Schneider Kreuznach Xenar 135mm f4.7 at f11, 10 foot distance.

Deardorff 5x7

Hugo Meyer & Co-Goerlitz Doppel-Plasmat 1 :5.5 F=27cm

Fomapan100 5x7 / Adox Rodinal 1+50 /9min 20℃

paper: Bergger Prestige Variable CM

scan: EPSON GT-X820

might need some correction here!

The western buttress of Braeriach (on the right) and Sgor an Lochan Uaine (aka The Angel's Peak) rising (momentarily) above a misty Lairig Ghru

as seen from just North of the March burn

fotokor-1

wollensak optar 135/f4.7

scanned glassnegative

1972 exp. soviet 9x12 orthochromatic glass plate

fomatol LQN 1+7 6min.

iso6 (?)

1sec@f4.7 flash

compressed charcoal on paper.

Chamonix 45n2

Red Filter x2 over the Congo 150mm f4.5 lens

Exposure: 1/60 f5,6

TMAX 100 : 10'30'' in D76 at 20º almost no agitation (Taco Method in a Paterson 4 tank)

Epson V600

The image was first stitched in doubletake then I deleted the stamp in Photoshop CC.

Some adjustments in tonal range in Lightroom 4

7x5" Large format Wetplate collodion ambrotype image of a large Verbascum plant in my garden Thornton Pickard Imperial Full plate camera Air Ministries Dallmeyer Pentac f2,9 lens on F11 for 0.5s

Practice for Long Exposure

Camera .. Rittreck View

Lens .. FUJINON 90mm

Film .. Fuji PRO160NC(expired)

F64 SS30sec

Unnamed alpine pond - September 2009

Velvia 50 4x5, Super Angulon 75mm

100 year old Kodak #2 8x10 wooden camera with the similar vintage Wollensak Velostigmat 12 inches f/4.5 lens. Since there is no shutter, lens cap is the shutter.

I don't have a sturdy enough tripod and head for the kit, so I used my heavy duty speaker stand and projector tray instead. For indoor portraits, this is quite stable and usable.

sculpture made with wire, a bulb dipped in orange paint and my childhood lamp.

Wista 4x5, Schneider 210mm lens, TMax 100

Seattle, WA

Cambo SCII 4x5

127mm Ektar 4.7 lens (Wide open at F4.7)

Diafine 5+4

Arista.EDU Ultra 100 4x5

Alien Bee 800 Orb clone softbox on a boom front and near center, cactus v4 trigger.

I either missed the focus on this one, or the lens is just too soft wide open. Actually I suspect both, but I wanted to see what it would do wide open.

Doh, I just realized that I scanned this negative upside down. And I replaced it with a flopped version to correct it.

8x10

Clear glass ambrotype

OWH Collodion

KCN Fixer

3.5 second exposure

Steinheil aplanat lens

SINAR F 4X5"+NIKKOR SW 90/8+25A RED FILTER+SHANGHI GP3 SHEET+HC110 B+GTX 970

F/32+ 5S

Graflex, Super Speed Graphic, Rodenstock, Optar135mm, Polaroid72 expired film, 4x5 Polaroid back, f4.5 1/8, paper negative inverted to positive with Photoshop, still-life

I got a Graflex so I dont have to take the Sinar P to some of the more "speculative" locations. This is the 1st test polaroid.

Third of three images from a shoot yesterday with a great model! The session was for my antique brass lens large format project

Cambo SC 4x5 View Camera, Busch Rapid Symmetrical Lens (c. 1900-1910) Paper negative, 4 sec. exposure

Mills Lake - November 2009

Purisima Creek Redwoods Open Space Preserve, Half Moon Bay, CA. Ebony 45SU, 300mm Fujinon-C, f22, 2 seconds. Ilford Delta 100 film developed in Rodinal.

München, April 2008

I tried making wet plate collodion tintypes yesterday for the first time and absolutely loved it. The whole process from start to finish was the most enjoyable format of photography I've tried yet and its one that I'm going to continue on.

This was actually the second one I made from exposure through to varnishing, although its far from great I'm still pretty proud of it!

cambo scii, 210mm f6.8, harman direct positive paper, Epson v55p

8banners 4x5 large format pinhole camera. The camera comes in a nicely made wooden case which can also be used as a 8x10 pinhole camera. This set in effect gives you 2 camera in a setie. a 4x5 & a 8x10 large frormat pinhole cameras. The 4x5 camera takes all Graflok accessories.

Upper Slide Lake - September 2009

Study of a skull in 4x5 polaroid. Dallmeyer 1A brass lens, large format camera, FP-100C45 film.

Shanghai 100 film

1sec exposure (@f/116)

Rodinal 1+200, 130min* (stand development)

graflex "speed graphic"

Chatham Green by Kelly and Gruzen 1961

Apparently the design of this building was inspired by Alfonso Reidy's Pedregulho

www.archdaily.com.br/br/01-12832/classicos-da-arquitetura...

Sinar F2

Rodenstock Sironar -S 5.6/ 150

Kodak Portra 400

4x5. my scanner is no good.

This is my large format 4x5 camera. I used to own a Crown Graphic but it had limited movements so I sold it for this model. The photo above shows it with a Schneider 90mm f/5.6 Super Angulon lens. You'll notice that the lens is at the very back tip of the railing. This is probably the widest lens that can be used on this camera. Wider lenses can be used but I think you have to modify the camera/railing to make it work. I also have to drop the bed to make sure that it does not show up on the negative. What I like about this camera is the revolving back so I can compose my photos in landscape or portrait orientation without turning the whole camera. It has full front tilts, swings, & rise. There are no movement for the back though. I don't do much architectual work so I do not need too much movement with this camera.

When I first got this camera I had a hell of a time trying to figure out how to open it. I was used to opening my Crown Graphic by its hidden button on the side. I was looking all over the camera for the hidden button but couldn't find one. I eventually figured out that I needed to roll the railing down to open it. Duh!

I wrote a Graflex Super Graphic Overview on my website if anyone is interested in know more about this camera.