Developing world
View allAll Photos Tagged developing
A seaside resort was developed by Sir Richard Hotham in the late 18th century on what was a sand and gravel, undeveloped coastline. It has been claimed that Hotham and his new resort are portrayed in Jane Austen's unfinished novel Sanditon. The resort grew slowly in the first half of the 19th century but grew rapidly following the coming of the railway in 1864. In 1929 the area was chosen by advisors to King George V which led to its regal suffix, by royal consent. Butlin's has been present in the town since the early 1930s when an amusement park and zoo were opened. A holiday camp followed in 1960 and this has more recently moved towards hotel accommodation with modern amenities.
Information from Wikipedia.
Texture's & Effect's by William Walton & Topaz.
This is developed in DDG with the T2D tool using the sunset image I posted yesterday as a base. No further edits.
As you can see the structure of the image is almost identical. This is an impasto palette knife version with the emphasis on the light reflections and flaming colors. To me this is a lot more alike to what I saw than the camera image. The sky was ablaze!
The sunset never really developed, but I'd taken so many photos already, that perhaps it was just as well. There are so many options on these beaches, you're never short of possibilities. Evidently chickentown, by John Cooper Clarke is fine, as it's got nothing to do with it, but it was ducks yesterday, so it's chickens today.
The New Merwede River: protection through depolderization
The Netherlands has long been associated with polders, ever since its engineers became renowned for developing techniques to drain wetlands or reclaim land from the sea and make them usable for agriculture and other development. This is well illustrated by the English saying: “God created the world but the Dutch created Holland.” In an unusual project, one of the famous Dutch polders is being handed back to nature. To reduce the risk of flooding on the New Merwede River, water has to flow faster when its level rises. A large-scale ‘depoldering’ project was embarked upon.
Taking place between 2011 and 2015, this project involves creating a floodplain at the ‘Noordwaard’. This is an area covering approximately 4,450 hectares — approximately 6,000 soccer pitches — in the province of Noord Brabant. Part of the Noordwaard will be ‘depolderized’, restructured and transformed into an intertidal area, through which large amounts of river water will flow to the sea.
Work includes the construction of creeks, dikes, mounds, bridges, pumping stations, roads and channels and a range of soil remediation operations. Sustainable solutions are characteristic features of the approach. Cooperation with local residents, businesses and stakeholders has been crucial to the success of this project.
The number of areas with dike protection in the Noordwaard was reduced and a new ‘Green Wave reducing dike’ was built. To spare the local residents from having to look out onto a higher newly-built dike, a 100 meter-wide willow forest was planted on the river side of the dike. Every other year the willows will be pruned back so that the stumps produce shoots which will catch a large part of the wash. By regularly replacing the willows they are expected to be able to absorb up to 80 per cent of the waves’ energy. Farmers and local residents were given the option of staying in the ‘depolderized’ Noordwaard by relocating their houses and some buildings to the tops of mounds to protect them.
The new landscape will be a resting place for birds throughout the year and the combination of the river discharge and the tides will create opportunities for major nature developments that are unique in Western Europe.
perhaps this is one of my favorite situations of my work, when a hundred years of life in one click of the camera shutter.
The story develops by itself, it remains only to silently smoke outside the edge of the frame ..
___
"..The Old Rock has always been here. But there were many worries, and I looked through it.. When we are young we all run.. Now my children and grandchildren drive cattle themselves. Having grown old, I look at these stones all the days, sitting in front of the yurt.."
They are bound, the old rock, and the old woman. Bound in this desert for a century. Soon the woman will leave, and the eagles nesting on this rock will peck at her body in the desert among these stones, as her mother and father too..
In the corral behind the yurt, a small white kid is closed.. he always wants to run... And a little boy, great-grandson, constantly runs away from the old woman to him too,
He is dressed in the clothes of a small girl - Spirits should not know for the time being..
- he is the heir of this old yurt, near the Old Rock
___
filmed on Fuji CU21 S-1600 and scanned
Noteworthy Characteristics
Leucanthemum × superbum, commonly called Shasta daisy, is a hybrid developed by Luther Burbank (1849-1926) in the 1890s near snow covered Mt. Shasta in northern California. Burbank crossed L. vulgare (European oxeye daisy), L. maximum (Pyrenees chrysanthemum), L. lacustre (Portuguese field daisy) and Nipponanthemum nipponicum (Japanese field daisy) to produce Leucanthemum × superbum which was given the common name of Shasta daisy. This hybrid typically grows to 2-3' tall with a spread to 18" wide.
pinhole zero image
home developed
the camera was leaned against a pane in the french doors. I wanted to get a night sky, but I forgot the camera the next morning and the clouds/fog had come in.
I still like this very much.
working in the berry patch
sitting with 3 of the 5 dogs
adventures in color processing:
Zenit-E
Psych Blues # 2, 400 ISO
home developed in tetenal colortec C-41 chemicals
ꒌ ВАРЉИВИ ПОГЛЕД НА ХОЛАНДСКЕ АЛПЕ
► █░▓ THE VERY OFFICIAL MINUTE of the sunset for the day & place (May 24th at 21:39). However the cloud formation above the North Sea prevents the view of the whole sun. The result is an atmospheric phenomenon that only Stefano Zerauschek can explain. The word goes that the unstoppable Z appears all over the skies in Europe lately.
I'VE BEEN SO used to seeing mountains in the distance the first half of my life before moving to the Lowlands that I still mistake distant clouds for mountains sometimes.
Handheld, supported by the window frame. Full frame equivalent of 800mm. Developed from raw and edited in Affinity Photo 1.10.5. Slightly cropped.
~SHORTCUTS~ Press [F11] and [L] key to engage Full Screen (Light box) mode with black background - press the same key or [Esc] to return. Press [F] to "Like" (Fave), press [C] to comment.
A red white and blue tulip photographed at Reiman Gardens in Ames, Iowa.
Developed with Darktable 3.6.0.
Nikon FM10 | Ilford HP5 400
Digitized with Sony A7riii | Skier Sunray Copy Box 3
Home developed in Cinestill Monobath | 3:30, 80 F
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Kodak safety film
4x5
Year Around 1950
US Broadaway
Globe-News Photographic Dept. Developed
© All Rights Reserved
Mameda Town and its surroundings, which developed as a townspeople's land during the Tenryo period, retained a lot of land division at the time of residence, and traditional buildings remain well as a group, so the range of about 10.7 hectares was selected as a national important preservation district for groups of traditional buildings on December 10, 2004.
Also known as the Grand Theatre of Casablanca, CasArts is a multipurpose theatre developed in Mohammed V Square in Casablanca, Morocco. The biggest theatre in Africa completed in June 2018, the theatre hosts musical concerts, theatre plays and other large-scale performances. Estimated to cost MAD1.44bn ($148.91m), the project provides Casablanca with access to cultural and artistic activities. France-based architect and urban planner Christian de Portzamparc designed the theatre with Rachid Andaloussi serving as the Architect partner in Morocco. The new theatre is built on 6ha of land located in Mohammed V Square, a popular gathering spot for locals. It covers 24,245m² of space and includes the revitalisation of the surrounding areas of the square.
Rolleiflex 2.8F
Carl Zeiss Planar 80mm/F2.8
Rollei RPX 100
Self Developing
ILford 3 - （1+9） 5 mins
Epson V800 Scaner
© All Rights Reserved
The UP-Site tower was developed by Atenor and inaugurated in 2014. It is the tallest residential tower in Belgium with 140 m height, 42 floors and 251 apartments, all with balconies.
It is unpopular in the Brusilia which previously held the title of tallest residential tower in Belgium.
Photo shot in 2021 from the top of the Brusilia Residence.
Azimuth 269.0°, 1.89 km away (1.17 mi), height 140 m (459 ft).
Address: Quai des Péniches 69, 1000 Brussels
FR : Tour UP-Site à Bruxelles (a.m.)
La tour UP-Site a été développée par Atenor et inauguré en 2014. C'est la plus haute tour résidentielle de Belgique avec 140m de haut, 42 étages et 251 appartements, tous avec balcons.
Elle est impopulaire au Brusilia qui détenait auparavant le titre plus haute tour résidentielle de Belgique.
Photo prise en 2021 du haut de la Résidence Brusilia.
Azimut 269.0°, distance 1.89 km, hauteur 140 m.
Adresse : Quai des Péniches 69, 1000 Brussels
NL: UP-Sitetoren in Brussel (a.m.)
De UP-Site toren werd ontwikkeld door Atenor en ingehuldigd in 2014. Het is de hoogste woontoren van België met 140m hoogte, 42 verdiepingen en 251 appartementen, allemaal met balkon.
Het is niet populair in de Brusilia die eerder de titel van hoogste woontoren van België had.
Foto genomen in 2021 vanaf de top van de Brusilia Residentie.
Azimut 269.0°, 1.89 km ver, 140 m hoog.
Adres: Quai des Péniches 69, 1000 Brussels
Copyright © Jacques de Selliers 2021 – All rights reserved.
Reproduction prohibited without my written consent.
Reproduction interdite sans mon accord écrit.
Reproductie verboden zonder mijn schriftelijke toestemming.
Ref.: 210423 UP-Site-pano1
Explored April 21, 2021
(Image taken recently with a B&W Analog roll film camera).
Very happy with the results from using Perceptol as the film developer. Was able to get almost no grain and high sharpness on my 35mm SLR. Great for printing large.
(Spanish): Muy contento con los resultados obtenidos al usar Perceptol como el revelador. La definition es estupenda y el grano casi no visible. Bueno para ampliaciones).
(Camera: Nikon N8008 + Nikon AF 24mm f/2.8 + Yellow filter).
(Analog Film: Kodak TMax 100 black & white Negative film).
(Technical Data: Develop on Perceptol @75°. Copy negative with a DSLR, then edit on Nik Collection Silver Effex Pro 2).
(Location: Palm Bluff Conservation Area, Osteen, Florida).
This image belong to my Album: Analog Photography.
Explored on April 21, 2021