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Shooting some 4x5 to test some processing in Pyrocat HD split dev. lford FP-4+ EI 50, 5 min pre-soak, 5 min solution A (20:1) 5 min solution B (20:1) @ 75F.

Approx 5 sec. exp with a red filter @ f:45.

cambo 4x5

 

So...I'ts not as sharp as I'd like it.

4 second exposure. Beginner kit from B/S. Any ideas?

mondi_fierno_aruba

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Taken from mountain Mondi Fierno seeing east,

Aruba

Exhibition printing for stand graphics

Found film, glass negative 9x12cm, taken around 1916.

   

GV-II 4x5 view camera, collapsible viewing hood, and a lens board with a Wollensak 127mm f/4.5 lens in Graphex shutter

 

Attached to a Gitzo R. No.4 3-way tripod head

Linhof Kardan ST-E

Rodenstock 210mm f/5.6 at f/5.6

Fujichrome Velvia RVP 100

  

Scanned with Canon 5d3 / 100mm f/2.8 Macro at f/8, ISO 100

6x12 back for my 4x5 folding, Portra400

Walker Titan SF 5x4 + Schneider Symmar-S 135mm f5.6 Lens

 

Ilford Harman Direct Positive Paper. Pre fashed for 12 sec. under an enlarger.

13x18 pinhole enlarged to 30x40 foma b&w silver gelatine paper

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

60915 Gap of Dunloe - Black Valley - Old Kenmare Road walk

Linhof Wista 45 camera, Schneider Symmar 135/5.6 lens

Fuji Velvia 100 film

Graflex Speed Graphic Pacemaker.

Ektar 127 mm.

Fuji Provia 100 asa.

dad in large format

Linhof Kardan ST-E

Rodenstock 210mm f/5.6 at f/5.6

Ilford HP5+ 4x5 EI400

Ilfotec DD-X 1+9

 

Scanned with Canon 5d3 / 100mm f/2.8 Macro at f/8, ISO 10

Expired Polaroid Type 59

Same location & film etc test 2 lenses. Notice a Reciprocity Failure with the contrast but I bought a lot more film for testing. Pyrocat HD next time.

1/2

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

4x5 field camera, HP5 film, developed in Diafine

Wetplate tintype. 13x18cm on black aluminium.

 

Globica, Hermagis Eidoscope wide open, Fomapan 100 13x18, Pyrocat HD

  

One of my first attempts with 13x18 format with an old East Germany studio camera - Globica. The ground glass was heavily scratched and it was quite a problem to see anything on it. It's an issue to focus with this soft focus lens even when the ground glass is clean and clear. I've just received the new one from American producer Steve Hopf. Hope it'll be much easier to take a shot since

now...

The original paper negative has many many technical issues, but the expression and the eyes especially made it worth working on, to recover as much of the image as possible!

Ilford MG RC Pearl 17,8x24 cm taped into 8x10 holder

ISO 25, F22, 1 sec (I started from ISO 6, but that resulted too dark negative), some clouds in sky

Ilford Multigrade dev 1+14 1:30

Water 30sec

Fomafix 1:30

Canoscan 1200dpi, rescaled to 600dpi, PS invert and flip

 

Sironar-N MC 300mm f5.6

Linhof Kardan Xenar 135mm Polaroid Sepia

SINAR F 4X5"+NIKKOR SW 90/8+SHANGHI GP3 SHEET+HC110 B+GTX 970

 

F/16+ 2M

Rainbow Lake - September 2009

globica

10x15 orwo np22

 

fomaspeed

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