View allAll Photos Tagged softbox
b800 thru medium softbox (right)
b800 bare (back left)
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oyea large: farm5.static.flickr.com/4069/4644161276_b5a5081dcf_b.jpg
Ive changed this a shit load Im starting to like it a little but this was hard and not worth the effort! The funny thing is she cant even touch her toes LOL!!!
430 EX shot into 28 inch softbox camera left 1/4 power
Strobist Info: Godox AD200 with a Softbox Umbrella Camera Left and behind the subject.
This is the Cranberry Beret, a cocktail created by Brad Thomas Parsons, published in 2016 in his book, Amaro. As he states in his book, this is a "reboot" of a cocktail he created for Food and Wine magazine in 2011. The original borrows flavor ideas from cranberry sauce. It starts with a muddling of cranberries and an orange wedge, much like its saucy compliment. The cocktail part is an autumnally inspired spritz. The second version gets more interesting with the addition of aged apple brandy and Amaro CioCiaro, which has an approachable orange-centric bitter profile. The whole experience is refreshing yet potent while having plenty of cranberry sauce vibes.
1 orange wedge
12 cranberries
1.5 oz aged apple brandy (Parsons uses Laird's bonded)
0.5 oz Aperol
0.5 oz Amaro CioCiaro
2 dashes cranberry bitters (see note)
dry cider
Add the orange wedge and cranberries to bottom of a shaker tin and muddle aggressively. Add the apple brandy, Aperol, Amaro CioCiaro, and bitters and then add ice. Shake vigorously until cold. Double-strain into a chilled ice filled collins glass. Slowly top with the dry cider (barspoons are handy for this). Garnish with three cranberries and an orange peel on a skewer.
Note: I really like Bittermens New England Spiced Cranberry bitters here. Fee Brothers make a cranberry bitters that should work well too. If you cannot find either, use Peychaud's.
© Chase Hoffman Photography. All rights reserved.
mom used to work as a nanny to three little girls. These shoes are the first pointing shoes for the eldest of the three. mom wanted to give a memento to her so she enlisted my help. These two photos are some of the result.
The DIY softbox is doing a great job. My wife thought it was a bit hokey when I built it, but now thinks it's pretty frickin' cool. I'm liking it too.
Ahí podeu vore com és la nostra "softbox" casera. Els cabets són de nosaltres asomant-nos per la finestra.
Ahí podéis ver cómo es nuestra "softbox" casera. Las cabecitas somos nosotros asomándonos por la ventana.
There you can see how our "softbox" homemade. The heads that you see are ourselves looking through the window.
This is photo is originally taken as a picture to submit as a charity programme (the photo was printed in A4 and got auctioned). I've unexpectedly found this photo when surfing on my old hard disk drive while recalling how my photography skill improves by time.
This photo was taken in a closed studio with a D7000, a 18-105 kit lens equipped, and a soft box.
Her: Umi.
Keep it simple. Profoto B1 500 AirTTL off-camera flash in a Profoto 2'x2' Softbox RFI; radio-triggered by a Profoto Air Remote TTL-C.
PENTAX K-5 II s • 80 ISO • Pentax DA* 50-135mm F2.8 SDM
Kenko Pz-AF UniPlus Tube 25
Metz Flash 48 AF-1 Digital with softbox
PENTAX K-1 • FF Mode • 100 ISO • Pentax DA* 200mm F2.8 ED SDM
Metz Flash 52 AF-1 Digital with softbox
Model: Vasas Zsuzsi
Smink: Szelecsényi Rita
Ha lemaradtál az első workshopról még jelentkezhetsz az áprilisira: fotosiskola.hu/hirek
Strobist info:
Mikrosat Digital 12R + 120cm parabolic box in front of the model
Mikrosat digital 7R + 30*180cm softbox the model left side
Mikrosat digital 5R + 30*180cm softbox the model right side
Mikrosat Mini 4 + barndoor and grid for hairlight
Strobist, Softbox from camera Right connected to the camera with a synch cable.
Nikon F70 film camera.
Rollei RPX 400 ISO.
Can't wait for the Walking dead to return to TV.
11 / 20
Cam: 5D mk2
Lens: Sigma 85mm f/1.4
Light: 580 EX II
Trigger: Pocketwizard Minittl & Flex
Softbox: 60x90cm
complete Project at: www.markusschwarze.com/2011/11/09/project-20-one/
From a shoot a couple of months back. A 36" x 47" gridded softbox mounted on a Aurora Genus 600W strobe. Triggered with Phottix Atlas II.
Iluminacion: Softbox desde arriba del sujeto con speedlite 430II
Treated myself to a new softbox and thought I'd try it out at home before using it at a reception next week!
It didn't go quite as I planned.
Then he leaned on it and it crashed over onto the fish tank and frightened all the fish! Luckily the fish and the flash survived!
This shows how my DIY softbox is attached to a light stand and a flash. Not quite sure if this still qualifies as DIY though - I certainly couldn't have done it alone.
The idea for using a foodcover as a basis for a softbox came from emarc, thanks for that!! >Collapsible softbox build instructions<
German strobists can use the Globetrotter Food Cover.
Strobist info: Single SB-24 (1/4 power or so) pointed at ceiling and wall
Strobist+camera Info:
SB600 in a 30x30cm softbox slightly forward of me above my head pointed down, camera left. Power: 1/4
Sb600 in a 32" shoot through umbrella at about waist height camera left pointing at the wall behind with a little spill on to me, to lift any shadows under my eyes and chin from the softbox above. Power: 1/8
* D300 sitting on tripod in 'timer' mode
* Shutter: 320* (Camera's fastest Sync Speed)
* Aperture F/8 (Wanted to keep the portrait sharp, and didn't care much for naturual light as I was using the strobes to shoot)
* Triggered using Nikon's CLS system with the SU800 Remote Commander
Testing out my new b800. We were a little bored and decided to mess around with some hats :) Strobist: b800 camera right and boomed above in 28" westcott softbox
Follow Me!
Strobist info:
The camera left side: Mikrosat Digital 4 with 60*90cm softbox.
The camera right side: Mikrosat Digital 4 with 80*120cm softbox
Triggered: Ubiq Firefox (2,4GHz trigger)
Strobist info:
90x120cm softbox to camera left
90x120cm softbox to camera right, slightly behind model
Triggered with Yongnuo RF-603`s
DIY softbox.
1. Buy foam core board and heavy duty packing tape. I got 2 sheets at Staples in Columbia heights for 12 bucks and the tape was 3 bucks and some change.
2. for supplies i used a ruler, box cutter, pen and a t-square.
3. Cut out all your pieces from the foam core. t-square really helps keep edges perfect. back piece is 6" tall by 12 inches wide and top and bottom are 6.5 inches wide by 12 inches long. side flaps are 6 inches at the base and 12 inches on top side, height is 6.5 inches.
4. Once pieces are ready, trace around your flash head on one of the 6.5" tall pieces. Cut it out and test fit your flash head in there. I always cut a little on the snug side for a good fit.
5. Lay out the three rectangular pieces in this order (from closest to you to furthest away). 6.5"x12" with hole, 6"x12", 6.5"x12". Keep the edges tight to each other and run a strip of packing tape on the two joints.
6. Stand it up on edges and attach the side flaps. I attached the short ends together first and then the flaps. Once everything is secure with tape, you can put some freezer paper over the opening to diffuse the light and you should be good to go.
I was able to make two soft boxes of this size, one from each sheet with some stuff left over. You can change dimensions as needed. Not bad for about 15 bucks in materials
Day# 52 Swamp People
The mighty Hick, words dem come out dem mouth not no one knows what they talk'n about, yea yea yea!
My finger seriously won't stop bleeding, i even have blood on the wife beater, I'm such a charmer! Don't tell the wife i used her Chanel Makeup for the stains :)
Camera: Nikon D700
Lens: Nikon 14-24 2.8
Shutter: 1/60
ISO: 200
F 5.6
Strobist:
1x SB900 in a small 24x24" soft box above camera pointing down to catch above hat and wall 1/32
1x SB700 in a smaller 20x20" soft box bellow camera pointing up for fill under the eyes chin etc 1/32
Trigger:
Nikon CLS SU800 commander on the Pocket Wizard Flex TT5
Strobist Info:
Softboxe with Canon 430 EX behind the glass with a piece of black cardboard, power 1/4.
Triggered by Elinchrom Tx
Shot taken with Nikon D300 at ISO 200 32mm at f11 1/160 in studio lighting 5500K
This was 5 lights sources including a 80cm silver reflector. Key light was a softbox to left just above eye high and set to f8. Umbrellas to the left and right rear to give the beauty lighting side/back lighting from both sides and these set to f11 which we also set the camera to. Lastolite HiLite set to f11 the same as the exposure of the camera so the highlights were not burned out.
If you look closely you’ll notice a slight fade from left to right as we used just one studio head in the HiLite and were using it in the horizontal more as 7’x6’. Ideally, we should have used 2 studio lights to light the HiLite from both sides. However, the slight fade actually works at least in screen monitor mode so for now we’ll keep this idea/set up.
The sweet spot is very narrow to get an ideal lighting so some shots in the shoot were less than idea. The small sweet spot is not helped in a smaller room as even a 3” change in position of the model can make or break the ideal lighting. A turn of the head also changes the ideal look.
Our main lighting ratio was 2:1 with the hot sides of the model one stop higher than the key light. The far camera right lower side though was f4 so the light ratio here was 4:1 against the key and 8:1 against the rear rear/side lighting. What we’ve got here then is a 5 light source set-up that means the light rations are more complex. Depending then which way the model is looking produces a light ratio varying from 2:1 to 8:1.
LightRoom 2.5 was used to convert the RAW and to slightly boost the contrast and colour. Photoshop CS4 was then used to soften the skin just a little and to enhance the highlights a little more.