is conscious of every nuance. And in the end, she brought her "A Game" and earned a gold medal.
For sparring, Paige was a very strong competitor. Perhaps too strong. In her traditional approach to sparring, Paige went full throttle against her challengers. This works sometimes, but she has yet to learn to wait and be patient for the right striking opportunity. One of her opponents merely stood with one of her legs extended, and Paige would walk into it every time while attacking. This is a point, and in the end Paige did not get a medal for sparring.
The third part of the competition Paige competed in was board breaking. At one time, this had been a strong area for Paige. Perhaps because she didn't know any better. "You want me to hit that board and break it? Cool." Over time however she has learned that executing the techniques incorrectly can be particularly painful. We were hoping that she'd regain her confidence in the competition setting, but in the end she couldn't break the board, and didn't earn a medal.
So only one medal for this competition - a gold medal though, in Paige's favorite part, technical form.
We went out to Moore's Crossing last night with Adri's sister Miranda and WhiteHotPheonix! It was a blast meeting Gabe and Amanda for the first time they are very Fun to hang out with!
SOOC
Plastic forming products coming down the assembly line.
Image released under Creative Commons. Use on any site you wish - please attribute to IndustrialTraffic.com
Bois d'Arcy, le 1er mars 2010 - Christine LAGARDE, ministre de l'Economie, de l'Industrie et de l'Emploi et Christian ESTROSI, ministre chargé de l’Industrie ont inauguré la plate-forme industrielle du courrier de Bois d'Arcy, dotée d'équipements de tri et de distribution les plus modernes d'Europe. "Un jour de célébration" pour Christine LAGARDE qui a rappelé que La Poste est le "service public préféré des Français".
© MINEIE - Ph Ricard
www.economie.gouv.fr/christine-lagarde/ministre-economie-...
Sandrail (not dune buggy) tour thanks to SandLand Adventures, Florence, OR
At first, I thought the front tires looked rather stylized and could not possibly have a practical design, but seeing how the three ridges just cut into the sand, i was pleasantly proved wrong that the engineering of these tires is a perfect blend of form and function.
Covering some 31,000+ acres, The Oregon Dunes National Recreation Area (or NRA) is located on the Oregon Coast, stretching approximately 40 miles (60 km) north from the Coos River in North Bend, to the Siuslaw River, in Florence. The NRA is part of Siuslaw National Forest and is administered by the United States Forest Service. The dunes adjoin Honeyman State Park.
The Oregon Dunes are a unique area of windswept sand that is the result of millions of years of wind and rain erosion on the Oregon Coast. These are the largest expanse of coastal sand dunes in North America.
The ruddy shelduck (Tadorna ferruginea), known in India as the Brahminy duck, is a member of the family Anatidae. It is a distinctive waterfowl, 58 to 70 cm (23 to 28 in) in length with a wingspan of 110 to 135 cm (43 to 53 in). It has orange-brown body plumage with a paler head, while the tail and the flight feathers in the wings are black, contrasting with the white wing-coverts. It is a migratory bird, wintering in the Indian subcontinent and breeding in southeastern Europe and central Asia, though there are small resident populations in North Africa. It has a loud honking call.
The ruddy shelduck mostly inhabits inland water-bodies such as lakes, reservoirs and rivers. The male and female form a lasting pair bond and the nest may be well away from water, in a crevice or hole in a cliff, tree or similar site. A clutch of about eight eggs is laid and is incubated solely by the female for about four weeks. The young are cared for by both parents and fledge about eight weeks after hatching.
In central and eastern Asia, populations are steady or rising, but in Europe they are generally in decline. Altogether, the birds have a wide range and large total population, and the International Union for Conservation of Nature has assessed their conservation status as being of least concern.
Taxonomy
The ruddy shelduck (Tadorna ferruginea) is a member of the shelduck genus Tadorna; in the wildfowl family Anatidae. The bird was first described in 1764 by the German zoologist and botanist Peter Simon Pallas who named it Anas ferruginea, but later it was transferred to the genus Tadorna with the other shelducks. Some authorities place it in the genus Casarca along with the South African shelduck (T. cana), the Australian shelduck (T. tadornoides) and the paradise shelduck (T. variegata). Phylogenetic analysis shows that it is most closely related to the South African shelduck. In captivity, the ruddy shelduck has been known to hybridise with several other members of Tadorna, with several members of the dabbling duck genus Anas, and with the Egyptian goose (Alopochen aegyptiaca). No subspecies are recognised.
The genus name Tadorna comes from the French "tadorne", the common shelduck, and may originally derive from a Celtic word meaning "pied waterfowl". The English name "sheld duck" dates from around 1700 and means the same. The species name ferruginea is Latin for "rusty" and refers to the colour of the plumage.
Description
The ruddy shelduck grows to a length of 58 to 70 cm (23 to 28 in) and has a 110–135 cm (43–53 in) wingspan. The male has orange-brown body plumage and a paler, orange-brown head and neck, separated from the body by a narrow black collar. The rump, flight feathers, tail-coverts and tail feathers are black and there are iridescent green speculum feathers on the inner surfaces of the wings. Both upper and lower wing-coverts are white, this feature being particularly noticeable in flight but hardly visible when the bird is at rest. The bill is black and the legs are dark grey. The female is similar but has a rather pale, whitish head and neck and lacks the black collar, and in both sexes, the colouring is variable and fades as the feathers age. The birds moult at the end of the breeding season and the male loses the black collar, but a further partial moult between December and April restores it. Juveniles are similar to the female but are a darker shade of brown.
The call is a series of loud, nasal honking notes, it being possible to discern the difference between those produced by the male and the female. The calls are made both on the ground and in the air, and the sounds are variable according to the circumstances in which they are uttered.
Distribution and habitat
There are very small resident populations of this species in Northwest Africa and Ethiopia, but the main breeding area of the bird is from southeast Europe across the Palearctic to Lake Baikal, Mongolia, and western China. Eastern populations are mostly migratory, wintering in the Indian subcontinent. This species has colonised the island of Fuerteventura in the Canary Islands, first breeding there in 1994, and reaching a population of almost fifty pairs by 2008. The ruddy shelduck is a common winter visitor in India where it arrives by October and departs by April. Its typical breeding habitat is large wetlands and rivers with mud flats and shingle banks, and it is found in large numbers on lakes and reservoirs. It breeds in high altitude lakes and swamps in Jammu and Kashmir.[11] Outside the breeding season it prefers lowland streams, sluggish rivers, ponds, flooded grassland, marshes and brackish lagoons.
Although becoming quite rare in Southeastern Europe and southern Spain, the ruddy shelduck is still common across much of its Asian range. It may be this population which gives rise to vagrants as far west as Iceland, Great Britain and Ireland. However, since the European population is declining, it is likely that most occurrences in Western Europe in recent decades are escapes or feral birds. Although this bird is observed in the wild from time to time in eastern North America, no evidence has been found that this is a genuine case of vagrancy. Feral ruddy shelduck have bred successfully in several European countries. In Switzerland the ruddy shelduck is considered an invasive species that threatens to displace native birds. Despite actions taken to reduce numbers, the population of ruddy shelduck in Switzerland increased from 211 to 1250 individuals in the period from 2006 to 2016.
A stable population exists in Moscow, settling the city parks' ponds alongside the endemic mallards. It is theorized that the birds are feral descendants of escapees from the Moscow Zoo, the population most likely forming after 1948, when the policy of clipping the birds' wings was repealed. Unlike the wild population, these ducks are non-migratory, wintering instead in the non-freezing parts of the city's bodies of water.
This shelduck mostly frequents open locations on inland bodies of water such as lakes, reservoirs and rivers. It is seldom seen in forested areas but does occur in brackish water and saline lagoons. Though more common in the lowlands, it also inhabits higher altitudes and in central Asia is one of the few waterbirds, along with the bar-headed goose (Anser indicus), to be found on lakes at 5,000 m (16,400 ft).
Behaviour
The ruddy shelduck is a mainly nocturnal bird. It is omnivorous and feeds on grasses, the young shoots of plants, grain and water plants as well as both aquatic and terrestrial invertebrates. On land it grazes on the foliage, in the water it dabbles in the shallows, and at greater depths, it up-ends, but it does not dive.
The ruddy shelduck is usually found in pairs or small groups and rarely forms large flocks. However, moulting and wintering gatherings on chosen lakes or slow rivers can be very large. Gatherings of over four thousand birds have been recorded on the Koshi Barrage and in the Koshi Tappu Wildlife Reserve in Nepal, and over ten thousand at Lake Düden in Turkey.
The birds arrive at their main breeding locations in central Asia in March and April. There is a strong pair bond between the male and female and it is thought they pair for life. In their breeding quarters, the birds are very aggressive towards their own kind and towards other species. The female in particular approaches intruders with head lowered and neck outstretched, uttering anger calls. If the intruder stands its ground, the female returns to the male and runs round him, inciting him to attack. He may or may not do so. Mating takes place on the water after a brief courtship ritual involving neck stretching, head dipping and tail raising. The nesting site is often far away from water in a hole in a tree or ruined building, a crevice in a cliff, among sand-dunes or in an animal burrow. The nest is constructed by the female using feathers and down and some grasses.
A clutch of about eight eggs (range six to twelve) is laid between late April and early June. These have a dull gloss and are creamy-white, averaging 68 by 47 mm (2.68 by 1.85 in). Incubation is done by the female while the male stands in attendance nearby. The eggs hatch after about twenty-eight days and both parents care for the young, which fledge in a further fifty-five days. After breeding the adults moult, losing the power of flight for about a month while they do so. Before moulting they move to large water bodies where they can more easily avoid predation while they are flightless. The family may stay together as a group for some time; the autumn migration starts around September and the young may mature in their second year. North African birds breed about five weeks earlier, and their breeding success is greater in wet summers.
Status
Buddhists regard the ruddy shelduck as sacred and this gives the birds some protection in central and eastern Asia, where the population is thought to be steady or even rising. The Pembo Black-necked Crane Reserve in Tibet is an important wintering area for ruddy shelducks, and here they receive protection. In Europe on the other hand, populations are generally declining as wetlands are drained and the birds are hunted. However, they are less vulnerable than some other waterfowl because of their adaptability to new habitats such as reservoirs.
The ruddy shelduck has a very wide range and an estimated total population size of 170,000 to 225,000 individuals. The overall population trend is unclear as some local populations are increasing while others are decreasing. The bird does not appear to meet the higher criteria necessary to be considered threatened, and the International Union for Conservation of Nature assesses that its conservation status is of least concern. It is one of the species to which the Agreement on the Conservation of African-Eurasian Migratory Waterbirds (AEWA) applies.
Phnom Bakheng (Khmer: ប្រាសាទភ្នំបាខែង) at Angkor, Cambodia, is a Hindu temple in the form of a temple mountain. Dedicated to Shiva, it was built at the end of the 9th century, during the reign of King Yasovarman (889-910). Located atop a hill, it is nowadays a popular tourist spot for sunset views of the much bigger temple Angkor Wat, which lies amid the jungle about 1.5 km to the southeast. The large number of visitors makes Phnom Bakheng one of the most threatened monuments of Angkor. [1] Since 2004, World Monuments Fund has been working to conserve the temple in partnership with APSARA.
Constructed more than two centuries before Angkor Wat, Phnom Bakheng was in its day the principal temple of the Angkor region, historians believe. It was the architectural centerpiece of a new capital, Yasodharapura, that Yasovarman built when he moved the court from the capital Hariharalaya in the Roluos area located to the southeast.
An inscription dated 1052 AD and found at the Sdok Kak Thom temple in present-day Thailand states in Sanskrit: "When Sri Yasovardhana became king under the name of Yasovarman, the able Vamasiva continued as his guru. By the king's order, he set up a linga on Sri Yasodharagiri, a mountain equal in beauty to the king of mountains."[1] Scholars believe that this passage refers to the consecration of the Phnom Bakheng temple approximately a century and a half earlier.
Surrounding the mount and temple, labor teams built an outer moat. Avenues radiated out in the four cardinal directions from the mount. A causeway ran in a northwest-southeast orientation from the old capital area to the east section of the new capital's outer moat and then, turning to an east-west orientation, connected directly to the east entrance of the temple.[2]
Phnom Bakheng is a symbolic representation of Mount Meru, home of the Hindu gods, a status emphasized by the temple’s location atop a steep hill. The temple faces east, measures 76 meters square at its base and is built in a pyramid form of six tiers. At the top level, five sandstone sanctuaries, in various states of repair, stand in a quincunx pattern—one in the center and one at each corner of the level’s square. Originally, 108 small towers were arrayed around the temple at ground level and on various of its tiers; most of them have collapsed.[3]
Jean Filliozat of the Ecole Francaise, a leading authority on Indian cosmology and astronomy, interpreted the symbolism of the temple. The temple sits on a rectangular base and rises in five levels and is crowned by five main towers. One hundred four smaller towers are distributed over the lower four levels, placed so symmetrically that only 33 can be seen from the center of any side. Thirty-three is the number of gods who dwelt on Mount Meru. Phnom Bakheng's total number of towers is also significant. The center one represents the axis of the world and the 108 smaller ones represent the four lunar phases, each with 27 days. The seven levels of the monument represent the seven heavens and each terrace contains 12 towers which represent the 12-year cycle of Jupiter. According to University of Chicago scholar Paul Wheatley, it is "an astronomical calendar in stone." [4]
Phnom Bakheng is one of three hilltop temples in the Angkor region that are attributed to Yasovarman's reign. The other two are Phnom Krom to the south near the Tonle Sap lake, and Phnom Bok, northeast of the East Baray reservoir.
Following Angkor's rediscovery by the outside world in the mid-19th century, decades passed before archeologists grasped Phnom Bakheng's historical significance. For many years, scholars' consensus view was that the Bayon, the temple located at the center of Angkor Thom city, was the edifice to which the Sdok Kak Thom inscription referred. Later work identified the Bayon as a Buddhist site, built almost three centuries later than originally thought, in the late 12th century, and Phnom Bakheng as King Yasovarman's state temple.
Between the earth and stars clouds gather, shape and form the light that we receive. Within the pattern they fashion in the sky they create food for the imagination. The mind seeks to recognise the world by looking out for the 'similar to' and by discovering the what is 'almost like'. At the edge of reflection there is a point of creation that can generate a new image not easily seen until joined original with the reflection.
The tails of the ascending Doves are quite easily seen as is the neck and jaw of a great head in the clouds. The nostrils of the head in the clouds are formed by a lateral figure of eight which conjures up notions of eternity and forms a trace of a track for a Möbius Ribbon to run along. Sometimes the clouds catch the light and bring about new creations and some intense revelations. Between the light we receive and the images that we perceive there is our imagination always seeking out an explanation of every aspect of creation and that brings about intense visualisation and at times wonderful peculiar even fantastic impossible conceptualisation.
This image features 1 Chakra Map by mpan and 4 Mandalas created by Morgan Phoenix. Details and links are listed below. Currently I hold on to copyright on my own images and happily work with the regulations as set by others on their images. I have tried to look at controls other than copyright to be able to protect my images and anyone featured in and through them.
PHH Sykes 2020
phhsykes@gmail.com
Two images in several layers have are featured in this composite the original photograph has been combined with an edited version of a Chakra Map and here are the details of the
Chakras map by mpan / CC0
upload.wikimedia.org/wikipedia/commons/2/2a/Chakras_map.svg
made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication see links below
en.wikipedia.org/wiki/Creative_Commons
creativecommons.org/publicdomain/zero/1.0/deed.en
Sahasrara Mandala
Ajna Mandala
Vishuddha Mandala
Anahata Mandala
Al Mandala images by Morgan Phoenix
commons.wikimedia.org/wiki/User:Morgan_Phoenix
Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported
From downloading the originals I have edited them each with a slight colour shift and then stretchered them to fit the Chakra Map. The coloured and stretchered images were then embossed and faded to fit into the original photograph and the reflection.
Forms of Nature #8
digital collage
by Kenneth Rougeau
The eighth image in the new "Forms of Nature" series of digital collages I'm currently constructing. Prints are available in my Etsy store (artfamilia). At present, I'm planning several individual pieces and at least one triptych for the set. More to come soon!
Even outside of the casting basin, the pontoon construction site buzzes with activity. In this photo, a carpenter prepares a wooden concrete form to be used on the third cycle of pontoons built in Aberdeen, Washington. Photo taken March 14, 2013.
Construction is complete on the second cycle of SR 520 bridge pontoons in Aberdeen. In this cycle, crews built six total pontoons:
• Three longitudinal pontoons (360 ft. x 75 ft. x 29 ft.)
• One cross pontoon (270 ft. x 75 ft. x 33 ft.)
• Two supplemental stability pontoons (98 ft. x 60 ft. x 28 ft.)
Plate-forme supérieure du monument aux 2 plates-formes des Abattois, avec sa niche. Vue de face. Photo Jacques RENOUX - Dijon
The forms are in place and concrete is poured at the brand-new CCS-agriKomp on-farm reference plant in Millbrook, Ontario.
More info here:
info.octaform.com/blog/bid/38924/Canadians-Bring-German-B...
Parametric design - the size of the opening transform while different parameters are input... This research can be used in Facade design...
Art in the Age of Now Exhibition Fulham Town Hall London with Alesha Jamaican Fashion Model Out on the Town. Artwork: What's the highest form of Knowledge? The Regal's Demons. Prince Phillip 10th June 1901 - 9th April 2021 200 Million for his tribute paid for by the people.
@unvrslnmd is one of the great artists taking part in #artintheageofnow @fulhamtownhall
This cross is formed from two girders from the WTC. These days it's easier to forget the horror of 9/11, but not once you've seen Ground Zero. It brings it home again.
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
Odorando antichi luoghi il tempo respira pacato; l'arcano, il sacro, il numinoso albeggiano suggerando ben altre profondità rispetto agli stretti orizzonti in cui la moderna religione, la scienza, ci confina.
Così succede in questa cripta nella repubblica marinara di Noli che mani d'uomo hanno plasmato fin dal quinto secolo; sono grato agli autori di 'SIMBOLISMO MISTICO E ORIENTAZIONI ASTRONOMICHE NELLA CHIESA ROMANICA DI SAN PARAGORIO A NOLI (SV)' che hanno prodotto un testo profondo e sobrio. Cito:
... la teologia contemplativa giocava un ruolo fondamentale nelle espressioni di fede della gente di allora; la stessa struttura della chiesa non era solo un edificio di culto, ma doveva anche esprimere, nell’orientamento assiale della fabbrica e nella disposizione delle finestre, certi profondi significati simbolici.
La ierofania, il senso della presenza di qualcosa di sacro, che si produce in questa come in altre chiese della medesima epoca - e basti ricordare gli effetti luminosi che si sviluppano nel giorno di Natale nella cappella degli Scrovegni a Padova e nella sala capitolare dell’Abbazia di Chiaravalle della Colomba (Piacenza) - era in grado di produrre una grande suggestione.
...quello che è apparso fino ad ora chiaro è che esistono due giochi di luce che si verificano in coincidenza con il Solstizio d’Estate [...] il Sole alle 9:30 del mattino (ora solare locale) si trova esattamente allineato lungo l’asse della navata principale nel senso che il suo azimut è pari a quello di orientazione dell’asse della chiesa. A Noli l’astro diurno sorge alle 4h 42m (T.U.) e passa lungo l’asse della chiesa alle 9h 30m ad un’altezza pari a 48°14’; ciò fa si che i suoi raggi attraversino la finestrella a forma di croce praticata nel muro posto al di sopra dell’abside e si proiettino sul pavimento quasi al centro della navata principale, in mezzo alle 4 colonne che sono poste alla base della scalinata che scende dall’altare maggiore, disegnando l’immagine della croce.
...È possibile che la chiesa di S. Paragorio sia stata edificata ed orientata in origine in funzione del fatto che all’interno di essa potessero verificarsi alcuni fenomeni luminosi di cui quello osservato è uno di questi; altri potrebbero essere ancora da rilevare.
Zwei Tonlampen in Form von Gladiatorenhelmen.
Links ein Murmillo oder Thraex Helm des zweiten bis dritten Jahrhunderts.
Das Punktmuster entspricht der Fischschuppenähnlichen Verzinnung des echten Helmes:
www.flickr.com/photos/40060535@N05/galleries/721576229692...
Rechts ein Secutor Helm.
Die Verstärkung um die Augenlöcher ist aufwendig verziert.
Two lamps formed like Gladiator helmets.
The left one is a 2nd-3rd AD Murmillo or Thraex helmet.
The dotet surface resembles the tinned "fishscales" of the real helmet:
www.flickr.com/photos/40060535@N05/galleries/721576229692...
Right a Secutor helmet.
The reinforcement around the eyeholes is elaborately ornamented
エキノプシス「桃花短毛丸」
Echinopsis eyriesii (Turpin) Zucc., 1839
(Pink Flower Form)
This name is accepted. 02/10, 2021.
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Synonyms:
Cereus eyriesii Pfeiff., 1837
Cereus jasmineus Pfeiff., 1837
Cereus multiplex Pfeiff., 1837
Cereus schelhasii Pfeiff., 1835
Cereus turbinatus Pfeiff., 1835
Echinocactus boutillieri Parm. ex Pfeiff., 1835
Echinocactus eyriesii Turpin, 1830
Echinocactus eyriesii var. glaucus Lindl., 1838
Echinocactus turbinatus Pfeiff., 1835
Echinonyctanthus eyriesii Lem., 1839
Echinonyctanthus turbinatus Lem., 1839
Echinopsis eyriesii (Turpin) Zucc., 1839
Echinopsis eyriesii var. grandiflora Rud.Mey., 1911
Echinopsis eyriesii var. pudantii P.Fourn., 1935
Echinopsis eyriesii var. schelhasii (Pfeiff. et Otto) P.Fourn., 1935
Echinopsis gemmata (Otto ex Pfeiff.) K.Schum., 1890
Echinopsis gemmata var. schelhasii (Pfeiff. et Otto) Schelle, 1907
Echinopsis multiplex (Pfeiff.) Zucc., 1839
Echinopsis oxygona (Link) Zucc. ex Pfeiff. et Otto forma grandiflora (Rud.Mey.) J.Ullmann, 1999
Echinopsis pudantii Pfersdorf ex Roth, 1900
Echinopsis schelhasii Pfeiff. et Otto, 1838
Echinopsis turbinata Pfeiff. et Otto, 1838
Echinopsis × wilkensii (Linke) K.Schum., 1897
Rebutia multiplex (Pfeiff.) Roeder, 1938
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Nikon D7100
Schneider-Kreuznach Apo-Componon HM 90mm F4.5
Enlarging Lens M39 Screw Mount
Schneider-Kreuznach UNIFOC 58 Helical Focus Mount
Built to compete in the newly formed Group B Circuit Race series, the 288 GTO (or simply GTO) is a homologation of the Ferrari 308 GTB. Owing to FIA regulations for a legitimate homologation, a minimum of 200 288 GTOs had to be produced - this particular model was n° 22. Its upgrades were plentiful : a 400 bhp 2.855 cc DOHC mid-mounted V8 engine with twin IHI turbochargers, Behr intercoolers, and Webers-Marelli electronic fuel injection, five-speed manual transmission and four-wheel independent suspension.
London Concours 2019
The Icons
Honourable Artillery Company
London
England - United Kingdom
June 2019
Panel in the Form of a Sarcophagus Door
Tang dynasty (618-907), early 8th century
Probably from Shaanxi Province
Limestone
Rogers Fund, 1920 (20.89)
**
The Metropolitan Museum of Art's permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met's holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met's purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America's Favorite Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
