View allAll Photos Tagged largeformat

I got a Graflex so I dont have to take the Sinar P to some of the more "speculative" locations. This is the 1st test polaroid.

München, April 2008

8x10

Clear glass ambrotype

OWH Collodion

KCN Fixer

3.5 second exposure

Steinheil aplanat lens

I tried making wet plate collodion tintypes yesterday for the first time and absolutely loved it. The whole process from start to finish was the most enjoyable format of photography I've tried yet and its one that I'm going to continue on.

This was actually the second one I made from exposure through to varnishing, although its far from great I'm still pretty proud of it!

cambo scii, 210mm f6.8, harman direct positive paper, Epson v55p

Wista 4x5 // Schneider-Kreuznach APO-Symar 150mm f/5.6 // Bergger Pancro 400 // Rodinal

Film: Ektar 100 4x5

 

Shot this in Princeton in the spring. Finally got around to developing the color negs. I don't think this picture is that great but I love the color of the stone.

Upper Slide Lake - September 2009

Study of a skull in 4x5 polaroid. Dallmeyer 1A brass lens, large format camera, FP-100C45 film.

graflex "speed graphic"

Third of three images from a shoot yesterday with a great model! The session was for my antique brass lens large format project

 

Cambo SC 4x5 View Camera, Busch Rapid Symmetrical Lens (c. 1900-1910) Paper negative, 4 sec. exposure

Nikkor-W 180mm, pro160c

Autumn sunrise in Russia coast of Rybinsk Reservoir.

 

Rybinsk Reservoir, informally called the Rybinsk Sea, is a vast water reservoir on the Volga River and its tributaries Sheksna and Mologa.

 

Large format camera: Chamonix 45N-1

Lens: Rodenstock Sironar S 150/5.6

Film: Velvia 50 4x5

Chatham Green by Kelly and Gruzen 1961

Apparently the design of this building was inspired by Alfonso Reidy's Pedregulho

www.archdaily.com.br/br/01-12832/classicos-da-arquitetura...

 

Sinar F2

Rodenstock Sironar -S 5.6/ 150

Kodak Portra 400

TOYO-FIELD45A

Nikkor W 135mm f5.6

FUJI PRO160NS

EPSON GT-X980

4x5. my scanner is no good.

This is my large format 4x5 camera. I used to own a Crown Graphic but it had limited movements so I sold it for this model. The photo above shows it with a Schneider 90mm f/5.6 Super Angulon lens. You'll notice that the lens is at the very back tip of the railing. This is probably the widest lens that can be used on this camera. Wider lenses can be used but I think you have to modify the camera/railing to make it work. I also have to drop the bed to make sure that it does not show up on the negative. What I like about this camera is the revolving back so I can compose my photos in landscape or portrait orientation without turning the whole camera. It has full front tilts, swings, & rise. There are no movement for the back though. I don't do much architectual work so I do not need too much movement with this camera.

 

When I first got this camera I had a hell of a time trying to figure out how to open it. I was used to opening my Crown Graphic by its hidden button on the side. I was looking all over the camera for the hidden button but couldn't find one. I eventually figured out that I needed to roll the railing down to

Rainbow Lake - September 2009

 

Velvia 50 4x5, Super Angulon 75mm

Rodenstock Sironar-S 240mm

zero p/shop, not even dust reduction.

Epson flatbed scan

Elections time + corona making empty streets

Photographer:

Valery Shpak

@valeryshpakphotography

Deep Sea Drilling Vessel CHIKYU, operated by the Japan Agency for Marine-Earth Science and Technology (JAMSTEC).

www.jamstec.go.jp/chikyu/eng/CHIKYU/index.html

 

Tachihara Fieldstand 4x5II, Fujinon W 5.6/150, PROVIA 100F

4x5 Color. Still working on getting the color right.

Shanghai 100 film

1sec exposure (@f/116)

Rodinal 1+200, 130min* (stand development)

 

Voigtländer Braunschweig, Apo-Lanthar, large format lens 1:4,5 / 15cm in Synchro-Compur shutter T B 1-1/400sec.

This is my bathroom.

 

It's naturally grimy from a lack of cleaning and I love looking at the slide on a light table. Under a loupe, a miniature world opens up and the stains on the toilet seat and the dust on the surfaces are readily apparent. This is one of my first exposures with the 4x5 camera. I must have taken over 10 shots of my bathroom when I first got the camera to test different exposures and push/pull processing.

finally we get the production version of Smartflex3445. Full new mechanics, easy switch between film and instax. The experience can be totally different from the old graflex. An Ultimate large format SLR!

Got the film souped this evening, Ilford HP-5. The lens seems decent but it appears the shutter is off. I shot 3 subjects 2 shots each. One at the metered setting and one twice as long. I rated the film at 200 and used incident metering. Even at 2x's exposure they appear to be underexposed. This was the best of the lot. Processed in Pyro with a manual rotary tube for 9 min at 70F.

SINAR F 4X5"+NIKKOR SW 90/8+25A RED FILTER+SHANGHI GP3 SHEET+HC110 B+GTX 970

 

F/32+ 5S

13x18 pinhole enlarged to 30x40 foma b&w silver gelatine paper

Getty Challenge

Intrepid 4x5 mk2, schneider Symmar 180mm f5.6 Kodak Portra 400

An incredible field of flowers. Up in the Dallas Divide area. Just a breathtaking scene.

 

July, 2011

 

Velvia 100

Canahm 4x5

 

7x5" Large format Wetplate collodion ambrotype image of a large Verbascum plant in my garden Thornton Pickard Imperial Full plate camera Air Ministries Dallmeyer Pentac f2,9 lens on F11 for 0.5s

LargeSense.com LS45, 4x5 large format digital back mounted on Svedovsky 8x10D camera. Kkekelyy at LargeSense studio, San Jose, CA, USA. Carl Zeiss Jena DDR Tessar 4.5/ 250 mm, Schott BG38.

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