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Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
From Mt.Bihinai,Sapporo, Hokkaido.
Pentax MZ-M, pentax-M 50mm F1.7, Kodak Microfilm Imagelink HQ, exposed as ISO 40, developed as described before, scanned with Plustek OpticFilm8100 + VueScan, edited with GIMP.
Bigger sizes: www.flickr.com/photos/threepinner/33698241028/sizes/l; up to 8000 x 5321 pixels compatible. Learn DIY development and upgrade to film !
Film: Kodak Kodacolor 200 @ 200 ISO | Develop: Tetenal Colortec C-41 | Scan: Plustek OpticFilm 8200i
I've finally developed my film at home.
I had been wanting to home develop for a while, but kept putting it aside for various excuses. I finally took the plunge though, ordering an Unicolor C-41 Press Kit and a Paterson Super System 4 Universal Tank. The stuff arrived today, so I went to work, putting through a roll of Lomography 800 and an expired roll of Ferrania 100 dated July 2006.
I have not scanned anything yet, but I've got actual negatives ready, so it worked! It felt like magic. I did screw up a bit in the inversions, plus, when I had the blix, the lid blew off and took flight (gas had built up). Anyhow, I'm pretty stoked that I can do my C-41 at home now, and I'm actually going to test stand development next.
I ordered the chem powder kit and tank online:
Ilford Hp5 Plus developed in T-Max Professional Developer. Minolta SRT 101. Train station Lititz PA March 2019
Greece October 2025
Minolta AF-S point and shoot
Kentmare 400@400
Developed in Caffenol-C- L 35min@20C
semi-stand
In developing a roll of film yesterday (my first home-developed roll of C-41 color!), I came across this alternate view of the Summit Valley Methuselah tree. I took it from nearly the same vantage point as my first image, but with a different camera, different film, on a different day, at a different time of day, and with different weather and light. Whereas the first photo highlights the tree's age, strength, and mythic nature, this second image seems to emphasize its vitality and eternal youth. Two pictures and two trees from parallel universes, perhaps? Just presented to you, as Rod Serling used to say on The Twilight Zone, “for your consideration.”
Camera: Kodak Tourist II (1951-1958, with Kodet 86mm f/12.5 lens).
Film: Lomography 100 ISO Color Negative 120 rolled onto a 620 spool, developed using The Film Photography Project's C-41 Home Processing Kit, and scanned with an Epson V600 scanner.
Film: Rollei Retro 400S @ 400 ISO | Develop: HC-110B, 6:30 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Developed in Caffenol C-L Stand 30min@ 19°C; Ilford FP4+; Pentax P30; SMC Pentax 50mm f.1.7; Epson V600
Juillet - N&B - Vanoise - Larches (05)
A still image of this weather event (www.flickr.com/photos/cloud_spirit/55103889698) cannot portray the dynamics of the atmosphere adequately. Strong down bursts were captured as these showers reached the ground.
Picture of the day
It was blue skies to the left with massing black clouds over Malton giving it darker skies to the right due to the rain blocking the light out.
Winchester developed from the Roman town of Venta Belgarum, which developed from an Iron Age oppidum. Winchester's major landmark is Winchester Cathedral, one of the largest cathedrals in Europe, with the distinction of having the longest nave and overall length of all Gothic cathedrals in Europe. The city is also home to the University of Winchester and Winchester College, the oldest public school in the United Kingdom. The city's architectural and historic interest, and its fast links to other towns and cities have led Winchester to become one of the most expensive and desirable areas of the country.
Zorki-4K & Jupyter-8 f/2 50mm
Ilford Pan 400 pushed to 800 ISO
Home developed in Silberra Aphenol (Kodak Xtol alternative), 14.5 min, 20°C
I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.
This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.
Diramic Micro RSD
Industar 50-2
Flic Film Ultrapan 400 (Foma 400?)
Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F
Pakon F135
I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.
Ashibetsu, Hokkaido.The poles are for signify the border of the road in snowy season.
CanonAV-1, Tokina RMC 135mm F2.8, negative ISO 100 for recording from Fuji, expired in 2015, developed with reversal processing as described before ( 1st: Korectol at 30 Deg.C. for 2 minutes and 40 second, a little too long ), scanned with Epson V700 + EpsonSoftware edited with GIMP.
1989 Canon EOS-1 analog, 1989 Canon EF 70-210 f4, Foma ISO400 film loaded from bulk roll, Foma developing chemistry. Photographed / developed / scanned with Canon R10 mirrorless personally.
Shot with Contax 139 and the Zeiss Tessar 45 2,8 on Fuji Superia 200. Developed in the Digibase C41 Kit. Scanned with Coolscan V.
Scene at the Seger Beach, Lombok, Indonesia during sunset. Image developed from 6 different exposures.
Dreamy Sunset, Alborz Mountains ― Tochal ,Tehran, Iran
© Vafa Nematzadeh. All rights reserved. Thank you very much for your visits, faves and comments here.
“Colors, like features, follow the changes of the emotions.”
― Pablo Picasso
Elysium ..The place in Greek mythology :
Elysium or the Elysian Fields (Ancient Greek : Ἠλύσιον πεδίον, Ēlýsion pedíon) is a conception of the afterlife that developed over time and was maintained by certain Greek religious and philosophical sects and cults.Initially separate from the realm of Hades,admission was reserved for mortals related to the gods and other heroes.Later,it expanded to include those chosen by the gods,the righteous,and the heroic,where they would remain after death,to live a blessed and happy life,and indulging in whatever employment they had enjoyed in life.
The Elysian Fields were,according to Homer,located on the western edge of the Earth by the stream of Okeanos.In the time of the Greek oral poet Hesiod,Elysium would also be known as the Fortunate Isles or the Isles (or Islands) of the Blessed, located in the western ocean at the end of the earth.The Isles of the Blessed would be reduced to a single island by the Thebean poet Pindar,describing it as having shady parks,with residents indulging their athletic and musical pastimes.
The ruler of Elysium varies from author to author: Pindar and Hesiod name Cronus as the ruler,while the poet Homer in the Odyssey describes fair-haired Rhadamanthus dwelling there.
Classical literature :
According to Eustathius of Thessalonica the word "Elysium" (Ἠλύσιον) derives from ἀλυουσας (ἀλύω, to be deeply stirred from joy) or from ἀλύτως,synonymous of ἀφθάρτως (ἄφθαρτος, incorruptible),referring to souls' life in this place.Another suggestion is from ελυθ-, ἔρχομαι (to come).
The Greek oral poet Hesiod refers to the Isles of the Blessed in his didactic poem Works and Days.In his book Greek Religion,Walter Burkert notes the connection with the motif of far-off Dilmun: "Thus Achilles is transported to the White Isle,which may refer to Mount Teide on Tenerife,whose volcano is often snowcapped and as the island was sometimes called the white isle by explorers,and becomes the Ruler of the Black Sea,and Diomedes becomes the divine lord of an Adriatic island".
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550
Castleton Mill.
Leeds Liverpool Canal.
11/08/17
Pentax ME Super.
Rollei RPX100 film.
Developed by me.
Rodinal 1+50, 18 mins, 20C, water stop, Fomafix p, spiral tank.
Scanned with Epson Scan V550.
Adjusted in Lightroom 6.
075013
Horsefly bites are painful. Some people develop serious allergies to horsefly bites, but this is rare. Avoiding horseflies can be difficult outdoors in summer.
Horseflies are a flying insect found most in rural, farmland areas, where they feed on large mammals.
Scientists call horseflies blood-feeding arthropods. The scientific name for their family of species is Tabanus.
Horseflies must bite large animals - including horses, cattle, dogs, and humans - as part of their lifecycle.
Only female horseflies bite. Male horseflies do not have the mouthparts that females use to bite animals. Females do this to drink the blood that they need to produce their eggs.
Female horseflies need a large amount of blood for reproduction - up to 0.5 milliliters. Scientists estimate that they can take up as much as 200 milligrams of blood in a few minutes.
Compared with other insect bites, horsefly bites are particularly painful and slow to heal. This is because of the way the flies bite.
The bite from a horsefly:
Is a cut type of wound, rather than a small puncture hole
The mouthparts of the horsefly use a scissor-like action to create a wound in our skin
The fly "mops up" the bleed after cutting through the skin
The fly anchors to the skin while drinking the blood, with the help of small hooks along its mouthparts
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