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Over the long pandemic I developed an ability to capture close ups of blooms around my yard. The camera mounted on a tripod and the blooms protected from breezes allows sharper focus on the flame acanthus, Anisacanthus quadrifidus, and not worry much about the depth of field. My camera sensor with its macro lens is only about 25 centimeters from this flower so my depth of field I know will be small. I put the far-left anther in sharp focus in hopes that the others will be acceptable focus. The petals from the acanthus flower are mostly in focus. I dehazed the photo to accentuate the contrast. I toned down the brightness of the anthers on the left flower. The contrast between the red-orange and the mottled out of focus greens of the background pushes the flowers forward. The sunlight lightens the throat just enough to where the filaments can be seen emerging from it.
The next piece of my learning film project was to home develop a roll of 120 format film. I headed off to the little town of Shannon, not too far away from home to see what I could find!
This DC-3 for many years was at Mangaweka as part of a service station / cafe complex but has since been moved to Shannon where it now sits looking rather unloved! A recent newspaper story tells some of it's history: www.stuff.co.nz/travel/news/300923636/for-85000-you-can-f...
Pentax 645N
Pentax-FA 645 45-85mm
Ilford 120 HP5 Plus 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
Near Yarncliffe Lodge, Hope Valley, Derbyshire.
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
E82/112 center filter
2mm front fall
2° rear backward tilt
f32
1/2 second
Kodak Portra 400
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised with DSLR using 9-shot stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Heinz, Ghost Town, Arizona
Camera: Rollei 6008 Professional
Lens: Rollei PQ Distagon 50mm F4 HFT
Film: Ilford HP5 Plus developed in Ilfosol-3 1+9
Film Scanner: Plustek OpticFilm 120
Photo made with Canon AE1 Program, F16, 1s, 50 mm lens, Ilford Delta 100 film, developed with D76 1:1, 12'30", 20 °C, scanned by a laboratory.
Amsterdam Sail 2025
Leica R6.2
Ilford HP5+5
Self-developed in Microphen (stok)
Self-scanned with Nikon L9000 + vuescan(linux) + darktable (linux)
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Developed in Caffenol C-L Semi-Stand (1 inversion) 30min; Fomapan 100; Pentax P30; SMC Pentax 55mm f1.8; Epson V600
- Roll : 2018 - Avril - N&B - Strasbourg
Rolleiflex T 50's TLR camera
CineStill 800T film
f 3.5 at 1/2
Home Developed by www.flickr.com/photos/ukke_photo/
Bellini C-41 chemistry
First time i develop with stand still technique.
This is in fact semi stand still at 40 minutes(20+agitation+20) with Rodinal.
It is usually 60 min development but 60 min with Fomapan 100 would be over exposed.
Camera: Canon Prima Zoom76 that i got for free, I don't like point and shoot cameras but i must say that the results are over my expectations (exposition was spot on!). May be it is because of the development which gives a lot of details in the highlights and shadows.
IN ENGLISH BELOW THE LINE
Foto presa amb una Ensign Commando fabricada el 1946; Fomapan 100, revelat amb HC110.
Per fi, després de dos anys sense la Patum de Berga, hem recuperat la festa aquest 2022. Des de la guerra civil, que això no passava. El 1937 i 1938 no hi va haver Patum, tant per la guerra com per l'extrem ambient anticlerical, i quan es recuperà el 1939 fou sota un espantos panorama franquista espanyolista. Ara també hem perdut les Patums del 2020 i 2021, però ha tornat molt bé!
www.naciodigital.cat/bergueda/noticia/19637/patum-no-se-s...
www.vilaweb.cat/noticies/patum-berga-2022-programa-dates-...
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Picture taken with an Ensign Commando made in 1946; Fomapan 100, developed in HC110.
La Patum de Berga is a World Heritage celebration, being held in Berga, Catalonia, since at least the XVII Century. But due to the coronavirus, whe had lost it for the 2020 and 2021. Fortunately, it has returned in all it's glory.
Last time La Patum was lost was in 1937-38, during the spanish civil war.
Looking to the south. A river was interrupted by the debris hill, making the pond. There used to be a town called Gekko-cho, meaning moon light. So the lake is called Gekko pond.
Horonai, Mikasa, Hokkaido. Fujica AZ-1, Tamron 28mm F2.8 ( CW-28 ), Kodak Microfilm Imagelink HQ exposed as ISO 40, developed as described previously, scanned with Plustek OpticFilm 120 + VueScan, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/50696023828/sizes/> up to 10000 × 6579 pixels compatible. Learn DIY development and upgrade to film !
Poul Henningsen developed the PH 5 in 1958 in response to the constant changes made to the shape and size of incandescent bulbs by bulb manufacturers, naming it after the size of the pendant’s main shade, which is 50 centimeters in diameter. When the lamp was introduced, he wrote, typically daringly, about how he had lost faith that the manufacturers of incandescent light bulbs would ever learn to consider common sense or have the consumer’s best interests at heart. “I have accepted fate, and with Louis Poulsen´s permission I have designed a PH fixture, which can be used with any kind of light source, Christmas lights, and 100 W metal filament bulbs. Although a fluorescent tube would be too much to ask in the existing form!” Henningsen wanted to improve the color reproduction characteristics of the light source in the PH 5. Therefore, small red and blue shades were inserted to supplement the color in the parts of the spectrum where the eye is least sensitive – the red and blue areas – thereby subduing the light in the middle yellow-green region where the eye is most sensitive. At the time, no one knew that the PH 5 would become synonymous with the PH light, which remains 100% glare-free, irrespective of how the light is installed or which light source is used.
Running out of ideas for your 365 project? Join We're Here!
Developed during World War II for the U.S. Navy, the Douglas AD Skyraider almost disappeared before having the chance to excel during the Vietnam War, where the aircraft proved well suited for close air support (CAS) to ground forces.
Nevertheless support of search and rescue (SAR) missions had been the Skyraider’s crowning achievement during the conflict. In fact it became dramatically apparent early in the war that lone helicopters were too vulnerable to conduct combat search and rescue (CSAR) missions. For this reason in 1965 a SAR task force decided that rescue helicopters would work in pairs, and that Skyraiders would provide rescue escort.
The callsign “Sandy” was founded in late 1965 by Capt. J.W. “Doc” George during an A-1 replacement flight to one of the several A-1 groups that rotated through Udorn. Actually it was George’s Bine Hoa departure callsign. After having landed at Udorn he was asked what call sign he would like to use while there. George answer was “Sandy.” Not only the callsign was retained by George’s replacement, but also became the callsign of any Skyraider assigned the SAR mission.
This Skyraider was built in California in 1951 with the c/n 7802 and after the US Navy serial number 127002.
In 1961, he was first assigned to the 3/20 "Oranie" Fighter Squadron with the callsign 20-FP then to the 1/21 Support Aircraft Squadron with the callsign 21-LN and finally to EAA 2/21 “Oranie” with callsign 21-ZH.
IN ENGLISH BELOW THE LINE
Foto presa amb una Rolleiflex 3.5F fabricada entre 1969 i 1971; Carl Zeiss Planar f3.5 / 75mm; Kodak Ektar 100, revelat amb el kit C41 de Bellini.
Probablement el millor mirador sobre el Principat de Mónaco (i n'hi ha uns quants) és el del cim conegut com Tête de Chien o Testa de Can. Elevant-se 550 m. per sobre el mar, domina perfectament la ferradura que forma el Port Hercule entre Montecarlo, la Condamine i Mónaco vell. Hi ha una base militar francesa, però es pot pujar a peu des d'un parquing proper fins just al costat.
Des d'aquí es pot veure tot l'estat principesc de Monaco, des de Fontveille al oest fins a Larvotto al est. Crec que és l'unic lloc del món on pots contemplar la totalitat d'un estat des d'allà estant.
en.wikipedia.org/wiki/T%C3%AAte_de_Chien
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Picture taken with a Rolleiflex 3.5F, made c.1969-1971; Carl Zeiss Planar f3.5 / 75mm lens; Kodak Ektar 100, developed with the Bellini C41 kit.
Probably the best vantage point over the Principality of Monaco (and there are quite a few) is the one on the peak known as Tête de Chien or Testa de Can. Rising 550 m. above the sea, it perfectly dominates the horseshoe that forms Port Hercule between Monte Carlo, La Condamine and old Monaco. There is a French military base, but you can walk up from a nearby parking lot right next to it.
From up here you can see all the Principality of Monaco under you. From Fontveille to the west to Larvotto to the east. It's probably the only place on Earth where you can see a whole country from one point in the ground.
Leica M7 50mm Summicron on Ilford HP5+
self-developed in Microphen (stock)
Nikon LS9000 + vuescan(linux) + darktable(linux)
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Processed using LR5 & Nik Software.
This obviously has nothing to do with my normal genre of street photography but I had my camera in my pocket and I just snapped the scene to see what would come out in the end. I actually forgot I took this shot.
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Minolta XD, MC Rokkor-PG 58/1.2 (probably), Ilford Delta 400 Pro @1600.
Film: expired in 2014, shot in 2016 or before, forgotten in fridge, and just developed (2022.11). When, where and why, did I take these images?
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Processed using LR5 & Nik Software.
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Revueflex AC-1
Helios 44m-6 58mm f2
Kodak Ektar 100
Rollei Digibase C41 Kit
Reflecta RPS7200
Pictures from my recent trip to Spain.
Big drying issues with this roll as well, which is hardly surprising since they were developed together.