View allAll Photos Tagged largeformat
Fresh Kodak 320TXP film
Moersch Tanol 1+1+100 (distilled water) 10min @ 20°C (N-30%) BTZS rotary tube
Linhof M 4x5” & Macro Sironar 210mm f5.6 @ f22, front swing.
There’s no date sign for this church but it’s the final resting place of a famous cleric who died in 1625, so it’s at least that old. Another church in the area with similar doors is dated 1500-20.
The wood is in poor condition but at least these doors can be photographed easily. The older and bigger wooden doors on the local cathedral are in much better condition and feature more elaborate carving but they’re behind protective glass.
Lots of detail in this image captured in 4x5. Take a roam around in the 7000x5654 size in "all sizes".
Note the old pictures used as ornaments on the Christmas tree. We think they are from the 50's or early sixties. The black framed photo on the wall on the left is a picture of my grandfather, his brother and my great grandfather and his Beagles taken about 1910. The gold framed painting on the left is a painting my grandfather did of my great grandfather and his dogs.
Linhof Technika III 4x5 camera. 1952 90mm Schneider Xenar lens. Ground glass focused. Fuji Provia 100 slide film in standard E6.
Picture Window Pro 4.0.1.9 warp feature used to adjust for the wide angle/perspective effects of the wide angle lens being used from the side of the room.
Korona view camera
type: 5x7 large format
circa: 1910s?
Lens: Grundlach amastigmatic F6.8 (serial 213830)
shutter: Betax #4
stamped on bottom: 399
condition; needs work
Camera owner: Charlie Graf
film holder: Eastman portrait film holder
Calumet 4x5 view
Polaroid 55
Profoto
Imacon
CS3 digital toning
and thanks to Alexis for her elegant hand.
wakefield, massachusetts
late 1950s
glass diode, transitron electronic corporation
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
The view from one of the WWII bunkers in the area down on our village.
Camera: Intrepid Camera, Fuji Fujinon f5.6 125mm, 1s, f11, filter Hoya IR720. Film: Rollei Infrared 400, exposed @ ISO 3, developed in Rodinal 1+25, 8 min @ 19.3°C.
Fujinon W 135/5.6 (first version with 46mm filter ring) is a swell lens. Even when shooting in hard backlight conditions - it proved to be great tool. Circle of coverage gives plenty of movements, now I have the ultimate landscape lens.
AND DON't FORGET: IMAGE MUST BE VIEWED LARGE.
First time ever had a chance to experience large format camera - today just settings and handling basics but can't wait to start taking photos :)
The next Image from my upcoming show at the Fitzrovia Gallery: fitzroviagallery.co.uk/myportfolio/simon-kennedy/
It will run from September 1st to 12th, private view is September 1st...
I hope you will be able to make it - all invited!
The show features a text from Dr Andrew Higgott, author of Camera Constructs.
About the series:
Wolfson consists of 20 images created at Wolfson House, an exemplary Modernist building, using a large format film camera. Numerous explorations were made through the unoccupied building as it was stripped of its contents for refurbishment. The final images combine photographs of distinct spaces at different times to suggest the production of new spaces.
Simon Kennedy is an Architectural Photographer based in London
My instagram account with new images is here: www.instagram.com/_simonkennedy/
these was the same day but the pictures are taken with Kodak Aeroektar 178mm f2.5. This lens was regarded as a common initiative lens of hyper bokeh on 4x5 format, with the speedgraphic. Making a 35mm equivalent f0.68. Different to the 3G4E structure, the AE is a typical double gauss design, the bokeh is still my favourite style. These 3 pic are also with the kodak aerocolor film 2460, an aero with aero photo
