sculpture made with wire, a bulb dipped in orange paint and my childhood lamp.

Wista 4x5, Schneider 210mm lens, TMax 100

Cambo SCII 4x5

127mm Ektar 4.7 lens (Wide open at F4.7)

Diafine 5+4

Arista.EDU Ultra 100 4x5

Alien Bee 800 Orb clone softbox on a boom front and near center, cactus v4 trigger.

I either missed the focus on this one, or the lens is just too soft wide open. Actually I suspect both, but I wanted to see what it would do wide open.

Doh, I just realized that I scanned this negative upside down. And I replaced it with a flopped version to correct it.

8x10

Clear glass ambrotype

OWH Collodion

KCN Fixer

3.5 second exposure

Steinheil aplanat lens

SINAR F 4X5"+NIKKOR SW 90/8+25A RED FILTER+SHANGHI GP3 SHEET+HC110 B+GTX 970

F/32+ 5S

I got a Graflex so I dont have to take the Sinar P to some of the more "speculative" locations. This is the 1st test polaroid.

Third of three images from a shoot yesterday with a great model! The session was for my antique brass lens large format project

Cambo SC 4x5 View Camera, Busch Rapid Symmetrical Lens (c. 1900-1910) Paper negative, 4 sec. exposure

Large Format Fuji Velvia 50 Film

Mills Lake - November 2009

München, April 2008

I tried making wet plate collodion tintypes yesterday for the first time and absolutely loved it. The whole process from start to finish was the most enjoyable format of photography I've tried yet and its one that I'm going to continue on.

This was actually the second one I made from exposure through to varnishing, although its far from great I'm still pretty proud of it!

cambo scii, 210mm f6.8, harman direct positive paper, Epson v55p

I like this wet plate portrait a lot. And we enjoyed the time with you guys a lot. Bhts video youtu.be/NhC0PdrKvvM #Monochrome #Portrait #People #TwoPeople #portraiture #coupleportrait #portraitphotography #largeformatportrait #largeformat #wetplate #tintype #collodionprocess #nassplatte #kollodium #analog #analogphotogtaphy #keepfilmalive #couple #petzval #dallmeyer #dallmeyer3b #handmade #mhaustria #henseltria

8banners 4x5 large format pinhole camera. The camera comes in a nicely made wooden case which can also be used as a 8x10 pinhole camera. This set in effect gives you 2 camera in a setie. a 4x5 & a 8x10 large frormat pinhole cameras. The 4x5 camera takes all Graflok accessories.

Study of a skull in 4x5 polaroid. Dallmeyer 1A brass lens, large format camera, FP-100C45 film.

Shanghai 100 film

1sec exposure (@f/116)

Rodinal 1+200, 130min* (stand development)

graflex "speed graphic"

Chatham Green by Kelly and Gruzen 1961

Apparently the design of this building was inspired by Alfonso Reidy's Pedregulho

www.archdaily.com.br/br/01-12832/classicos-da-arquitetura...

Sinar F2

Rodenstock Sironar -S 5.6/ 150

Kodak Portra 400

4x5. my scanner is no good.

This is my large format 4x5 camera. I used to own a Crown Graphic but it had limited movements so I sold it for this model. The photo above shows it with a Schneider 90mm f/5.6 Super Angulon lens. You'll notice that the lens is at the very back tip of the railing. This is probably the widest lens that can be used on this camera. Wider lenses can be used but I think you have to modify the camera/railing to make it work. I also have to drop the bed to make sure that it does not show up on the negative. What I like about this camera is the revolving back so I can compose my photos in landscape or portrait orientation without turning the whole camera. It has full front tilts, swings, & rise. There are no movement for the back though. I don't do much architectual work so I do not need too much movement with this camera.

When I first got this camera I had a hell of a time trying to figure out how to open it. I was used to opening my Crown Graphic by its hidden button on the side. I was looking all over the camera for the hidden button but couldn't find one. I eventually figured out that I needed to roll the railing down to open it. Duh!

I wrote a Graflex Super Graphic Overview on my website if anyone is interested in know more about this camera.

Nikkor-W 180mm, pro160c

bigger

Autumn sunrise in Russia coast of Rybinsk Reservoir.

Rybinsk Reservoir, informally called the Rybinsk Sea, is a vast water reservoir on the Volga River and its tributaries Sheksna and Mologa.

Large format camera: Chamonix 45N-1

Lens: Rodenstock Sironar S 150/5.6

Film: Velvia 50 4x5

Near Shepherdstown, WV

Wista 4x5, 210mm Schneider lens, TMax100

Large Format Fuji Velvia 50 Film

4x5 Color. Still working on getting the color right.

8x10 color film negative

TOYO-FIELD45A

Nikkor W 135mm f5.6

FUJI PRO160NS

EPSON GT-X980

Getty Challenge

Intrepid 4x5 mk2, schneider Symmar 180mm f5.6 Kodak Portra 400

Alex Marcu at home

Shot with Graflex Super Graphic, Schneider 210mm f/5.6 and Fujifilm NPS 160

Developed in Cinestill CS41 Kit

Stintmarkt, Lüneburg, 2022-10. cma20221015-L-02, Intrepid 4x5, Pinhole 105/0.38mm, Polarizer, 30 s, Kodak Ektar 100 @ EI100.

Rainbow Lake - September 2009

Velvia 50 4x5, Super Angulon 75mm

An incredible field of flowers. Up in the Dallas Divide area. Just a breathtaking scene.

July, 2011

Velvia 100

Canahm 4x5

slovakia/nitra-drazovce

150mm + homemade large format camera 4x5

paper negative fomaspeed N311

Checking out a close focus and use of flash. The homemade four by five (Blakc Eye Mk II is working well.

Deep Sea Drilling Vessel CHIKYU, operated by the Japan Agency for Marine-Earth Science and Technology (JAMSTEC).

www.jamstec.go.jp/chikyu/eng/CHIKYU/index.html

Tachihara Fieldstand 4x5II, Fujinon W 5.6/150, PROVIA 100F

finally we get the production version of Smartflex3445. Full new mechanics, easy switch between film and instax. The experience can be totally different from the old graflex. An Ultimate large format SLR!