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Picture taken in Inzigkofen, Germany by Monika Andrae
Camera: Chamonix 4x5; Nikkor 75mm f/4
Film: Ilford Ortho +
A World War I soldier relaxing in the garden with what looks like his brother. He is probably on leave. I would date the photograph as between 1914 and 1918, the period of the Great War
This image is a low resolution version of the original glass negative, digitised photographically rather than with a scanner.
Please contact me to arrange the use of any of my images. They are copyright, all rights reserved.
This was just a test of fluorescent 6500°K lights on my home made emulsion for dry plate ambrotypes.
Hard to focus on yourself with a view camera, and to stand still for 5 seconds.
FKD 13x18 camera + Leitmeyr 240mm f/4,5
Deardorff 5x7
Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm
Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20â
paper: Adox MCP312
scan: EPSON GT-X820
bieslandse bovenmolen
Original on 4x5 inch film, Fuji-chrome Velvia 50.
Bieslandse Bovenmolen
Delfgauw, Netherlands
Scan of fixed negative, the second image taken with the New55 film. This one is better than the first. Still a bit of chemical trails at the bottom, and I have to figure out where the textured cloudiness comes from, though I like it.
Checking out a close focus and use of flash. The homemade four by five (Blakc Eye Mk II is working well.
Picture taken in Hanover Germany by Monika Andrae
Camera: Marquardt International Pinhole
Film: Fuji Neopan Acros 100 (4x5 inch)
Rietzschel Linear Type-B 150m f5.5@7
RB Cycle Graphic 5x7
Foma Retropan 320
self-developing & scanning
Experimenting with Rodenstock Imagon. Depth of field is impressive but more contrast in lighting is needed for it to shine.
First couple of dry plates poured and processed using Foma liquid emulsion.
Still a long way to go.
Scanned and toned in PS
Zero Image 4x5 pinhole camera at 50mm, Ektar 100, 4 seconds at f 176. Developed in Bellini C41 and scanned with Fuji x100s
Not in pic, 2x Canon 430ii, Pentacon 29/2.8 and 50/1.7 Chinnon 135/2.8 and 500/8 some russian m42 lenses. Sony Nex 16/2.8 and more.
All in use and working :)
From Sunday's Live Draw event. Was doing instant oilgraph portraits and these were the negs that came from them. I mounted and painted the polaroids and either sold them outright or put them out for auction.
Most of these were portraits of the patrons at the event.
Haven't shot 4x5 in years. It's like shooting with a cow, but I began to get my stride soon. I wasn't going to add any of these actually since it's not my usual thing and a bit more static that I am used to, but I figured why not.
