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4x5 Paper negative, Busch Rapid Symmetrical Brass Lens on Cambo SC View camera

Foma 4х5, R09 1:100

8x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.

 

Specifications:

------------------

6x6 inch (152mm) Round Corner Lens board

30” (762mm) Maximum Bellows Draw

12 ½ x 13 ¼ x 4 ¼ inch outer dimensions

(318x337x108mm)

Tripod Mount ⅜-16 with ¼-20 adapter

Back Size 12” square (254mm)

Front Swing 20⁰

Front Center Tilt 30⁰

Rear Swing 20⁰

Rear Base Tilt 30⁰

Total Front Rise & Fall 6 ½” (165mm)

Shortest WA Lens: 4 inches (101.6mm)

Longest Lens, no movement: 30 inches (762mm)

 

Weight, with lens board: 12 ½ pounds (5.67 Kg)

4x5 Adox 25 + orange red filter developed in rodinal

Toyo, schnieder 210mm lens

Efke IR820 with Hoya R72 filter.

Metered ISO 6. D76 stock 7.5min 20C

 

Shot with the Linhof Technika III 4x5 camera. 1952 150mm Schneider-Kreuznach Xenar lens. Rangefinder focused.

 

Salt print exposed in sunlight for 8 minutes.

 

Camera: Rittreck 5x7 with 4x5 back

Lens: Nikkor 210mm f/5.6 at F8 and 1/125

Film: Kodak Tmax 400

x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.

 

Specifications:

------------------

6x6 inch (152mm) Round Corner Lens board

30” (762mm) Maximum Bellows Draw

12 ½ x 13 ¼ x 4 ¼ inch outer dimensions

(318x337x108mm)

Tripod Mount ⅜-16 with ¼-20 adapter

Back Size 12” square (254mm)

Front Swing 20⁰

Front Center Tilt 30⁰

Rear Swing 20⁰

Rear Base Tilt 30⁰

Total Front Rise & Fall 6 ½” (165mm)

Shortest WA Lens: 4 inches (101.6mm)

Longest Lens, no movement: 30 inches (762mm)

 

Weight, with lens board: 12 ½ pounds (5.67 Kg)

Dream Lake - December 2008

Romania, May 2008

Shot with Fomapan 100 and processed in Rodnial

Nikkor-W 180mm, Portra160

Large Format Fuji Velvia 50 Film

WistaDX 4x5

Rodenstock Apo Sironar-S 5,6/180

Seneca Improved View 5x7, Bausch & Lomb 5x7 Tessar 1c f/4.5, New Guy collodion, Coffer's positive developer (diluted by half), 5x7 tintype

 

f/4.5, 10 seconds

 

Used one Ustellar 60W Blue LED ~10-12 inches away. First plate at 4 seconds was exposed well but my developer was too strong and fogged it. Cutting in half with water helped with fogging but the plate was underexposed. More than doubled the exposure time, cut the developer in half, and the plate looks good.

 

Nevermind the fogging around the edges. The collodion was weak there despite letting the plate dry for over 60 seconds before going in the bath. Seemed the longer I let it dry the more fragile it was. Very weird. Cleaning the edges with a cotton ball basically wiped all the collodion away. Plate looks good in person but the scanner picked up on all the funkiness around there.

A friend dropped by for a visit so I used it as an opportunity to grab a shot and try out the film. It was the first time using HP5 in the big camera.

  

ilford HP5

Homemade camera (Blackeye Mk2), 210mm. The 4*5 negative is "scanned" with my digital camera.

SINAR F 4X5"-NIKKOR SW90/8-25A-SHANGHAI GP3-HC110-GTX970

 

F/32-4S

Brooklands was a 2.75-mile (4.43 km) motor racing circuit and aerodrome built near Weybridge in Surrey, England, United Kingdom. It opened in 1907 and was the world's first purpose-built 'banked' motor racing circuit.

 

Shot on 4x5" large format camera

Windmill in Gifhorn, Germany. Large format 4x5. discoverthetopfloor.com

lucky 100 4x5 | Rodinal 1:25 10' | Kodak 130mm f/7.7 anistigmat

Rietzschel Linear Type-B 150m f5.5@5.5

RB Cycle Graphic 5x7

Foma Retropan 320

self-developing & scanning

For experimentation.

Practice for Long Exposure

 

Camera .. Rittreck View

Lens .. FUJINON 90mm

Film .. Fuji PRO160NC(expired)

F64 SS30sec

cyanotype with cut 8x10 negative. I cut the neg because I had a mysterious light leak and it fogged the bottom corner. You can still see the fog on the bottom edge. I was doing a test and couldn't get anyone else to sit for me. It is tough when you have two girls in the house. They run when I need to do a "test"

This photograph was taken using a 1905 Conley 5x7 Field Camera,dryplate tintype process. 1/2 second exposure, natural light.

This photo was taken at Fort Funston just south of San Francisco.

Moscow, Solncevo, Luchi

 

Sinar, Nikkor w 210/5.6

A three-minute exposure made the crowds disappear.

Schneider Kreuznach Xenar 135mm f4.7 at f11, 10 foot distance.

Original Exposure:

1.20pm, 1st August 2026

 

Chamonix 810V

Rodenstock Apo-Sironar S 240mm f/5.6

470mm bellows extension

Large amounts of front and rear tilt forward

Ilford FP4+ 10x8 @ 125

Metering: underexposed midtone red tissue paper background by 2 stops then expanded highlights with N+3 development

3” f/22

II–IV–>VII

S–h->H

 

Development:

Stearman Press SP810, Pyrocat HD 2:2:100

11’06” for N+3, 23ºC

1 minute Acetic Acid Stop,

5’30” DIY TF2 Fix

1' Sodium Sulphite Hypo-clear

7’30” washes in 500ml tap water (following Stearman recommendation: 2x1min initial sloshes, then 1x 30” constant agitation, then 3x60” constant agitation, draining after each stage - basically a modified version of the Ilford method)

Final distilled water/Ilfotol rinse in Paterson tray

Film drying using DIY Lego Technic tilting rack

 

Print:

Hahnemühle Platinum Rag, coated 25ºC 44% RH, dried 3hrs 30

UV exposure 42 mins

Purple Smoke Bush Toned Classic Cyanotype, bleached after initial development for 18hrs overnight in distilled water with added 0.75g Calcium Carbonate, then toned 25 minutes.

Deardorff 5x7

Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm

 

Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20℃

paper: Bergger Prestige Variable CM

scan: EPSON GT-X820

Wien, Oktober 2018

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