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Kodak Ektar 100 colour negative film
Focal length: 35 mm (standard)
Exp. Corr. Value: 0.0 EV
Exp. Program: Aperture priority
Metering mode: Selective metering
WB Settings: 5500K (daylight)
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Developed and scanned by Fujifilm House of Photography, London WC2E 9LH.
What do the say about real estate?
Location, location, location…
Well this charming beauty not only has the location ( high above the Stonington harbor ) this gem not only has the views it is the view!
.
Pentax ashi KX
SMC Pentax -M 50 mm 1:1,7
Kentmere pan 400
Developed Kodak Xtol 1:1
And a clock. And the White Lion. And Wood Street. I quite like this little scene from Macclesfield.
Voigtlander Vito II folding camera
Fomapan 100 film
Lab develop & scan
000015540035_0001
Nikon "F"
AI Nikkor 85 mm f/2.0
Nikon L1a filter
Kodak professional Tmax 400@ISO500
Developed in Diafine 3,5+3,5 min
1/125 sec@f/8
Reddish Egret
The Reddish Egret (Egretta rufescens) is a medium-sized heron. It is a resident breeder in Central America, The Bahamas, the Caribbean, the Gulf Coast of the United States, and Mexico. There is post-breeding dispersal to well north of the nesting range. In the past, this bird was a victim of the plume trade.
According to the Texas Parks and Wildlife Department, there are only 1,500 to 2,000 nesting pairs of reddish egrets in the United States — and most of these are in Texas. They are classified as "Threatened" in Texas and receive special protection.
Egrets are herons which have white or buff plumage and develop fine plumes (usually milky white) during the breeding season. Egrets are not a biologically distinct group from the herons and have the same build.
For more info: en.wikipedia.org/wiki/Reddish_egret
Cornell Lab of Ornithology: www.allaboutbirds.org/guide/Reddish_Egret/overview
Olympus 35RD camera, f/5.6 @ 1/125th, Ilford FP4+ developed in Rodinal 1:50 14 minutes (N+1, to raise the fog level, lol) at 20C in a Jobo.
Digitized with aa Fuji XT5 and Laowa macro lens.
Lets make a soundtrack, shall we....
The Washi S film is an emulsion designed for sound recording. Never intended for photography.
I enjoy shooting stuff like this. Crazy contrast you say? Yeah, you wanna put that on repeat!
This film is a bit of a challange to "nail", but I think the DD-X works well with this film. Sadly, Washi S is not available anymore. But if you want a to have a bit of fun and shot sound recording film, FPP has a cool film called Sonic 25. Simular contrast and results. An Orthochromatic film. Washi S is not completely red sensitive. Cheers, Jonny
Røros, Norway
Mamiya 7ii
35mm adapter kit
Film Washi S @ISO50
Dev; Ilford DD-X
Developed and scanned at home
A common waterbird in our region most of our larger ponds and lakes have them but they are quiet and unassuming and often overlooked, their trilling call often being the most obvious way, especially in the summer, to know they are about as they often hug the edges. This one was preoccupied with its breakfast and I was alone in the hide so I was able to get some decent shots
During the winter they are a pale brown colour but in the summer develop a dark red neck which is where the second part of the scientific name, ruficollis is derived from.
The genus name is from Ancient Greek takhus "fast" and bapto "to sink under". They certainly live up to that too, A wary and nervous bird quite often if they see you they disappear underwater and reappear some distance away.
Develop your senses- especially learn how to see. Realize that everything connects to everything else.
Ilford HP5+ 400@3200, developed in homemade Kodak D-76 (1927), 1+1 dilution
Fujica ST605 + Super Multi Coated Takumar 35mm f/2.0 + Yellow filter
Printed on 18x24 Fomaspeed Variant Velvet using homemade methol+hydroquinone developer
Another photo from a wonderful summer evening in Hull in 2023.
Fed 2 camera
Industar 26M lens
Fuji Superia Xtra 400 film
Lab develop & scan
000011210023_0001
Did find some handspooled Aviphot Chrome 200 on the interweb. This is a ISO200 slide film using an emulsion historically made by Agfa and is the stock that was used to make Rollei CR200.
I shot two rolls of this stuff in Burano, Venezia. I like shooting these expired slidefilms. You never know what you're gonna get. I understand this is not for everyones liking.
Did not apply any colorcorrection/whitebalanse when scanning. Cheers, Jonny
Burano, Venezia, Italy
Fujifilm GA645 Professional
Agfa Aviphot Chrome 200
(expired 20xx)
Dev; Bellini E-6
lilies
hydrangea
these are from the old diana mini roll I just developed. dunno when they were taken.
Byzantine aesthetics had a developed theory of color symbolism to create an image of the Divine world. One of its cornerstones was the symbolism of golden light. In this symbolism, a special place was reserved for gold, it was the role of a kind of color module of the Divine world that belonged to it.
Нинішній сосново-липовий іконостас довжиною 25 м та висотою 21 м складається з п'яти ярусів і загалом відтворює пам'ятник часів Скоропадського.
«Збережений живопис українських православних храмів є віддзеркаленням розвитку естетичних поглядів від візантійського канону до модерну. На етнічних теренах України за часів правління Миколая І на державному рівні підтримувалась орієнтація на культурну спадщину Візантії. Візантійська естетика мала розвинуту теорію символіки кольору для створення образу Божественного світу. Однією з її наріжних засад була символіка золотого світла.
В цій символіці особливе місце відводила золоту, саме йому належала роль своєрідного колірного модуля Божественного світу. Золотий простір храму на візуально-чуттєвому рівні відтворював невимовно прекрасний Божественний світ, пронизаний Божою благодаттю, що сходила під час літургії, під час молитов. Золотий колірний модуль мозаїчних композицій створював надреальність, де перебували віруючі.
.......
Візантійську естетичну концепцію намагалися втілити в нових розписах Успенського собору Києво-Печерської лаври в 1894–1900 роках (В. Верещагін, В. Фартусов, Г. Попов та ін.). Маючи за мету наблизитися до стінопису візантійських церков ХІ–ХІІ століть, автори проекту (1894) побудували художній простір основного об‘єму храму за допомогою традиційного для сакрального мистецтва Візантії колірного модуля. На золотому тлі виконали композиції в центральній частині собору, яку вважали найдавнішою (нижні бічні приділи тоді не розписували). У головному квадраті церкви, в жертовнику і дияконнику від верху до рівня хорів, а в головному вівтарі – майже до підлоги, живопис було виконано на золотому тлі; таке ж тло мали плафони верхніх приділів Преображення Господнього та Андрія Первозваного. Нижче карнизів, що йдуть по лінії підлоги хорів, тло було виконано олійними фарбами із золотими вінчиками. Основний об‘єм та доступні для огляду знизу верхні компартименти собору вражали розкішшю і красою, нагадували про вічну красу Божественного світу і про далекі часи, коли церква була оздоблена мозаїкою грецькими художниками.»
/Бардік Марина Афанасіївна, кандидат мистецтвознавства,
Колірний модуль божественного світу в украінському сакральному стінописі 1850–1900-х років/
Developing a series for my final year of university took me to the top of the Churchill Square car park in Brighton. The city is relatively flat and so you can see quite a bit from up there, although always within the looming gaze of the two tallest buildings. Nearby stands Sussex Heights; a particularly horrible 20th Century tower. Right next to us was Chartwell Court, an unusual block of flats that begins on top of the car park itself.
It was a quiet night and, whilst sorting out the shot, I imagined a timelapse of the rust dripping down the white paint across from me.
An evening at the Fair with my 11 year-old who, terrifyingly, has developed a taste for REALLY scary rides. Not me, Gov; I'd rather stay on the ground and take pictures of the lights or try and capture some motion blur (though those didn't go quite so well...).
Safely back home: playing with what I hope is a slightly retro, vibrant look. I came to photography too late to truly appreciate the impact of the choice of film on a resulting image. This postprocessing alternative was created using a ColourEfex Film Efex #Kodachrome 64 filter, which i liked for the strong contrast and bright colours. Then, given a slight tweak in Topaz to make it feel a bit more vintagey. Possibly.
You may possibly need sunglasses. Or close your eyes a little....it's all blurry anyway.... :-)
IN ENGLISH BELOW THE LINE
Foto presa amb una càmera Ensign Commando fabricada el 1946; Kodak Ektar 100, revelat amb el kit C-41 de Tetenal.
El poble anglès de Lacock, a Wiltshire, és un dels més ben conservats i bonics del sud del país. S'hi han rodat moltes series i pel·licules, com Downton Abbey i Harry Potter.
Però per a mi és encara més rellevant per ser un dels llocs del món on es va inventar la fotografia. I el més ben documentat, en aquest aspecte.
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Picture taken with an Ensign Commando camera made in 1946; Kodak Ektar 100, developed with the Tetenal C-41 kit.
This is one of the most photogenic corners of Lacock, in Wiltshire. This beautiful southern England village has been the location of the filming of several TV series and movies, most notably Downton Abbey and Harry Potter.
But for me, it's mostly relevant because it's one of the places where photography was invented, and the most interestig at that.
www.nationaltrust.org.uk/lacock-abbey-fox-talbot-museum-a...
whatta mess.
but leon needs to do some repairs on it and I'll have to clean it then.
large format camera with paper negative
home developed
Burrowing Owl
The Burrowing Owl (Athene cunicularia) is a small, long-legged owl found throughout open landscapes of North and South America. Burrowing owls can be found in grasslands, rangelands, agricultural areas, deserts, or any other open dry area with low vegetation. They nest and roost in burrows, such as those excavated by prairie dogs. Unlike most owls, burrowing owls are often active during the day, although they tend to avoid the midday heat. Like many other kinds of owls, though, burrowing owls do most of their hunting from dusk until dawn, when they can use their night vision and hearing to their advantage. Living in open grasslands as opposed to forests, the burrowing owl has developed longer legs that enable it to sprint, as well as fly, when hunting.
Burrowing owls have bright eyes; their beaks can be dark yellow or gray depending on the subspecies. They lack ear tufts and have a flattened facial disc. The owls have prominent white eyebrows and a white "chin" patch which they expand and display during certain behaviors, such as a bobbing of the head when agitated.
For more info: en.wikipedia.org/wiki/Burrowing_owl
Cornell Lab of Ornithology: www.allaboutbirds.org/guide/Burrowing_Owl/overview
The day developed in such a way that the Ochrona appeared wherever we were. This was extremely unpleasant. We began to suspect that a transmitter had been attached under our car overnight. As a result, we decided to move our location to the east side of the complex. We parked the car in the shade near the eastern track entrance because we had seen that two locomotives were busy shunting there to bring fresh goods to the steelworks. And so the picture shown here emerged before the Ochrona approached again without contacting us. Clearly, we were supposed to be intimidated. And that worked and was more than enough for us; we calmly made our escape in the direction of Janaaul (=Жанааул).
Kasachstan, Казахстан
Oblast Karaganda, Temirtau, Карагандинская область, Темиртау
JSC Qarmet, АО «Кармет»
ТЭМ1-1918