View allAll Photos Tagged largeformat
My first true large format picture, yes it is a selfie but the weather wasn't playing ball so I was left to shoot indoors.
I'm just happy I had a PC Sync cable to trigger the lights and yes I got lucky with the focusing.
Shot using a Symmar-2 135mm @ f/5.6 on a Intrepid 5x4.
Purisima Creek Redwoods Open Space Preserve, Half Moon Bay, CA. Ebony 45SU, 200mm M-Nikkor, f16, 2 seconds. Ilford Delta 100 film developed in Rodinal.
Deardorff 5x7
Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :11 F=47cm
Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20℃
paper: Adox MCP312
scan: EPSON GT-X820
Shot at Calstar 2021.
400 mm fl at F7, 90 minute exposure.
Home developed kit.
Scanned with Epson V850, processed with Lightroom on an uncalibrated monitor. Can't tell if it's green, yellow, or blue tinted.
Note the light leak or bloom in the corner. Not sure if it's the holder or the storage or processing. Since this is only on the edge, I think it might be a light leak.
Check out her band Streling art-break.net/sterling/index.html
Blog post -> www.streetportraitist.com/post/16949606465/lftrainingcolor
Bi-pack bi-chrome image, Seneca 6 5x7, ortho-litho for B/G, Foma 100 through Rosco red filter for R. Single exposure @ 5iso. F64 for 8s. DD-X 1:9.
#BelieveInFilm #TrichromeEverything #BiChromeEverything #AltProcess #LargeFormat
...lagoon at Shellharbour South Beach.
Chamonix 045F1, Rodenstock Apo-Ronar 360mm, Fomapan 100, Xtol(1.2)+Adonal(1.160)
Seneca Improved View 5x7, Bausch & Lomb 5x7 Tessar 1c f/4.5, New Guy collodion, Coffer's positive developer (diluted by half), 5x7 tintype
f/4.5, 10 seconds
Used one Ustellar 60W Blue LED ~10-12 inches away. First plate at 4 seconds was exposed well but my developer was too strong and fogged it. Cutting in half with water helped with fogging but the plate was underexposed. More than doubled the exposure time, cut the developer in half, and the plate looks good.
Nevermind the fogging around the edges. The collodion was weak there despite letting the plate dry for over 60 seconds before going in the bath. Seemed the longer I let it dry the more fragile it was. Very weird. Cleaning the edges with a cotton ball basically wiped all the collodion away. Plate looks good in person but the scanner picked up on all the funkiness around there.
Sunflowers and bees back on an August day in a sunflower field at the Please Wash Me Car Wash in Elverson, Chester County, Pennsylvania. I normally save up a bunch of color film that needs developing and then head to the darkroom to do all the developing in one or two big batches to minimize chemical costs. Doing things this way often leads to "rediscovering" photos you forgot you shot many months ago or, like this one, bringing Summer color into a very cold, drab late November day.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Technical details:
Sakai Toyo 4 1/2 x 6 1/2" (half-plate) large format metal field camera with 4x5" film back.
150mm Caltar-S II F 5.6 lens in Copal BT shutter.
Circular polarizing filter on lens.
Kodak Ektar 100 color negative film shot at ISO 100.
1/15th second at F32.
Developed using Unicolor C-41 color developing kit and Beseler 8x10 color print drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
4x5" negative scanned with Epson V600.
Cropped to the desired size in post.
8x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.
Specifications:
------------------
6x6 inch (152mm) Round Corner Lens board
30” (762mm) Maximum Bellows Draw
12 ½ x 13 ¼ x 4 ¼ inch outer dimensions
(318x337x108mm)
Tripod Mount ⅜-16 with ¼-20 adapter
Back Size 12” square (254mm)
Front Swing 20⁰
Front Center Tilt 30⁰
Rear Swing 20⁰
Rear Base Tilt 30⁰
Total Front Rise & Fall 6 ½” (165mm)
Shortest WA Lens: 4 inches (101.6mm)
Longest Lens, no movement: 30 inches (762mm)
Weight, with lens board: 12 ½ pounds (5.67 Kg)
WPPD 2016
Taken with 4x5 Pinholelele: www.flickr.com/photos/pinholepip/5632327617/in/dateposted...
Exterior view of the truck from previous visit: www.flickr.com/photos/pinholepip/16929615782/in/dateposte...
Salt print exposed in sunlight for 8 minutes.
Camera: Rittreck 5x7 with 4x5 back
Lens: Nikkor 210mm f/5.6 at F8 and 1/125
Film: Kodak Tmax 400
Osaka VW45FC, Osaka 120mm f/6.3 + Yellow 8 filter, Fujifilm Super RX X-ray film cut to 4x5
Rodinal 1+100, 6m 30s, 68F/20C, Paterson Multi-Reel 3 + Mod54. Slow inversions for first 30 seconds then 10 seconds per minute after.
The Mod54 left scratches so I won't use it again with this film. I don't know why there are all these spots on the negatives. The film was given to me and I don't know how it was stored before.
This photograph was taken using a 1905 Conley 5x7 Field Camera,dryplate tintype process. 1/2 second exposure, natural light.
x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.
Specifications:
------------------
6x6 inch (152mm) Round Corner Lens board
30” (762mm) Maximum Bellows Draw
12 ½ x 13 ¼ x 4 ¼ inch outer dimensions
(318x337x108mm)
Tripod Mount ⅜-16 with ¼-20 adapter
Back Size 12” square (254mm)
Front Swing 20⁰
Front Center Tilt 30⁰
Rear Swing 20⁰
Rear Base Tilt 30⁰
Total Front Rise & Fall 6 ½” (165mm)
Shortest WA Lens: 4 inches (101.6mm)
Longest Lens, no movement: 30 inches (762mm)
Weight, with lens board: 12 ½ pounds (5.67 Kg)
