4x5 Adox 25 + orange red filter developed in rodinal

Toyo, schnieder 210mm lens

WPPD 2016

Taken with 4x5 Pinholelele: www.flickr.com/photos/pinholepip/5632327617/in/dateposted...

Exterior view of the truck from previous visit: www.flickr.com/photos/pinholepip/16929615782/in/dateposte...

Salt print exposed in sunlight for 8 minutes.

Camera: Rittreck 5x7 with 4x5 back

Lens: Nikkor 210mm f/5.6 at F8 and 1/125

Film: Kodak Tmax 400

Romania, May 2008

This photograph was taken using a 1905 Conley 5x7 Field Camera,dryplate tintype process. 1/2 second exposure, natural light.

x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.

Specifications:

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6x6 inch (152mm) Round Corner Lens board

30” (762mm) Maximum Bellows Draw

12 ½ x 13 ¼ x 4 ¼ inch outer dimensions

(318x337x108mm)

Tripod Mount ⅜-16 with ¼-20 adapter

Back Size 12” square (254mm)

Front Swing 20⁰

Front Center Tilt 30⁰

Rear Swing 20⁰

Rear Base Tilt 30⁰

Total Front Rise & Fall 6 ½” (165mm)

Shortest WA Lens: 4 inches (101.6mm)

Longest Lens, no movement: 30 inches (762mm)

Weight, with lens board: 12 ½ pounds (5.67 Kg)

Shot with Fomapan 100 and processed in Rodnial

portrait

Large Format Fuji Velvia 50 Film

Windmill in Gifhorn, Germany. Large format 4x5. discoverthetopfloor.com

A friend dropped by for a visit so I used it as an opportunity to grab a shot and try out the film. It was the first time using HP5 in the big camera.

ilford HP5

Homemade camera (Blackeye Mk2), 210mm. The 4*5 negative is "scanned" with my digital camera.

Wien, Oktober 2018

bigger

for the Dictionary of Image and ABC Visualized groups

Large Format: view cameras (including pinhole cameras) and processes that use film or plates, generally 4 x 5 inches or larger.

cyanotype with cut 8x10 negative. I cut the neg because I had a mysterious light leak and it fogged the bottom corner. You can still see the fog on the bottom edge. I was doing a test and couldn't get anyone else to sit for me. It is tough when you have two girls in the house. They run when I need to do a "test"

This photo was taken at Fort Funston just south of San Francisco.

compressed charcoal on paper.

For experimentation.

Schneider Kreuznach Xenar 135mm f4.7 at f11, 10 foot distance.

Chamonix 45n2

Red Filter x2 over the Congo 150mm f4.5 lens

Exposure: 1/60 f5,6

TMAX 100 : 10'30'' in D76 at 20º almost no agitation (Taco Method in a Paterson 4 tank)

Epson V600

The image was first stitched in doubletake then I deleted the stamp in Photoshop CC.

Some adjustments in tonal range in Lightroom 4

Practice for Long Exposure

Camera .. Rittreck View

Lens .. FUJINON 90mm

Film .. Fuji PRO160NC(expired)

F64 SS30sec

fotokor-1

wollensak optar 135/f4.7

scanned glassnegative

1972 exp. soviet 9x12 orthochromatic glass plate

fomatol LQN 1+7 6min.

iso6 (?)

1sec@f4.7 flash

Unnamed alpine pond - September 2009

Velvia 50 4x5, Super Angulon 75mm

My inspired series goes on with David Kriesel , a data scientist from Bonn

You might know him in connection with the Xerox bug he discovered in 2013.

David also does a lot of talks. The combination of data science and talks may sound boring to some of you. But this is only because you never watched one of David’s extremely entertaining and very interesting talks. Video: youtu.be/kbB5zcbC4P4 blog article: blog.markus-hofstaetter.at/?p=9589 #portrait #portraiture #portraitphotography #wetplate #tintype #analogphotography #wetcollodion #petzval #davidkriesel #largeformatportrait #largeformat #handmade #datascience #mhaustria #henseltria #keepfilmalive #blackandwhite #dallmeyer2b #Monochrome #People

Wista 4x5, Schneider 210mm lens, TMax 100

Seattle, WA

Cambo SCII 4x5

127mm Ektar 4.7 lens (Wide open at F4.7)

Diafine 5+4

Arista.EDU Ultra 100 4x5

Alien Bee 800 Orb clone softbox on a boom front and near center, cactus v4 trigger.

I either missed the focus on this one, or the lens is just too soft wide open. Actually I suspect both, but I wanted to see what it would do wide open.

Doh, I just realized that I scanned this negative upside down. And I replaced it with a flopped version to correct it.

Deardorff 5x7

Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm

Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20℃

paper: Bergger Prestige Variable CM

scan: EPSON GT-X820

I got a Graflex so I dont have to take the Sinar P to some of the more "speculative" locations. This is the 1st test polaroid.

University Village. IM Pei and Partners 1966

Sinar F2

Rodenstock Grandagon-N 4.5/90

Kodak Portra 400

Large Format Fuji Velvia 50 Film