View allAll Photos Tagged developing
LDS Temple Layton Utah USA, Shot with Polaroid 900 on Kentmere Pan 400. Shot with auto exposure focused with rangefinder and shot handheld.
Developed in Kalogen 1:100 for 2 hours stand. I forgot to set an alarm for 1 hour....
I love architecture, not big on religion, but I know a cool building when I see one...
This is a proof of concept although I have used this camera before. This is almost completely point and shoot although it is not a pocket camera. LOL The only "custom" thing is the film is run through the blacked out camera and pulled through by the backing paper. I'm working on a good system for that..... Electric eye was run off a Excell 625PX which is 1.5 volts rather than 1.3 volts. I am now using a 1.4 volt zinc 675 batter in a brass holder that mimics the 625. I found with 1.5 volts you have to adjust the meter one stop up - so I shot this at ISO 800 rather than 400. And it worked well....
Still a viable camera even today you just have to feed it right...
Developed in ACR with "Nikon D200 Mode Ia" custom DCP profile.
Color graded in Dehancer Photoshop plugin with "Kodak Vision 3 50D" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.
I have so much film to uploaad
I go back to school on tuesday so I will be shooting more black and white and self developing in the darkroom again :)
Whitby, England
Mamiya 7ii
Agfachrome RSX 100
Expired in 2002
(120 film/medium format)
Dev; Bellini E-6 kit
Developed and scanned at home.
Mamiya RZ67 Pro II + 6x7 film back + Kodak Ektar 100@100 (lab developed/ Epson v600 scan)
This is the first roll of Kodak Ektar 100 120 film I have shot ans I like it! :) I love the colours and it is fantastic for fashion photography. Kodak Portra 160/400/800 is better for more muted tones.
I don't use the Mamiya RZ67 with roll film as much as I should. I was stunned with the amount of detail captured even if the image is not perfect. The 6x7 format blows any Leica out the water in terms of detail and shallow DOF. Here I shot the Mamiya Sekor 110mm f2.8 lens at f5.6
Amazing camera.. note to self .. use it more!
(The little Fuji 645 beats 35mm but 6x7 goes 1 better!)(Sounds obvious!)
Creative fashion shoot with clothes designer Viv Whelan, MUA Beena and model Georgie
..now I want to get myself some Fuji Velvia 50 film! :)
Still developing and scanning my backlog of B&W film before I move onto colour film processing
This photo was me testing a new lens I bought for my 4x5 Intrepid camera a few months ago now. The well regarded Schneider APO-Symmar 120mm f/5.6. A tiny lens considering the size of the film format!
Photo is of a bike I built which I enjoy riding to keep fit. Single speed + freewheel so I fitted brakes (not a fixie)
4x5 Intrepid Camera (wooden view camera) + Schneider APO-Symmar 120mm f5.6 lens + Horseman 6x7 roll film back + 120 Fomapan 100 film
I had overlap issue with the film back (probably my inexperience using it) so it chopped off the top of the image but I still like it just for the resolution captured if nothing else
Developing - 750:250 Xtol + 5ml Rodinal, 15min at 26 degrees, Epson v800 scan.
Paper negative (Ilford MG RC - well expired) shot at ISO 3 in Graflex pre-Anniversary 3x4 Speed Graphic with Optar 90mm f/5.6. Shot at f/5.6 for 1/10 second (I love that this pre-Anniversary because the focal plane shutter goes down to 1/10th from 1/1000th. 24 speeds plus 'T'. Not bad for the 1930s).
Developed in Kodak D-158 by inspection in red light. I am trying to perfect my "brush" development, so I used a mixture of drops of developer, streaks of developer and brushing the developer. I also tried using my finger tips for fun...
Water stop / wash for 3 minutes, fixed in Ilford Hypam 1:4 for 4 minutes, rinsed and dried....
Ashibetsu, Hokkaido.
Fujica AZ-1 set on a monopod, EBC Fujinon 55mm F1.8, Kodak Microfilm Imagelink HQ exposed as ISO 64, developed with H&W control ( phenidone 2x ) 18min. at 18deg C., scanned with Plustek OpticFilm 120, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/51674408392/sizes/up to 10000 × 6604 pixels compatible. Learn DIY development and upgrade to film !
Samurai X mech MOD developed from 70665. Been trying to give this baby an upgrade for a long time, but finding the right pieces in the colour I wanted is quite tricky. The highlights of the MOD: knee joints, big thrusters on the back, heavier armor, and the hands that can actually grab the sword
Developing items left in an abandoned farm house.
Was lovely to find this today - combining 2 of my hobbies.
I even added the light by bouncing my torch off a sheet of Photographic paper.
Another HDR merged in CS6 then processed in Analogue FX Pro.
Canal at Boroughbridge, UK.
27/07/17
Pentax ME Super, 50mm lens.
Kodak Double X 5222 film.
Developed by me.
Rodinal, 7 mins, 20C, water stop, Fomafix p, spiral tank.
Scanned with Epson Scan V550.
Adjusted and cropped in Lightroom 6.
072004
Olympus OM1, Zuiko 50mm f1.8, Ilford FP4 Type 517, developed in Adonal/Rodinal 1:25 for 15' 30". Scanned on Epson V600.
then froze
They watched every move I made in that position until I left the scene.
" Most art is fragile and some should be placed and never moved away. "
--- Donald Judd
In 1979, with help from the Dia Art Foundation, Judd purchased a 340 acre (1.4 km²) tract of desert land near Marfa, Texas which included the abandoned buildings of the former U.S. Army Fort D. A. Russell.
The Chinati Foundation opened on the site in 1986 as a non-profit art foundation, dedicated to Judd and his contemporaries.
Rollei 35S, Kodak TMax 400.
Developed & scanned by Borealis Lab.
Denfert-Rochereau RER Station. Paris, France. March, 2023
Developed in Spring 2012, BATTLEWAR is a series of professional wrestling events focused on delivering an exciting brand of live action to the ticket holders. With a variety of talent, styles and characters, BATTLEWAR is a unique concept pitting only the best against the best in the squared circle. The only venue fitting enough for such an event is the famous Foufounes Électriques, located in downtown Montreal.
Developed in Caffenol C-L Stand 30min@ 19°C; Ilford FP4+; Pentax P30; SMC Pentax 50mm f.1.7; Epson V600
Juillet - N&B - Larches - Menton (06)
Continued wanders around Lincoln....
Taken with Hasselblad 501cm and 80mm Planar *t CB lens, on Ilford HP5 Plus at 400asa and developed in Ilford ID-11 (1+1) for 13 minutes. Digitised with Epson v550 and SilverFast®8 (SE) software at 3200ppi.
Excerpt from battlefieldhouse.ca:
The monument was constructed after the turn of the century when men and women were active to improve their communities by developing schools, libraries and museums. During this period, leaders in the community wanted to honour their relationship to the British crown and remind future generations of the War of 1812. It was a time of nation-building and consciousness-raising.
A small group of citizens formed the Wentworth Historical Society on December 6, 1888. Sara Calder was president of the Ladies' Committee of the Society and they were responsible for organizing fundraising events and for preserving historical artifacts.
Tension began to grow as early as 1894 between the men and women of the Wentworth Historical Society. The Society thought the building of a monument to honour the soldiers that fought in the battle of Stoney Creek was very much needed but they did not agree on the site.
The men were more interested in erecting a monument on the north side of the road on a knoll that Hiram Smith was willing to sell for $50.00. It was on this piece of land that the American forces had placed their cannons and it was also the site where the heaviest action took place during the battle.
In the fall of 1895, the ladies started raising funds to build a museum which led to a very successful week-long event called the Military Encampment in the Hamilton Drill Hall . On average, about 2000 people came per day and a profit of $1000 was raised.
The women, under the leadership of Sara Calder, formed their own historical group, the Women's Wentworth Historical Society in 1899. Through their organizing and fundraising drives, the women partly rebuilt and refurbished the Gage House. In 1899 Battlefield House Museum and the surrounding park were opened to the public by the Women's Wentworth Historical Society.
Between 1899 and 1908, the Women's Wentworth Historical Society and the Wentworth Historical Society corresponded with the Federal Minister responsible for monuments on the subject of where the monument should be located. Finally the groups agreed on the construction of two monuments - one at Smith's Knoll and the monument at Battlefield Park.
In 1900 the architectural firm of F. J. Rastrick and Sons submitted a design for a monument to cost $18,715.00. In 1908 the federal government granted $5000.00 to the WWHS toward the monument. The sod was turned on May 28, 1909, and the corner stone was laid by General French in a ceremony on May 26, 1910.
Problems securing government funding caused construction delays throughout 1911. Work recommenced in 1912 when the Department of Militia and Defense guaranteed additional funds. The entire cost was approximately $12,000.
On the centennial of the Battle of Stoney Creek, June 6, 1913, the completed monument was unveiled by Queen Mary in London, by means of a transatlantic cable. School children were given a half-day off school. Approximately 15,000 people were in attendance, including local military forces.
The Dedication stone at the base of the Monument reads:
UNVEILED BY ELECTRICITY JUNE 6TH 1913 BY
HER MAJESTY QUEEN MARY
THIS MONUMENT WAS ERECTED BY THE PEOPLE OF CANADA, COLONEL THE HONOURABLE SAM HUGHES BEING MINISTER OF MILITIA AND DEFENCE, TO COMMEMORATE THE BATTLE OF STONEY CREEK JUNE 6TH 1813.
THE BRITISH TROOPS UNDER COMMAND OF GENERAL VINCENT AND LIEUT. COLONEL HARVEY CONSISTED OF THE 49TH REG'T IN COMMAND OF MAJOR PLENDERLEATH AND FIVE COMPANIES OF THE 8TH OF KING'S IN COMMAND OF MAJOR OGILVIE, TO WHICH WAS ADDED THE VOLUNTEER ASSISTANCE OF THE SETTLERS HEREABOUTS LED BY CAPT. W.H.MERRITT OF THE CANADIAN MILITIA, THE TOTAL NUMBER BEING ABOUT SEVEN HUNDRED. THE AMERICAN FORCE NUMBERED UPWARDS OF THREE THOUSAND UNDER COMMAND OF GENERALS CHANDLER AND WINDER.
THEY WERE ENCAMPED IN THIS IMMEDIATE VICINITY WITH STAFF HEADQUARTERS IN THE GAGE FARM HOUSE, NOW MAINTAINED BY THE WOMENS WENTWORTH HISTORICAL SOCIETY THROUGH WHOSE REPRESENTATIONS AND UNDER WHOSE DIRECTION THIS MEMORIAL WAS BUILT.
IN THE DEAD OF NIGHT THE BRITISH ADVANCED FROM BURLINGTON HEIGHTS AND SURPRISING THE ENEMY, PUT HIM TO CONFUSION. THIS IS HELD TO HAVE BEEN THE DECISIVE ENGAGEMENT IN THE WAR OF 1812-13.
HERE THE TIDE OF INVASION WAS MET AND TURNED BY THE PIONEER PATRIOTS AND SOLDIERS OF THE KING OF ONE HUNDRED YEARS AGO.
MORE DEADLY THAN THEIR LIVES THEY HELD THOSE PRINCIPLES AND TRADITIONS OF BRITISH LIBERTY OF WHICH CANADA IS THE INHERITOR.
After 80 years of exposure to the elements, the monument began to deteriorate. The community demonstrated its pride by raising approximately $70,000 through the Preserve the Monument Committee and $230,000 was received from provincial and federal governments.
In the summer of 1993, extensive work was completed on the monument. The restoration work included the reconstruction of the building fabric, masonry repairs and repointing, window restoration and the disassembly and reconstruction of sections of the tower.
The National Historic Sites and Monuments Board acknowledges that...
"The Stoney Creek monument is by far the most impressive of the contemporary monuments erected to commemorate a battle of the War of 1812 and is arguably the most successful monument to address the broader loyalist theme as understood at the end of the century".
Ilford HP5+ developed in Adox Rodinal (1:50) for 11 minutes. Agitation for first thirty seconds, then for 10 seconds every minute
Nikon F100, Tri-X Pan 400, @iso 400, expired 2003.
Self developed in Barry Thornton's 2 bath developer (Bath A: 4mn, Bath B: 4mn, 20C).
The recipe is here: www.barrythornton.com/
Taken from the high road along the north side of Miller Canyon.
Camera: Kodak Pony IV (1957-1961).
Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:30 minutes @ 70 degrees, scanned with an Epson V600 scanner.
The Romulans were the first known race to develop the cloaking device or stealth technology.
From Star Trek TV Saga
Iron Dome (Hebrew: כִּפַּת בַּרְזֶל, romanized: Kippat Barzel) is a mobile all-weather air defense system[8] developed by Rafael Advanced Defense Systems and Israel Aerospace Industries.[7] The system is designed to intercept and destroy short-range rockets and artillery shells fired from distances of 4 kilometres (2.5 mi) to 70 kilometres (43 mi) away and whose trajectory would take them to an Israeli populated area.[9][10] From 2011 to 2021, the United States contributed a total of US$1.6 billion to the Iron Dome defense system,[11] with another US$1 billion approved by the US Congress in 2022.[12][needs update]
Iron Dome
IDF Iron Dome 2021.jpg
Iron Dome launches interceptor, 2021
Type
C-RAM and short range air defence system[1]
Place of origin
Israel
Service history
In service
2011–present
Used by
Israel Defense Forces
Wars
Gaza–Israel conflict (2011, 2012, 2021)
Operation Pillar of Defense
Operation Protective Edge
Sinai insurgency
2021 Israel–Palestine crisis
Operation Breaking Dawn
Production history
Designer
Rafael Advanced Defense Systems
Israel Aerospace Industries
Designed
2005
Manufacturer
Rafael Advanced Defense Systems
Israel Aerospace Industries
Unit cost
$50 million per battery[2]
$100,000–150,000 per interception[3]
Produced
2011–present
No. built
10 batteries deployed[4] (planned deployment is 15)[5][6]
Specifications
Mass
90 kg (200 lb)[7]
Length
3 m (9.8 ft)[7]
Diameter
160 mm (6.3 in)[7]
Detonation
mechanism
Proximity fuze[8]
Maximum speed
Mach 2.2
Launch
platform
Three/four launchers, each carrying 20 interceptors.
1:31
Short video about Iron Dome from the Israeli News Company
The EL/M-2084 active electronically scanned array scaled down derivative radar of the Iron Dome
US Ambassador Dan Shapiro visits the Battle Management & Control (BMC) unit of the Iron Dome
Iron Dome was declared operational and initially deployed on 27 March 2011 near Beersheba.[13] On 7 April 2011, the system successfully intercepted a rocket launched from Gaza for the first time.[14] On 10 March 2012, The Jerusalem Post reported that the system shot down 90% of rockets launched from Gaza that would have landed in populated areas.[10] In late 2012 Israel said that it hoped to increase the range of Iron Dome's interceptions, from a maximum of 70 kilometres (43 mi) to 250 kilometres (160 mi) and make it more versatile so that it could intercept rockets coming from two directions simultaneously.[15]
In November 2012, official statements indicated that it had intercepted over 400 rockets.[16][17] By late October 2014, the Iron Dome systems had intercepted over 1,200 rockets.[18]
In addition to their land-based deployment, it was reported in 2017 that Iron Dome batteries would in future be deployed at sea on Sa'ar 6-class corvettes, to protect off-shore gas platforms in conjunction with Israel's Barak 8 missile system.[19]
Background
Name
Specifications
Funding
Plans for co-production with the United States
Development
Deployment
Deployment at sea
Foreign sales
Effectiveness
Criticism
See also
References
External links
Last edited 3 days ago by AnomieBOT
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Developed in Raw Photo Processor with P160NC output profile
Virtually "printed" with "Kodak Endura Glossy Paper" profile and grain effect applied in Dehancer plugin for Adobe Photoshop
Final color tweaks made in Adobe Photoshop
Developed at home with the Digibase C-41 kit using the 37°c method.
Canonet GIII QL17
Canon 40mm f/1.7mm
Kodak Ultramaxx 400
Converted to B&W in LR5
I eventually got around to finishing off the film in my Canonet QL17, that I bought just over a year or so ago.
This is a shot of a very popular snack bar in Berlin, famous for their curry flavoured tomato sauce covered sausages....known as a 'Currywurst'.
It was that long ago (April 2019) I even forgot I took this shot :0)
I'm really please with the quality of the images produced by this rangefinder....looking forward to giving it a good day out.
Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.
Developed at home with the Digibase C-41 kit using the 37°c method.
Canonet GIII QL17
Canon 40mm f/1.7mm
Kodak Ultramaxx 400
Converted to B&W in LR5
The building in the background is the Kaiser Wilhelm Memorial Church also known as the Gedächtniskirche in Berlin.
The church has not been repaired since it was damaged in a bombing raid in 1943 and stands as a reminder of WW2.
Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.
I was drawn to this scene by the shadows falling on the windows of this abandoned mill.
When I developed and scanned the negative I noticed the effects of the cobwebs and the light on the windows. It looks as if someone has rubbed the windows with a dirty sleeve to steal a glance outside. In a candlewick mill, where child labour was extensively used, it's not too much of a flight of fancy.
Developed by BRS Engineering and its Star Bodies subsidiary, the Austin (later BMC)-based VA played a vital part in the BRS Parcels story for a quarter of a century from 1957 to the early 1980s. It remained virtually the same throughout that time, a constant thread in a story that was forever changing as its operator changed liveries, management and name. At its peak, BRS Parcels had over 2,700 examples on the road. ELK 750J (fleet number 16LN1907) was based at London Airport for use on the company’s Express Air Freight Delivery Service (04-Dec-22).
All rights reserved. Not to be posted on Facebook or anywhere else without my prior written permission. Comments on this image are welcome here but for everything else, please send a Flickr mail. Further information about my Flickr images can be found here:
www.flickr.com/photos/northernblue109/6046035749/in/set-7....