View allAll Photos Tagged dramaticlighting
Walking through the cross fire heart
Feeling heavy and hopeless. Wonderin' how I ever
Will see through this darkness.
Every drop of blood can be so beautiful,
And I sure was bleedin' the drops by the bucketful.
I have the strength to endure and all the love so pure.
I have the strength to endure because... because...
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plastic 52, week 32. click the link and turn it up!
In an old attic, a forgotten box of marbles and gacha capsule toys sat undisturbed for decades. Once cherished by a child who grew up and moved on, they remained as silent witnesses to the past. Now rediscovered, their glossy surfaces reflect distant memories, bridging the gap between nostalgia and the present.
Una figura detenida entre la luz y la sombra, donde el reflejo deja de ser copia y se convierte en presencia.
"Breather of Life" - Bird People Series
The first glimpse at the first rumblings of our new side-project/company/whatever you want to label it: Alchemy in Imagery. This new venture will eventually have a life of it's own outside the LZP umbrella, but for now, while it gets its footing, LZP is being kind enough to let it rent it's space out too!!!
This image is the first of the Bird People series... this character is the "Breather of Life"... you'll be seeing more of her too.
She is the Mother of the Phoenix, whose gift is to breathe life into all her children. The Phoenix has the ability to resurrect; the bird dies in a self-created fire, burning into a pile of ashes. A phoenix chick is then born when she breathes into the pile. Some birds can live to over a thousand years!
Creative Director/Hair/Makeup: Kathy Gfeller
Model: Allie Causin
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www.bradwedgewoodphotography.com
Lighting info:
Paul Buff B1600 with a Fotodiox Pro 5ft Octabox powered by Vegabond Mini battery and triggered with Pixel King Pro Triggers.
this was a very ordinary scene, except i really appreciated the little bit of reflective light coming off the edge of the road and the deep, billowing clouds. IMHO, redscale makes this shot. believe me, it wasn't a very dramatic frame otherwise. : )
more of my homemade redscale roll made from fuji tungsten T64 35mm film. oh, wow... maybe better than my redscaling fave DNP Centuria? but at twice the price, is it worth it? hmmmmm...
maybe you all can help me decide. what do you think?
oh yeah, it's also cross-processed into C-41.
simple 2 flash set up...both bare to camera left and right on 1/4 fired with cyber syncs -shot with a canon T2i and a 100mm F/2.0 -1/160, F/6.3, ISO100.
Prints and Canvasses Available
A break in the cloud cover creates very strong winter sunshine and lights up Kirkcarrion, Teesdale's iconic landmark, on an otherwise dull day in January.
Half-hidden in shadow, the child’s eye pierces through the darkness with a gaze that is both haunting and innocent. This fine art black and white portrait captures the fragile balance between vulnerability and mystery, where light reveals only what it chooses to and silence holds the rest. A study in contrasts — light and dark, fear and wonder — it invites the viewer to pause, look deeper, and discover their own reflection in the intensity of that single eye.
This black and white portrait, filled with dramatic tones and shadow play, belongs to the world of fine art portraiture where emotion and storytelling merge. The cinematic atmosphere makes this image not only a portrait, but also a moment of mystery preserved in monochrome.
Bachelorette photos taken at Dominion Beach in Cape Breton by Brad Wedgewood Photography.
Lighting info. Alienbee ab1600 in a fotodiox pro 5ft Octabox from the left triggered with Pixel King Pro triggers and powered by Vegabond mini.
Brad Wedgewood Photography
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
www.bradwedgewoodphotography.com
www.facebook.com/bradwedgewoodphotography
www.pinterest.com/bradwedgewoodph/
I photographed this "bird" in my sister's garden.
I wanted the flower to stand out from the background, so I used camera settings that caused the background to go quite dark before I turned on the strobes. If I'd wanted more ambient light, I would have used a slower shutter speed. I wanted the thin translucent parts of the flowers to glow, so I backlit them by placing a YN560-III in a Rogue grid behind the flowers. Fill light came from a YN560 in an 8.6 inch Lastolite softbox in front and at camera left. The strobes were in manual mode, and I played with the power output until I got the look I wanted.
I really like these beautiful flowers, and have exploited a few of them over the years. If you like this sort of thing, you might not hate my Bird Of Paradise album.
www.flickr.com/photos/9422878@N08/sets/72157631967781801/
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. In the description for that set, I list resources that I've used to learn how to light with off camera flash, and the equipment that I use. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
Model: Lorna Lynne
MM#: 4402245
Lingerie & Implied Shoot
Studio Chez-Moi
Photographer/Editor: Pedro Marenco
Nature is fascinating in the various forms and functions that exist. This is a robber fly, which looks like a large-sized fly with a prolonged end segment. Unlike standard flies, robber flies are predatory, stabbing their prey with their proboscis and injecting a saliva-neurotoxin mix. They prey on quite a number of insects, including some spiders and bees.
The lighting was accomplished through the use of an Olympus FL-50R flash, triggered wirelessly, held to the lower left and pointed upward at the subject. While I had intended to produce some dramatic lighting, I had not expected that so much of the image would have been cloaked in darkness. I was initially very disappointed with this picture, as the finer details of the robber fly are lost. On a second glance-through, it appears a bit more menacing like this, and I'm actually rather pleased. The fly allowed me to take two shots before buzzing off.
This was taken with an Olympus E-520, hand-held with image stabilization mode 1 enabled. Focus was performed manually, with the aid of the Olympus ME-1 magnifying eyecup. A Zuiko Digital 50mm f/2.0 Macro lens with the Olympus EX-25 extension tube were utilized. I do not recommend this lens for insect macro photography, as you must get extremely close to your subject to achieve high magnification (and many insects do not like that). Olympus FL-50R flash unit was used at high power, triggered wirelessly, and was hand-held to the lower left and angled upward.
Aperture f/20 to increase the depth of field (and which contibuted to the shadows); ISO 200 to go a bit easier on the flash; 1/100 shutter speed. Processed from RAW, and cropped by a fair amount (lens was not used at its closest point of focus).
A wind turbine stands still beneath a veiled sun, as if time itself is suspended.
The diffused light cutting through the clouds paints a quiet tension over the sea —
a moment of pause between power and stillness.
Morning rays strike the Balmoral Hotal and surrounding buildings in Edinburgh, painting them in an orange glow.
The Balmoral is a luxury five-star hotel and landmark in Edinburgh, Scotland. It is located in the heart of the city at the east end of Princes Street, the main shopping street beneath the Edinburgh Castle rock, and the southern edge of the New Town.
Taken from one of our recent Twig the Fairy sessions... this one up in the Northeast (who knew Rhode Island hosted fairies?!?) To learn more about this magical fairy, go to www.twigthefairy.com and you'll see lots more! Want to learn more about or get in touch with LunahZon Photography, see the links below!
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Display of Northern Lights (Aurora Borealis) over Highway #4 at Saskatchewan Landing Provincial Park, Saskatchewan. Photographed one cold November night at 2 am
17 mm lens, exposure was 30 sec. at ISO 1600. Panorama stich of two horizontal images
Image: SK-3911-0389-pn
branimirphoto.ca/blog/northern-lights-at-saskatchewan-lan...
Photographer: Michael M Prince
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A striking black and white portrait of a lion, capturing the raw power and nobility of the king of the savanna. The dramatic contrast and deep tones enhance the intensity of his gaze, while the fine details of his mane give a timeless, cinematic feel. Inspired by the iconic black & white photography style, this image embodies strength, elegance, and mystery.