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The next Image from my upcoming show at the Fitzrovia Gallery: fitzroviagallery.co.uk/myportfolio/simon-kennedy/

 

It will run from September 1st to 12th, private view is September 1st...

 

I hope you will be able to make it - all invited!

 

The show features a text from Dr Andrew Higgott, author of Camera Constructs.

 

About the series:

 

Wolfson consists of 20 images created at Wolfson House, an exemplary Modernist building, using a large format film camera. Numerous explorations were made through the unoccupied building as it was stripped of its contents for refurbishment. The final images combine photographs of distinct spaces at different times to suggest the production of new spaces.

 

Simon Kennedy is an Architectural Photographer based in London

 

My instagram account with new images is here: www.instagram.com/_simonkennedy/

 

Asbury Park, NJ.

Negative shot on Fomaspeed photographic paper, inverted digitally. 1930s Fotokor plate camera, 9x12 cm. F4.5, exposure tme approx. 2.5 minutes.

Picture taken in Hanover Germany by Monika Andrae

  

Camera: Marquardt International Pinhole

 

Film: Fuji Neopan Acros 100 (4x5 inch)

Zero Image 4x5 pinhole camera at 50mm, Ektar 100, 4 seconds at f 176. Developed in Bellini C41 and scanned with Fuji x100s

4x5 Astia 100

Crown Graphic f/32

 

One of the millions of photo vistas at Great Smoky Mountains National Park

Experimenting with Rodenstock Imagon. Depth of field is impressive but more contrast in lighting is needed for it to shine.

Deardorff 5x7

Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm

 

Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20℃

paper: Adox MCP312

scan: EPSON GT-X820

This is very thin - underexposed - but scans better than the denser negatives

bieslandse bovenmolen

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Bieslandse Bovenmolen

Delfgauw, Netherlands

Arista Edu 100

4x5

Linhof Technika III

Scan of fixed negative, the second image taken with the New55 film. This one is better than the first. Still a bit of chemical trails at the bottom, and I have to figure out where the textured cloudiness comes from, though I like it.

Not in pic, 2x Canon 430ii, Pentacon 29/2.8 and 50/1.7 Chinnon 135/2.8 and 500/8 some russian m42 lenses. Sony Nex 16/2.8 and more.

All in use and working :)

Exploring my limits of wet plate collodion (large format) macro photography

Graflex Graphic View camera

format: 4x5 large format

circa: 1940s?

lenses: Ektar F4.7, 127mm. Has adapter so all the lenses from the Crown Graphic can also be used.

serial: 404091

condition: like new

Camera owner: Charlie Graf

Camera .. Rittreck View

Film .. Fomapan 200

Checking out a close focus and use of flash. The homemade four by five (Blakc Eye Mk II is working well.

Ferrotype aluminum 10x12. Tachihara view camera. Symmar-S5,6 / 150. Artificial light. Exposure 15 sec.

18 February 2018. New Guy standard development Ferrous sulfate, fixation Sodium Thiosulfate - Test of the technique of "Wet Collodion". Epson V800 scan

Rietzschel Linear Type-B 150m f5.5@7

RB Cycle Graphic 5x7

Foma Retropan 320

self-developing & scanning

Expired 4x5 Polaroid Polacolor film, shot on Gundlach Korona.

FKD 13x18

Slavich Unibrom 160 FB

Developer Caffenol (3 min @ 20C)

Scan. Inverstion

Camera .. Rittreck View

Film .. Fomapan 200

coreldraw, logo, design, graphic, CI, BI

Playing around with a new rotating hinge mechanism for my 4x5 build

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