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Develop your senses- especially learn how to see. Realize that everything connects to everything else.
Canon VL2 rangefinder with 50mm f2 Jupiter lens, yellow filter, Rollei RPX 400 film, developed in Rodinal.
The Atlantic spotted dolphin (Stenella frontalis) is a dolphin found in warm temperate and tropical waters of the Atlantic Ocean. Older members of the species have a very distinctive spotted coloration all over their bodies.
The coloring of the Atlantic spotted dolphin varies enormously as it grows, and is usually classified into age-dependent phases known as two-tone, speckled, mottled, and fused. Calves are a fairly uniform gray-white, with one or no spots.
When they are weaned, speckling occurs, typically between 3 and 4 years and lasting for an average of 5 years. A juvenile is considered mottled when it develops merging gray and white spots on the dorsal surface and black spots on the ventral surface. This usually happens between age 8 or 9.
A fused pattern is reached when dark and white spots are on both the ventral and dorsal sides. As the animal matures, the spots become denser and spread until the body appears black with white spots at full maturation.
In comparison to other dolphin species, the Atlantic spotted dolphin is medium-sized. Newborn calves are about 35–43 in (89–109 cm) long, while adults can reach a length of 2.26 m (7 ft 5 in) and a weight of 140 kg (310 lb) in males, and 2.29 m (7 ft 6 in) and 130 kg (290 lb) in females.
Compared to the much smaller pantropical spotted dolphin, the Atlantic spotted dolphin is more robust. It shares its habitat with the pantropical spotted dolphin and the bottlenose dolphin.
The species exhibits a range of about ten different vocalizations, including whistles, buzzes, squawks and barks, each corresponding with different behaviors.
This image was taken in the North Atlantic Ocean, south of the Canary Islands
This image is of the Naples pier, an historic SW Florida landmark. Florida is a sunny place, but I chose to develop this as a monochrome to better reflect the water-light. For those interested, a history of the pier is presented below.
The history of the Naples Pier is as dynamic as the City on the Gulf. It has withstood six major hurricanes and recently underwent a major renovation. In 2015, the wood on the pier was replaced with Brazilian ipe, an impressive material that could last up to three decades. It’s also supposed to be cool to the touch, something beachgoers will undoubtedly appreciate. The pier also got bigger bathrooms and new sea turtle-friendly lights.
Before the Tamiami Trail (U.S. 41) was finished in 1928, the only way people could get to Naples was by boat via the Naples Pier. However, before the wooden pier was finished, there was a shell road from Fort Myers to Naples.
The city’s first post office was located at the end of the pier before it was destroyed by an accidental cigarette fire in 1912. The pier survived the fire—and hurricanes in 1910, 1926, 1935, 1944, 1960, and 2017. Throughout the years, the structure has proven to be as resilient as the people who frequent it.
The Naples Pier was officially completed in 1889 and helped transport guests to and from the Old Naples Hotel, which opened a year later. Other Naples homes, like Palm Cottage, sprang up around the pier as well. The original structure was a T-shaped, 600-foot wharf. Changing rooms, a bathhouse, and freight lifts were installed in 1909. A year later, a hurricane destroyed much of the pier. It was reconstructed to be 100 feet longer with two wings that formed a “V.”
Unfortunately, that wouldn’t be the first time the pier had to be rebuilt after a hurricane.
In 1926, another storm struck and damaged the pier yet again. There was another devastating hurricane in 1935, but it was the hurricane of 1944 that prompted the pier to be rebuilt to sturdier standards. The next version of the pier would be in 22 feet of water and 100 feet longer. This is when the pier started to become known as more of a fishing, dancing, and sunset viewing destination.
In 1960, the infamous Hurricane Donna hit Florida and caused the pier to be completely reconstructed. The pier collapsed under the weight of Category 4 water and winds. Fast forward 10 months later and it was standing again—still a major Naples landmark and community gathering place in the heart of the city.
The Naples Pier saw more major renovations in 2015 and had to be shut down two years later for repairs from Hurricane Irma. But no matter what, the pier isn’t going anywhere. It’s part of the heartbeat of Naples and that’s how it will stay.
Kittilä, Lapland, Finland
After spending a week in the mountain range of Finnish Lapland, I am back to my desk. This is the first photo I developed from my abundant raw materials.
Ilford HP5+ 400@3200, developed in homemade Kodak D-76 (1927), 1+1 dilution
Fujica ST605 + Super Multi Coated Takumar 35mm f/2.0 + Yellow filter
Printed on 18x24 Fomaspeed Variant Velvet using homemade methol+hydroquinone developer
IN ENGLISH BELOW THE LINE
Ningú havia vist aquestes fotos fins ara, sobretot els que les varen fer. Fins que jo les he revelat ara.
Aquestes finestres son la única imatge visible d'un rodet en un horrible estat de conservació. No només s'havia mullat completament en algun moment (el paper estava completament enganxat a la pel·licula), sino arrugat en més d'un punt, quasi no el vaig poder carregar al revelador.
S'anomena "found film" a aquelles fotografies en pel•licula o placa que es troben sense revelar dins càmeres velles o per altres racons. La gracia és que ningú ha vist mai aquestes fotografies.
Aquest rodet prové un conjunt comprat a algú de Barró, prop d'Angulema, a França.
Aquest rodet, de format 120, de Kodak Verichrome, i pertant segurament exposat entre els anys 40 i 50 (es produí entre 1931 i 1956). El vaig revelar amb HC110 uns 10 minuts.
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Nobody, even less the author, had seen these pictures until now. Until I've developed them in the dark room.
This façade is the only useable picture in a quite damaged roll of film. It had been completely damp at some point (the backing paper was glued to the film), and it was wrinkled so I almost couldn't load into the reel. The pictures were probably taken in the 40's or 50's of the XX Century.
They call "found film" at those images in film or plates that are find undeveloped inside old cameras or in other places, like boxes or old houses.
This film is part of a large pack I bought in the internet from somebody in Barro, near Angouleme, France.
This one was a 127 format Kodak Verichrome film, produced from 1931 to 1956; stand developed with HC110 in c.10 minutes.
A tropical heliconia plant with striking orange and red bracts. Photographed indoors at the Des Moines Botanical Garden in Des Moines, Iowa.
Developed with Darktable 4.8.0.
Byzantine aesthetics had a developed theory of color symbolism to create an image of the Divine world. One of its cornerstones was the symbolism of golden light. In this symbolism, a special place was reserved for gold, it was the role of a kind of color module of the Divine world that belonged to it.
Нинішній сосново-липовий іконостас довжиною 25 м та висотою 21 м складається з п'яти ярусів і загалом відтворює пам'ятник часів Скоропадського.
«Збережений живопис українських православних храмів є віддзеркаленням розвитку естетичних поглядів від візантійського канону до модерну. На етнічних теренах України за часів правління Миколая І на державному рівні підтримувалась орієнтація на культурну спадщину Візантії. Візантійська естетика мала розвинуту теорію символіки кольору для створення образу Божественного світу. Однією з її наріжних засад була символіка золотого світла.
В цій символіці особливе місце відводила золоту, саме йому належала роль своєрідного колірного модуля Божественного світу. Золотий простір храму на візуально-чуттєвому рівні відтворював невимовно прекрасний Божественний світ, пронизаний Божою благодаттю, що сходила під час літургії, під час молитов. Золотий колірний модуль мозаїчних композицій створював надреальність, де перебували віруючі.
.......
Візантійську естетичну концепцію намагалися втілити в нових розписах Успенського собору Києво-Печерської лаври в 1894–1900 роках (В. Верещагін, В. Фартусов, Г. Попов та ін.). Маючи за мету наблизитися до стінопису візантійських церков ХІ–ХІІ століть, автори проекту (1894) побудували художній простір основного об‘єму храму за допомогою традиційного для сакрального мистецтва Візантії колірного модуля. На золотому тлі виконали композиції в центральній частині собору, яку вважали найдавнішою (нижні бічні приділи тоді не розписували). У головному квадраті церкви, в жертовнику і дияконнику від верху до рівня хорів, а в головному вівтарі – майже до підлоги, живопис було виконано на золотому тлі; таке ж тло мали плафони верхніх приділів Преображення Господнього та Андрія Первозваного. Нижче карнизів, що йдуть по лінії підлоги хорів, тло було виконано олійними фарбами із золотими вінчиками. Основний об‘єм та доступні для огляду знизу верхні компартименти собору вражали розкішшю і красою, нагадували про вічну красу Божественного світу і про далекі часи, коли церква була оздоблена мозаїкою грецькими художниками.»
/Бардік Марина Афанасіївна, кандидат мистецтвознавства,
Колірний модуль божественного світу в украінському сакральному стінописі 1850–1900-х років/
Our time in Valais coming to an end, we decided on one last excursion and let ourselves be taken up a mountain by a cable car this time around. At the beginning of May there weren't too many still in operation, but luckily the one to Bettmeralp was and we got to spend a couple of hours in the snow and sunshine.
Did I mention that Bettmeralp is picturesque? I hope my photos do it justice - we were totally blown away by its beauty.
Committed to expired Ilford HP5+ using a Hasselblad XPan and 45 mm lens with a red filter. Developed using Ars-Imago FD 1:39, dev. time as per the massive dev chart, and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning and final contrast in Photoshop.
Rollei Retro 400S
Agfa Isolette
developed with
Bellini Euro HC 1+31 dilution B for 6 1/2 minutes at 20 celcius
Digitised with
Nikon D700
Tamron Adaptall 2 90mm f/2.5 macro lens
Valoi 120 film holder
Pixl_Latr
A5 size led light pad
RAW files processed with
Affinity Studio
Topiary is the horticultural practice of training perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, This example was seen in the garden of The Charterhouse in Hull,
Photo information:
ISO: 400
Film type: 120
Film name: Rollei Retro 400S
Developer: Kodak D-76
Process: 20°C.
Developer dilution: 1+1
Developing time: 16'
Scanner manufacturer: Epson Perfection V550 Photo.
not really, just two phones.
when I was young we had one phone on a party line. which meant, to you young ones, that several people were able to use the same line. my parents didn't want to pay for a private line.
a lotta people, but very short phone numbers.
and heavy phones.
second photo in comments.
Large Format 4x5 Crown Graphic Special
Ilford MG FB warm toned paper
shot at f/4.7 for 30 seconds
home developed in eco pro for 2 minutes
The Falcon's Scepter was developed and manufactured just before the start of a the Martian civil wars, and came to represent the oppression and removal of civil liberties under the rule of the monarch tyrant "Steve". A true fighter and bomber hybrid - this fast and deadly vessel could successfully defend its payload deep into enemy territory and strike at the heart of the resistance.
Reminds me of a slightly more refined version of my "Boom wing.
m.flickr.com/#/photos/53458657@N04/19885267328/
m.flickr.com/#/photos/53458657@N04/14408471310/
Another shot on black with some mild refinements so unoticable that you probably won't even notice.
Also, I should mention it fits a fig, and the wings are slightly adjustable to form different configurations.
I had a spell of little enthusiasm, over Christmas and my wife new that I needed to get out to find my mojo! She called me this morning, though the forecast was for heavy cloud and when I saw stars from the bedroom window, I realised it could be nice. Having broken her wide angle lens on Christmas Day, I thought Bev would want to borrow mine - she chose instead to use her new 18-135 mm zoom, saying it made her think more. Good luck to you all for a healthy and productive New Year.
near the sauternes vineyards is the fabulous chateau cazeneuve, where many nobles including Henri IV and Queen Margot stayed. It began as a ninth century fortification and was further developed in the thirteenth and seventeenth centuries. It is furnished in the later period, and renewal occurs annually. Sony A6300 and PZ1650.
The “line_up“ is a paperwork series I developed since 2010. The “liners” are made out of paper (Din A3/A4),
oil paint and graphite. The theme is the hermetical laws of polarity and movement. There is no ending and no beginning in any direction, just an endless movement. You have the possibility to arrange the papers like you want and that makes it an endless playground for my photo-work and the eyes of the viewers.
Yanomano
The day developed in such a way that the Ochrona appeared wherever we were. This was extremely unpleasant. We began to suspect that a transmitter had been attached under our car overnight. As a result, we decided to move our location to the east side of the complex. We parked the car in the shade near the eastern track entrance because we had seen that two locomotives were busy shunting there to bring fresh goods to the steelworks. And so the picture shown here emerged before the Ochrona approached again without contacting us. Clearly, we were supposed to be intimidated. And that worked and was more than enough for us; we calmly made our escape in the direction of Janaaul (=Жанааул).
Kasachstan, Казахстан
Oblast Karaganda, Temirtau, Карагандинская область, Темиртау
JSC Qarmet, АО «Кармет»
ТЭМ1-1918
Banded Rail (Rallus phillipensis )
I know I probably bore people with endless images of these birds but wish only to highlight peoples awareness of them as a declining species,due in part to local councils who will not stop developing areas where Rail and other rare birds live. This ,results in increased human pressure and better access for predators.Apathy and ignorance is the biggest killer of our native species...
Worth its own weight in gold, this bird fossicks in the lovely late evening light,when they are most active...
I’ve developed a fondness for a particular spot on the shores of Loch Leven to photograph sunsets. I’ve been there so many times now that I’m sure my Flickr feed is going to become even more repetitive. I’ve found that the local wildlife is also pretty accustomed to visitors to that spot and arriving with a few slices of bread brings in a multitude of interesting subjects. This is one of my favourites a very handsome young swan who is friendly enough to eat out of your hand. Not that getting that close is any good for photographs because he gets inside the minimum focus distance, however, throw some food out a few yards from the shore and he’ll pose for ages.
Brightly clad window boxes on a townhouse development built as part of Phase 2 in the Regent Park Revitalization Project. Developed by Toronto Community Housing in partnership with Daniels Corporation and designed by architects Giannone Petricone Associates.
Camera: Leica M6 2022
Lens: Leica Summilux 50mm f/1.4 Black Chrome
Film: Kodak Portra 400
Developing: Cinestill C41 104f for 4:10 (Chemistry getting to end of life)
Scanning: Valoi Easy 35 on Nikon Z9 and Z 105mm f/2.8 at f/8 and +1 exposure comp. Valoi set to full brightness and cool light temperature. Negative Lab Pro and Lightroom.