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Photographed January 2021 / Canon PELLIX 35mm SLR Film Camera with Canon FLP 38mm/2.8 pancake lens. The film was FOMAPAN 400 bulk stock metered ASA 160 developed in MCM-100 (50mlstock > 300ml, 20min, 20*C).
The Allegro Series was developed to replace the famous Austin 1100/1300 models. But the Allegro gained less succes than her predecessors.
In April 1975 a 3-door Estate was added.
Nowadays totally extinct on the Dutch roads.
This Austin Allegro was one of the about hundred 1970s and 1980s cars which were part of a rather vague classic car collection of two brothers. I spoke with one of them but still I don't understand the purpose of their collection activities.
Now, in the Summer of 2020, this unique collection had gone. It has fallen into parts: lots of cars have been sold or scrapped...
Unfortunately this poor car too...
1275 kg.
857 kg.
Production Austin Allegro: 1973-March 1982.
Original Dutch reg. number: March 3, 1979 (not valid anymore, July 2021).
Sold at Nov. 8, 2019 and scrapped after this date.
Utrecht, Nijverheidsweg, July 3, 2018.
© 2018 Sander Toonen, Amsterdam/Halfweg | All Rights Reserved
Sauerbruch Hutton has harnessed the power of wind to develop a model of passive ventilation, creating one of the first high-rise office buildings to consume less than 100KWh/sq m energy per year.
The facade is entirely clad in a sawtooth skin of angled glazing, with each window separated by a slender, coloured panel, alternately fixed and pivoting. This forms the outer layer of a 700mm-deep double-skin facade, which operates as a “pressure ring”. Unlike a conventional double-skin system, the cavity is not ventilated by means of a stack effect, but instead by exploiting wind pressure and suction at the lee side of the tower.
During warmer months, the motorised flaps on the south-west and north-east elevations open to allow air to flow through the cavity, while during cooler times of year the flaps are closed, allowing air to be preheated before entering the offices.
The KfW Westarkade was awarded “Best Tall Building in the World 2011” by the Council of Tall Buildings and Urban Habitat, Chicago (CTBUH)
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On Explore - September 22, 2025 - #225
Gobi Desert. Mongolia.
Bellini Foto C-41 - Home Developed
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Foliage has been slow in developing here on the New England coast, but if you zoom in your view, it starts to look better.
Developed at home with the Digibase C-41 kit using the 37°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Ultramaxx 400
Converted to B&W in LR5
Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.
Camera: Yashica Mat 124 G
Lens:Yashinon 80/3.5
Film: Fomapan 100
Film Developing: Kodak X-tol
1+1,
Time: 20C° -5,45 min
scanned with Epson Photo V 500
When I started photography about 16 years ago I found a small mom and pop shop to develop my film in Park Slope Brooklyn. Years later I use the same place - Accurate Photoshop is run by Connie and Tony are always there working the counter, developing film and now they expanded to a pharmacy run on the corner. Their daughter is taking the reins of the business and hopefully keeps it going for years to come.
I've finally developed my film at home.
I had been wanting to home develop for a while, but kept putting it aside for various excuses. I finally took the plunge though, ordering an Unicolor C-41 Press Kit and a Paterson Super System 4 Universal Tank. The stuff arrived today, so I went to work, putting through a roll of Lomography 800 and an expired roll of Ferrania 100 dated July 2006.
I have not scanned anything yet, but I've got actual negatives ready, so it worked! It felt like magic. I did screw up a bit in the inversions, plus, when I had the blix, the lid blew off and took flight (gas had built up). Anyhow, I'm pretty stoked that I can do my C-41 at home now, and I'm actually going to test stand development next.
I ordered the chem powder kit and tank online:
A very massive telephoto lens, but not a very good one.
The usual problems. Unavoidable mushy bokeh in the foreground,dubious sharpness, unpleasant background and vignetting.
Camera: Voigtländer Bessamatic de luxe (1962-1964)
Lens: Voigtländer Super Dynarex 1:4/200
Kodak Ektar 100 professional grade colour negative film
Developed and scanned by www.meinfilmlab.de
Greece October 2025
Minolta AF-S point and shoot
Kentmare 400@400
Developed in Caffenol-C- L 35min@20C
semi-stand
Une expérience un peu folle, juste pour voir, un mélange de Xtol (fabrication maison) + Pyrocat hd = stand developement 80 minutes - agitation 30 seconde au début. Fixer 5min. Film: Astrom 100. Caméra: Nikon Ftn Lentille: Micro-Nikkor 55mm f3.5
Baboosic Brook, Merrimack NH.
Shot with Rolleiflex 3.5T medium format TLR on Ilford Delta 100 film. Developed in Sprint chemistry. Negative scanned on Epson V600 scanner. Post-processing in Photoshop.
Zorki-4K & Jupyter-8 f/2 50mm
Ilford Pan 400 pushed to 800 ISO
Home developed in Silberra Aphenol (Kodak Xtol alternative), 14.5 min, 20°C
Canwick Road, Old Cemetery, Lincoln...
Taken with Hasselblad 501cm and 80mm Planar F2.8 *t CB lens, on Ilford HP5 Plus at 400asa and developed in Adox Rodinal (23+1000) for 13:30 minutes. Digitised via Epson v550 and SilverFast®8 (SE) at 3200ppi...
Amsterdam Amstel Station
film: Ilford FP4
develop: HC110 thick Adox version, semi stand
cam: Rolleiflex E2
Taking pictures in this illuminated station hall under the sounds of a piano played by a young lady. "Comptine d'un Autre Été" from the film Amélie, played from memory by means of sound recognition and from the heart.
Prop from ITV2 Timewasters being filmed in Liverpool.
Olympus XA4, Kodak BW400CN film, developed by Ag Photolab, Epson V850 scanner, SilverFast 8, Lightroom.
In developing a roll of film yesterday (my first home-developed roll of C-41 color!), I came across this alternate view of the Summit Valley Methuselah tree. I took it from nearly the same vantage point as my first image, but with a different camera, different film, on a different day, at a different time of day, and with different weather and light. Whereas the first photo highlights the tree's age, strength, and mythic nature, this second image seems to emphasize its vitality and eternal youth. Two pictures and two trees from parallel universes, perhaps? Just presented to you, as Rod Serling used to say on The Twilight Zone, “for your consideration.”
Camera: Kodak Tourist II (1951-1958, with Kodet 86mm f/12.5 lens).
Film: Lomography 100 ISO Color Negative 120 rolled onto a 620 spool, developed using The Film Photography Project's C-41 Home Processing Kit, and scanned with an Epson V600 scanner.
The McMinns Lagoon Recreation Reserve is situated in 41 hectares of unspoilt wetland, near Humpty Doo in the Darwin rural area, Northern Territory, Australia
It is a natural jewel amongst the Municipality's Reserves. It offers nature enthusiasts and bird watchers alike a wide spectrum of bird life and butterfly activity all year round.
The Reserve holds a comprehensive Bird Sanctuary status and contains one of the largest varieties of flora and fauna habitats in the Northern Territory.
The Lookout is a well kept lawn area with picnic tables and a light at night for people to relax and unwind whilst looking over the scenic lagoon. A very popular lunch spot for many, it is also a favoured location for professional and amateur photographers and videographers. A perfect venue for bush weddings.
There are a number of walking tracks including "Scotty's Walkway" that take visitors around the lagoon and through the surrounding woodland.
Canon AE-1P
28mm
Ilford FP4+
Developed in Rodinal
Stanislaus River, Dorington, CA
The end of summer 2011, and the water was frightenly frigid. After a few dares Liam got waste deep in the runoff.
Father of the year!
Color Tales
13/17
The project should deal with colors and their effect on well-being, feelings, expression and thus on human psychology. When I realized that there was so much more to tell through this project, I began to develop it into an overarching concept. The language of images should not only shed light on the linear theories of the psychological effects of colors. The pictures with the help of the language of colors should tell a story, describe a situation, let thoughts wander into the future or the past, inspire our fantasies.
I used milk, acrylic paint, liquid soap and oil to create this amazing arts.
Every picture tells a story, but I desided not to explane the story behinde each one, but invite you to give your own meaning and your own feelings when you look at the picture. I belive that makes more fun:)
Enjoi it and I hope you’ll like it.
PS: have a good time and take care!
I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.
This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.
Diramic Micro RSD
Industar 50-2
Flic Film Ultrapan 400 (Foma 400?)
Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F
Pakon F135
I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.
We need to develop separation in our heads before we can implement it in real life. It makes us busy; we are differing ourselves from "the bad ones" and become "the good" while we all aspire the same basic goals. Walls ought to divide into "us" and "the others". And while we start to set one brick on the other, we might forget that it is harder to tear down a construction than merely allowing the ego a day off.
More: www.pietschy.de/walls/
Lot of 360 photo's to develop from the trip ... this one of Ralph Falls Valley turned out pretty neat I reckon :-)
Insta360X5
ISO109 f/2 1.74mm -2.3ev
Single frame raw developed in Affinity Photo 2.6.5, colour graded in Nik 8 Color Efex, tweaked in Topaz Sharpen AI and finished off in DxO PhotoLab 9.3
Ralph Falls, Tasmania