View allAll Photos Tagged dramaticlighting
Some wonderful sidelighting this last Sunday afternoon at Sharpitor. This is the view looking towards Leather tor during what amounted to 5 minutes max of fantastic light just before sunset.
So here is the deal with these recent images of myself... I was signed to a modeling agency and needed some images for a portfolio. So being a photographer, I decided to save a bit of money and do it myself :)
This particular image though was taken by my good friend Dennis Line, who graciuosly spent an evening working with me in his studio as we played around with lighting techniques.
www.bradwedgewoodphotography.com
Lighting info:
Paul Buff B1600 with a Fotodiox Pro 5ft Octabox powered by Vegabond Mini battery and triggered with Pixel King Pro Triggers.
After a long hiatus from photography, I'm back in. Michael wanted a portrait for his Mom and Dad's 40th wedding anniversary and was looking for a black background. So I bought some black paper and busted out the camera gear. It's been nearly a year since I've used this much kit or had a proper go at studio portraiture. It was fun!
I also had the pleasure of attending Scott Kelby's "Light It, Shoot It, Retouch It" workshop in Calgary. It was awesome. This lighting setup is a direct result of what I learned there. This is basically Kelby's "dramatic light" setup. Two SB-600s, at 8 o'clock and 2 o'clock. One thru a softbox at 1/16 and the other through a grid at 1/32. I shot at 1/125, f/6.3, and 200 ISO. No crop.
- Special thanks to American-Psycho-UK for lending me the grid.
A striking image of a snake coiled around a tree branch, captured in dramatic lighting. The intricate patterns on the snake's scales are highlighted, showcasing the beauty and complexity of this reptile. The contrast between the dark, textured bark and the smooth, patterned skin of the snake creates a visually captivating scene.
Sunlight shines through dark storm clouds, lighting the desert below, Namib-Naukluft National Park, Namibia.
CameraCanon EOS REBEL T2i
Lens Canon EF-S 18-55mm IS
Exposure0.005 sec (1/200)
Aperturef/13.0
Focal Length25 mm
ISO Speed100
Exposure Bias0 EV
Posted on PigPog: pigpog.com/2014/06/02/walking-under-the-cover/
The walkway leading to the entrance to the Eden Project.
I used the Dramatic Light filter in onOne Perfect B&W for most of the image, but used Perfect Layers to mask out the woman’s head, and applied a bit of extra detail and desaturation to her hair in the Enhance module.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Panoptic.
Location: FreeFlow Academy
There’s something about a Sigur Rós performance that already feels like a world unto itself—slow-moving, tidal, luminous. Add a full orchestra to the equation, set it inside the Orpheum Theatre, and light the entire stage in a sea of red, and the whole night turns into a kind of sonic eclipse.
This moment lands right at that intersection where restraint meets scale. The orchestra forms a glowing arc around the band, each music stand catching the light like a constellation, while the conductor anchors the center with calm, deliberate gestures. The red wash radiates across the space, almost cinematic, deepening every silhouette and giving the performance an otherworldly charge. It’s a rare sight: classical instruments driving a swell that feels both intimate and enormous, familiar and strange, exactly the kind of contrast Sigur Rós thrives in.
From the crowd, you can feel the hush—an entire room suspended in one long breath, waiting for whatever comes next. The Orpheum, with all its history and ornamentation, becomes part of the instrument, its architecture catching and carrying the sound. A night where music doesn’t just fill the room—it shapes it.
Portrait of a Dancer, captured with my Sony A7S II and Tamron 28-75mm F2.8 G and lit with a Fotodiox PopSpot Ultra 50 LED Fresnel.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Panoptic.
Location: FreeFlow Academy
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I can fly
Its been quiet sometime, I have done concept photography. Due to office work I'm not able to manage time. Had a great time photographing Noah...a time well spend.
Enjoy the moment !!!!
The Shot
Camera Canon 5D Mark III,
Aperture f 4
Exposure 1/400
Focal Length 40 mm
ISO Speed - 125
Domestic Reverie: Sinkside Sovereign: A clean, intimate portrait where gentle expression meets assertive lighting, giving the familiar kitchen setting a polished editorial charge.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Wardrobe: Costume Junction.
Organization: Creative Light Photography
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Panoptic.
Location: FreeFlow Academy
The sky sets ablaze with intense shades of crimson and deep teal as twilight settles over the hills. Gentle silhouettes of wild wheat stalks reach upward, framing the dramatic gradients of the fading light. A quiet, contemplative moment captured in the stillness of dusk.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
A few photos taken during four weeks back visiting family and exploring Northern Arizona and South Western Colorado.
For licensing or usage requests, please reach out directly.
Lara Croft: Locked on Target - A cinematic Lara Croft cosplay portrait inspired by Tomb Raider. With dual pistols drawn and eyes locked forward, this studio setup captures the intensity and confidence of the iconic adventurer. Custom 3D-printed prop weapons and dramatic rim lighting add depth and tension, bringing the action-game energy into a controlled studio environment.
Lit with a Flashpoint XPlor 600 key, Godox AD200/V1-P fill, and a gobo backlight for that signature cinematic edge.