View allAll Photos Tagged largeformat
From the Jacob's Hats series
Calumet CC403 (4x5)
Schneider Kreuznach Symmar-S 210 mm f/5.6
Kodak T-Max 100
SP-445 tank, SP-76EC 1:10 for 7 min, SP-Fixer #7 for 3 min. etc.
V850 scan
bernardkellyphotography.com
Love the idea of shooting Medical X-Ray film but can't find the size (Like 3.25x4.25)? Ask Mike (that's me!) I'll cut it for you!
Drop by the shop - filmphotographyproject.com/
Listen to the radio show!
4x5" handmade pinhole camera.
37mm F/120, exposure 75s.
9x12 Svema64 (expired) b&w film @ ISO 100.
R09 1:200, 120min stand dev.
HP Scanjet 4890.
with Leitz Hektor300mm f2.8 on 8X10 format, the lens was too heavy and board are not fitting best to the mount which caused a little bit tilt. 35mm equivalent DOF about 40mm f0.38. the film is Portra400
2nd Historic Bike Ride 2014 (07 June)
Второй Исторический Велопробег 2014 (07 июня)
Web site of Event / Веб сайт мероприятия
Event Report / Отчет о мероприятии
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<Note: Hit "L" to bring large format to Full Power!>
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My first true large format picture, yes it is a selfie but the weather wasn't playing ball so I was left to shoot indoors.
I'm just happy I had a PC Sync cable to trigger the lights and yes I got lucky with the focusing.
Shot using a Symmar-2 135mm @ f/5.6 on a Intrepid 5x4.
Large format lenses
my most used (also from left to right)
Kodak Aero Ektar 2.5/ 7inch 178mm. 1944
Schneider kreuznach Xenar 3.5/ 24cm. 1942.
Dallmeyer "Pentac" 2.9/ 8inch
War ministry UK
The Xenar on a homemade lens board and the Pentac on a jolo lens board both for Anniversary Speed Graphic.
Rietzschel Linear Type-B 150m f5.5@5.5
RB Cycle Graphic 5x7
Foma Retropan 320
self-developing & scanning
Cambo Super 4x5 view camera, Fujinon 210mm f/5.6 lens, Portra 800 film in a 6x9 holder, This was digitized by shooting two frames of the film with a Fuji X-E2 and an old Minolta Celtic 50mm/3.5 macro lens.
In this print, light pierces through the dense foliage of a fig tree, creating a play of contrasts where shadow and brightness confront each other in an organic mosaic. At the center of the image, a glowing solar halo seems to carve through the darkness, while branches and leaves cut out as sharp silhouettes, almost engraved into the photographic material. The whole evokes both an intimate and cosmic vision: the fig tree becomes a constellation of black forms that absorb light as much as they reveal it.
Technically, the photograph was taken with a 4×5 inch large format camera, at 9×12, offering the precision of large format and a singular depth of tonalities. The chosen medium is a Lumière brand carbon print paper, a rare and demanding material that gives the image a fleshy, almost painterly texture. Development was carried out in Fomadon (here humorously nicknamed faux madone), a photographic developer known for its finesse and its ability to render a wide range of grays, from the densest blacks to luminous whites.
This union of traditional processes and sensitive material inscribes the image in a path both experimental and heritage-driven: a true writing with light, where every detail of the fig tree’s shadow becomes a tangible trace of an instant fixed in time.
Dwarskade en Hazepad_Biesland
Original on 4x5 inch film, Fuji-chrome Velvia 50.
Taken somewhere gracht poldervaart.
Delfgauw, Netherlands