View allAll Photos Tagged largeformat
SOOC
Today evaxebra and I spent the day together. We had such fun! The high point was coming upon Vancouver photographer Dale Roth (of Roth and Ramberg Photography) with a large-format camera. He offered to do our portraits. Here he is with mine. That's Ewa in the background. We met Dale's wife as well (turns out she went to the same high school I attended), and they are just a lovely couple. So glad we seized the opportunity!
Verlaten (abandoned)
Model: Jessica
Artist: Paul van Bueren
Cambo SC-1
Fomapan 400
Copyright by Paul van Bueren
I made this from cardboard, old velvet jeans (for light-tight cover). The shutter is made from the back of an old 35mm camera. To start an exposure, you slide it down the plastic rails (barely visible). The pinhole itself is made in a foil shim.
Thanks to the large format and shallow depth, this camera is extremely wide angle and light falloff is severe.
Autumn sunrise in Russia coast of Rybinsk Reservoir.
Rybinsk Reservoir, informally called the Rybinsk Sea, is a vast water reservoir on the Volga River and its tributaries Sheksna and Mologa.
Large format camera: Chamonix 45N-1
Lens: Rodenstock Sironar S 150/5.6
Film: Velvia 50 4x5
Nukarinkoski rapids at Vantaanjoki river, southern Finland. 05/17/2009.
ヌカリンコスキ「Nukarinkoski」の滝川、ワンター川、南フィンランド。
This was taken around 9.45pm, there was still some light and I hoped for a bit better separation between foreground leaves and background.
I took another negative with blue filter which could have improved situation, but to my shame, I double exposed it...
Toyo D45M View Camera, Symmar 5.6/210mm lens, Ilford Hp5+ film.
20 seconds at f/32. Film developed to N in Xtol 1:1. Development time has reduced 5% due the constrast caused by long exposure.
Geotagged.
http://jukkavuokko.com/en/
Sinar Norma 5x4 Camera.
Schneider 90mm Lens, Kodak TMAX 100 Film.
On the 89A Oak Creek Canyon Scenic Road.
This is my first attempt at making a colour photo using the tri-chrome process. It involves taking separate photos for each colour channel using filters. I combined the results in photoshop to produce a colour image.
Three exposers were made, each with one of the following filters in front of the lens:
(Lee lighting filters)
119 Dark Blue
164 Flame Red
124 Dark Green
After scanning the (4x5) negatives, each negative was used for the respective colour channel in RGB mode in photoshop.
I kind of underexposed these, I don't think I compensated sufficiently for the bellows extension. I tried to meter through the filters though.
This cascade is a fantastic end to a four mile hike in the Sierra Nevada mountains. The water is always flowing and often has rainbows in the mist. Adventurous people can climb down to the lower area for a refreshing mist bath and a closeup of the falls. If you look closely you can see a couple doing just that.
This was taken on a 4x5 camera using Ilford FP4 film. I used a clear filter over the lens to protect it from the mist while I focused. I removed the filter just before the moment of exposure.
A few snaps of my Deardorff 5 x 7, taken early one morning at St. Marks Wildlife Refugee. I ended up with this camera as part of a trade for some prints a number of years ago. From what the previous owner knew it was built in 1939. When I got it most of it was in pretty good condition. The bellows looked to have been recently replaced and the wood showed wear that would be expected of something this old. I did take all the metal parts off and refinished them. Shown here with the Schneider Apo Symmar 210mm f5.6
something went wrong with this one and it ended up sort of like Pictorialism... which I usually really like - just wish I knew what I did!
4x5 Speed Graphic
FP4+
Tachihara Hope 4x5 | Schneider 135mm MC | Portra 160
Scanned with A7R3 | Kaiser | Valoi
Home developed in JOBO Color Kit | 38
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear | WB: Kodak | LUT: Crystal
and again and again, because I love these sand dunes so much.
Graflex Crown Graphic, 135mm Xenar, Xray film.
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