View allAll Photos Tagged dramaticlighting
In this picture the bull rider, who has been thrown from the bull, limps off stage right while the life-savers put themselves between him and the bull. These guys used to be called bull fighters, but I guess the new title is more appropriate. This ended well as the bull ended up turning away. If these guys were in a bar with bull riders, I doubt they'd ever have to buy a drink.
Other pictures I've taken at the Lakeside Rodeo over the years can be seen in my Lakeside Rodeo set. www.flickr.com/photos/9422878@N08/sets/72157600750485146/
Other bull riding pictures can be seen in my bull riding set. www.flickr.com/photos/9422878@N08/sets/72157619148784232/
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A regional jet lifts off into the last light over Northwest Arkansas. Sometimes the sky steals the whole show. All you can do is keep up and press the shutter.
Sometimes, beauty appears in silence.
A soft rainbow cuts across the valley below, barely visible beneath heavy skies. The slopes still glisten from the storm, while an alpine hut holds its quiet place above the forest.
Seen from the northern slopes above the Zillertal, this frame captures a fleeting moment – when shadow and color meet, and the storm gives way to grace.
My beautiful friend T took this photo.
As you can see she is stunning and the photo came out beautiful!
So I thought I would bite the idea for this week's HBCCT ;)
So Happy Big Cushy "Bed" Tuesday!!
Texture by Pareeerica
Not just a beautiful woman, she stands in the field not as a symbol, but as a reminder— of the families who rise before dawn, who coax life from soil and weather, who feed cities from landscapes often overlooked.
This image honours the quiet endurance of farming communities,
whose labour sustains nations, whose stories rarely make headlines, but whose presence is felt in every meal, every season, every storm weathered.”
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
Elle avance dans un monde qui n'existe pas encore.
Entre la lumière et le métal, entre le mouvement et la machine, cette silhouette semble surgir d'un futur où le corps demeure le dernier territoire de liberté. La combinaison évoque la technologie, les lignes rappellent les circuits, mais rien ne peut contenir l'énergie qui traverse chaque geste.
Le reggaeton est souvent associé à la puissance brute du rythme. Ici, il devient autre chose : une impulsion vitale, un langage physique qui dialogue avec l'imaginaire de la science-fiction. Chaque mouvement paraît répondre à une force invisible, comme si la danseuse captait un signal venu d'un horizon lointain.
Le faisceau de lumière qui la traverse ressemble à une porte ouverte sur un autre monde. Pourtant, ce n'est pas la technologie qui attire le regard, mais l'humanité qui persiste au cœur du dispositif. Une présence vibrante, déterminée, habitée.
Dans cette rencontre entre futurisme et expression corporelle, la danse devient poésie. Une poésie de l'élan, de la transformation et du mouvement perpétuel.
Parce qu'au-delà des machines, des écrans et des promesses technologiques, il restera toujours un corps pour rêver, ressentir et danser.
EN She moves through a world that does not yet exist.
Between light and metal, between movement and machine, this figure seems to emerge from a future where the body remains the last territory of freedom. Her suit suggests technology, its lines echoing circuitry, yet nothing can contain the energy flowing through every gesture.
Reggaeton is often associated with raw rhythm and power. Here, it becomes something else: a vital impulse, a physical language in conversation with science-fiction imagery. Every movement appears to answer an invisible force, as if the dancer were receiving a signal from a distant horizon.
The beam of light cutting across the scene feels like a gateway to another dimension. Yet it is not technology that commands attention, but the humanity that endures within it. A vibrant, determined presence, fully alive.
In this encounter between futurism and movement, dance becomes poetry. A poetry of momentum, transformation, and perpetual motion.
Because beyond machines, screens, and technological promises, there will always be a body willing to dream, to feel, and to dance.
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Prints and Canvasses Available
Very strong winter sunshine and a dramatic sky in cold and blustery north westerly winds following Storm Atiyah in this view of Eggleston, Teesdale, 8 December 2019
All rights reserved ©
Macro shot from a very low vantage point on a tripod. This is a little round topped screw head that secures the light fixture's top to the pedestal it sits upon.
First major "phestive" holiday "phrost" here in Phoenix this winter! Bitter cold for the Southwest... But it does look very festive, doesn't it?
Godrevy lighthouse in a shaft of light on a 'stormy sky' day in St.Ives bay, Cornwall. The Cornish coast in renowned for it's dramatic, crisp and vivid light..Photo Kevin Keatley, Camera Nikon D800, 70-200@200mm, F9, 1/640 sec., ISO 320. St Ives in Cornwall UK is said to have a special quality of light that makes it appealing to artists.
Summer's End: Woven Armor: Modern mythology meets high fashion. Gold sequin cascades catch the light against minimalist backdrops, framing a portrait defined by resilience and shimmer. The focus is on material contrast and sheer presence.
Self Portrait in the DC Fire Hockey team's blue "DCFD" uniform. Sept. 2013
Nikon D800
Nikon 50mm 1.8
ISO 100
1/125
f13
1 Einstein 640 into a large PLM camera right
1 Einstein 640 w/ 7" reflector and red gel at background -1 EV
Post processing in Capture 1 Pro 7
All Rights Reserved.
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without written permission of the photographer.
I photographed this last Saturday. It is a fence which starts along the road and stops under water. In the barbwire there were all kinds of deteriorated things hanging in the wind, this is all filtered out of the water. The fence itself, it's rusty and old it is absolutely in decay.
Display of Northern Lights (Aurora Borealis) over Highway #4 at Saskatchewan Landing Provincial Park, Saskatchewan. Photographed one cold November night at 2 am
17 mm lens, exposure was 30 sec. at ISO 1600.
Image: SK-3911-0374
branimirphoto.ca/blog/northern-lights-at-saskatchewan-lan...
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
A dramatic lighting portrait of a friend and excellent model, captured with my Sony A7S II and Lensbaby Burnside 35.
Model: Cole - www.instagram.com/laceworklook
Sunset ~ Golden Hour ~ Florida Everglades U.S.A.
Spring 2015 ~ South Florida ~ Palm Beach County
(three more photos of this night in the comments)
After a long hiatus from photography, I'm back in. Michael wanted a portrait for his Mom and Dad's 40th wedding anniversary and was looking for a black background. So I bought some black paper and busted out the camera gear. It's been nearly a year since I've used this much kit or had a proper go at studio portraiture. It was fun!
I also had the pleasure of attending Scott Kelby's "Light It, Shoot It, Retouch It" workshop in Calgary. It was awesome. This lighting setup is a direct result of what I learned there. This is basically Kelby's "dramatic light" setup. Two SB-600s, at 8 o'clock and 2 o'clock. One thru a softbox at 1/16 and the other through a grid at 1/32. I shot at 1/125, f/6.3, and 200 ISO. No crop.
- Special thanks to American-Psycho-UK for lending me the grid.
Copyright Christine Berry. Entry for FLARE competition - www.flarecompetition.com
www.simplybloomphotography.com
Description: Photo was taken right before sunset at ISO 200, f/14, 1/80sec
Minimal processing in photoshop.