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mamiya c330 ,180mm, fp4 @400asa stand developed in R09.
A test shot with my newly acquired 180mm sekor. Previously posted a test shot at f4.5 and f22 this is window light shot at F8. I have previously used this simple scene as a test shot for many of my lenses.
Every year, in summer there is a project in Budapest, on the Freedom-bridge. There are is a really, interesting weekend programs. Concerts, cultural programs, etc.
Camera: Pfliegel 6x18
Film: old Agfa RS 50, cross developed
ND 4 filter
Padrão dos Descobrimentos
Mamiya 6 Six Automat
Zuiko 7.5cm f:3.5
Kodak Tri-X @400
Developed in Caffenol-C-L semi-stand 35min@20C
Developed in the 1970's by JNR in an effort to use less overhead energy due to the Yom Kippur War, the 201 Series was a commonly seen EMU in the Greater Tokyo Area for commuter and rapid services. Nowadays, their numbers are dwindling, and will soon be extinct from JR rails.
One hold out for this stock still remains on JR's Yamatoji Line. Starting in Namba in downtown Osaka, the Yamatoji Line connects to Nara, and serves much of the southern Osaka metro area. The green and white 201's currently operate hand in hand with their replacements, the 221 Series. It's very likely these old trains will be retired completely in a year or two. Here, a Nara bound kakueki-teisha (local) approaches Imamiya as it leaves Namba behind.
JR Yamatoji Line. JR 201 Series.
Daikoku, Naniwa Ward, Osaka
Developed in Great Britain by Hawker Siddeley (later part of British Aerospace) the Harrier is one of only two vertical/short takeoff and landing jets to go into full production. First placed in service by the Royal Air Force and Royal Navy the Harrier first saw combat in the 1982 Falklands War between Britain and Argentina. The United States Marine Corps first ordered the Harrier in 1969 with the first deliveries in 1971.
Developed during World War II for the U.S. Navy, the Douglas AD Skyraider almost disappeared before having the chance to excel during the Vietnam War, where the aircraft proved well suited for close air support (CAS) to ground forces.
Nevertheless support of search and rescue (SAR) missions had been the Skyraider’s crowning achievement during the conflict. In fact it became dramatically apparent early in the war that lone helicopters were too vulnerable to conduct combat search and rescue (CSAR) missions. For this reason in 1965 a SAR task force decided that rescue helicopters would work in pairs, and that Skyraiders would provide rescue escort.
The callsign “Sandy” was founded in late 1965 by Capt. J.W. “Doc” George during an A-1 replacement flight to one of the several A-1 groups that rotated through Udorn. Actually it was George’s Bine Hoa departure callsign. After having landed at Udorn he was asked what call sign he would like to use while there. George answer was “Sandy.” Not only the callsign was retained by George’s replacement, but also became the callsign of any Skyraider assigned the SAR mission.
This Skyraider was built in California in 1951 with the c/n 7802 and after the US Navy serial number 127002.
In 1961, he was first assigned to the 3/20 "Oranie" Fighter Squadron with the callsign 20-FP then to the 1/21 Support Aircraft Squadron with the callsign 21-LN and finally to EAA 2/21 “Oranie” with callsign 21-ZH.
Amsterdam Amstel Station
film: Ilford FP4
develop: HC110 thick Adox version, semi stand
cam: Rolleiflex E2
Took me almost a year to develop this roll of film. And happy I am that I finally finished up the roll and got it done. I love it because it reminds me of how I felt walking through this nature area that I never knew existed until that particular day. I wish I could print it instead of scanning right now BUT...I still love it. This was the first roll through my Spotmatic with Super Takumar 55mm 1.1:8 lens.
Description: This panorama image was stitched from 6 frames of vertical shot. The image depicts the view of the Kuala Lumpur city at night. The immediate area visible around KLCC was slowly being developed with other sky scrapper that will in time block the view of the Petronas Twin Tower from afar.
Exif:
6 frames
14mm/1 seconds/f8/Dual ISO (400/800)
Filter: Nil
Post Process:
Lightroom + Color Efex Color Pro
Hafidz Abdul Kadir / © All rights reserved. Do not use or reproduce these images on websites, blogs or publications without expressed written permission from the photographer.
I developed my second roll of film today - Kodak T-Max this time. It's so different to the last film... less contrast, slightly more grain. I've had to tweak the levels in photoshop, something I wouldn't have been able to do in years gone past :).
I think this shot is the best on the roll. I spotted the light here, and the child was a bonus. I had to take it quite quickly so I'm amazed it turned out. Especially when so many other frames failed, haha!
BTW, the light leaking from the left is because I overexposed the shot before. Getting the exposure right was definitely trickier this time around.
Thanks for looking. I promise to catch up very soon!
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Camera: Cosina CT-10
Film: Kodak T-Max 400
Lens: Hanimex 135mm
Developed in Caffenol C-L Semi-Stand (1 inversion) 30min; Fomapan 100; Pentax P30; SMC Pentax 55mm f1.8; Epson V600
- Roll : 2018 - Avril - N&B - Strasbourg
Poul Henningsen developed the PH 5 in 1958 in response to the constant changes made to the shape and size of incandescent bulbs by bulb manufacturers, naming it after the size of the pendant’s main shade, which is 50 centimeters in diameter. When the lamp was introduced, he wrote, typically daringly, about how he had lost faith that the manufacturers of incandescent light bulbs would ever learn to consider common sense or have the consumer’s best interests at heart. “I have accepted fate, and with Louis Poulsen´s permission I have designed a PH fixture, which can be used with any kind of light source, Christmas lights, and 100 W metal filament bulbs. Although a fluorescent tube would be too much to ask in the existing form!” Henningsen wanted to improve the color reproduction characteristics of the light source in the PH 5. Therefore, small red and blue shades were inserted to supplement the color in the parts of the spectrum where the eye is least sensitive – the red and blue areas – thereby subduing the light in the middle yellow-green region where the eye is most sensitive. At the time, no one knew that the PH 5 would become synonymous with the PH light, which remains 100% glare-free, irrespective of how the light is installed or which light source is used.
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Konica Auto-Reflex 60's SLR camera
Vivitar lens 28mm 1:2.5
Ilford Ilfocolor 100 expired Film
f 2.5 at 1/250
Lab Developed in C-41
Canon Rebel G camera. Adox Silvermax 100 film developed in Silvermax developer 1 + 29 11 mins. Commercially scanned. Edited in Lightroom.
Minolta XD, MC Rokkor-PG 58/1.2 (probably), Ilford Delta 400 Pro @1600.
Film: expired in 2014, shot in 2016 or before, forgotten in fridge, and just developed (2022.11). When, where and why, did I take these images?
When I started photography about 16 years ago I found a small mom and pop shop to develop my film in Park Slope Brooklyn. Years later I use the same place - Accurate Photoshop is run by Connie and Tony are always there working the counter, developing film and now they expanded to a pharmacy run on the corner. Their daughter is taking the reins of the business and hopefully keeps it going for years to come.
These clouds developed rapidly before noon. Taken straight from the iPhone. Note the cirrus above these mid-level clouds.
Kodak Portra 400 pushed +2 shot on Pentax 6x7 with SMC Pentax 67 105mm f/2.4. Developed and scanned by The FIND Lab.
Setup: Leica M3 + Leica Summicron 50mm f2
Voigtlander VC meter II , Leica yellow filter
Film: Fuji acros Neopan II 100@400
Dev: Ilford DDX 1+4,
Fix: Ilford Rapid Fixer
Kodak Hypo Clear agent
Kodak Proffesional Photo-Flo 200
Scan Setup: Sonny A7 + Sony 50mm F2.8 Macro (scan aperture F8)
Cinestill CS Lite + Cinestill difusion + Valoi 360 Advancer, Kaiser copy stand + Rollei Remote Shutter
Converted by : Adobe Lightroom Classic + Negative LabPro
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Grassington is a market town and civil parish in the Craven district of North Yorkshire, England. Historically part of the West Riding of Yorkshire, the town is situated in Wharfedale around 9 miles (14 km) from Bolton Abbey and is surrounded by limestone scenery. Nearby villages include Linton, Threshfield, Hebden, Conistone and Kilnsey. The Domesday Book lists Grassington as part of the estate of Gamal Barn including 7 carucates of ploughland (840 acres/350ha) including Grassington, Linton and Threshfield. The Norman conquest of England made it part of the lands of Gilbert Tison. But by 1118 Tison had suffered a demotion and his lands returned to the king then given to Lord Percy. Grassington was historically a township in the parish of Linton in the West Riding of Yorkshire. It became a separate civil parish in 1866, and was transferred to North Yorkshire in 1974. Although often described by local people as a village, Grassington was granted a Royal Charter for a market and fair in 1282 giving it market town status. The market was held regularly until about 1860. A change in land use from the early 17th century, when lead mining began to assume more importance, brought some prosperity, but Grassington's heyday arrived during the late 18th and early 19th centuries. The opening of the Yorkshire Dales Railway to Threshfield in 1901 brought new visitors, many of whom settled, some finding work in Skipton or in the developing limestone quarries. The Old Hall at Grassington is reputedly the oldest house in Yorkshire, dating from the late 13th or early 14th century. Today Grassington is the main residential and tourist centre in Upper Wharfedale Centred around its small cobbled square is a selection of shops, pubs and the village museum, offering food, clothing and gifts, alongside small cafes, restaurants and hotels. Grassington Folk Museum houses a collection which tells the story of Wharfedale. It is an independent museum, run and managed by volunteers. Upper Wharfedale Fell Rescue Association is a voluntary mountain rescue organisation, located in Grassington, which rescues people in trouble from the surrounding fells and caves. Grassington Festival is a two-week long annual event encompassing music, performance and visual arts, held in a variety of venues around the village. In 2008 it included acts by Jo Brand, Dara Ó Briain, Clare Teal and Toyah Willcox. Every September since 2011, Grassington plays host to a 1940's themed weekend. Events include war re-enactments, dances as well as a variety of military and civilian vehicles on display from the period. In the winter Grassington also hosts the very popular Dickensian Festival when the entire village is taken over by Dickensian costumes and Christmas activities and opportunities to purchase Christmas presents. A Yorkshire Dales National Park information centre is on Hebden Road. Three miles north of Grassington at Kilnsey is the glacially carved overhang of Kilnsey Crag. Grass Wood, a large area of ancient woodland including the Iron-Age fort, Fort Gregory (also known as Gregory's Fort), is situated just over one mile north-west of Grassington.
The name of the traditional river of ancient Chittagong is Karnafuli. This river is an immortal witness of thousands of years of history. Starting from the eastern hills, this river has merged with the Bay of Bengal on the wide western side. The scenery of the two banks of Karnafuli is amazing. Fishing boat with fishermen's equipment on the river bank in the morning at Karnafuli river (Kaptai). When fishermen fish in the fog-covered river in the winter morning, an unearthly environment is created. It's like a heavenly morning.
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Chittagong, the holy land of Bar Auliya and the green land of natural beauty, has developed on the banks of Karnafuli. One of the main reasons for this beauty of Chittagong is Karnafuli. The port built on the banks of this river is economically important. Chittagong port is very old. The river is losing its romance. The river is only being attacked because of the profiteering people. The only hydropower plant in Bangladesh has been built on Karnafuli.
Suzuki Optical Co. Press Van • Asahi Kogaku Takumar 1:3.5 F=75mm
Foma Fomapan 100 film developed in Caffenol CL 65min stand @ 20°C
Scanned with Epson Perfection V500 at 2400dpi and Betterscanning MF Film Holder
Luxembourg
Caffenol CL
500 ml Filtered Water
8gr Anhydrous Washing Soda
5gr Vitamin C
20gr Instant coffee ("Cora")
60 sec. slow agitations then let stand for 64 minutes
Pentax K1000 with Schneider-Kreuznach Xenon 2/75
Fujifilm Neopan 100 Acros developed in ID-11 1+3, 15:45min@19°C
Fomatone MG 131 18x24
Moersch Easy Lith 1+15, 8th print in 800ml with replenishment
Adox Selentoner 1+25 6min@20°C
Digitised with a Pentax-M Macro 4/100 on a Pentax K-x.