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St Mary, Bramford, Suffolk
The borough of Ipswich sprawls now far beyond its official limits, but there are still places within a couple of miles of the Cornhill that feel like proper Suffolk villages. The River Gipping and its water meadows form a lovely barrier to development encroaching from the east, and on the far bank is the pleasing village of Bramford and its church of St Mary.
St Mary sits down a little lane lined by 17th Century cottages, and you approach it from the north side. Of all the medieval parish churches in the Ipswich area, this one feels most like the traditional East Anglian medieval church that people expect to see when they come to Suffolk. First of all, there is the grandness, the great bulk of the 15th Century tower squatting like a bulldog, and then leavened by its elegant, recently restored spire (once a feature of many Suffolk churches). Along the battlements of the aisles, statues stand like guardians, mythical creatures, a bear, a monkey. Then there is the setting beside the river. And inside, this is a church full of the memories of the past of its community, and a sense of its use by that community today. St Mary has the feel of a classic country church, in a suburb that feels like a proper village.
You step in through the open north porch into a wide, neat interior. The first thing that strikes you is Suffolk's only medieval stone rood screen. It dates from about 1300. There are several of these across the border in Essex, but it seems so unusual to see it here in an otherwise familiar medieval space. As James Bettley points out in the new Buildings of England: Suffolk, it is part of the architecture rather than the furnishing. It gives an impression of the way medieval churches would unfold as a series of rooms before the 15th century passion for wide open congregational and processional spaces. You need a fairly vivid imagination to conjure up its medieval appearance, surmounted as it would be by a wooden loft and painted rood group. It would also have been clad in imagery, and buttressed by altars. The quatrefoil holes were punched through at the end of the 19th century, when the chancel received its ritualist makeover.
This was the second major Victorian restoration here; a drawing from the 1840s shows a nave full of box pews, all focused on a pulpit set in the middle of the south aisle. In the 1860s, this seating was replaced, and turned to face the altar at the east end. The pulpit was moved to its 'traditional' position. But the drawing reminds us that, for 200 years or so, it was the pulpit that was the focus of Anglican worship rather than the altar. It is also a reminder that the way our eyes are automatically drawn to the east end of a church would not have occured to our 18th century ancestors, who often blocked off the chancel for use as storage or a meeting room.
A delightful and rare reminder of one of the priorities of those years of ferment immediately after the Reformation survives inscribed and painted on the most westerly pillar in the south arcade. It reads:
Remember ye pore
The Scripture doth record
What to them is geven
Is lent unto the Lord
1591
It would have been above a poorbox, and indeed, it is still above a 20th Century money box today.
The chancel reredos by W D Caroe is a good example of turn-of-the-last-century seriousness. It sits beneath a familiarly stodgy window by Kempe & Co, typical of their early 20th Century style. The bulky choir stalls, also by Caroe, have been removed from the chancel and placed in the south aisle. The chancel must have felt very cramped when they were still in situ. The most interesting stained glass is that in the west window of the north aisle, now hidden behind the organ. It depicts, rather curiously, various scenes of people being tempted to do bad things, and was the work of Samuel Evans of Smethwick, their only work in East Anglia. James Bettley notes that it was put together by Haggars of Ipswich.
During the 19th century, the font was moved into the space beneath the tower to create a baptistery. The font is chiefly remarkable for its 16th century cover, which, like the one at Boxford, has doors which open outwards to give access to the water. When the large local factory of Fison, Packard & Prentice closed, the firm's elegant war memorial was resited on the west wall of the tower behind the font, which provides a nice foil for the font but does make the war memorial difficult to photograph. However, if it had not been moved it would have been lost to us, for the factory was destroyed by a furious arson attack in early 2019. The parish war memorial is in the south aisle.
The Packards were a local family of some importance. A number of 19th and 20th Century memorials in the church remark on their activities both here in Suffolk and out in the empire. But best of all the memorials, I liked the little brass plaque to Eliza Mee, who died in 1912. It records that Blind from birth, she led the choir when it was placed in the old gallery, and for 35 years played the first organ used in this church.
Rome - Forma / La città moderna e il suo passato (2004).
www.electaweb.it/catalogo/scheda/978883703189/it?language...
Abstract
Proposal by Fuksas and Mandrelli to transform Via dei Fori Imperiali,
the street that bisects the archaeological park that encompasses the
Republican and Imperial forums, into a viaduct hovering above the
ruins.
Subject/Artist
Fuksas, Massimiliano, 1944-; Mandrelli, Doriana O; Mussolini, Benito,
1883-1945; Streets -- Alterations and additions -- Italy -- Rome --
Via dei Fori Imperiali; Fascism and architecture -- Italy -- Rome
______________
Al Colosseo e' aperta una mostra, "Forma. La città moderna e il suo passato", al cui termine e' esposto il progetto dell'architetto Fuksas per la sistemazione dell'area archeologica centrale e di via dei Fori Imperiali.
www.architettiroma.it/dettagli.asp?id=5940
www.architettiroma.it/dettagli-p.asp?id=5931
www.kwart.kataweb.it/kwart/ita/recensionidett.jsp?idConte...
** Comments regarding the Fuksas Project in Rome (Aug. 2004), by an Italian archaeologist in Rome affiliated with the Imperial Fora excavations and studies (1989-present). **
In sintesi (forse eccessiva) via dei Fori Imperiali, ormai storicizzata,
resta, pedonalizzata per sei mesi l'anno (l'estate si prevede solo il
passaggio dei mezzi pubblici), ma su una serie di arcate che scavalcano
le aree archeologiche Queste formano dunque un unico spazio, senza
soluzione di continuità, tra Fori Imperiali e il Foro Romano (e oltre,
fino al Colosseo e al Circo Massimo, Delle passerelle, sempre
sopraelevate, tagliano qua e la' l'area dei Fori Imperiali, seguendo
(più o meno) il tracciato delle vie del quartiere alessandrino, quello
buttato giù da Mussolini negli anni '30. Dalle passerelle delle rampe
in corrispondenza delle attuali aree alberate con pini, che vengono
mantenute, scendono nell'area archeologica. Ci sono poi anche delle
piattaforme che si dipartono dalle passerelle, coperte in materiale
trasparente e che possono essere utilizzate come belvedere, come centri
informativi e/o espositivi, ma anche per caffe', librerie, ecc., in
mododa rendere questo percorso aereo anche un posto dove stare, da
raggiungere, e non solo vie di passaggio. Piattaforme e (suppongo)
passerelle poggiano su sostegni sottili. A quanto si dice le opere previste sono comunque reversibili e di costo abbastanza limitato (ovvio, tutto e' relativo).
Si tratta come sottolinea lo stesso architetto non di un progetto
definitivo, per ora, ma di un'idea, di un concetto, sebbene già
tradotto in immagini. E' bene sottolinearlo perche' ci sono, almeno per l'occhio
di chi conosca bene le aree, alcune incongruenze e non sembra calibrata
in funzione quanto meno *anche* dei resti antichi, la posizione di
questi elementi moderni. Ma sono ovviamente tutte cose che si possono
meglio calibrare in un progetto vero e proprio.
La mia impressione sul progetto? non l'ho ancora ben chiara.
Le piattaforme sembrano piccoli grappoli di oblunghe bolle trasparenti,
delle astronavi sospese in aria Le forme sono bellissime, ma
onestamente mi lasciano un po' "stranita" delle astronavi aliene che si
librano sopra l'area archeologica dei Fori, davanti alle colonne del tempio di
Marte Ultore o della Basilica Ulpia. Non so, puo' essere che mi debba
abituare all'idea e che sia un'operazione simile a quella della
piramide nel cortile del Louvre (che a me personalmente piace molto). O forse
effettivamente finiscono per lasciare un segno moderno dove forse
avrebbe senso essere il più possibile sommessi. Insomma se devo fare
una balaustra di protezione, o un elemento a servizio della visita, che
ovviamente sono in parte inevitabili, e' giustissimo dare a questi
oggetti una qualità estetica, anche a contrasto (e forse meglio a
contrasto, per rendere immediatamente evidente che di aggiunte si
tratta). Ma diventa giusto se questa vista distrae il visitatore dalla
percezione delle architetture antiche? (la piramide del Louvre non lo
fa, mi sembra, e lo stesso palazzo del Louvre, nonostante il prestigio
del suo museo, non e' i Fori Imperiali...).
L'idea di cui si propone questa realizzazione non e' sbagliata: sia il
fatto di lasciare la via dei Fori Imperiali su arcate, ma di lasciarla
(e io non la chiuderei al traffico, mi sembra sufficiente e sensato
farlo per la domenica e i di' di festa. Oppure, all'interno di
un'operazione urbanistica (oddio, forse impossibile) che comprenda
viabilità alternative la renderei pedonale tutto l'anno....). Non e'
peraltro un'idea nuovissima, e veniva abbastanza spontanea come
soluzione, essendoci i soldi per farlo e trovando le soluzioni tecniche.
Anche l'idea delle passerelle sopraelevate (reversibili, leggere) non
mi sembra sbagliata. Ottima anche l'idea di tracciare con questo percorso
aereo il tracciato delle strade del quartiere distrutto e riproporre
dunque la stratificazione storica ora scomparsa.
Pero' il percorso e la quantità di queste passerelle forse andrebbe
meglio valutato. Nelle ricostruzioni (proposte rapidamente in
diapositive che scorrevano, e dunque difficilmente percepibili nei
particolari) ne ho colto una che passava tra le colonne del tempio di
Venere Genitrice e le colonne dei portici della piazza del Foro di
Cesare che io onestamente non avrei messo, anche se fosse sulla
linea di una di queste perdute strade (e posto che lo sia: dovrei
controllare, ma non mi pare che i percorsi storici siano rispecchiati con
precisione). E mi chiedo che senso abbia demolire l'esistente via
Alessandrina, per rimpiazzarla con una passerella, varrebbe forse piu'
la pena aprire, come e' stato fatto per alcuni passaggi, tutte le
arcate del muro di recinzione moderno e lasciarla anch'essa su arcate
(ovviamente non ho le competenze per capirne la difficoltà tecnica,
magari non si puo'), con il vantaggio di avere per la funzione che
serve l'elemento originale, la strada, ancora conservatasi pur senza le sue
case intorno, invece che un elemento nuovo che la ricalchi. O forse
sbaglio e forse la strada cosi' mutiliata in effetti non ha senso e
sarebbe meglio un segno moderno, ma più lineare e più leggero che si
limitasse a ricordarne la memoria.
Un'altra idea che condivido e' quella di rendere viva la zona, un punto
di arrivo e non solo di passaggio, aprendovi, caffe', librerie, centri
informativi, gallerie, e via dicendo. Ma magari farlo proprio in mezzo
alle aree archeologiche, ancorche' in posizione sopraelevata, non so,
e' davvero necessario? se uno usasse, che so, zone dei marciapiedi di via
dei Fori dove sono più larghi? chioschi nelle aree alberate che
giustamente si vogliono conservare? E dei belvedere, magari giusto ci
siano (sebbene i Fori, visti dall'alto si possano capire, ma non
percepire e sentire, starci dentro), ma al limite degli allargamenti
delle passerelle, che belvedere lo sarebbero poi le passerelle stesse.
Delle cose dette dall'architetto progettista e dal Soprintendente La
Regina, condivido assolutamente la necessità di porre il problema: gli
scavi delle aree sono stati fatti, ma occorre per renderli davvero
"fruibili" a tutti pensare, con attenzione, ad una loro
sistemazione. La faccenda e' delicata: quali delle testimonianze dei secoli
successivi trovate in gran copia nell'area della piazza del Foro Traiano, ad
esempio, abbiamo diritto di demolire? Possiamo probabilmente farlo con
le cantine delle case cinquecentesche, ma i resti del convento
duecentesco di S.Urbano? il laboratorio del ceramista rinascimentale? e
penso che a nessuno venga in mente di demolire l'unico esempio di una
casa signorile di età carolingia, trovato nell'area del Foro di Nerva.
Siccome tutte queste cose, piu' e meno importanti, una volta demolite
saranno perse per sempre (nonostante tutta la documentazione, ovvio),
credo sia necessario valutare con molta attenzione, lasciarsi anche il
tempo di farlo bene. Ci sono anche legate tutta una serie di faccende
pratiche (tipo il luogo di deposito dei materiali archeologici, o
l'installazione dei servizi tecnologici, dei bagni e di altri servizi
indispensabili in un'area archeologica cosi' vasta (solo sulle
piattaforme sopraelevate? e cosa, bagni chimici? o altrimenti dove
dovrebbero scaricare? E poi, se vogliamo permettere il libero accesso
su tutta l'area, quanti custodi ci serviranno? e come si salvaguardano, in
modo che non vadano perdute per il calpestio, le tracce della
pavimentazione marmorea della piazza del Foro Traiano?
A proposito poi dell'accesso gratuito. Ottima cosa, naturalmente.
Permette ai cittadini di riappropriarsi delle aree, e probabilmente,
anche solo attraverso una percezione non ragionata, di trasmettere il
valore della cultura e della conoscenza del passato.
Pero'.... e qui forse sbaglio, non so: intanto la mancanza di supporti
didattici (che secondo il Soprintendente non servono perche' tanto c'e'
*altrove* una messe enorme di informazioni e chi si vuole informare ha
dunque ampie possibilità di farlo), ma anche l'inevitabile tracciare
percorsi obbligati, chiudendo le aree più delicate (cosi' e' avvenuto
nel Foro Romano: non si entra più nella Basilica Emilia, non si entra
più nella Casa delle Vestali, praticamente si puo' solo seguire la
strada) appiattisce tutti i visitatori su un'unica possibile
frequentazione "di base", generica e impedisce ogni
approfondimento. Ho dei dubbi (e' vero, non sono sicura) che sia davvero meglio per la diffusione della cultura, tendere ad appiattire tutto "verso il basso", verso un utilizzo più diffuso e più in fondo, superficiale, invece di
cercare di portare tutti verso "l'alto".
Ecco, queste sono le mie (prolisse) impressioni.
Voi, che ne pensate?
Guardate che io, personalmente, avrei proprio bisogno di confrontarmi
con qualcuno che magari sia un po' meno legato di me alle aree in
questione, per capire se il fatto di lavorarci non alteri le mie
impressioni......
The Sky Form of Shaynim only available in Pokemon Platinum and can be captured on the Pokemon Ranger tracks of light(not release yet)
Site from the same site seen in my Latias and Latios pic at the bottom
I picked up a shoe form from my friend Robin at Dyer Moccasins. It works great as a darning mushroom. She routinely resells her old forms. Get one in your size! Great for felting slippers. Carl Dyer Moccasins, Friendship, IN. They come in sets of two.
Exposition
Du 14/06/2017 au 10/09/2017
L’exposition Le Rêve des formes, présentée à l’occasion du vingtième anniversaire du Fresnoy – Studio national des arts contemporains, est conçue comme un paysage imaginaire, un jardin monstrueux où se cultivent des formes périssables et des surfaces en germination, des organismes protubérants et de plates silhouettes.
Les artistes et chercheurs rassemblés dans Le Rêve des formes témoignent de leur rencontre avec de nouvelles possibilités de représentation, issues de découvertes scientifiques et techniques récentes, qui bouleversent notre façon de voir et de montrer. En renouvelant grâce à cela le champ du perceptible – nanotechnologies, imagerie de synthèse, scan 3D, stéréolithographie… –, ces nouvelles visualisations nous laissent présumer de géométries encore inconnues.
Des images, des transcriptions, des modélisations, des formes spéculatives produites par les inventeurs et savants des sciences prospectives, issues des mathématiques, de la physique, de la biologie, de l’optique ou de la chimie par exemple, rejoignent ou inspirent des œuvres qui résultent des greffes opérées entre art et science, entre spéculation et invention, par une vingtaine d’artistes contemporains.
Avec : Francis Alÿs, Hicham Berrada & Sylvain Courrech du Pont & Simon de Dreuille, Michel Blazy, Juliette Bonneviot, Dora Budor, Damien Cadio, Julian Charrière, Sylvie Chartrand, Clément Cogitore, Hugo Deverchère, Bertrand Dezoteux, Mimosa Echard, Alain Fleischer, Fabien Giraud & Raphaël Siboni, Bruno Gironcoli, Spiros Hadjidjanos, Patrick Jouin, Ryoichi Kurokawa, Annick Lesne & Julien Mozziconacci, Adrien Missika, Jean-Luc Moulène, Marie-Jeanne Musiol, Katja Novitskova, Jonathan Pêpe & Thibaut Rostagnat & David Chavalarias, Olivier Perriquet & Jean-Paul Delahaye, Arnaud Petit, Jean-François Peyret & Alain Prochiantz, Gaëtan Robillard, Gwendal Sartre, SMITH & Antonin-Tri Hoang, Anicka Yi
A fully stocked Print Farm using Formlabs Form 2 SLA 3D Printers in against a white wall. Includes Resin Trays and Cartridges and manual post-treatment tools.
Free for use under Creative Commons license. If you use this image, please link to "formlabs.com/3d-printers/" in your attribution.
Today is the day we're supposed to post our hollow form rings, according to the guidelines of the second ring challenge:
*Make a Hollow Form Ring
*The ring should have at least one gemstone in a setting of your choice.
*Post the photos of your Ring (in the Jefferson and Ring-a-Day group pools) on May 16th (not earlier)
You're free to interpret this in your own way, as long as it is a hollow form ring.
My first though was to make a tulip ring, as I was -and still am- obssessed with tulips :-)
I had a few more ideas but I decided to go with the first one. I'm also posting some process pics . Fortunately, making it didn't involve any serious accidents but it took a lot of time to fabricate.
When I finished it, I wasn't entirely happy with it, it reminded me more of fire flames, not a tulip. I wore it a few times, some people said it was tulip, some others though they were flames. Anyway, last night I was asked by someone to reserve it for her and I couldn't be happier. Luckily, it fits her and I won't have to make it again in her size :-)
Tanned man exercising on the Pink Sands Beach. Woman in bikini exits the water Harbour Island Bahamas
But now thus saith the Lord that created thee, O Jacob, and he that formed thee, O Israel, Fear not: for I have redeemed thee, I have called thee by thy name; thou art mine.
When thou passest through the waters, I will be with thee; and through the rivers, they shall not overflow thee: when thou walkest through the fire, thou shalt not be burned; neither shall the flame kindle upon thee.
For I am the Lord thy God, the Holy One of Israel, thy Saviour: I gave Egypt for thy ransom, Ethiopia and Seba for thee.
Since thou wast precious in my sight, thou hast been honourable, and I have loved thee: therefore will I give men for thee, and people for thy life.
Fear not: for I am with thee: I will bring thy seed from the east, and gather thee from the west;
I will say to the north, Give up; and to the south, Keep not back: bring my sons from far, and my daughters from the ends of the earth;
Even every one that is called by my name: for I have created him for my glory, I have formed him; yea, I have made him.
Bring forth the blind people that have eyes, and the deaf that have ears.
Let all the nations be gathered together, and let the people be assembled: who among them can declare this, and shew us former things? let them bring forth their witnesses, that they may be justified: or let them hear, and say, It is truth.
Ye are my witnesses, saith the Lord, and my servant whom I have chosen: that ye may know and believe me, and understand that I am he: before me there was no God formed, neither shall there be after me.
I, even I, am the Lord; and beside me there is no saviour.
I have declared, and have saved, and I have shewed, when there was no strange god among you: therefore ye are my witnesses, saith the Lord, that I am God.
Yea, before the day was I am he; and there is none that can deliver out of my hand: I will work, and who shall let it?
Thus saith the Lord, your redeemer, the Holy One of Israel; For your sake I have sent to Babylon, and have brought down all their nobles, and the Chaldeans, whose cry is in the ships.
I am the Lord, your Holy One, the creator of Israel, your King.
Thus saith the Lord, which maketh a way in the sea, and a path in the mighty waters;
Which bringeth forth the chariot and horse, the army and the power; they shall lie down together, they shall not rise: they are extinct, they are quenched as tow.
Isaiah 43:1-17 King James Version
Exposição Brasil Futuro: As formas da democracia, no Centro Cultural Solar Ferrão, no Pelourinho em Salvador.
Foto: Fernando Vivas/GOVBA
Le salon central, ancienne salle des gardes au xviie siècle, est une pièce unique dans l'histoire de l'architecture française; son originalité provient de sa forme ovale, inhabituelle à l'époque pour une salle de réception.
Elle comprend deux étages, selon le modèle dit "à l'Italienne", et est couverte de voussures, ce qui est caractéristique de cette architecture, mais le « vaisseau » ovale en avant-corps est une invention française.
Destinée à accueillir les fêtes et à accéder aux jardins, cette très vaste pièce - 19 mètres de long, 14 mètres de large et 18 mètres de haut - n'était pas appelée à être meublée, mais vers 1880 les époux Sommier la "divisèrent" symboliquement en quatre salons meublés dans le goût très opulent du temps, comme le montrent des photographies publiées par Patrice de Vogüé4 et celle reproduite dans l'Île-de-France des châteaux de Claude Frégnac (Hachette Réalités, 1963), avant d'être "épurée" de son mobilier pour ne conserver que la série de bustes d'empereurs romains.
Le "Projet Le Vau" une des conventions de mécénat envisagées entre l'association La Demeure Historique et les propriétaires, consisterait à restituer les portes de verre afin de créer une symbiose entre la demeure et les jardins.
Le plafond de la coupole devait être peint du Palais du Soleil par Charles Le Brun, représentant l'astre solaire avec l'emblème de Nicolas Fouquet : l'écureuil ; ce dessin fut gravé par Audran, mais cette décoration ne fut pas réalisée, même si vers 1845 le duc de Choiseul-Praslin demanda au peintre-décorateur Dutenhoffer de chiffrer son exécution mais, la jugeant trop onéreuse, ne donna pas suite. Or, dans une déposition de cet artiste du 24 août 1847, publiée par P. de Vogüé5, celui-ci indique — alors que ce travail est attribué à Charles Séchan, qui orna, entre autres salles de spectacle européennes, l'Opéra de Paris — y avoir peint le ciel décoré au centre d'un aigle aux ailes déployées, jadis entouré de cinq autres — effacés — que l'on entrevoit encore.
Cette démarche pourrait renaître avec le "Projet Le Brun", consistant à orner la coupole de la peinture prévue, dont les dessins et cartons sont conservés sur place ("Vaux-le-Vicomte : un mécénat d'exception", revue D.H n°179, nov./décembre 2010, p. 30).
La coupole est soutenue par une magnifique série de seize grands termes sculptés par François Girardon, douze portent les signes du zodiaque et quatre, les symboles des quatre saisons. Le sol est constitué de pierre blanche et d'ardoise avec, au centre, un cadran solaire.
La pièce est décorée de quatre bustes de l'époque de Fouquet représentant des personnages romains : Octavie, sœur d'Auguste, Britannicus, Octavie, épouse de Néron, et Hadrien; les douze autres bustes romains sculptés à Florence au xviie siècle provenant de la « Villa Pompéienne » (détruite) du prince Napoléon, avenue Montaigne à Paris. (Wikipedia)
rundontwalk formed in 2002 as one of the earliest art collectives to begin painting after the economic crisis of 2001 and has become one of the most prolific in Buenos Aires. It consists of stencil artist Federico Minuchin and self-taught visual artist Tester.
The residents of Casacuberto, an two block passageway between Gral Urquiza and 24 de Noviembere in Parque Patricios, invited bs.as.stncl, rundontwalk and Stencil Land to turn the fronts of their houses into an open air stencil art gallery.
The sculpture "Turning Forms, 1950-51" was commissioned for the Riverside Restaurant at the Festival of Britain". Made of white painted concrete on a steel armature it was originally a kinetic sculpture, ie. it rotated on its axis.
At Tate St,Ives, bronze sculpture on a wooden base. With the actual beach and sea beyond through a window.
The caption below it read as follows: Inspired by the local landscape, Hepworth began to sculpt her responses to the natural forms around her. Trevalgan is the name of a hill near her home. There, she wrote, ‘the cliffs divide as they touch the sea facing west. At this point, facing the setting sun across the Atlantic, where sky and sea blend with hills and rocks, the forms seem to enfold the watcher and lift him towards the sky.’ The sculpture is not a literal representation of the divided cliffs, but a personal expression of Hepworth’s physical and spiritual encounter with nature.
Below you can see another shot I took which gives you a very different view of how the sculpture looks.
La Moldavie, en forme longue République de Moldavie (en roumain : Moldova et Republica Moldova), ou République de Moldova, est un pays d'Europe orientale situé entre la Roumanie et l'Ukraine, englobant des parties des régions historiques de Bessarabie, et de Podolie méridionale (dite Transnistrie en roumain). La Moldavie est membre-signataire de l'Accord de libre-échange centre-européen et du GUAM (Organisation pour la démocratie et le développement).
Historiquement, le nom de Moldavie vient de l'ancien allemand Mulde qui signifie « creux poussiéreux », « carrière », « mine », et qui a successivement désigné une cité minière (en roumain Baia, qui signifie aussi « carrière », « mine »), la rivière Moldova passant à côté, et pour finir une principauté née dans cette région. Ce nom désigne le territoire de l'ancienne Principauté de Moldavie (1359-1859) aujourd'hui partagé entre
la région de Moldavie en Roumanie (soit 8 départements) à l'ouest du Prout,
la République de Moldavie à l'est du Prout, successeur de la République socialiste soviétique de Moldavie,
et l'Ukraine soit l'oblast de Tchernivtsi (ou Cernăuți en roumain), et la partie de l'oblast d'Odessa située à l'ouest du Nistru ou Dniestr (Bugeac).
Ces trois derniers territoires ont été créés par Staline à la suite de l'annexion soviétique de juin 1940, permise par le Pacte germano-soviétique de 1939. L'adjectif géographique Moldaves se réfère à tout ce qui concerne le territoire historique de la Moldavie.
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
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Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'
Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884
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Amorphis
Alcatraz - Milano
26 Novembre 2013
Tomi Joutsen
Esa Holopainen
Tomi Koivusaari
Niclas Etelävuori
Santeri Kallio
Jan Rechberger
Ph Mairo Cinquetti
Founded 1990 in Helsinki, AMORPHIS have worked their way to the apex of the European metal scene and won international renown. The band's name, derived from "amorphous" (no determinate form or shape), has been programmatic for the pioneers of Finnish metal over the course of their 20-year career. Setting a diverse, intricate and unique style to their musical approach, often being described as "ahead of their time", the band accrued a large and loyal international fan base. From their independently released demo "Disment of Soul" (1991) through the current releases, Amorphis have always fused elements of traditional heavy, death and doom metal with a great variety of non-metal influences, including folk, progressive and psychedelia, and managed to create an instantly recognizable sound of their own. The band's break-through came in 1994 with "Tales From The Thousand Lakes". The album won the band a massive fan base around the world, reaching a multitude of listeners among and beyond the metal community, and remains immensely popular to this day.
In the early stages of their career, Amorphis consisted of Tomi Koivusaari (guitarist and original vocalist), Esa Holopainen (guitars), Olli-Pekka Laine (bass), and Jan Rechberger (drums). Together they greatly affected the metal underground, gained recognition and soon scored a multi-album contract with Relapse Records. Shortly after, Amorphis released their debut album, "The Karelian Isthmus". Receiving an impressive response, the band chose to venture further into melodic terrain, adding progressive keyboard sounds here and clean guest vocals (performed by Ville Tuomi of Kyyria) there. The result was the classic "Tales From The Thousand Lakes", which to this day is considered to be one of the most groundbreaking albums in the doom/death genre. For the first time incorporating lyrics from the Finnish national epic, the Kalevala, the album also was the first true manifestation of the influential Amorphis sound: a seamless combination of intoxicating melodies and aggressive sounds delivered with both clean and harsh vocals.
The success of "Tales From The Thousand Lakes" provided Amorphis with the opportunity to tour the European continent several times, and followed by their first US tour in late 1994. Shortly thereafter, the band underwent some major musical and line-up changes. Continuing to feature lyrics based on traditional Finnish folk poetry, the third album "Elegy" introduced a new vocalist, Pasi Koskinen. This adjustment proclaimed a significant transformation in Amorphis' career. Pasi's unique vocals brought a new setting to the music, which now concentrated more on compelling keyboard atmospheres, psychedelic guitar sounds and a distinctive arrangement of the vocals, delivered by both Tomi and Pasi. Encouraged by popular and critical approval, the band members took three years to prepare their next album, honing the newfound style to perfection. "Tuonela" was liberally sprinkled with 1970s-style psychedelic touches and marked another great leap ahead for Amorphis, and its successor, "Am Universum" delved even further into progressive soundscapes.
In 2003, Amorphis released "Far From The Sun". While closer to the band's metal roots than the previous longplayer, the album was again very relaxed and melodic as ever, spiced with Far Eastern touches as well as progressive elements in the vein of Pink Floyd. In the late summer of 2004, long-time singer Pasi Koskinen left the band, and Tomi Joutsen (Sinisthra) joined around the end of the year. With a new singer and new energy, the band recorded "Eclipse", an acclaimed masterpiece that combined the best-loved elements of Amorphis' unique sound with fresh vigour. The album went straight to the top of the Finnish charts and was followed by triumphant live appearances all over Europe before the band retreated again to the recording studio.
"Eclipse" was followed by "Silent Waters" in the late summer of 2007. The dynamic and emotional range of the new songs, all of which were based on a single episode from the Kalevala, went beyond any of Amorphis' earlier albums, yet at the same time hearkened back to the band's past output in all its diversity. The release of the new album was preceded by a string of festival appearances - including Germany's famous Wacken Open Air - and immediately followed by a five-week Finnish tour. The remainder of 2007 found Amorphis in Europe, Russia and Japan, whereas in 2008 they played in southeastern Europe, at a multitude of festivals and, during the fall, in the USA and Canada.
The new album "Skyforger" shares the lyrical concept of the two previous albums, its central character being Kalevala blacksmith Ilmarinen. Musically, the band soars to unprecedented heights; not abandoning the cherished ingredients of their sound but rather refining them, augmenting them with fresh elements, and delivering them with breathtaking passion and intensity. Both the album and the single "Silver Bride" went straight to number one in the Finnish charts, and the live qualities of the new songs were immediately tested and proven on the summer's festival stages. In September, Amorphis went on their first-ever tour of Latin America, followed by the extensive Forging Europe Tour in the fall. In the summer of 2010, the band presented its first-ever live DVD, which includes two full shows recorded in 2009 as well as a career-spanning documentary. The release coincided with the 20th anniversary of Amorphis, which in addition was honored by a compilation of re-recorded classic tracks, released in September. In October, Amorphis retreated to the studio again to record their tenth album, "The Beginning Of Times", due for release in late May 2011.
Former Ampsin quarry, in the commune of Amay.
Ruins of industrial installations for the treatment of lime.
Ancienne carrière d'Ampsin, commune d'Amay. Ruines d'installations industrielles pour le traitement de la chaux.
Une vieille caisse pourrie abandonnée sur le sol, rappelant un peu un cercueil.
Ilford HP5+ 800iso Adonal 1+25 8'