View allAll Photos Tagged dramaticlighting
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
This street food corner is squished between old buildings amd have some nice warm lights collection, they are creating some cozy atmosphere;
_____
Tech:
Nikon D810
Nikkor AF-S 28mm f/1.4E
kodachrom'ish by self developed color grading preset.
Brad Wedgewood Photography
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
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Bachelorette photos taken at Dominion Beach in Cape Breton by Brad Wedgewood Photography.
Lighting info. Alienbee ab1600 in a fotodiox pro 5ft Octabox from the right triggered with Pixel King Pro triggers and powered by Vegabond mini.
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Wardrobe: Costume Junction.
Organization: Creative Light Photography
Brad Wedgewood Photography
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www.bradwedgewoodphotography.com
www.facebook.com/bradwedgewoodphotography
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Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
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I had half a day to spare yesterday, and it looked like offering the most promising conditions for photography before Friday, so I took a chance on an afternoon back at Birmingham.
As the forecast predicted, the sun was very much in and out (in fact, much more in than out for the first few hours, and when it was out there was invariably very little going on). However, what for me was very much the star movement took place in some truly stunning - if highly-improbable-looking just 30 seconds earlier - light.
Lara Croft: Mission Focus - Calm, steady, and already three steps ahead. This take on Lara Croft leans into control over chaos, less action, more intent. Clean lighting, subtle background texture, and a pose that says the job’s already done.
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
CameraCanon EOS REBEL T2i
Lens Canon 50mm F/1.8
Exposure0.005 sec (1/200)
Aperturef/14.0
Focal Length50 mm
ISO Speed200
Exposure Bias0 EV
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
He doesn’t speak, but his eyes tell a hundred stories. Hidden behind his small hands are the echoes of scraped elbows and silent thoughts. In this moment, he becomes both shield and mirror, soft, fierce, and unforgettable. Between defense and curiosity, between shadow and light, he stares through the space often ignored.
The sun made an all too brief appearance today on Michigan Avenue in Chicago making for some really dramatic lighting. After a few minutes it was gone again. Taken with my iPhone.
This is the beautiful Standard Hotel.
Place of beauty and controversy
High Line,
New York
Taken with a Panasonic DMC-FZ50 camera.
I took this photo during my trip to Belize this past December. We had to wake up hella early to catch a ferry back to the mainland from Ambergris Caye. Watching the sun come up from the water taxi was nothing less than stunning!
New superheroine; fighter for justice, equality, and... ____________ (?)
Last night I got out to shoot with a few friends: Tamara, Brianna, and Jeanne. Troopers for working on light painting on a cold and windy nighttime.
I learned a heap about light painting with Tam, I'd never really tried this before. Next time I think I can pre-visualize much better for a set up, and collaborate better for more powerful images. Hopefully!
Thanks goes out to the three of them for working together. Much fun.
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
I spent as a guide, taking a friend on a circular route out of Edale and up one of my favourite ascents in the Peak District; Crowden Clough.
The weather was very dynamic during the day, quick moving patchy cloud casted big shadows that moved across the landscape, with bright dappled light accompanying it.
This shot was taken looking across to Crowden Tower, a rock outcrop that sits at the top of the clough, which was catching the light as it danced across it.
Model: Andrea Ruiz | Makeup: Cristina Quintana
Strobist info:
+ Westcott Apollo 28 softbox from above
+ Jinbei DC-600
+ Jinbei Boom DBJ-1
Apperture: f/11 | Exposure: 1/60
+info: look here www.flickr.com/photos/djkubik/6385920933/in/photostream
+info blog post in spanish lluisgerard.com/sesion-de-fotos-simplifica-las-cosas-usan...
© Lluis Gerard | MiraiStudio | 500px | G+ | Wasabi Photoblog
Prints and Canvasses Available
Very strong sunlight highlights this track against a sinister sky. Taken next to Stable Edge quarry above Newbiggin.
Brad Wedgewood Photography
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
www.bradwedgewoodphotography.com
www.facebook.com/bradwedgewoodphotography
www.pinterest.com/bradwedgewoodph/
Prints and Canvasses Available
A patchwork of remaining snow highlighted by a bright interval as the clouds break on the hillside above Newsham, North Yorkshire, as seen from Hutton Hall farm, Teesdale
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Castle Square in Warsaw, one of the first views of reconstructed Old Town.
On the right is the Royal Castle. The near left is the fortified brick city wall, with little left. Zygmunt's Column (cut down by fire from a Nazi tank in WWII and reconstructed with a new tower and amazingly undamaged statue) is just behind me in this pic and will likely show up in a later pic.
© Butch Leitz
All rights reserved
LA photographer Joey Terrill was showing a group a few things about lighting on location at the Olympic Training Center in Colorado Springs. Joey allowed me to move away a prop he was using and to adjust his solo light a little so I could get this intense shot of Deontay Wilder looking totally bad ass. His light & my camera & shot. (I mooched off the pocket wizard he had hooked up to the light with my own PW mounted on my camera).
Deontay was the only US boxer to medal at the Beijing Olympics; this photo was taken about 6 weeks before the Olympics.
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