View allAll Photos Tagged softbox
600 ws strobe in 110 cm octobox gridded at 6 o'clock
600 ws strobe in 55 cm beauty dish, gridded at 10 o'clock
natty light from behind :)
Bild vom TfP-Shoot mit dem Thema Beauty und Fashion am 24.10.2010 in Karlsruhe.
Photography: Andreas Springer
Model: Nina
Hair & Makeup: Janine
Strobist info:
1x Nikon SB-900 in 24 inch softbox camera right @ 45° and 1x Nikon SB-600 (bare) camera left, slightly behind model, both approximately 20 cm above eye level. Triggered via Nikon CLS.
Clamshell : 60x60 softbox camera up high with Yongnuo YN-560 III, silver reflector down. Triggered via RF-602. Camera and speelight in manual mode.
halfway through the afternoon,hug blacks clouds(huge!) shielded the track from the sunlight for about ten minutes..the result was like a huge softbox in the sky..this is pascal wehrlein in the Mercedes..
A female Downy Woodpecker perched on a branch during late evening in northern Lexington, KY.
Strobist Info:
Alienbees B800 (1/16) through a Paul C. Buff rectangular softbox at camera center triggered by Phottix Odin 1.5 for Canon (transmitter and receiver).
Model: Sydney
Styling: Photographer
Lighting: Profoto 600R with Creative Light 30x120RF gridded softbox camera left, Profoto 600 R 3x4 gridded softbox camera right, Profoto Acute B with barndoor for rim light. Metered with Sekonic 358 and fired with PocketWizard.
Strobist:
- B1600 in a medium vertical softbox, camera left.
- B1600 without any modifiers, camera right
Lightroom 2.0:
- No modifications
Photoshop CS4:
- No modifications
Camera info:
Camera: Canon EOS 5dmkii
Lens: Canon EF Zoom lens - 24 mm - 105 mm - F/4.0 - Canon EF
Sv : 1/200 seconds
Av : f/8.0
ISO : 100
F.L.: 105mm
Light Setup:
www.flickr.com/photos/luisx_net/8307953293/in/photostream/
Credits:
Model: Aimee A Roa National-Npc
1-Elinchrom BX-Ri 500 with 26x26 softbox, camera right.
Triggered by Skyport radio slave transmitter.
Light: medium softbox, camera left
Exposure: f/6.3 at ISO 100, 50mm f/1.4
I like the expressions and tan lines. I like the humor. I think there's also a moment, and that's what sets it apart in my mind.
This has been sitting on my computer since November 4, 2009 and when I remembered it, I had to put it up.
If you're interested in more of my work, my website is www.ivarvong.com/
kapreeza shoot ;]
48"softbox with grid genissis 200 at low power over head and bty dish at 1/4 power pointing at face cybersyns triggers left hand side
Camera Pentax K-7
Exposure 0.006 sec (1/180)
Aperture f/6.7
Focal Length 16 mm
ISO Speed 100
Exposure Bias 0 EV
Light setup for this image: www.flickr.com/photos/terytky/3057445743/
Photo by: Seppo Hinkula
made this one during a spontaneous forest shooting some month ago.
As flash I used a Yongnuo 560-II off camera toghether with a firefly softbox from behind me. Triggered via Yongnuo 622-C
Cette aprés midi, montage de l'habituel studio maison..mais cette fois c'est pas de l'auto portrait..enfin !! ^^
This afternoon, assembling the usual home studio.. but this time it's no self portrait.. finally !! ^^
My shot :
Location : Grenoble
Time & Date : Sunday 27 of February : 17H00
Camera : Nikon D300s
Lens : AF-S Nikkor 50mm f/1.4 G
Exif : ƒ/8 | ISO 200 | 1/200s |
Flash/Strobist info : Black background; SB-900 at the right into a 60*60 softbox at 1/32 power and 35mm; triggered by cactus trigger V4
Tripod : —
Filter(s) : —
Postraitement : Desaturation of all and contrast
Toutes vos critiques, commentaires et fav sont les bienvenus !
All criticisms, comments, and fav are welcome !
Si vous souhaitez utiliser une de mes photos merci de me contacter.
If you plan to use one of my picture, thanks to contact me before.
Merci / Thanks
My facebook : Thibault Bevilacqua Photography
Camping at Knob Noster State Park near Knob Noster, Missouri. The park shares a border with Whiteman Air Force Base, home of the B2 stealth-bomber.
(explore #133 - 2012.08.14)
A l'aide de la technique "strobist", je voulais réaliser un portrait avec un arriere plan comme je les aime bien: un paysage en coucher de soleil. Que demander de mieux?
Les réglages que j'indique ne vous serviront que partiellement; en effet suivant la luminosité du soleil, de la puissance de vos éclairages et de leur distance par rapport au sujet, de la capacité de vos optiques,de la distance du boitier de votre modèle, et j'en passe, ces réglages vont varier, car et heureusement pour nous photographes, chaque scène reste différente d'une autre. Il est par conséquent primordial de suivre la mise en place de la prise de vue étape par étape.
Au bout de quelques essais, je me suis vite rendu compte qu'il était important de respecter le réglage de l'exposition sur le paysage avant tout. A ce stade là, aucun flash n'est necessaire.
Ce n'est pas vraiment très compliqué en soi. Je m'explique. Il y a en fait deux réglages principaux à retenir: celui de la vitesse, qui sert à régler l'exposition sur l'arrière plan, et ensuite celui de la focale, qui sert à régler l'exposition sur le sujet avec le ou les flashs actifs. L'important est d'arriver à un certain équilibre selon le resultat souhaité.
Vous remarquerez peut-être le manque d'éclairage sur la droite qui provoque des ombres sur la droite du sujet, mais qui n'est pas vraiment grave car il est orienté vers la lumière, mais ce qui est plus génant c'est le manque d'éclairage sur les tournesols derrière sur la droite. J'y penserais pour le prochain essai de manière à déboucher les ombres et pour ainsi introduire une deuxième source de lumière artificielle.
A suivre...
Réglages: vitesse 1/160s , f/13 à 24mm, 250 ISO.
Softbox 80x80cm à gauche du sujet avec flash Nissin 866mkII en mode manuel à 1/4 de puissance. Le flash est déclenché à distance par un radio trigger.
SB800 @1/4 power in Lastolite 24" softbox camera left.
Image shows the exposure for the sky and then adding the light for the subject
This is my DIY softbox, which is mostly made of scrap.
It's made of a piece of choroplast, a thick strip of aluminium, a cheap flash/umbrella stand, some screws and nuts, aluminium foil and tape, white duct tape and black adhesive paper. The diffuser is a piece of translucent paper with small stips of velcro.
I had all these materials laying around so... why not? The total cost of the project was... well... nothing! Everything was either going to the garbage or simply not being used.
I already used this softbox here, here and here.
It's not ment to be portable because it wouldn't be very practical anyway.
Strobist info: one flash on each side of the camera, facing away, bouncing off the walls. One of the flashes had a YongNuo trigger and the other was in optical slave mode. All the photos were shot with the same setup, with only small variations in power and direction (can't remember the details... it took a lot of trial and error).
Sesiones y Books de Fashion
Cobertura en todo Mexico, Jalisco, DF y Colima
Informes:
yeizon_30@hotmail.com
Visit:
A leftover shot from our last outdoor session, edited with Replichrome's Fuji FP160 Noritsu action. Well, I did plenty to it after that, but it offered a nice starting point. Could have offered the warmer edit I got from the last shot of these I worked on, but I went with what looked good. Hopefully that's not too jarring ... Also, had some Saran Wrap on my lens (filter) for diffusion.
Strobist: Joe McNally Lastolite softbox with a LumoPro LP180 at 1/2 power in it, camera left and shooting downward on her. (Note the nose shadow.) Ambient took care of the rest, and the camera was set at 1/320 at f/2.8 on 200 ISO. Flash was triggered by a Paul C. Buff CyberSync.
octagon softbox camera right, small softbox on bottom camera left, small spotllightformer to background
der Schlaf
the sleep
le sommeil
strobist info:
Jinbei DM-5 in 60x60 softbox @ 1/4 power camera right.
Sigma 2.8/50 EX macro DG
www.youtube.com/watch?v=9ofZszbb3BM
Ok, I hope this video can answer all of the questions about how I attach my flashes to my softboxes. This is not a tutorial. It is a demonstration on how I use the equipment available to me. I also discuss my method of focus on self portraits and give a tip on lugging equipment. If anything, just watch the last minute of the video, it made me laugh.
Strobist Info:
-Canon 430EXII Cam right, 40 Inch Westcott Softbox
-Canon 430EXII Cam left, 24 Inch Photoflex Softbox
-Interfit Strobies Trigger/Receiver
- octagon softbox, camera right
- med. softbox behind camera, up high, for fill
- small flash behind model, aimed at background
Playing around with my softbox. Found out that using the blue back drop makes it very easy to turn the background black using channel mixer in monochome, and dropping the blues out, then bring the colours back to the subject with a vector mask
To all the Little Sisters out there, You Rule! I am lucky enough to have 2 of them. This is my youngest little sister, Jenna. I keep trying to explain to my son that Little Sisters Rule. I think he will agree... one day.
Camera Info:
Canon 7D, Sigma Lens 17-17mm @17mm, f/13, 1/60s, ISO 100
Strobist Info: See setup shot here.
-2 Canon 430EXII's Camera Right and in front of subject, FULL Power, @24mm zoom, about 5 feet high, 3 feet away from subject inside 40 inch softbox.
-Canon 430EXII Camera left and behind of subject, FULL Power, @105mm zoom, about 5 feet high, 10 feet away from subject fired bare.
-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.
strobist:
one large softbox on the right
one small softbox on the left, somehow on the axis of the other light source, it was gelled.
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I tried to direct the viewers to her face by placing a light area next to her face and used the line on the right.
next time I would bring a tripod to get a lower speed and more shiny door on the back.
really love her purity in this shot.
Today was the first meeting of the Romiley Strobists group held at the Romiley Forum and was very kindly organised by Osdog...
Two models were hired and this is one of them, Crystal Cupcake who came along with a fantastic range or burlesque outfits and props that gave quite a unique feel to the photographs, she was great fun to work with and for newbs like myself she helped to put us at ease by bringing her experience to the fore.
It was a thoroughly enjoyable day giving newby photographers like myself access to more seasoned pros experience, tips and lighting rigs...
I was very apprehensive about the shoot having never shot models or anything at all with a professional lighting setup but had an incredibly enjoyable day all in all, as quite a few of us were in the same position...
I've no idea if I walked away with any shots that did the models justice yet, but I certainly learned a great deal simply from working with them both...