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Decided just to make it 4 shots rather than 5 so you don't get bored😀. So here is shot 3 of 4. The rainbow is quite intense now and still holding that weird shape. There's probably a name for it.
A storm was developing and the wind was incredibly strong but at this spot, it was relatively calm. There are a lot of parks around this lake so I'll have to get back up there and explore it more again soon.
I should not be allowed to browse on Rightmove.com, or Globrix, or Gumtree or Redtube.
When animals are caged they develop pacing behaviours. When I am caged in an office, tethered to a desk I develop browsing behavior on the internet for the ideal flat.
I should be blocked from all letting agents’ websites.
I am a heinous, time wasting browser.
I see a flat that I can immediately imagine myself living in; I picture myself slobbing around in dusky pink cashmere pyjamas, trailed by a kindle of kittens. I imagine where exactly I would install my fantasy piece of furniture – a pole dancing pole, flanked by antique Venetian mirrors. I imagine bringing my dream man to this perfect dwelling, plying him with wine, before slowly undressing him and laying kittens nose to tail along his naked body and, like a plate spinner on Paul Daniel’s Magic show trying to keep them all purring simultaneously.
All these thoughts flash through my mind as I stare at a blurred, and badly lit photograph of half a doorway, a 50 quid Ikea wardrobe made of corrugated cardboard and a 3 bar electric fire all at a jaunty angle.
In those 30 seconds of pondering my whole future happiness has become dependent on me living in that flat. Suddenly my life cannot go on until I have arranged a viewing.
I ring up.
I book a viewing.
In the thirty seconds it has taken to do this I have changed my mind.
Suddenly I imagine all of the wine I will no longer be able to afford. The bars I will not be able to go to in order to meet the man who I will spread with kittens. The silk ties I won’t be able to hoard, the amount of cashmere pyjamas I will probably need to be wearing as I won’t be able to afford to put the heating on.
I go to bed as two people, on my left side in a cold sweat that I won’t get to live in that flat, on my right side a cold sweat that I will. I have read the same page of The Shining ten times whilst thinking about sofas and it is the bit where Danny is saying RED RUM a lot – and instead of revelling in the horror I am thinking about evenings spent spinning round a pole to Shakira whilst glugging on cocktails.
This week my perfect property was a live/work studio in a huge industrial warehouse. I spent two hours leading up to the viewing imagining the eclectic, battered furniture, huge unpainted canvases, bare pipes, the dappled light through the gaffer taped windows, the deep-thinking, long eyelash’d artists who I would run into on the rusty iron staircase who are pondering just how much they love kittens and women in gasmasks as they toy with a tiramisu.
As I got to the viewing there were two other couples circling the agent predatorily. We eyed each other suspiciously and growled. We had clearly each been having our very separate, personal fantasises about this apartment, had imagined all of the ways our lives would change once we start flushing the toilet of this place rather than the one we currently flush. It’s like getting a new mobile phone and feeling as if a whole new set of people must surely come as a package with the phone that will text
and phone you and invite you to a whole new world of ring tones and buttons configurations.
I look around the various warehouses and I am starry eyed in wonder and love as if Jeremy Clarkson has just walked up to me and handed me six bunches of supercar keys and said, “Here, have my life, I don’t want it anymore.”
It is as I am leaving the industrial yard that reality hits and I realise that I probably wouldn’t even make it up the three flights of external stairs on my first night without being mugged. And what would I do if I even made it home to this vast empty space? I couldn’t then afford wine or food or friends or clothes.
If I met Jeremy Clarkson he too would probably be a massive waste of money with no heating, a funny damp smell and would threaten to kick my back door in all night.
So every agent who I email should get a warning at the end saying, ‘this applicant is a flippertigibbet, a fantasist’ give her a night to toss and turn over this, there will be no viewing, no kittens.
But it is jolly nice to receive those chummy emails updating you on new properties. It’s as if a very thoughtful friend is writing to you, trying to better you, move you forward in life. It certainly makes a change from reading emails from the health and safety department demanding that I take the temperature of all the toilet bowls in the office and put up signs asking employees not to trim their pubic hair over the sink in the kitchen.
Camera: Canon FT
Lens: Canon FL 50mm f1.4
Film: Macophot UP6c
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Taken June 2018 in front of 1100 Bourbon Street in the French Quarter of New Orleans, LA USA
Shot on my Nikon FE 50mm f2 on a roll of Fujilfim Acros 100. Interesting thing was, the film snapped during rewind, so my camera was out of commission the remainder of the trip (I'm calling this the "broken NOLA roll") and I had to relegate my Minolta XG-M into service to continue to shoot. I was skeptical of the results after getting back home, opening the FE in the dark and fishing out the damaged Acros. After a difficult time loading in the developing tank, I was pleasantly surprised at the results! A few edges got a little crease marked and hence you could see this after development.
Development was presoak 2 min, 10 min in Kodak D76, 9 min Kodak fix and a wash/final Ilfotol rinse.
I truly enjoy the qualities of Acros 100. I really am holding out hope Fujifilm will follow Kodak and eventually decide to continue to produce this great B&W film. It has great detail while allowing the blacks to hold deep tones while getting the whites/highlights to pop. In the meantime, I have a few rolls in reserve in the downstairs fridge-I will selectively continue to shoot, develop and print these.
Aurelia not only fell in love with Paris, but she developed a huge crush on Isotta. It was love at first sight.
texture by SkeletalMess
Developed as a small farm and river trade center in the 19th Century and early 20th Century, Rabbit Hash, a census-designated place, sits along the Ohio River in a rural section of Boone County, Kentucky across from Rising Sun, Indiana. The quirky and charming community features many intact historic wood-frame and log buildings and outbuildings, including houses, shops, and sheds, which are remarkably well-preserved and today form a small and quaint historic district that stretches along Lower River Road. Rabbit Hash’s most notable building is the Rabbit Hash General Store, which has operated in some form in the area since 1831, and is considered by many to be one of the best-preserved historic country stores in the United States. The town has also had multiple dogs who have served as “mayor” in its history, though it does not have an actual municipal government. The Rabbit Hash Historic District was listed on the National Register of Historic Places in 2003.
1)A doodle and an idea.
2) work out and price calculations
3) first concept and building
4) finished a powerstation.
Is a project to save and use energy ,a solar powerpanel conected to a powerstation and everything gooes to usb ( Mp 3 ,loadstations,light,loaders)
12 Volt , heating,ventilators,light
Douglas DC-3, C-47, Dakota, a flying legend.
The Douglas DC-3 is a propeller-driven airliner which had a lasting effect on the airline industry in the 1930s/1940s and World War II. It was developed as a larger, improved 14-bed sleeper version of the Douglas DC-2. It is a low-wing metal monoplane with conventional landing gear, powered by two radial piston engines of 1,000–1,200 hp (750–890 kW). (Although most DC-3s flying today use Pratt & Whitney R-1830 Twin Wasp engines, many DC-3s built for civil service originally had the Wright R-1820 Cyclone. The DC-3 has a cruise speed of 207 mph (333 km/h), a capacity of 21 to 32 passengers or 6,000 lbs (2,700 kg) of cargo, and a range of 1,500 mi (2,400 km), and can operate from short runways.
From Wikipedia, the free encylopedia
About the model:
Following my Catalina model it came natural to build my DC-3 to the same scale, 1:72.
The model is my LEGO representation of the last airworthy DC-3 / C-47 in Denmark, belonging to the non-profit association DC-3 Vennerne (Danish Dakota Friends).
It wasn't particular difficult to build, but still had a few challenges, and it follows many of the same techniques used for my other models, e.g. the wing dihedral is made in the same way as my N.A.Harvard, with a basic hinge on top of the wing-panel, and a finger hinge on the lower side, that isn't fully interlocked and prevent the outer wing-panels from ”falling” down. For the leading edge de-icer panels, the new curved 1x1 brick came in very handy. The most difficult part was getting the nose-profile right, but I'm very happy how it came out!
As always, comments and critisism are more than welcome!
Developed in ACR with custom made "Fujifilm FinePix S5 pro" DCP profile.
Color graded in Dehancer Photoshop plugin with "Kodak Ektar 100" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.
Additional color corrections in PS to match real Kodak Ektar 100 colors.
SONY a7II + SIGMA MC-11 ( SA-E ) + SIGMA 50mm F1.4 DG HSM A014
Developed by Adobe Photoshop Lightroom CC 2015.6
Samurai X mech MOD developed from 70665. Been trying to give this baby an upgrade for a long time, but finding the right pieces in the colour I wanted is quite tricky. The highlights of the MOD: knee joints, big thrusters on the back, heavier armor, and the hands that can actually grab the sword
patrickjoust | flickr | tumblr | IG | prints for sale
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Mamiya C330 S and Sekor 80mm f/2.8
Fujifilm Neopan 100 Acros developed in Xtol (1:1)
OLYMPUS OM-D E-M5 Mark II + OLYMPUS M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO + MC-14
Developed by Adobe Photoshop Lightroom CC 2015.8
Developed in ACR with "Nikon D200 Mode Ia" custom DCP profile.
Color graded in Dehancer Photoshop plugin with "Kodak Vision 3 50D" film profile, "Kodak Endura Glossy" paper profile and film simulation effects.
Rollei 35 LED Triotar 2.8 40 mm
ORWO WOLFEN NC500
Film was exposed at normal 400 ISO
Negativ self-developed with Adox C-41 Kit
Negative photographed with Pentax KP + SMC Macro Limited 28 mm 2.8
Sparte 4 New theater performance