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These eight woodcuts (1959.99.8-15) progress from Gabriel’s announcement to Mary that she would bear the Son of God, to the events of her early motherhood and beyond. This included the joy of sharing her pregnancy with her cousin Elizabeth, Jesus’s birth, and the subsequent arrival of the magi. After Jesus’s circumcision and presentation at the temple the Holy Family fled to Egypt to avoid Herod and stayed there for several years. The seemingly out of place last scene shows a glimpse of their daily life in Egypt as Joseph continues his carpentry and Mary spins wool. The Holy Family is surrounded by angels and helpful putti and are blessed by God the Father and the Holy Spirit in the form of a dove overhead.
Germany, early 16th Century
woodcut
Dudley P. Allen Fund
網誌一覽 Laser激光Digital-die-cut數碼Laser-cutting模切Wire-EDM名牌props道具nameboard雷射@Background背景design婚嫁backdrop場所layout禮堂WEDDING-decoration@christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會Background婚禮stage場地BANNER結婚FoamBoard大型exhibition噴畫style場地展覽expo場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK-URL-FOR-THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.
Byzantium
gold
Diameter: 2.1 cm (13/16 in.)
The Norweb Collection
URL: www.youtube.com/watch?v=-X8YyITGINY
With Romeo and Juliet, you're talking about two people who meet one night, and get married the same night. I believe in love at first sight I do.... and when you know somebody, and they cry for you. They stay awake at night and dream of you. I bet you never even know they do, but somebody's crying for you ~ Juliet ~
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This dwarf-like, protective deity was very popular in ancient Egypt. Bes is represented with the nude body of a dwarf, grotesque facial features, and the ears and mane of a lion. He wears a tall feather-crown and usually rests his hands on his hips. Known from as early as the Middle Kingdom (ca. 2000 BCE), Bes was venerated as a protector of the home, family, and childbirth, and for that reason figures prominently in domestic magic and amulets. His close connection to all aspects of fertility and sexuality is demonstrated by the presence of his image in the "Birth-houses"-shrines associated with temples of the Late Period and Ptolemaic period. He also had a special relation to the goddess Hathor and performed in her retinue as a musician and dancer.
This amulet-pendant presents the god in a standing posture. The stocky figure is compact and dominated by the massive feather crown. Dark blue markings show the structure of the feathers and highlight the armlets and bracelets worn by the god. The amulet has a rectangular base and a loop on the back.
Egyptian
H: 2 1/16 x W: 15/16 x D: 5/16 in. (5.28 x 2.4 x 0.84 cm)
medium: Egyptian faience with blue and black glaze
culture: Egyptian
dynasty: early Ptolemaic Dynasty
Walters Art Museum, 1931, by bequest.
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
When you choose the "small" size of the original photo...right click (contolr click for Macs) on the download link...and choose "Open in New Window". This will open the small size image in a new window and give you the "static" URL for that image in the address bar.
This painting is a sketch for a special competition in 1753 held by the Royal Academy in Paris. After the Grand Prix de Rome, the academy's top student prize, an unexpected vacancy in the school's branch in Rome required the academy to hold another contest. Saint-Aubin's oil sketch was well received and he won first place among three finalists. However, his final canvas, now in the Louvre, failed to garner him this distinguished award. Saint-Aubin eventually abandoned his goal of becoming a member of the Royal Academy and joined the less-prestigious Academy of St. Luke. The subject of Saint-Aubin's sketch, selected by the academy, comes from the Old Testament book of Genesis (31:33–35). After toiling for Laban for 14 years, Jacob fled with his wife, Rachel, who was also Laban's daughter. Unbeknownst to Jacob, Rachel had stolen her father's idols before their departure to secure her right to her first born. Laban tracks down Jacob and Rachel and accuses them of carrying off his idols. Jacob is still unaware of Rachel's previous actions, and she has hidden the gods under a camel saddle on which she sits.
France, 18th century
oil on canvas
Framed: 62 x 72 x 7.5 cm (24 7/16 x 28 3/8 x 2 15/16 in.); Unframed: 45.6 x 57.3 cm (17 15/16 x 22 9/16 in.)
Gift of Ruth and Sherman E. Lee in memory of their parents, George B. and Inez W. Ward, and Emery and Adelia Lee
Mesopotamia, Iraq, Lagash (Tello)
dolerite
Overall: 21 x 17.8 x 20.4 cm (8 1/4 x 7 x 8 1/16 in.)
Did you know...
This head was originally on the body of <a href="https://www.clevelandart.org/art/1963.154">1963.154, </a>however they were separated in 1974 when it was realized they did not belong together.
Purchase from the J. H. Wade Fund
URL: www.modauva.blogspot.com/
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The Archangel Michael at the Day of Judgment stands on a prostrate demon and holds a flaming sword raised in his right hand. He is represented winged, wearing a tunic with short sleeves, a breastplate, a scarf draped over his shoulder and gathered on his hip, a "lorica," and buskins adorned with winged cherub heads. The demon has wings and a serpentine tail; its head, arms, and torso are human. It grimaces in pain, exposing its teeth.
There are several comparable examples of this type of St. Michael although none have been identified with tis type of European-style marble base. On the basis of a document related to the export of a stylistically similar figure of St. Michael (now in the Convent of St. Stephen [San Esteban] in Salamanca) from the Philippines to Spain in 1686, the present piece can be dated to ca. 1670-1690.
Limited use has been made of gilding, now dark brown for the most part, and of polychromy. The Archangel's eyebrows and pupils are brown, his lips red, and his long hair gilded. The wing feathers are delineated in gilding as are the scroll motifs of the tunic and "lorica" and the stripes, zigzag lines, rosettes, and scrolls which adorn the scarf and buskins. A red sun and gold moon and stars adorn the breastplate. His collar is bordered with ovals and lozenges in red and black on a gold band, and a raised faceted gem is represented in its center. The demon's hair is black, its eyebrows and pupils are dark brown, and his lips and a wound in its abdomen are red.
A number of pieces of ivory have been employed in creating this statue. The Archangel's head and torso are carved from a single tusk, the arms are in two segments, and the legs each of a single piece. Separate sections have been doweled to the torso to constitute the "lorica" skirt. Each wing is formed by three sheets of ivory held together by cross-members. The head and torso of the demon are carved from a single, solid tusk, with separate pieces for the tail and limbs.
Numerous, often crude, repairs have been made to the statue, which has experienced breaks and losses. Among the losses are the Archangel's scales for weighing souls and the demon's right arm and wing, as well as a peg intended to fit a hole drilled into the demon's head.
The statue of the Archangel is held upright by two iron rods that extend from holes in the soles of his feet through the demon's torso into a gray marble base carved with a depiction of Hell. Amid the flames are two satyrs, one of which has lost its head. The marble base, which differs stylistically from the rest of the piece, appears to have been carved by a European artist.
Other ivory figures dated to the 17th and 18th centuries now in the Walters that are thought to have been carved in the Philippines: 71.358, 71.390, 71.392, 71.405, 71.406, 71.412, 71.322, 71.324, 71.333. See R. Randall, Masterpieces of Ivory from the Walters Art Gallery (1985) for more information and illustrations of some of these.
Figure H: 40 9/16 in. (103 cm)
H with base: 46 9/16 in. (118.2 cm)
medium: ivory with gilding and paint
Walters Art Museum, 1931, by bequest.
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
TAY ROC VS CALICOE SMACK/ URL RAP BATTLE battledomination.com/tay-roc-vs-calicoe-smack-url-rap-bat...
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tasuku Ghost is japanese musican
[Gyokkosou shop] tasuku’s MP3 music pieces sold here.
maps.secondlife.com/secondlife/Sapporo/225/80/27
As in RL, purchased items may be used any way you wish, but are protected by copyright.
Demo available! click on any CD jacket.
[Blog in Japanese] Browse through the pictures even if you can’t read Japanese:)
Live performance dates will also be announced on this blog.
[my space] click and listen to tasuku’s music!
--> www.myspace.com/shefallingsky
[Youtube] SL live performances
Direct URL to recommended pieces:
tasuku Ghost and Grass Ark Parade
Live in World's End Garden
--> www.youtube.com/watch?v=3yXYblgPQQA
-tasuku Ghost/untitled live in iwate
--> http://www.youtube.com/watch?v=14NQxcQdPoU
-tasuku Ghost/shikirareta sekaino kemono(meaning “beasts in the secluded world”)
--> www.youtube.com/watch?v=fPKq5s2IoO4
-tasuku Ghost/hyakumannen no fuyu(meaning “winter days of a million years”)
Wu Bing, a native of Piling, gained Empress Li’s favor and served as a painter-in-attendance at the court in Hangzhou during the Shaoxi reign (1190–94). The round fan painting shows a dragonfly hovering over a stalk of bamboo, a bush cricket (<em>luowei</em>) perching on a leaf, and a flying wasp. <br><br> Yellow leaf tips suggest the late summer or early autumn season. The chirping of the cricket sounds similar to the sound of a working loom; the insect is therefore also called <em>weaving lady</em> (<em>fangzhi niang</em>). The weaving season starts when the weather is about to turn cold—the cricket symbolizes early autumn.
China, Southern Song dynasty (1127-1279)
Album leaf; fan painting, ink on silk
Image: 24.8 x 26.8 cm (9 3/4 x 10 9/16 in.)
Gift of Mrs. A. Dean Perry