View allAll Photos Tagged largeformat

Back when smoking was still good for you.

 

Kansas City, MO, 2017

Linhof Technika III (handheld)

Schneider 150mm f/5.6 at f/5.6

Ilford HP5+ 4x5

HC110 Dilution B

 

Scanned with Canon 5d3 / 100mm f/2.8 Macro at f/8, ISO 100

Cambo 45n

Nikkor 210 F/5.6

Arista Edu 400

Diafine

This is a place that I have been visiting almost once a week to photograph lately...

Olympic National Park - July 2009

Workhouse Kitchen Southwell Nottinghamshire

Camera: Globica II

Format: 13x18

Sochi, Russia

 

shiprsochi@gmail.com

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

Leica Q meets large format tintype - bhts video

youtu.be/oU9cB8pPyZc #leica #largeformat #Camera #CloseUp #Headshot #Monochrome

hooiberg_aruba

Original on 4x5 inch film, Fuji-chrome Velvia 50.

The mountain Hooiberg.

Aruba

By Chamonix 045N2 & Schneider-Kreuznach Symmar-s 135/5.6 & Fujichrome Velvia100

My First 8x10 shot

Intrepid 8x10, Arista Ultra 100

Nikkor W 300 5.6, D76 1+1

Graflex Crown Graphic. Leather stripped and wood refinished.

sinar f

exp. polaroid 669

Taken with a Speed Graphic 4x5 on Ilford HP-5. Print developed in caffenol.

Camera: Arca Swiss F-Line + Fujinon 12,5/450mm

Film: Fuji Velvia 100f 4x5

Development: E6 in ATL1500

Scan: Scanmate 11000 - linear drum scan

Color: Transformed in ColorPos to achieve slide colors.

 

I remember that I used extreme parallel movements and aperture 12,5 only. Even with lens wide open the moon faded away during exposure (about one or two minutes I guess).

Waiting at a scene for the right moment. This mobile phone does not show the very small bright sun obscured by fog as the surrounding area is blown out in this picture, but hopefully won’t be by the sheet of film. Great to be back out with the Horseman 45FA and a 150mm lens.

The escape hatch for the pressure tunnel of a hydro electric power scheme.

www.tomhoyle.com

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

Film: 4x5

 

Have started going back to the beach. I love the ocean. Soothing. Used a red filter.

Printed from old 4X5 glass Neg.

158x126cm or 80x64cm, Lightjet on photographic paper

Crown Graphic 4x5 Press Camera, ca. 1954, and Sinaron 135mm f5.6 lens in Copal 0 shutter

 

Kodak Portra 160VC (expired)

Muck pond - October 2009

 

Velvia 50 4x5, Super Angulon 75mm

No focusing glass yet, so testing with glass from old 18x24 reisekamera

Somehere in Gunnison National Forrest

Graflex 4x5. comes complete with flash. and i already had polaroid back/rollfilm back and filters to spare. woohoo. now let me have warmer weather so i can take it out to play :)

 

I tested the flash today and it successfully synced via the solenoid... that blue bulb is quite a powerhouse. the polaroids came out nice and sharp so focus is good too.

polaroid type 55

speed graphic

aero ektar.

 

Selfie using a gitzo auto-retardateur.

Very logical name, it takes so much time to release the shutter that you always look retarded.

 

A blessing to have some sheets of this film, but I am going to run out of it.

Triptych of Crested Butte Mountain range

Art Curator - Deliah Cabral

From Sunday's Live Draw event. Was doing instant oilgraph portraits and these were the negs that came from them. I mounted and painted the polaroids and either sold them outright or put them out for auction.

 

Most of these were portraits of the patrons at the event.

 

Haven't shot 4x5 in years. It's like shooting with a cow, but I began to get my stride soon. I wasn't going to add any of these actually since it's not my usual thing and a bit more static that I am used to, but I figured why not.

Format - 4x5

Lens - Aero-Ektar 7 inch at f/2.5 (which gives wafer-thin depth of field)

Film - Fuji Pro-160S

No pp

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