View allAll Photos Tagged largeformat
Rietzschel Linear Type-B 150m f5.5@5.5
RB Cycle Graphic 5x7
Foma Retropan 320
self-developing & scanning
for the Dictionary of Image and ABC Visualized groups
Large Format: view cameras (including pinhole cameras) and processes that use film or plates, generally 4 x 5 inches or larger.
Seneca 8x10, Goerz Artar 14 inch Red Dot f/9, Arista Ortho Litho 3.0
Tray developed under (unsafe apparently) safelight in Legacy Paper Developer (Dektol clone) 1+30
Practice for Long Exposure
Camera .. Rittreck View
Lens .. FUJINON 90mm
Film .. Fuji PRO160NC(expired)
F64 SS30sec
cyanotype with cut 8x10 negative. I cut the neg because I had a mysterious light leak and it fogged the bottom corner. You can still see the fog on the bottom edge. I was doing a test and couldn't get anyone else to sit for me. It is tough when you have two girls in the house. They run when I need to do a "test"
This photograph was taken using a 1905 Conley 5x7 Field Camera,dryplate tintype process. 1/2 second exposure, natural light.
Deardorff 5x7
Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm
Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20℃
paper: Bergger Prestige Variable CM
scan: EPSON GT-X820
8x10 homemade camera
the shutter is made from a scavenged graflex focal plane shutter, which allows me to use all sorts of barrel lenses like the brass one shown, plus a very large (345mm f/4) projection lens.
Chamonix 45n2
Red Filter x2 over the Congo 150mm f4.5 lens
Exposure: 1/60 f5,6
TMAX 100 : 10'30'' in D76 at 20º almost no agitation (Taco Method in a Paterson 4 tank)
Epson V600
The image was first stitched in doubletake then I deleted the stamp in Photoshop CC.
Some adjustments in tonal range in Lightroom 4
I got a Graflex so I dont have to take the Sinar P to some of the more "speculative" locations. This is the 1st test polaroid.
Deep Sea Drilling Vessel CHIKYU, operated by the Japan Agency for Marine-Earth Science and Technology (JAMSTEC).
www.jamstec.go.jp/chikyu/eng/CHIKYU/index.html
Tachihara Fieldstand 4x5II, Fujinon W 5.6/150, PROVIA 100F
I tried making wet plate collodion tintypes yesterday for the first time and absolutely loved it. The whole process from start to finish was the most enjoyable format of photography I've tried yet and its one that I'm going to continue on.
This was actually the second one I made from exposure through to varnishing, although its far from great I'm still pretty proud of it!
fotokor-1
wollensak optar 135/f4.7
scanned glassnegative
1972 exp. soviet 9x12 orthochromatic glass plate
fomatol LQN 1+7 6min.
iso6 (?)
1sec@f4.7 flash
Film: Ektar 100 4x5
Shot this in Princeton in the spring. Finally got around to developing the color negs. I don't think this picture is that great but I love the color of the stone.
Cambo SCII 4x5
127mm Ektar 4.7 lens (Wide open at F4.7)
Diafine 5+4
Arista.EDU Ultra 100 4x5
Alien Bee 800 Orb clone softbox on a boom front and near center, cactus v4 trigger.
I either missed the focus on this one, or the lens is just too soft wide open. Actually I suspect both, but I wanted to see what it would do wide open.
Doh, I just realized that I scanned this negative upside down. And I replaced it with a flopped version to correct it.
Third of three images from a shoot yesterday with a great model! The session was for my antique brass lens large format project
Cambo SC 4x5 View Camera, Busch Rapid Symmetrical Lens (c. 1900-1910) Paper negative, 4 sec. exposure