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Here are just a few thoughts on how to make a fixed focus camera using a Cambo 8x10 rear and front standard. The idea is to have a lightweight version of the camera (which is normally a monorail camera better suited for studio use) that is set to a fixed focus and a fixed rise for taking pictured of buildings from ground level. The two proposed methods are very different, the first is a rickety spider structure and the second is a rigid space frame. The standard 'bag bellow' would be suitable for the light blocking but a custom bellow could be made that has no chance of folding in and getting in the field of view.
I have recently purchased spare Cambo parts amd will try this out if I get a wider shorter lens that will cover with the extra rise.
60915 Gap of Dunloe - Black Valley - Old Kenmare Road walk
Linhof Wista 45 camera, Schneider Symmar 135/5.6 lens
Fuji Velvia 100 film
Graflex Pacemaker Crown Graphic with Kodak Ektar 127mm f/4.7 lens, Rochester, NY, 1947-1973.
We stopped by a live auction on some fairgrounds on impulse on Friday and won this beauty of a camera plus accessories for $55 Canadian. It works and it even comes with a 120 film back with a half-exposed roll of film in it, among other things. Since the rangefinder is on the side, it means the camera was manufactured before 1955. The camera was once owned by the Ontario Fire Marshall. Anyway, we thought $55 for it it was a pretty good deal. Now that we've checked the prices on eBay, we know for sure that it was a great deal.
just jokkin around with my $30.00 cc harrison... starting to love this lens!!!
copyright steve wilson photography 2009
📷 Graflex 4x5 with horseman 6x9 back
🔎Nikkor W 100mm f5.6
Cokin 81a
️ Ektachrome 100
⚙️ f11 1/15 ISO 100
Leica Q meets large format tintype - bhts video
youtu.be/oU9cB8pPyZc #leica #largeformat #Camera #CloseUp #Headshot #Monochrome
Camera: Arca Swiss F-Line + Fujinon 12,5/450mm
Film: Fuji Velvia 100f 4x5
Development: E6 in ATL1500
Scan: Scanmate 11000 - linear drum scan
Color: Transformed in ColorPos to achieve slide colors.
I remember that I used extreme parallel movements and aperture 12,5 only. Even with lens wide open the moon faded away during exposure (about one or two minutes I guess).