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9.5"x12" silver gelatin print on Ilford MG RC Pearl paper. Mamiya C220, Ilford HP5+, developed in D-76 (1+1)
After getting all that panoramaness out of my system, I returned back to the simple square the next time the fog descended on the valley. Here a small collection of images from one roll of film from that mid-Autumn outing. Can you feel the silence and solitude of the forest?
Film: Kodak Tri-X
Camera: Hasselblad 500C with 100 mm f3.5 lens
Developed in Ars-Imago #9 (rodinal) 1:99 semi-stand
Digitised with an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
Been playing with a Rolleicord that was gifted me. This is from my first walk with it.
1951 Rolleicord III - Xenar 75mm - Fomapan 100 - f/16 - 120 Film (66mm) - Rodinal 1+100 (Stand Dev) - Negative Scan
Light painted still life. Bristol Blue Glass has been made in our city since the 18th century. Cobalt Oxide is added to the glass to give it this deep blue colour. Local legend is that it was developed as a way of hiding the precise amount of taxable liquid in large glass containers from customs and excise officers.
Wayne Park in a Fog, Bothell, WA
Photographed with a Leica IIIc using a Leitz Summaron 3.5cm f/3.5 lens. The film is Kodak Panatomic-X that expired 3/1963, developed in Kodak HC-110 dilution B.
Basically, Toms One Day Without Shoes 2010
It's a cause where we raise awareness about children in developing countries who don't have shoes and how hard life really is without shoes. We take them for granted and they really are a big part of life. Made this video back in April, just decided to upload.
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youtube.com/sugarshot
This roll of Kodakcolor-X (CX-620. C-22 color-process) was found inside the Kodak Brownie Target Six-20. when I brought the camera. It appeared exposures were made on the roll since it was wind all the way to the end (on the take-up 620 metallic spool) while inside the camera.
From the research I have made on what C-22 is all about, there are only a few labs around who has the capability of processing C-22, which requires a long turn-around time plus a rather costly fee (for what is it) to do so. So I have decided to use B/W film developing chemicals to process it, and hope I am able to get something out of the roll.
• 8 minutes in Ilford Ilfosol S developer 1:9 dilution. 68˚.
• 15 minutes water stop bath/wash.
• 10 minutes Formula 763 rapid film fixer w/hardener.
I had no idea what was on the mystery roll, half expected (and hoping for... haha!) a weird scene. I am guessing the pictures were taken back in the late 60's early 70's based on the girls outfits--since C-22 films were discounted before 1974--I am happy to see that I was able to get images from the cross-processing.
Does anyone out there know where the pictures were taken? I am guessing it's around the Golden Gate Heights neighborhood in San Francisco.
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Note: Image scanned with color negative setting.
Venezia and grain! Shot with expired Fuji Neopan 1600
Venezia, Italy
Canon P
Fuji Neopan 1600
(expired in 2007)
Dev; Adox D-76
Developed and scanned at home
I posted a shot a few weeks ago of this field with the fleece covering the seedlings. We had a cycle past the field at the weekend and it had developed into this, looks like carrots?!
Taken 30 minutes before sunrise at Meadow Lake on the White River Plateau in western Colorado. As the color developed in the sky I was distracted by a beaver and several species of ducks. This was the peak of color before the rising of the sun, but an hour after this photo was taken a rainbow developed over the spruce-fir forest in the opposite direction.
Orvieto, Italy with expired Fuji Neopan 1600
Canon P
Fuji Neopan 1600
(expired in 2007)
Developed and scanned at home
Excerpt from Wikipedia:
Elements (圓方) is a large shopping mall located on 1 Austin Road West, West Kowloon, Kowloon, Hong Kong. It is developed and managed by MTR Corporation through its subsidiary Premier Management Service.
Elements is located directly above the Kowloon MTR station and near the International Commerce Centre, residential complex Union Square and the Western Harbour Crossing.
The mall is divided into five zones based on the concept of the five elements of Nature, namely Metal, Wood, Water, Fire and Earth. Each zone is designed with a distinctive interior architectural theme that responds to the element, public art such as large scale sculptures are also employed to enhance the respective theme. The Fire Zone is symbolised by the sculpture "White Heat".
The Elements has a total of 123 shops as of 2008, along with an ice rink and the 1600-seat Premiere Cinema (formerly The Grand Cinema), currently the largest cinema complex in Hong Kong.
The mall has ten washrooms, outside which there is a lobby with sitting area and magazine rack. Management said these are conceived for men "to wait for their girlfriends outside the washroom", providing "a decent and comfortable place for them to wait".
Male washrooms are stocked with colognes, aftershaves and electronic shavers while the female washrooms have perfumes and make-up. Staff are on hand to ensure that all these personal items are kept hygienic.
The shopping mall has a great emphasis on fashion and wardrobe with (as of 2008) 58 shops in that category out of a total of 123 shops in the mall.
La Bugatti Type 35 « Grand Prix » est une automobile sportive de la seconde moitié des années 1920 développée par le constructeur automobile français Bugatti. Forte d'un palmarès toujours inégalé, avec plus de deux mille victoires en compétition dont cinq succès consécutifs à la Targa Florio, elle est non seulement la Bugatti la plus célèbre mais compte également parmi les voitures ayant le plus marqué l’histoire de l’automobile
The Bugatti Type 35 "Grand Prix" is a sports car from the second half of the 1920s developed by the French car manufacturer Bugatti. With an unrivaled track record, with more than two thousand victories in competition including five consecutive successes at the Targa Florio, it is not only the most famous Bugatti but also one of the most important cars in the history of the automotive (Wikipedia)
A rather poor 35mm Orwochrome UT18 colour transparency that was lucky to survive the waste paper bin in 1976. It looks like it is taken into the light and after numerous attempts with todays technology I cannot get a passable colour image, this black and white version being the best I can achieve.
31262 heads for the GE/GN Joint line after leaving March station with a passenger working, 21st August 1976.
Locomotive History
31262 was originally D5690 and it was built at the Brush Falcon works, Loughborough, entering traffic in March 1961. It was originally fitted with a Mirrlees 12 cylinder power unit, however after a couple of years in service this engine started to develop major problems and it was decided to re-engine all two hundred and sixty two locomotives of the class with a 1470bhp English Electric 12SVT power unit. D5690 left Doncaster works with its new power unit in May 1967.
After eleven years an Eastern Region engine in July 1972 it transferred to the Western Region (Old Oak Common) as part of the run down of the diesel hydraulic fleet. It returned to the Eastern Region in October 1975, initially allocated to Immingham and was transferred to March in February 1976.
On the 17th May 1983 31262 leading 31292 were running light engine at Dullingham, south of Newmarket, Cambridgeshire when they were in collision with a Plasser and Theurer track machine. The track machine was destroyed in the collision, 31262 suffered severe damage and 31292 a damaged cab. The driver of the track machine was killed. Both locomotives were taken to Cambridge where 31262 was withdrawn prior to them both being moved by road to Doncaster works around the 25th June 1983. On arrival at Doncaster works 31262 was immediately broken up, 31292 was repaired.
Praktica LTL
Kine Exakta II (1949) + E. Ludwig Meritar 2.9/50 (1956) lens + Kodak ColorPlus 200 film + C-41 developing
Develop your senses- especially learn how to see. Realize that everything connects to everything else.
Rusting fishing equipment sitting in a quayside storage area. Shot on Kentmere 100 with the Kodak Retina iic. Film developed in 510 Pyro.
Babia Gora - Poland, shot on Cannon EOS500, and Cannon EF-S 40mm lens on AGFA APX400, stand developed in Rodinal R09 (1h) 22 deg.C
Harman Phoenix 200 is one of the very few films developed from scratch (you can read more about it here). In its current iteration, it's a “quirky, experimental film [that] produces high-contrast images with strong, visible grain and punchy, vibrant colours”, and I will agree with Harman Photo's press release – it is a high-contrast film. Grain is not that bad, it has the look of expired film, but its sharpness is decidedly sub-par – it is not a sharp film!
I metered it at 125ASA, two-thirds of a stop below its rated 200ASA speed, and seeing the results, I won't even try to use it at the box speed. Halation effects are clearly present, but not as visible as on CineStill films.
Overall, I'm more than positively surprised, and I am happy with the results!
Here, flowers and leaves and a very blue lake in the background.
Taken with Contax 167MT film camera and Yashica DSB 135mm F2.8 lens wide-open, on Harman Phoenix 200 film, rated at 125ASA.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.
Spring arrived and new life grows on old trees.
Hasselblad 500cm on Ilford Delta 100, developed in Caffenol-C-M(rs)
Old Post overlooking the Skagit Bay Estuary on Fir Island in Washington State.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is Fomapan 100 developed in Rodinal 1:50.
"Bierpinsel" [Ralph Schüler and Ursulina Schüler-Witte, 1976]
Berlin-Steglitz
Minolta Autocord
Fomapan 400
Fomadon P stock @20°C
Took a day trip up to the High Sierra's (enough of this setting around the house BS), up on California State Route 108. Pinecrest lake along the route was a bust for any images, so headed up to Donnell Reservoir Vista and spent the rest of the day there. This was the only view (variations) of the day that needed to be in B&W. That was due to the drama that was going on just behind the ridge line and monotones in the land mass. Spent some time watching the clouds dancing around the ridge, and then developing into a classic t-storm anvil formation and the turmoil within.
Processed in Luminar 4.3 and Lightroom 5 for the basic setup. The crop was set at the end for a pano look.
Nikon D810, 100mm (24/120 f/4), 1/30 @ f/11, ISO 50. Manual mode, mirror up, remote release and a CPL on the lens. Captured on August 11, 2020 a little past 4:30PM.
OK. Believe it or not, you're looking at the internet. Or at least a major part of it... when CERN's last collider was up and running in the late 80s and early 90s, they needed a way to crunch all the data they were getting... so they developed a way for computers to efficiently network and talk to one another. This eventually became the backbone of the internet. CERN's computing center is still one of the 3 main hubs for ALL internet traffic, meaning that you might be connecting through it right now.
This HAL-9000 kind of thing is the user interface for a room full of switches and hubs.