View allAll Photos Tagged largeformat

dad in large format

Linhof Kardan ST-E

Rodenstock 210mm f/5.6 at f/5.6

Ilford HP5+ 4x5 EI400

Ilfotec DD-X 1+9

 

Scanned with Canon 5d3 / 100mm f/2.8 Macro at f/8, ISO 10

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

Toyo-View Recessed Lens Board Copal #1, USA CAT#180-619

 

Reduces focal length for wide angle lenses.

The lens board measures approximately 43 mm in depth and is 158 mm square, used for Toyo-View 45G, 57G and 810G large format cameras and some Omega-View models as well.

   

Cop1_rlb_IMG_1021

6х12 back for my 4x5 folding, New Portra 160

Exhibition printing for stand graphics

Exhibition printing for stand graphics

Globica, Hermagis Eidoscope wide open, Fomapan 100 13x18, Pyrocat HD

  

One of my first attempts with 13x18 format with an old East Germany studio camera - Globica. The ground glass was heavily scratched and it was quite a problem to see anything on it. It's an issue to focus with this soft focus lens even when the ground glass is clean and clear. I've just received the new one from American producer Steve Hopf. Hope it'll be much easier to take a shot since

now...

The original paper negative has many many technical issues, but the expression and the eyes especially made it worth working on, to recover as much of the image as possible!

To see more of my Food and Still life images check out my blog here:

blog.karenwise.com/karen-wise-photo-blog/food-and-still-l...

Exhibition printing for stand graphics

Linhof Kardan Xenar 135mm Polaroid Sepia

This is a 4x5 Large Format Film Shoot that I scanned and did some edits in photoshop. Let me know what you think!

oude kerk_delft

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Church Oude Kerk in Oude Delft.

Delft, Netherlands.

I have just been kindly given this 5x7 monorail Toyo view camera. The package included the camera itself, a 5x7 back, a 4x5 back, film holders, a 240 mm Komura lens in Copal 3 shutter, and a 180 mm Bayer lens in Compur shutter.

 

The camera seems to be a M series as I understand, the predecessor of the famous G series. Still, if any of you have more info on this camera, please share !

GOMZ Fotokor, 9x12. Digitally inverted paper negative. Paper: Fomaspeed matte, ~ 4 ISO.

F4.5, 120 seconds. A bit overexposed, 90 seconds could be just fine.

Large Format Fuji Velvia 50 Film

Tachihara Fieldstand 45II, Fujinon W 5.6/150, ACROS

Carl Zeiss protar 180mm/18

Shen Hao 5x7 with 4x5 reduction, Kodak Tri 4 320, Rodinal 1:50

stadhuis_delft

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Stadhuis, Markt.

Delft, Netherlands.

Rainbow Lake - September 2009

5x4 Pinhole camera. I use Fidelity double dark slides attached by Velcro straps. Sheet film or paper. Constructed entirely of wood, with black velvet light traps .I call it the Ghost Camera because I was using it in a local graveyard when I was asked by an interested/puzzled stranger "what kind of camera is that"? I couldn't resist it. (naughty I know)

4X5 Film Kodak Ektar 100 Shot using Toyo 45AII large format camera.

La iarba verde cu Dacia.

At picknik with the Dacia car.

 

May 2008, Jud. Cluj, Romania

SINAR F 4X5"-NIKKOR SW90/8-SHANGHAI GP3-HC110-GTX970

 

F/22-2S

FKD 13x18

Slavich Unibrom 160 FB

Developer Caffenol (3 min @ 20C)

Scan. Inverstion

Crown Graphic, T-Max 100,D-76 (1:1)

Available light

4x5 150mm lens with red filter 6 secs. pyrocat hd split development. Produces thin negative good for scanning but not so much for enlarger.

 

Linhof 5x7, Nikkor 210mm, Tri-X in Rodinal. Oriental Seagull FB.

globica

10x15 orwo np22

 

fomaspeed

... hanging to dry.

 

The thought of being able to control exposures and development one negative at a time is becoming more and more appealing.

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