View allAll Photos Tagged dramaticlighting
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I photographed this last Saturday. It is a fence which starts along the road and stops under water. In the barbwire there were all kinds of deteriorated things hanging in the wind, this is all filtered out of the water. The fence itself, it's rusty and old it is absolutely in decay.
Display of Northern Lights (Aurora Borealis) over Highway #4 at Saskatchewan Landing Provincial Park, Saskatchewan. Photographed one cold November night at 2 am
17 mm lens, exposure was 30 sec. at ISO 1600.
Image: SK-3911-0374
branimirphoto.ca/blog/northern-lights-at-saskatchewan-lan...
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
A dramatic lighting portrait of a friend and excellent model, captured with my Sony A7S II and Lensbaby Burnside 35.
Model: Cole - www.instagram.com/laceworklook
Lara Croft: Ready for the Next Tomb Adventure - A cinematic studio portrait of a Lara Croft cosplay inspired by Tomb Raider. Dual-wield pose, tactical styling, and dramatic backlight create an action-movie feel. Props are custom 3D-printed. Lit with a Flashpoint XPlor 600 key and Godox AD200/V1-P fills with a gobo backlight for depth.
After enjoying my lunch in a little taverner in Xanten, I asked the waitress if I could make a picture of her. She answered: "yes" and here it is.
Sunset ~ Golden Hour ~ Florida Everglades U.S.A.
Spring 2015 ~ South Florida ~ Palm Beach County
(three more photos of this night in the comments)
One of the last pictures I took from the shooting session before light faded away completely.
580EXII + 430EXII shot through a 43" white umbrella camera left. Triggered by Cybersync.
After a long hiatus from photography, I'm back in. Michael wanted a portrait for his Mom and Dad's 40th wedding anniversary and was looking for a black background. So I bought some black paper and busted out the camera gear. It's been nearly a year since I've used this much kit or had a proper go at studio portraiture. It was fun!
I also had the pleasure of attending Scott Kelby's "Light It, Shoot It, Retouch It" workshop in Calgary. It was awesome. This lighting setup is a direct result of what I learned there. This is basically Kelby's "dramatic light" setup. Two SB-600s, at 8 o'clock and 2 o'clock. One thru a softbox at 1/16 and the other through a grid at 1/32. I shot at 1/125, f/6.3, and 200 ISO. No crop.
- Special thanks to American-Psycho-UK for lending me the grid.
Copyright Christine Berry. Entry for FLARE competition - www.flarecompetition.com
www.simplybloomphotography.com
Description: Photo was taken right before sunset at ISO 200, f/14, 1/80sec
Minimal processing in photoshop.
ODC ~ Bed
Our dogs have a tendency to own the bed/couches/chairs/laps/whatever they think is comfy enough for them... What can we do??
New series I want to start with African American women, light to dark. I just want to bring out the beauty in every woman. Coming soon..
It looks like I'm right in the river itself at Minnowburn near Shaw's Bridge in Belfast.
The sun has lit up the autumn colours in the background on a very frosty morning.
One unwelcome addition is a sock which is hanging over a branch near the top of the shot.
Best viewed large on black.
Maybe it's the front. I called it an S-curve because it was easy, but I'd rather not see it as the actual letter S, because that's cheesy. It's the shape of an S, but not the letter itself, OK?
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Panoptic.
Location: FreeFlow Academy
Smoldering - Chromatic Study (B&W): A technical exploration of color layering. Utilizing a red-gelled AD200 on a black panel for a moody background and yellow gels for a soft, golden fill, blending high-energy studio lighting with a candid, editorial presence.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
This was a night shot taken at Canyon Creek Ranch as part of a 12 hour workshop put on by the Arizona Professional Photographers Association. As part of the workshop, actors/ models were there in period costumes. The actor in the doorway of the church is Greg Wildman who was in character as Milo, a member of the Clanton Maclaury gang.
This was taken after the sun had set, and we used long exposures (I was at 3 seconds) while one of the instructors did light painting on the exterior of the church using an LED flashlight, and a dim light inside the church provided the backlighting. I love the dramatic look of this, and having the model light up a cigarette to create smoke was brilliant on the part of the instructor.
Other images that I took during the day long workshop at Canyon Creek Ranch are in my Canyon Creek Ranch Album.
www.flickr.com/photos/9422878@N08/albums/72157659532479014
Other black and white images that I've attempted can be seen in my creatively named Black And White Album.
www.flickr.com/photos/9422878@N08/sets/72157644989606939/
Other pictures that I've taken over the years in Arizona are in my Arizona album.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Wardrobe: Costume Junction.
Organization: Creative Light Photography
Confidence doesn’t whisper, it walks straight into the spotlight. This series captures strength wrapped in charm, blending athletic poise with a playful wink. Clean lighting, sculpted highlights, and a bold star motif create a modern pin-up energy with contemporary polish.
CameraCanon EOS REBEL T2i
Lens Canon EF-S 18-55mm IS
Exposure0.005 sec (1/200)
Aperturef/13.0
Focal Length25 mm
ISO Speed100
Exposure Bias0 EV
FR Cinq instants volés, cinq éclats de lumière.
Un regard qui perce l’obscurité, une âme qui se révèle dans un trait de clarté.
Five stolen moments, five glimmers of light.
A gaze piercing the darkness, a soul revealed by a single beam.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com