View allAll Photos Tagged largeformat

Ondu 4x5 pinhole camera with Fuji 160 film

The view from one of the WWII bunkers in the area down on our village.

 

Camera: Intrepid Camera, Fuji Fujinon f5.6 125mm, 1s, f11, filter Hoya IR720. Film: Rollei Infrared 400, exposed @ ISO 3, developed in Rodinal 1+25, 8 min @ 19.3°C.

8x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.

 

Specifications:

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6x6 inch (152mm) Round Corner Lens board

30” (762mm) Maximum Bellows Draw

12 ½ x 13 ¼ x 4 ¼ inch outer dimensions

(318x337x108mm)

Tripod Mount ⅜-16 with ¼-20 adapter

Back Size 12” square (254mm)

Front Swing 20⁰

Front Center Tilt 30⁰

Rear Swing 20⁰

Rear Base Tilt 30⁰

Total Front Rise & Fall 6 ½” (165mm)

Shortest WA Lens: 4 inches (101.6mm)

Longest Lens, no movement: 30 inches (762mm)

 

Weight, with lens board: 12 ½ pounds (5.67 Kg)

I recently did a photo project on my grandparents as a way to get to know them and spend more time with them. I learned more about my family and made their day in the process.

 

Shot with a 4x5 for my large format class

Photo captured with my selfmade Pinhole "PinHolli V1". Focal length 91mm, f260. Pinhole diameter 0,35mm.

 

Kodak TMAX100, 20°, stand development in Rodinal 1+100, 1h. Digital development in LR 4.2

I was on my way to Pfeiffer falls but never found it... I enjoyed the beautiful drive down there though.

 

Crown Graphic 4x5

90mm f/6.8 Angulon

Toko 4x5 Field Camera, Kodak Ektar 100 Film

135mm lens on 4x5 Portra 160, converted to black and white

Picture taken in Hanover Germany by Monika Andrae

  

Camera: Marquardt International Pinhole

 

Film: Fuji Neopan Acros 100 (4x5 inch)

Crown Graphic 4x5 Press Camera, ca. 1954, and Sinaron 135mm f5.6 lens in Copal 0 shutter

We put out a CL ad to see if we could get bodies to show up for a free shoot just so we could have an excuse to take some pictures. The studio was a mess with all the photogs so I asked this lady to sit for me in the hallway. Glad my friends helped me set up a pocket wizard on the large format lens and then to a speedlight that we bounced off the wall for this shot.

 

Osaka 4x5 Field Camera, Schneider 240mm f/5.6, Ilford Delta 100

 

Legacy Eco-Pro (Xtol clone) 1:1 at 20C for 10:30 with the Mod54.

Picture taken in Inzigkofen, Germany by Monika Andrae

  

Camera: Chamonix 4x5; Nikkor 75mm f/4

Film: Ilford Ortho +

  

Development details on FilmDev

Taken with the Intrepid 4x5, Arista EDU ultra 400 (rated at 200). Developed in x-tol.

Restored Seneca 6, 5x7 panchromatic paper negative (ilfospeed rc), ~6 sec @f22 (U.S. 32!)

 

#LargeFormat #PaperNegatives #BelieveInFilm #BelieveInPaper

The next Image from my upcoming show at the Fitzrovia Gallery: fitzroviagallery.co.uk/myportfolio/simon-kennedy/

 

It will run from September 1st to 12th, private view is September 1st...

 

I hope you will be able to make it - all invited!

 

The show features a text from Dr Andrew Higgott, author of Camera Constructs.

 

About the series:

 

Wolfson consists of 20 images created at Wolfson House, an exemplary Modernist building, using a large format film camera. Numerous explorations were made through the unoccupied building as it was stripped of its contents for refurbishment. The final images combine photographs of distinct spaces at different times to suggest the production of new spaces.

 

Simon Kennedy is an Architectural Photographer based in London

 

My instagram account with new images is here: www.instagram.com/_simonkennedy/

 

Osaka 4x5 field camera, Kodak 8.5" Commercial Ektar f/6.3, Ilford Delta 100

 

Rodinal 1+50, 14 minutes, 1 minute agitation scheme

 

Figured what's left of my Xtol is probably bad so I opted for Rodinal. While it's okay I guess, I was very disappointed. Will not use this combo again.

Large format camera 13x18cm

Fujinar 4,5/21cm

Multigrade photopaper 12 iso

4x5 Large format camera

Asbury Park, NJ.

This is very thin - underexposed - but scans better than the denser negatives

Two images from a visit to Fort Bridger in Western Wyoming, October 2020. Zone VI 4x5 camera, Foma 200 film, processed in SP Ultra LF, scanned on Epson V800, tweaked in LrC

4x5'' Kodak Tri-X Film

Sinar Norma, 300mm Apo Ronar. AB800 in PLM on camera axis for fill. AB800 in BD camera right, AB800 on background.

 

Zero Image 4x5 pinhole camera at 50mm, Ektar 100, 4 seconds at f 176. Developed in Bellini C41 and scanned with Fuji x100s

4x5 Astia 100

Crown Graphic f/32

 

One of the millions of photo vistas at Great Smoky Mountains National Park

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