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This newly formed Senior Wrestling League competition was between City of Manchester Wrestling Club and Bolton Olympic Wrestling Club.

 

It was held at the Wrestling Academy on Saturday 17th December 2022

 

City of Manchester gained the win!

 

City of Manchester - 32 Bolton - 13

 

This is part of the two pilot leagues which were launching in September 22.

 

This could be a huge step for the development of wrestling in this country. If successful with our pilot season this could lead to the launch of a nationwide league launching in every region of the UK by the end of 2023.

 

The clubs competing in the inaugural Northern Seniors Wrestling League are:-

 

Manchester Y-Club Wrestling

@aspullwarriorswrestling

@bowcbears

@manchester_wrestling_club

@empower_wrestling

@bradfordwrestlingacademy

Insomniac Games in their alt.history game Resistance: Fall of Man.

 

The outcry about this was another further shameful instance of UK media failing to understand games in any way shape or form.

Flower form. 25 cm high. Smalti, fused glass, wire, beads

Défi 2: Cadrage décentré

 

Les nuages du matin...

port kembla, wollongong by recreative design

Luego de tener mas horas de lectura de Reviews en Internet que piloto comercial en un avión tengo esta herramienta para inmortalizar un mundo repleto de forma y color.

  

Ipê-Roxo Bola (Tabebuia impetiginosa) -

Pau D'Arco Bark.

Recebe este nome em razão da forma de seus cachos de flores. Chega a atingir cerca de 8 a 12 metros de altura, dotada de copa alongada, tronco ereto de 60-90 cm de diâmetro com folhas compostas 5-folioladas e quando florido perde suas folhas. É encontrado desde o Piauí até Minas Gerais, Goiás e São Paulo, em geral nas regiões de cerrado e caatinga. Floresce nos meses de maio a agosto. Existem, ainda, outras espécies de ipê roxo, como o T. heptaphylla.Sua Madeira é muito pesada (densidade 0,96g/cm3) muito dura ao corte, resistente ao ataque de organismos xilófagos.

Nomes populares:

Ipê-roxo, Pau-d’arco-roxo, Ipê-roxo-de-bola.

 

Ipê roxo (Tabebuia avellanedae)

Nomes populares: ipê-roxo, pau-d’arco-roxo, ipê-roxo-da-mata, ipê-preto, ipê-rosa, ipê-comum, ipê-cavatã, lapacho, peúva, piúva.

Sabe-se que o ipê-roxo é a Tabebuia avellanedae, porém é muito comum haver confusão com a Tabebuia pentaphylla (ipê-rosa), inclusive alguns autores consideram a Tabebuia avellanedae e a Tabebuia impetiginosa da mesma espécie.

É o primeiro dos Ipês a florir no ano, inicia a floração em Junho, e pode durar até Agosto, conforme a árvore. Esta espécie se confunde bastante com outras também de flor roxa, como a Tabebuia impetiginosa e a Tabebuia heptaphylla, sendo considerado por alguns autores que a T. avellanedae e a T. impetiginosa seriam a mesma espécie. São muito utilizadas no paisagismo urbano, por sua beleza e desenvolvimento rápido.

É também utilizado contra as estomatites, úlceras de garganta e anemia. Anti-inflamatório, anti-cancerígeno, eczema.

O ipê (Ipê, em tupi-guarani, significa "árvore de casca grossa" e tabebuia é "pau" ou "madeira que flutua") - muitas vezes chamado de pau-d’arco - possui propriedades medicinais,sendo a casca em estudo para tratamentos. É apreciado pela qualidade de sua madeira, além de servir para fins ornamentais e decorativos. A árvore do ipê é alta, podendo chegar até 30 m (na cidade , em locais abertos chega a cerca de 10-15 m), bem copada e na época de floração perde totalmente as folhas para dar lugar às flores das mais variadas cores (brancas, amarelas roxas ou rosa) com belas manchas coloridas. É uma arvore originária do cerrado, não precisando de muita água, apenas no começo. É uma das árvores homologadas para plantio pelo fato de possuir raiz pivotante( para baixo), sem quebrar a calçada. Recomenda-se o plantio aonde haja bastante espaço para cima. Floresce no período de julho a setembro e frutifica de setembro a outubro. Destas sementes, que secam e abrem as vagens só nascem se estiverem secas. Os diversos tipos de ipê recebem os nomes conforme as cores de suas flores ou madeira. Os que mais se destacam são os seguintes: ipê-amarelo ou ipê comum, ipê-tabaco, ipê-branco, ipê-roxo ou ipê-rosa. Por muito tempo, o ipê foi considerado a árvore nacional brasileira. Contudo, no dia 7 de dezembro de 1978, a lei nº 6507 declara o pau-brasil a Árvore Nacional e, a flor do ipê, a flor do símbolo nacional.

 

Identifique seu Ipê:

 

* Amarelo : Folhas felpudas, pequenas em geral em formação de folhas por ramo.

* Roxo : Folhas lisas, as vezes serrilhadas na ponta, crescimento rápido.

* Branco : Folhas arredondadas.

* Rosa : Folhas grandes e suculentas ,talos verdes. crescimento rápido.A seguir, Texto, em português, do site "Catalão Notícias", que pode ser acessado no endereço portalcatalao.com.br/catalaonoticias/category_news.asp?ID...

 

Nesta época do ano, em que já se instala a “estação da seca” em Brasília, percebe-se em toda a parte o aumento de cores na vegetação. O sol pleno, entremeado pelo sibilar do vento frio, colabora com a natureza, fazendo desabrochar flores por toda parte, como se quisessem compensar-nos pela chegada da aridez desértica do inverno. De fato, tanta beleza nos distrai e nos alimenta com coragem para resistir bravamente à adversidade do clima, nos próximos cinco meses.

 

Uma das mais belas espécies que enfeitam a região é o ipê, adjetivado de acordo com a cor das suas flores. Há ipê amarelo, branco, rosa... Mas o mais famoso deles é o ipê roxo, cujo nome científico é Tabebuia avellanedae, com características muito interessantes. Por causa da sua coloração rosa e lilás intensos, é muito bem vindo em praças, jardins públicos e na arborização de ruas, avenidas, estradas e alamedas e também na recomposição da mata ciliar. Apesar de ser indicada para arborização urbana, não se recomenda plantar essa árvore em calçadas estreitas, com menos de dois metros e meio de largura, em locais com fiação aérea e ausência de recuo predial, porque a espécie atinge, na fase adulta, de cinco a oito metros de altura, com o raio da copa variando em torno de quatro a cinco metros.

 

Pouco antes da floração, suas folhas caem e surgem, no ápice dos ramos, magníficas panículas com numerosas flores tubulosas, perfumadas e atrativas para abelhas e pássaros. Por causa dessa formação tão parecida com bolas de flores nos galhos, os botânicos, que a descreveram pela primeira vez, deram-lhe o nome de 'árvore buquê'.

 

Vaidoso, o ipê roxo sai na frente dos de outras cores, mostrando sua beleza do início de junho até o final de setembro e, ainda, frutifica de julho a novembro. Versátil, adapta-se bem ao clima tropical úmido e subúmido, com inverno seco, mas sobrevive também no clima subtropical, com verão quente. Tem preferências por temperaturas entre 18 a 26 graus centígrados.

 

Mas, não é só de aparência que vive essa espécie. Praticamente toda a árvore produz e fornece matéria prima de excelente qualidade, que tem surpreendentes aplicações.

 

O tronco do ipê roxo tem sido utilizado em larga escala na construção civil, para confeccionar dormentes, tacos, portais, postes, eixos de roda, vigas; na construção naval como quilhas de navio; no mobiliário em geral, em batentes e degraus de escadas; em instrumentos musicais, bolas de boliche, entre outros.

Da casca, são extraídos ácidos, sais alcalinos e corante, que é usado para tingir algodão e seda, sem contar que está entre os produtos amazônicos mais procurados, com reconhecido poder medicinal.

 

Da entrecasca faz-se um chá que é usado no tratamento de gripes e depurativo do sangue.

As folhas são utilizadas contra úlceras sifilíticas e blenorrágicas. A espécie também tem propriedades anti-reumáticas e anti-anêmicas.

  

É tido como um poderoso auxiliar no combate a determinados tipos de tumores cancerígenos. É usado também como analgésico e como auxiliar no tratamento de doenças estomacais e da pele.

 

A extração predatória, realizada durante anos, quase levou a espécie à extinção. Devido à atuação governamental, reclamada pela comunidade científica, a produção, em princípio, é protegida, explorada e comercializada com a observância de critérios adequados. Um dos produtos mais importantes extraído do ipê roxo é o Lapachol, marca do princípio ativo naftoquinona, com reconhecida ação antiinflamatória, analgésica, antibiótica e antineoplásica [ataca qualquer tumor, benigno ou maligno].

 

O Laboratório Estatal de Pernambuco [Lafepe] é o proprietário da marca Lapachol desde 1978. Mas em 1969, já produzia e comercializava o produto como auxiliar no tratamento do câncer. Atualmente, a estatal pernambucana tem acordo com o Hospital Sírio Libanês, de São Paulo, na pesquisa de ensaios clínicos em seres humanos em tratamento de câncer, primordialmente o câncer de próstata.

 

Tão admirado pelos visitantes e transeuntes, cantado em versos e lido nas costumeiras crônicas da cidade, o Ipê Roxo já faz parte da tradicional paisagem brasiliense. Emociono-me diante dessa maravilha, carregada de flores cada vez mais belas, nas Quadras e Entrequadras, ao longo do Eixão, nos Parques e Chácaras que rodeiam a cidade, especialmente agora, quando contrasta com o brilho azulado e intenso do céu e o heróico e persistente verde dos gramados. É bom saber que ele só sairá de cena para dar lugar às bem aventuradas chuvas tardias da primavera, lá pelo mês de outubro.

Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo performance in Conmy Hall, Joint Base Myer Henderson-Hall, Va., April 30, 2013. (U.S. Army photo by Spc. Cody W. Torkelson)

RISD Project Open Door, Fall 2013

Getting ready to form the Dot!

Taken at a vintage baseball game in Macon County, Illinois, on April 21, 2012, using a Nikon D7000.

Tari Kecak is a form of Balinese dance and music drama, it originated in the 1930s Bali.

 

Also known as the Ramayana Monkey Chant, the piece, performed by a circle of 150 or more performers wearing checked cloth around their waists, percussively chanting "cak" and throwing up their arms, depicts a battle from the Ramayana where the monkey-like Vanara helped Prince Rama fight the evil King Ravana. However, Kecak has roots in sanghyang, a trance-inducing exorcism dance.

Pendant from polymer clay, alcohol ink and metallic powders, finished with epoxy resin (according to the Rocky Path-tutorial from Rivervalley)

Forming a total area of 1268km2, Yala National Park Sri Lanka lies in the Southern Province and Uva Province, 300km from Colombo. Yala National Park was designated as a wildlife sanctuary in 1900 and designated as a national park in 1938. Yala National Park is most famous for its highest Panthera pardus concentration in the world, a majestic leopard endemic to Sri Lanka, and is also home to 44 varieties of mammal and 215 bird species. A large number of elephants also visit Yala park gaining access through the Lunugamvehera National Park, which works as a corridor between Yala National Park and Udawalawe National Park.

 

Yala National Park is sectioned into five, and only two sections are opened to visitors due to the concerns expressed about the threat to wildlife from increasing number of tourists.

 

The vegetation in Yala park comprises predominantly of semi-arid thorny shrub, interspersed with pockets of fairly dense secondary forest. The vast expanses of open terrain is dotted with grasslands and shrubs, tanks and lagoons, water holes and sand dunes.

 

The best time to visit Yala National Park is between February and July when the water levels of the park are quite low, bringing animals into the open in search of water.

 

Safari

A Yala National Park Safari is a must-do if you’re visiting Sri Lanka. It is possible to take full day jeep safaris or to split your day into morning and afternoon drives. Early morning and evenings are recommended for Yala safaris due to the heat of the day and animals tucked away in shade. It is evidenced that the leopards in Yala National Park show no fear of the jeeps, thus creating some excellent photographic opportunities during a Yala safari.

 

Yala safari jeeps and packages are available from all major towns and can negotiate a safari jeep at the entrance to the Yala National Park as well.

 

Tissamaharamaya is the main gateway to Yala National Park through Kirinda town.

Stainless steel and cast aluminum construction. Motor driven, 220 volts, 60 cycles. Interchangeable molder for fish / squid ball, quekiam and orion cutter molder.

Hand formed sheet metal tank top.

La Chapelle-Saint-Laurent (Deux-Sèvres).

  

La basilique Notre-Dame-de-Pitié.

  

Construite entre 1891 et 1925/1929.

 

La basilique forme un ensemble monumental typique de l'architecture néogothique de la seconde moitié du XIXe siècle.

 

Lieu de pèlerinage lié à la découverte, par un laboureur, au XVIe siècle, d'une statue de la Vierge sur le site de Pitié.

 

Une modeste chapelle va être construite puis agrandie au fil du temps.

 

Au XVIIème siècle, le curé Gabriel Voisine remit la chapelle en état et la dota de deux chapelles collatérales dont l’une était dédiée à Sainte Apolline, patronne des dentistes.

 

Le pèlerinage connaît un nouvel essor au XIXe siècle et la chapelle apparaît cependant comme un édifice inadapté aux célébrations religieuses. Le nouveau curé de la paroisse, l'abbé Pierre Laurentin*, projette de remplacer le modeste sanctuaire et un vaste édifice est envisagé en 1854.

 

Aujourd’hui, les pèlerinages ont toujours lieu en septembre.

 

Les plans de la basilique sont conçus par l'architecte, spécialiste de l'architecture religieuse, Alcide Boutaud. Son fils, Albert Boutaud, terminera les travaux.

  

La basilique, construite en granit, présente un plan en croix latine non orienté**.

 

Le transept donne accès, d'un côté à la sacristie, de l'autre à la salle des confessionnaux. Sur chacun de ses bras s'ouvre une chapelle septentrionale. Le bras ouest est appuyé contre le clocher de l'ancienne chapelle.

Le chœur est à déambulatoire à cinq chapelles rayonnantes, avec une chapelle axiale plus marquée.

Un clocher porche, doté d'une tribune intérieure, ouvre l'église du côté sud. Deux tourelles d'escalier flanquent les angles du clocher. Les verrières du transept et les vitraux des bas-côtés représentent les principaux sanctuaires français.

 

En 1964, un bref apostolique du pape Paul VI fit de l'édifice une basilique mineure***.

  

* Pierre Laurentin, était le dixième enfant d'une modeste famille de paysans de Glénay. Il est né en 1821 de Jacques Laurentin et Vincende Barreau.

 

** Non orienté : Le chevet ne se trouve par vers l'orient, comme presque toutes les anciennes églises.

 

*** Selon le droit canon, aucune église catholique ne peut être honorée du titre de «basilique» sans décision du Saint-Siège. Les quatre basiliques majeures sont situées uniquement à Rome. Le style architecturale n'intervient pas dans la dénomination. Le titre de basilique donne à l'église des privilèges, comme, par exemple, la possibilité de gagner une indulgence plénière (réparation, effacement du désordre causé par le péché,l'obtention est limitée à une fois par jour, sauf péril de mort) pour les fidèles du lieu.

   

For Thanksgiving dinner, my wife made homemade crescent rolls. Here they are ready to go into the oven.

The Carquinez Bridge refers to parallel bridges spanning the Carquinez Strait, forming part of Interstate 80 between Crockett and Vallejo, in the U.S. state of California. The name originally referred to a single cantilever bridge built in 1927, helping to form a direct route between San Francisco and Sacramento. A second parallel cantilever bridge was completed in 1958 to deal with the increased traffic. Later, seismic problems of the 1927 span led to the construction and 2003 opening of a replacement: a suspension bridge officially called the Alfred Zampa Memorial Bridge. Currently, the Alfred Zampa Memorial Bridge carries westbound Traffic from Vallejo to Crockett, and the 1958 cantilever span carries eastbound traffic.

 

The Carquinez Strait is a narrow tidal strait in northern California. It is part of the tidal estuary of the Sacramento and the San Joaquin rivers as they drain into the San Francisco Bay. The strait connects Suisun Bay, which receives the waters of the combined rivers, with San Pablo Bay, a northern extension of the San Francisco Bay.

The strait is named after the Karkin ("los Carquines" in Spanish), a linguistic division of the Ohlone Native Americans who resided on both sides of the strait.

 

The strait forms part of the border between Solano (to the north) and Contra Costa (to the south) counties, and is approximately 15 mi (25 km) north of Oakland. The cities of Benicia and Vallejo lie on the north side of the strait, while Martinez, Port Costa, and Crockett sit on the southern coast. The Napa River joins the strait, via the short Mare Island Strait, near its entrance into San Pablo Bay.

The strait is crossed by two highway bridges, the Carquinez Bridge on Interstate 80 and the Benicia-Martinez Bridge on Interstate 680. Each highway bridge consists of two spans.

Interstate 780 connects the two highways on the northern slope of the strait. State Route 4 connects these highways south of and inland from the strait.

 

A rail bridge just east of the Benicia-Martinez bridge is used by the Capitol Corridor, California Zephyr, and Coast Starlight trains. A rail ferry, with the ferries Contra Costa and Solano provided service across the strait near the location of the current rail bridge until the rail bridge was built in 1930.

Tall pylons carrying power lines cross the strait as well. The Carquinez Strait Powerline Crossing was the world's first powerline crossing of a large river.

The male Chaff Finch is larger than the female. It has a blue-grey head and nape, and pinkish undersides. Pairs form in early spring and, while the female builds the nest, the male advertises its territory with a distinctive song. Each song is slightly different, and regional dialects have been identified from different parts of New Zealand.

 

Almost forgot to mention, the Chaff Finch (Fringilla Coelebs) is an introduced species to NZ: en.wikipedia.org/wiki/Chaffinch

 

Taken on a rather dull Winter's day, quite obvious from the bleak sky in the BG :(

For FlickrBingo3, week29: FORM

 

Many of the exchangable tools for an excavator have a similarity of form with the human hand in the appropriate position for a similar function, upscaled.

 

FORM in this sense is FORM in Swedish, as well.

A form for filling in, as for customs or taxes, is FORMULÄR in Swedish.

 

On my card:

NECK well GOOD open body

make FORM BAND AREA seal

rate skip FREE WOOD word

LIKE rack RACE FALL HAIR

zone heel bolt wick shoe

From Wikipedia:

 

The location was formed when the retreating ice sheet at the end of the last ice age uncovered hardened silt deposited when the area was part of the Wealden Lake. There are traces of Middle Stone Age and Iron Age residents, including a 1st-century A.D. fort guarding against the Roman invasion.

 

After King James II visited Tunbridge Wells and made the woodland a resort in the 17th century, The Rocks became a tourist attraction with a maze, a bowling green, gambling rooms and cold baths. The Aerial Walk, a series of bridges linking the tops of the crags was built in the 19th century.

A railway line was established in 1907 and ran until 1952. Reopened 1996, as The Spa Valley Railway, a heritage railway now connects the High Rocks pub beyond the High Rocks turnstiles to Tunbridge Wells and Groombridge.

 

High Rocks

The Minarets are a series of jagged peaks located in the Ritter Range, a sub-range of the Sierra Nevada Mountains in the state of California. They are easily viewed from Minaret Summit, which is accessible by auto. The peaks bear a certain resemblance to the minarets of Islamic mosques. Collectively, they form an arête, and are a prominent feature in the Ansel Adams Wilderness which was known as the Minaret Wilderness until it was renamed in honor of Ansel Adams in 1984.

 

The peaks were named in 1868 by the California Geographical Survey, which reported: "To the south of Mount Ritter are some grand pinnacles of granite, very lofty and apparently inaccessible, to which we gave the name of 'the Minarets.'" Seventeen of the Minarets have been given unofficial names, including Michael Minaret, Adams Minaret, Leonard Minaret, and Clyde Minaret. Clyde Minaret, named after Norman Clyde, is the tallest of the spires. The Southeast Face Route of Clyde Minaret is a technical rock climb featured in Fifty Classic Climbs of North America.

 

The area is notable for two fatalities:

 

Walter A. Starr, Jr., author of Starr’s Guide to the John Muir Trail and the High Sierra Region, fell to his death while solo-climbing the northwest face of Michael Minaret in 1933.

Steve Fossett, an American aviator and adventurer, died in a plane crash near the Minarets in 2007.

The top street plaza section after rebar and forms have been laid.

The Black River is the largest left tributary of the Amazon River, the Amazon in South America is the longest river of black water in the world and the second largest in volume of water. - Second only to Amazon, which helps to form. It has its origin between the basins of the Orinoco and Amazon. Connects with the Orinoco through the Casiquiare channel. In Colombia, which has its source, it is called the river Guainia. Its main tributaries are the White River and the Vaupés River. Dispute be the beginning of the Orinoco river with the Guaviare River. Drains the eastern region of the Andes in Colombia. After going through Manaus, joins the Solimões river, and from this union, the latter shall draw up the Amazon river.

 

The Black River is navigable for 720 km above its mouth and can get to have a minimum of 1 meter deep in times of drought, with many sandbars and other minor difficulties. In the rainy season, overflows, flooding the coastal areas at distances ranging from 32 km to 640 km.

 

Every year, with the thaw in the Andes and the rainy season in the Amazon region, the river level rises several meters, reaching its maximum between the months of June and July. The peak coincides with the "Amazonian summer." The river level lowers until mid-November when again starts the full cycle. In Manaus, the maximum Rio Negro has been registered for over one hundred years, and there is a picture in the Port of Manaus1 with all historical records, including the most full of all-time occurred in 2012, reaching up to 21 May (before the ebb), the dimension of 29.87 meters above sea level. All the rivers of the Amazon Basin suffer the same phenomenon increases and low in their levels, led by the two largest rivers: the Rio Negro and the Solimoes River (which to meet, beneath the city of Manaus,!

 

O rio Negro é o maior afluente da margem esquerda do rio Amazonas, na Amazônia, na América do Sul. É o mais extenso rio de água negra do mundo, e o segundo maior em volume de água — atrás somente do Amazonas, o qual ajuda a formar. Tem sua origem entre as bacias do rio Orinoco e Amazônica. Conecta-se com o Orinoco através do canal de Casiquiare. Na Colômbia, onde tem a sua nascente, é chamado de rio Guainia. Seus principais afluentes são o rio Branco e o rio Vaupés. Disputa ser o começo do rio Orinoco junto com o rio Guaviare. Drena a região leste dos Andes na Colômbia. Após passar por Manaus, une-se ao rio Solimões e, a partir dessa união, este último passa a chamar-se rio Amazonas.

 

O rio Negro é navegável por 720 quilômetros acima de sua foz e pode chegar a ter um mínimo de 1 metro de profundidade em tempo de seca, com muitos bancos de areia e outras dificuldades menores. Na estação das chuvas, transborda, inundando as regiões ribeirinhas em distâncias que vão de 32 km até 640 km.

 

Todo ano, com o degelo nos Andes e a estação das chuvas na região Amazônica, o nível do rio sobe vários metros, alcançando sua máxima entre os meses de junho e julho. O pico coincide com o "verão amazônico". O nível do rio abaixa até meados de novembro, quando novamente inicia o ciclo da cheia. Em Manaus, a máxima do Rio Negro vem sendo registrado há mais de cem anos, e há um quadro no Porto de Manaus1 com todos os registros históricos, inclusive o da maior cheia de todos os tempos, ocorrida em 2012, alcançando, até 21 de maio (antes do início da vazante), a cota de 29,87 metros acima do nível do mar. Todos os rios da Bacia Amazônica sofrem o mesmo fenômeno de subidas e baixas em seus níveis, comandados pelos dois maiores rios: o Rio Negro e o Rio Solimões (que, ao se encontrarem, abaixo da cidade de Manaus,

From:http://pt.wikipedia.org/wiki/Rio_Negro_%28Amazonas%29

The original buildings of Havant Sixth Form College (formerly Havant College and Havant Grammar School) have occupied the site since about 1960. This view has changed little in 40 years and is etched in my memory from my Grammar School years. With B Block in the background, A Block is on the right and the former music department to the left. Immediately inside the entrance to A Block is the Principal's Office exactly as was the Headmaster's Office, occupied by, first, Charles Rivers-Moore and, later, Dr John Jackson.

 

Photographs of Havant Sixth Form College were taken with the permission of staff and I am grateful to Lauren Chappell and Rob Clayton for facilitating my visit.

 

200_P1040150

Série d'images réalisée l'Hôtel Gault et baptisée"L'ENCHAÎNEMENT DES TEMPS. Ces photos font l'objet d'un concours lancé par l'Hôtel, NO LIMIT. Prendre l'Hôtel comme lieu d'expérimentation artistique.

    

Modèle:

ADELE GEND

Images et retouches:

RAPHAËL JOLICOEUR

Assistant:

FRANÇOIS HUDON & MAROUANE SAHBI

Maquilleuse:

SOPHIE PARROT

Coiffure:

MJ DÉZIEL

Styliste:

ÉMILIE DEBONVILLE

    

All right reserved

Newgrange in Ireland, contains various examples of abstract Neolithic rock art carved onto large stones. These carvings fit into ten categories, five of which are curvilinear (circles, spirals, arcs, serpentiniforms and dot-in-circles) and the other five of which are rectilinear (chevrons, lozenges, radials, parallel lines and offsets).

Various archaeologists have speculated as to the meaning of the decoration, with some, such as George Coffey (who produced a study of art at "New Grange" in the 1890s), believing them to be purely decorative, whilst others, like M.J. O’Kelly (who led the 1962–1975 excavation at the site), believing them to have some sort of symbolic purpose, because some of the carvings had been in places that would not have been visible, such as at the bottom of the orthostatic slabs, below ground level

“Long Shot” was choreographed by Kelly Hagfeldt and features 10 dancers. Pictured here, left to right, are Amanda McCabe, Kodi Auch, Brittney Rau, Jessica Aparicio, Ashley Magelky, Rachel Cross and Kelly Hagfeldt.

Police form lines at both ends of the street in front of the U.S. Justice Department in Washington, D.C., sealing off 3,000 demonstrators prior to their arrest May 4, 1971.

 

The arrest of Echo—John Froines: (at the Justice Department May 4, sought on a warrant for conspiracy blocking traffic on May 3):

 

“Echo is saying he came here not to surrender but to be protected by his people,” one agent reported over FBI radio.

 

“Well, we want him,” crackled a reply from the field office.

 

“The package is wearing a green and red striped shirt--definitely a sport shirt, green and red vertical stripes,” one reported.

 

“He is crossing the street toward a green parked car, with his arm around a man wearing a suede jacket and a straw hat.”

 

“The package is now moving east toward the flagpole,” the agent reported later. “He is standing south of the flagpole talking to a man with a bald head. He is still with the man with the suede coat and the straw hat.”

 

“To All Units, anyone with any knowledge of Echo, go to the middle of the block…The word from the P.D. is that they’re going to pinch in from both ends of the block and lock them up. They’re moving now. He’ll be trying to slip out while they’re arresting others.”

 

“What are the chances of pushing him in through the truck entrance?”

 

“We have him. We have him. We have him.”

 

“Good let’s keep him.”

 

Froines was whisked away and later taken before US Magistrate Arthur L. Burnett. Burnett told Froines of the charges against him and set a bond of $10,000, with a 10 percent deposit—meaning that Echo would be freed if he could post $1,000 in cash.

 

Frones later posted bond and was released.

 

The second day of an attempt to shut down the government began with several hundred briefly attempting to block traffic in the area south of Dupont Circle. Vastly outnumber by police, the effort was quickly broken up.

 

Several thousand, however, gathered at Franklin Park at 14th & I NW at noon and marched to the Justice Department to emphasize the second Mayday demand—that all political prisoners be freed. Police sealed off both ends of the block and arrested over 3,000, bring the arrest total over two days to more than 10,000.

 

For more information and additional images, see

 

May 1: flic.kr/s/aHsk5GV1JM

May 2: flic.kr/s/aHsk5CKtKq

May 3: flic.kr/s/aHsk5bjYqk

May 4: flic.kr/s/aHsk64GugT

May 5: flic.kr/s/aHsk8e3sU3

 

Photographer unknown: Courtesy of the D.C. Public Library Washington Star Collection © Washington Post.

 

Presidential Candidate 總統候選人

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TianLiang Maa

 

~ A Taiwanese social reformer, philosopher, photographer and film director

 

“Touching Fairness and Justice”

  

馬天亮

 

~ 臺灣的社會改革者,哲學家,攝影師,和電影導演

 

《感動的公平與正義》

  

TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.

  

SUMMARY

 

TianLiang Maa is a naturalist, occultist, and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.

  

Early Life and Record of Genealogy

 

TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.

 

Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa

 

In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.

 

In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.

 

Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.

  

Early Career

 

In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.

  

Study Abroad and Immigration into the United Kingdom

 

In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013

www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.

  

PHILOSOPHICAL VIEWS

 

Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.

 

Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.

 

During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?

  

FAIRNESS and JUSTICE

 

As TianLiang Maa’s (馬天亮) saying are:

 

“Touching Fairness and Justice”

 

Feel good about themselves, but do not know the sufferings of the people...

Who can get easy life like them?

What is profile of modern society?

What type and style is truly solemn for this society identify?

Where “the characterization” is? Who can see? Did you see it?

 

《感動的公平與正義》

 

自我感覺良好, 不知民間疾苦...

誰能得到安逸的生活如同他們一樣?

這是個什麼樣子的社會?

這個社會認定什麼樣的類型和風格是真正莊重的?

「特徵」在那裡?誰可以看到?你看到了嗎?

  

Jurisprudence and Political Philosophy and Perspectives

 

Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.

 

According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.

 

The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.

 

Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.

 

Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.

 

In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.

 

In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.

 

No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.

 

The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.

 

Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.

 

Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.

 

The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.

  

Developed a Technique for Abstract Photography and Abstractionist

 

In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.

  

Photographic Exhibitions

 

TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.

一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展

 

TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.

馬天亮『光影』攝影特展(個人展32場)1983〜1985年.

 

Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.

  

Modernization in the Modern Abstract Arts of Taiwan

 

Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.

 

In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.

  

Became an Author and a Scholar

 

In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 (then Maa was 18 years old). The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.

  

Authorship

 

Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.

  

Became an Academic and Film Director

 

Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.

  

Director Works:

FILMS:

Experimental Film “New Image for the Spring” © 1982

Documentary Film “Rayonnisme” © 2011

“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)

 

FASHION SHOWS:

New Image for the Spring of Shapely Models International © 1982

High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982

 

ART EXHIBITIONS:

The Cadillac Club International Fine Arts Exhibition © 1981

The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981

  

Musician Work:

MUSIC COMPOSITION:

Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.

  

PHOTOGRAPHIC ALBUMS:

Portrait and Landscape in France © 2000

Portrait and Landscape in Scotland © 2001

Portrait and Landscape in England © 2009

Portrait at Queen Mary, University of London © 2010

Rayonism of London © 2011

Portrait at The University of Nottingham, United Kingdom © 2011

Snowy London © 2012

Portrait at King's College London © 2013

  

BOOKS:

Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.

“Album of the Cadillac Club International Fine Arts Exhibition” © 1981

“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981

“Album of New Image for the Spring of Shapely Models International” © 1982

“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982

“Romantic Carol” © 1982

Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985

新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985

New version of scenario original “The Soul's Sentimentalizing” (to be published)

「曾經輝煌到頂天立地」(individual biography, to be published)

“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)

「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)

  

Research Interests:

 

University of Oxford

Research Studies in Archaeology:

Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.

 

National Taiwan University

Graduate Certificate,

Graduate Institute of Electrical Engineering:

Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.

 

University of Glamorgan

M.Sc. Course,

Master of Science in Real Estate Appraisal:

Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.

 

National Sun Yat-Sen University

Postgraduate Certificate,

Postgraduate Studies in Computing:

Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.

  

Associations:

 

Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)

 

Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.

 

Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.

 

On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會籌備處 (Social Charity 社會慈善事業) in Taiwan.

near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...

 

Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.

  

Honours:

 

Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.

中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.

 

On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.

  

Careers:

 

Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:

Academia,

Teaching and Research:

business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.

www.facebook.com/stlra/info

教學與研究:

企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ,視覺藝術和影片製作。

 

Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:

consultants of immigration, translations, and legal services.

www.facebook.com/elcits/info

永生移民顧問翻譯服務社的移民諮詢顧問和翻譯:

移民事務,翻譯和法律服務。

 

Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:

Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.

www.facebook.com/maaelec/info

計算機工程和網絡服務。維修主機板,顯示器,電源供應器,光碟機/光盘驱动器,不斷電系統,硬碟/硬盘,硬盤數據恢復,基本輸入輸出系統編程,以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。

 

Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:

1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.

www.facebook.com/filmshapely/info

 

Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:

Social Reform in Taiwan

www.facebook.com/twreform/info

  

《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.

Website

mtltwp.pixnet.net/album/set/1265174

album.blog.yam.com/mtltwp

photo.roodo.com/photos/mtltwp/albums/small/100469.html

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Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.

Website

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WorldCat® Identities

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National Yang Ming University 國立陽明大學

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National Taiwan University of Science and Technology 國立臺灣科技大學

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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引

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Atomzone

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Nature - National Library Board Singapore

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画像検索

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Japan Photos and Pictures

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man fashion

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art galleries uk

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Mitrasites system

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articles.whmsoft

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German

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www.naif.org.tw/upload/76/20140408_202152.28156.pdf

  

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Feridun Düzağaç started his music career by forming a band called “TINI” (“TONE”) in Mersin while studying in university. This band was formed in 1988 and Feridun Düzağaç was the vocalist of this band. The band consisted of five men. Other members of the band were Feridun Düzağaç’s schoolmates. The first song that Feridun Düzağaç wrote was “Lavinia” which was originally written by Özdemir Asaf. Asaf’s work was just a poetry. Feridun Düzağaç composed that poetry. In 1990 Feridun Düzağaç and his 13 schoolmates wrote a book called “İlk Rüzgar” (“The First Wind”) which contained many poetries. In 1992 he graduated from the university. In November 1994 he released a demo album called “Öğrenci İndirimi” (“Discount for Students”) which contained songs that he performed when he was studying in university.

Professional career

In January 1997 he released his debut official album called “Beni Rahatta Dinleyin” (“Listen to Me in a Comfortable Position”). This album contained songs that he wrote when he was bearing arms. He released his second official album called “Köprüden Önce Son Çıkış” (“The Last Exit Before the Bridge”) in July 1998.

In 2000 he participated in a compilation album called “Bülent Ortaçgil’e Saygı” (“In Honour of Bülent Ortaçgil”) by performing a song called “Sevgi” (“Love”). He released “© Tüm Hakları Yalnızlığıma Aittir” (“© All Rights Reserved to My Loneliness”) album in May 2001 and “Orjinal – Alt Yazılı” (“Original – Subtitled”) album in 2003. The second one was the most successful album in his career. In August 2004 he released “Uzun Uzun Feridun Düzağaç” (“Long Long Feridun Düzağaç”) album which mostly contained concert performances. Through 2004 Feridun Düzağaç appeared in hundreds of concerts.

On 4 January 2006 Feridun Düzağaç released “Bir Devam Filmi/Siyah Beyaz Türkçe Dublaj” (“A Sequel Film/Black and White Turkish Dubbing”) album. On 22 January 2008 he released his sixth album called “Uykusuza Masallar” (“Tales for Sleepless People”). This album was more optimistic in contrast his previous albums. Feridun Düzağaç released his last album called “FD7″ in March 2010.

Feridun Düzağaç released a demo release, seven original releases and a live release in his career.

Öğrenci İndirimi

“Öğrenci İndirimi” means “Discount for Students” in English. This album is a demo album and released in November 1994. This demo album includes only two songs. This album belongs to “TINI” band, not only Feridun Düzağaç.

1. Toy Yıllar (“Novice Years”)

2. Rehavet mi (“Is It Drowsiness”)

Beni Rahatta Dinleyin

“Beni Rahatta Dinleyin” means “Listen to Me in a Comfortable Position” in English. This album is the debut album of Feridun Düzağaç and released in January 1997.

1. Lavinia

2. Hoptirinom

3. Nenni (“Lullaby”)

4. Sevgili Öyküler (“Dear Tales”)

5. Paranoya (“Paranoia”)

6. Beyaz (“White”)

7. Adı Sevda (“Its Name is Love”)

8. Hep Sarhoş (“Always Drunk”)

9. Ay (“Moon”)

10. Buralar Soğuk (“Here is Cold”)

11. Kördüğüm (“Impasse”)

12. Beni Rahatta Dinleyin (“Listen to Me in a Comfortable Position”)

Köprüden Önce Son Çıkış

“Köprüden Önce Son Çıkış” means “The Last Exit Before the Bridge” in English. This album is second album of Feridun Düzağaç and released in July 1998.

1. Unut Beni (“Forget Me”)

2. Gölge (“Shadow”)

3. Aşkın E Hali (“The E Situation of Love”)

4. Hep Uzaklara (“Always Far Away”)

5. Oysa Ellerin (“But Your Hands”)

6. Yollar (“Roads”)

7. Ela (“Hazel”)

8. Düşlerime Kal (“Stay in My Dreams”)

9. Sor (“Ask”)

10. Evimin Bir Odası (“A Room of My House”)

11. Çiğ (“Dew”)

© Tüm Hakları Yalnızlığıma Aittir

“© Tüm Hakları Yalnızlığıma Aittir” means “© All Rights Reserved to My Loneliness” in English. This album is third album of Feridun Düzağaç and released in May 2001.

1. Aynı (“The Same”)

2. Dipteyim Sondayım Depresyondayım (“I am at the Bottom, at the End and in Depression”)

3. Yalnızlığım Sana Emanet (“I Trusted My Loneliness to You”)

4. Uçak (“Plane”)

5. İçimden Şehirler Geçiyor (“Cities Pass Inside Me”)

6. Senin Şarkın (“Your Song”)

7. Yanında (“Next to You”)

8. Son Yaprağıydı Güzün (“It was the Last Leaf of Autumn”)

9. Biterken Herşey (“While Everything was Ending”)

10. İyi Uykular (“Sleep Well”)

11. Dipteyim Ben (“I am at the Bottom”)

Orjinal – Alt Yazılı

“Orjinal – Alt Yazılı” means “Original – Subtitled” in English. This album is forth album of Feridun Düzağaç and released in 2003.

1. F.D.

2. Buralardan Gitme (“Don’t Walk Away”)

3. Alev Alev (“Ablaze”)

4. Boş Ders Şarkısı (“Song for Spare Lesson”)

5. Cumartesi (“Saturday”)

6. Düşler Sokağı (“Dreams Street”)

7. Nadas (“Fallow”)

8. Gamlı Uçak (“Sorrowful Plane”)

9. Yalan (“Lie”)

10. Tesadüfler (“Coincidences”)

11. Mavi Tekme (“Blue Kick”)

Uzun Uzun Feridun Düzağaç

“Uzun Uzun Feridun Düzağaç” means “Long Long Feridun Düzağaç” in English. This album is the only album which could be labeled as live album among Feridun Düzağaç albums (for now). “Rüzgar” is the only song which is original. All of the other songs are live versions of songs that already exist in previous albums. This album released in August 2004 and consists of two discs.

CD 1

1. Adı Sevda (“It’s Name is Love”)

2. Nadas (“Fallow”)

3. Buralardan Gitme (“Don’t Walk Away”)

4. Senin Şarkın (“Your Song”)

5. Uçak (“Plane”)

6. Düşler Sokağı (“Dreams Street”)

7. Sevgili Öyküler (“Dear Tales”)

8. Lavinia

9. Rüzgar (“Wind”)

10. F.D.

11. Ela (“Hazel”)

12. Son Yaprağıydı Güzün (“It was the Last Leaf of Autumn”)

CD 2

1. Düşerime Kal (“Stay in My Dreams”)

2. Paranoya (“Paranoia”)

3. Yanında (“Next to You”)

4. Aşkın E Hali (“The E Situation of Love”)

5. Boş Ders Şarkısı (“Song for Spare Lesson”)

6. Biterken Her Şey (“While Everything was Ending”)

7. Yalan (“Lie”)

8. Cumartesi (“Saturday”)

9. İçimden Şehirler Geçiyor (“Cities Pass Inside Me”)

10. Alev Alev (“Ablaze”)

11. Dipteyim Sondayım Depresyondayım (“I am at the Bottom, at the End and in Depression”)

12. Yalnızlığım Sana Emanet (“I Trusted My Loneliness to You”)

13. Gölge (“Shadow”)

14. Beyaz (“White”)

15. Unut Beni (“Forget Me”)

Bir Devam Filmi/Siyah Beyaz Türkçe Dublaj

“Bir Devam Filmi/Siyah Beyaz Türkçe Dublaj” means “A Sequel Film/Black and White Turkish Dubbing” in English. This album is fifth album of Feridun Düzağaç and released on 4 January 2006.

1. Ağlarsan Düşerim (“I’ll Fall Down if You Cry”)

2. Emekli Kerem (“Retired Kerem”)

3. Sokaklarda Evcil (“Domestic in Streets”)

4. Yıldızlar (“Stars”)

5. Ağlamıyorum (“I am not Crying”)

6. Gibi Gibi (“Like Like”)

7. Deli (“Loony”)

8. Aşk Çok Uzak (“Love is Far Away”)

9. Beni Unutma (“Don’t Forget Me”)

10. Bir Gün Ölürsem (“If I Die Oneday”)

11. Yürüdüm (“I Walked”)

Uykusuza Masallar

“Uykusuza Masallar” means “Tales for Sleepless People” in English. This album is sixth album of Feridun Düzağaç and released on 22 January 2008.

1. Çok Geç (“Too Late”)

2. Beni Bırakma (“Don’t Leave Me”)

3. Yeniköy (A neighbourhood in İstanbul)

4. Kara Kara (“Black Black”)

5. Söz Ver (“Promise”)

6. Kurumuş Ölüyorken (“When Dried and Dying”)

7. Çok Aşık (“Too Much in Love”)

8. Yüzün (“Your Face”)

9. Özledim (“I Miss”)

10. Hazırcevap (“Ready-Witted”)

11. Ardından (“Afterward”)

12. Senin İçin (“For You”)

FD7

This album is seventh and last (for now) album of Feridun Düzağaç and released in March 2010.

1. Ağır Ağır (“Slow”)

2. Mütamadiyen Ağlıyorum (“I am Always Crying”)

3. Bir Varmış Bir Yokmuş (“Once Upon a Time”)

4. Rüya (“Dream”)

5. Devrik (“Inverted”)

6. Hayat Neden Şekil Yapıyor (“Why the Life Do Irrıtating Things”)

7. Aşkın Önsözü Ayrılık (“Divorce, the Preface of Love”)

8. Sensiz (“Without You”)

9. İz (“Clue”)

10. Bir Aşk Masalı (“A Love Story”)

From Beni Rahatta Dinleyin album

* Lavinia

* Beyaz

* Buralar Soğuk

From Köprüden Önce Son Çıkış album

* Unut Beni

* Aşkın E Hali

From © Tüm Hakları Yalnızlığıma Aittir album

* Dipteyim Sondayım Depresyondayım

* Uçak

From Orjinal – Alt Yazılı album

* F.D.

* Alev Alev

* Boş Ders Şarkısı

* Cumartesi

* Nadas

From Bir Devam Filmi/Siyah Beyaz Türkçe Dublaj album

* Deli

From Uykusuza Masallar album

* Beni Bırakma

* Söz Ver

* Çok Aşık

* Hazırcevap

From FD7 album

* Mütamadiyen Ağlıyorum

* Hayat Neden Şekil Yapıyor

* Best video clip in Kral TV Video Music Awards – 2009 with “Beni Bırakma” video clip.[1]

Feridun Düzağaç is not a professinal actor. But he acted in several movies and TV series.

Official Web Site: www.feridunduzagac.com.tr

Packaging material dumped inside an inner city industrial are

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