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Late night shoot with Edina, Budapest 2018.
Not easy to compose with the M645 on its side using the WLF..everything feels backwards and opposite to normal
Mamiya 645 Super + Mamiya Sekor 80mm f1.9 lens + 120 Ilford HP5 Plus 400@800
Developing - 750:250 Xtol + 5ml Rodinal, 20min at 22 degrees, Epson v800 scan.
Budapest trip - mrleica.com/leica-vs-mamiya/
A developing story here on the West Coast . . . After months of elusive drone sightings on the East Coast, I have been fortunate enough to photograph one landing in San Francisco. The authorities immediately cordoned off the area from the public, escorting a figure that emerged from the spacecraft shortly after I took this solitary photo. I melted away into a small crowd as the officials attempted to confiscate all iPhone recordings of the landing. The young officers were unfamiliar with film cameras, apparently, and I was able to escape with evidence of one of the most significant news stories of the century on my medium format film camera.
This photographic evidence will force the government to finally stop the coverup. A Christmas Day landing obviously has great significance for humanity.
This photo was taken by a Kowa/SIX medium format film camera and Kowa 1:3.5/55mm lens with a Kowa L1A ø67 filter using Fuji Reala 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop,
Ed è qualcosa da cui non puoi scappare. Il mare… Ma soprattutto: il mare chiama… Non smette mai, ti entra dentro, ce l’hai addosso, è te che vuole… Puoi anche far finta di niente, ma non serve. Continuerà a chiamarti… Senza spiegare nulla, senza dirti dove, ci sarà sempre un mare, che ti chiamerà…
(Alessandro Baricco)
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Foto analogica eseguita con pentax Mx, obiettivo asashi pentax 28mm f 2.8. e pellicola Ilfod xp2 400. Lunga esposizione con filtro ND 1024. Scansionata con Canon EOS 60D, tubo di prolunga e obiettivo 50 mm eos
Very special photo for me. This is from my first roll of successfully home developed film ever, processed just last night. I'm going to get hooked on this, I can already tell ...
Canon A-1
FD 50mm f/1.4
Kodak 5207/250D @ iso/asa 400
Unicolor (pre-bath/remjet removal with baking soda)
Epson V550
I have developed a bit of a fascination with Mother Cap recently!
Considering the history of Hathersage Moor and it's conspicuous positioning, I thought that a bit of research may be called for. I came across a piece of information that suggests that Mother Cap may have been used as a marker for much of the prehistoric activity in the surrounding hills and was possibly illuminated by fire at night.
This caught my imagination and I thought it may be fun to try to recreate how the massive outcrop may have looked by firelight (of course not wanting to set half of the moor on fire, I used a 5 million candle power torch). So on Tuesday night, I found myself trudging up the lower slopes of Over Owler Tor by the light of a brilliant full moon. Over Owler is an odd place at the best of times, a bit of a geologist's playground with rocks worn into all manner of strange shapes. But by moonlight it is amazing!
The exposures were about two and a half minutes at f8 to catch the colours in the sky, with short blasts from the torch to fill areas of the rock in. Some shots look as if the light is coming from within the rock. The moon is dropped in from a different exposure as the long exposures blew it out to a non-descript glare.
PS. If anyone knows people in Hathersage who have seen lights on the moor on the night of the full moon, it's not some band of neo-pagan druids. It's just me, with my big torch!
With a thunderstorm developing in 45c heat, 842,869,871 depart Murdinga for Lock after shunting off grain wagons for loading on 4-1-1999
The harder trail wasn't groomed and apparently had a warning about it. One of the downsides with this Autofocus film camera is that I have no idea what it is focusing on.
35mm Ektar 100
Camera: Rollei35af
Self Developed in C41
Scanned with Epson v600
I can hear the bull frog callin' me.
Wonder if my rope's still hangin' to the tree.
Love to kick my feet way down the shallow water,
Shoe fly, dragon fly, get back t your mother.
Pick up a flat rock, skip it across Green River.
Green River - Creedence Clearwater Revival - 1969
I developed my own film for the first time today(!!!) as you can see by my mass flickr upload. It was really really easy and fun
Developed by Ideum with the Imaginarium and Ansel Associates, this interactive multitouch table exhibit is part of the Life Sciences gallery. The exhibit runs on an Ideum MT-50 multitouch table.
Visitors can drop images of various animals into an interactive "comparison wheel" to see how any two animals compare. The comparison wheel, along with the images, can be rotated 360 degrees, making the exhibit completely omni-directional. Up to four people can interact on the multitouch table simultaneously.
A full description of this exhibit can found on the Ideum portfolio.
The exhibit software was developed with Adobe Flash and the GestureWorks multitouch framework for Flash.
The Animal Comparison exhibit is part of the Imaginarium Discovery Center which opens to the public on May 22, 2010.
Cuando se saca el baño de paro se le echa el fijador. Yo uso este de Tetenal, a proporción de 1+3 durante 4 minutos.
Canon A640, developed in Lightroom.
"The Basilica di Santa Croce [...] is situated on the Piazza di Santa Croce, about 800m southeast of the Duomo. [...] It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories." (Wikipedia)
The construction took centuries. Started in 1294, consecration was in 1442CE. The façade, however, was not built until the mid 19th. century: "La facciata odierna fu realizzata tra il 1853 e il 1863 ad opera dell'architetto Niccolò Matas, che si ispirò alle grandi cattedrali gotiche come il duomo di Siena e il duomo di Orvieto, rivisti alla luce della sua epoca. [...] Si trattò tutto sommato di un cantiere che non provocò perdite di antichi manufatti e che coronò grandiosamente la piazza, alimentando il mito di Santa Croce in Italia e all'estero. Il cantiere fu finanziato in larga parte dal facoltoso protestante inglese Sir Francis Joseph Sloane." (Wikipedia)
"In 1866, the complex became public property, as a part of government suppression of most religious houses, following the wars that gained Italian independence and unity." (Wikipedia)
www.theflorentine.net/2012/12/13/the-facade-of-santa-croce/
Developed using darktable 3.6.0. A light texture overlay was also added to the background in GIMP 2.10.24.
Ilford Hp5 developed in ID-11. Minolta SRT 101 with a 135mm lens. Mohonk Mountain House New Paltz NY. June 2024
I made this photo of Willow Trees during Melody's and my daily walk in mid April 2023. Though most of John McLaren Park, in southeastern San Francisco, is still tugged terrain, sections like this have been developed for public use such as picnicking and playground activities. I shot this east to west in mid afternoon using my Canon Powershot SX50.
Well, hello everyone :-)
Just had a mad hectic week in Townville & Mackay for work.
This was my first time to Townsville & fortunately for me a flickr friend arranged to met up with me & we went for a short drive to The Strand & spent an hour or so together with tripods & cameras inhand
This shot was taken just on dark.
Cheryl, I loved meeting you, & I really appreciated your precious time.
Thank you
I didn't get to see a whole lot, but you live in a beautiful city
Cheryl's posted shot for the day
www.flickr.com/photos/26323552@N04/4537679424/
I will post my sunset shot later
Explored #291 April 24th - thanks all for comments & favs - much appreciated
C-41 in cardinal
Fujicolor 200 developed in cardinal formula
Olympus OM-10, Tokina 28/2.8 RMC
Fujicolor 200
dev: cardinal with 1g/l KBr
temp: 20C
presoak: 5min
develop: 12 min
agitation: 1st min constant then 3 revs each 2min
fix: tetenla superfix 1:4 3min
rinsed in a bowl 10 min
Biei, Hokkaido.
Canon AV-1, Tokina RMC 200mm F3.5, F250D ( negative for cinema from Fuji ) exposed as ISO 50, developed with reversal processing ( 1st: Finedol :B&W developer from Fuji, 24 Deg.C 160 minutes, 2nd: BAN1 ), scanned with Plustek OpticFilm8100 + VueScan at 7200 dpi, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/52923791000/sizes/ , the original 10304 × 6829 pixels compatible. Learn DIY development and upgrade to film !
I didn't like the colours as scanned so played with the curves.. one of a series for Instagram soon :) No dust removed, colours edited only
Dagmara @ Malva Models, Poland
Leica M4-P (2) + Voigtlander Nokton 35mm f1.4 + Kodak Vision3 50D / Cinestill 50D
Film was developed and scanned at home - mrleica.com/2016/11/04/c41-colour-film-developing/
www.MrLeica.com - blog post for Poland very soon! sorry
Soviet SO class freight steam locomotive of class 2-10-0 (1-5-0) was named in Soviet tradition after the leader – the revolutionist bolshevik Sergo Ordzhonikidze (SO, СО - Серго Орджоникидзе). SO class was developed in 1933 y as the elongated version of very successful E (Э) type of 0-10-0 class of steam engines, the Eu (Эу) series of that was developed and built in Soviet Russia with about 2500 ones were produced in 1926—1930. Original E- class was designed by Russian engineer Łopuszyński, Wacław Marian in 1909. These engines were built from 1912 to 1957 in imperial and Soviet Russia as well as Sweden, Germany, Hungary, Poland, Romania in world record big series with total production exceeds 10853 ones. After start of production by the reconstructed Lugansk Locomotive Plant in Soviet Ukraine of modern powerful 2-10-2 class FD freight locomotives with many construction innovations it became necessary to create locomotive of simplified design, which could be built at all plants and operates without rebuilding depots, turntables and track superstructure, but be more powerful than obsolete E-series. To obtain this Research Institute of Traction Reconstruction of the NKPS developed a preliminary design of a new 2-10-0 type locomotive based on an E-series steam locomotive which boiler was increased that lead to general frame elongation and inreased weight that need addition of the leading wheel that was taken from the Su-class of passenger locomotives of the 2-6-2 class also developed before The Great October revolution. The detailed design and working drawings were made by a team of designers of the Kharkov Locomotive Plant under the leadership of P.M. Sharoyko. Many technical improvemets have been made after start of locomotive production in 1934. SO18 (CO18) was the latter series of SO17 (СО17) engine, with some improvements and increased rail load up to 18 t. A total production of SO built by 6 plants was 4487 ones.
Members of the Junior hockey team scoring some community service credits at the Rutland Scarecrow Festival
From an ellipse.
A circular pattern, redrawn with a vanishing point. If you look at it from the right angle, it turns back into a circle, but then you lose all the fun of the ellipse. So, we won't do that.
Ground Beetle, Carabus granulatus.
Body length; 16-23mm.
Habitat; Typically a species of wetland margins, found in wet fields, river margins, lake shores and permanently damp and shaded woodland. Across much of its range it also occurs in upland and mountain regions, among peat and blanket bogs etc.
Widespread in much of Britain, including all the islands except Orkney and Shetland, but never really common. It occurs throughout Europe, north to mid-Scandinavian latitudes and east to the Pacific and Japan. Following introductions from 1890, it is now also widespread across the United States and Canadian border regions.
A narrow and elongate species, the upper part of this beetle is shiny, usually entirely dark metallic bronze, but greenish or bluish specimens do occur. Legs are long and robust, middle and hind legs slender, fore-legs are broader. All tibiae have two strong apical spurs, fore-tibiae without an internal antennal-cleaning notch. The legs are usualy dark, although pale-legged forms occur on the continent. The two wing cases, (elytra ), are subparallel with "chain link" longitudinal grooves. The head is long and narrow with robust projecting mandibles, prominent and convex eyes and long palps and antennae.
Active from March/April through to Autumn, this is one of the few species of ground beetle that hasn't completely lost its ability to fly. In the UK the species has reduced wings and is flightless, but in central Europe fully winged specimens have been observed to fly. However, in general this nocturnal beetle remains on the ground where they prey on insects and worms but predominantley snails. During the day they hide under tree trunks or stones. They overwinter under bark, among litter or under logs etc, although they may also become active during mild Winter spells.
Mating begins in April and egg laying a little later. The females lay about forty eggs, individual eggs laid in burrows a few cm deep which are then filled with soil. The eggs will hatch within a week or two and the nocturnal and predatory larvae develop through the Summer. Passing through three instars the larvae will be fully grown within 40 to 60 days. Pupation occurs in the ground from late Summer and the new-generation of adults appear in the Autumn. Overwintered adults may reproduce in the following Spring but some, perhaps a majority, do not and will overwinter a second time before doing so.
It is thought they may be adapted to feed primarily on dextral snails, those that coil to the right and which comprise more than 80% of European specimens. As most of the beetles have the left mandible overlaying the right this may be an adaptation to hunting dextral snails, sinistral snails, those that coil to the left, being largely immune to attack.
Unlike some other snail eating beetles, Carabus granulatus doesn't attack snails with digestive enzymes but simply reaches into the shell with its mandibles, butchers it extensively and pulls it from the shell.
Developed by FN Herstal, in cooporation with Korobov.
Concept for a new submachine gun, firing a 5,7 x 28 round.
Come on guys, give some Feedback!
Camera: Canon FT
Lens: Canon FL 50mm f1.4
Film: Macophot UP6c
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
More of that spesial “Fluorographic” medical X-Ray film that is mainly used in Eastern countries for diagnosing lung diseases. Shoot this film during a foggy evening in Orvieto, Italy.
This film has no remjet layer (no need for a mist filter when shooting this stuff).
Orvieto, Umbira, Italy
Canon P
Washi F
Developed and scanned at home
My DIY drier for home-developed film.
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550