View allAll Photos Tagged URL
Harpokrates, or "Horus the Child," the son of Isis and Osiris, is represented as a young boy with a child's sidelock of hair, sucking his finger. He holds a cornucopia (horn of plenty), wears the crowns of Upper and Lower Egypt with a crescent at the front, and is accompanied by a variety of fertility attributes.
H without mount: 1 x W: 5/16 x D: 1/16 in. (2.48 x 0.78 x 0.2 cm)
Mount H: 13/16 x W: 1 x D: 11/16 in. (2.1 x 2.6 x 1.8 cm)
medium: gold, lapis lazuli base
dynasty: Roman Dynasty
Walters Art Museum, 1931, by bequest.
URL's is the Yahoo! cafeteria; the little blue stage in the center is where Arnold Schwarznegger spoke this afternoon.
These eight woodcuts (1959.99.8-15) progress from Gabriel’s announcement to Mary that she would bear the Son of God, to the events of her early motherhood and beyond. This included the joy of sharing her pregnancy with her cousin Elizabeth, Jesus’s birth, and the subsequent arrival of the magi. After Jesus’s circumcision and presentation at the temple the Holy Family fled to Egypt to avoid Herod and stayed there for several years. The seemingly out of place last scene shows a glimpse of their daily life in Egypt as Joseph continues his carpentry and Mary spins wool. The Holy Family is surrounded by angels and helpful putti and are blessed by God the Father and the Holy Spirit in the form of a dove overhead.
Germany, early 16th Century
woodcut
Dudley P. Allen Fund
After the five Pandava brothers defeated their cousins, the oldest, who became king, performed an ancient Vedic ritual known as the horse sacrifice in order to determine the physical extent of his rule. For one year a horse wanders freely around the country, attended by warriors, and every land through which the horse passes becomes part of the king’s territory. The warriors go to battle with any local resistance. In this case, the warrior following the horse is Arjuna, one of the five Pandava brothers. He has encountered the son-in-law of the god of fire, Agni, who creates a river of fire to block the warriors. In a dramatic composition set on the banks of the swirling golden river of fire, running diagonally down the page between multicolored rocky outcrops, Arjuna, dark-skinned and crowned, pleads with Agni, the god of fire. He prays that the horse be allowed to pass, saying that the horse sacrifice is in accordance with sacred Vedic injunctions, and that at the end of the year, the horse will be sacrificed to him, the god of fire himself.
India, Subimperial Mughal school, 17th century
Gum tempera, ink, and gold on paper
Overall: 38 x 22.4 cm (14 15/16 x 8 13/16 in.)
James Parmelee Fund
[url=https://store.gingerscraps.net/August-2018-Grab-Bag-It-s-A-Mystery-by-Connie-Prince.html] August 2018 Grab Bag - It's A Mystery by Connie Prince [/url]
[url=https://store.gingerscraps.net/Big-Shot-Word-Art-Pack-waw_bigshot_wa.html] Big Shot Word Art by Word Art World [/url]
Numerous oil lamps of various shapes and sizes have survived from the late Roman and early Byzantine periods. Most served a basic utilitarian function and were plainly fashioned from clay or bronze. However, a few more elaborate examples, such as this one, have survived in silver. Embellished with an elegant horse-head handle, this lamp was made to fit on the nearby stand, thus offering its owner flexibility of function.
Byzantium, Syria(?), Byzantine period
silver
Overall: 9.2 x 16 x 7 cm (3 5/8 x 6 5/16 x 2 3/4 in.)
Purchase from the J. H. Wade Fund
In ancient Egypt political upheavals, accompanied by changes in religious practices, were often an occasion for innovations in private sculpture. This was especially evident in the early 18th Dynasty, when new statue types, representing the donor holding a naos or a sistrum, among other objects, came into use for the first time. The representation of a donor (depicted standing, seated, kneeling, or squatting) proffering the figure of a deity or a sacred object ensured the donor's eternal participation in the rituals undertaken in the gods' presence. Representations of the ritual interaction between men and gods were even more highly sought when the high priests of Amun seized power in Thebes during in the 21st Dynasty and ruled the country's south. From this point onward, over a period of several centuries, statues depicting the donor squatting or holding the image of a god were almost the only statue types, dedicated in extraordinary numbers, in the temple of Amun at Karnak.
The vast extent of these dedications was attested early in the 20th century, when the French architect Georges Legrain discovered a cache of nearly eight hundred stone statues and seventeen thousand bronzes, as well as other artifacts, buried in the courtyard of the temple of Amun in front of the 7th pylon. The standing figure of the priest Iret-horru was one of these statues-the largest Egyptian statue hoard ever recorded-ritually buried by temple priests in the Ptolemaic period to relieve the crowding of more than two thousand years of private offerings. Iret-horru holds the mummified figure of Osiris, the god of the netherworld, outfitted in his traditional regalia: the tall Atef-crown and crook and flail. The priest himself wears a wide wig with narrow striations and ankle-length pleated garment with a prominent trapezoidal apron. The frontal view exhibits a prominent collarbone and an articulated sternum. Despite its awkward proportions (the arms in particular are clumsily rendered), the statue has a majestic appearance. Statues of donors bearing figures of Osiris were among the most popular types of private statuary in the Late Period; this example was dedicated to Iret-horru by his son Necho, who also served as a priest in Karnak.
Egyptian
H: 22 1/16 x W: 5 13/16 x D: 8 5/8 in. (56 x 14.7 x 21.9 cm)
medium: graywacke
style: Saitic
culture: Egyptian
dynasty: 26th Dynasty
Walters Art Museum, 1931, by bequest.
Hadn't been to the Omelette Shoppe in a while, looks like they have new mugs, and a domain name that seems to have been inspired by vanity license plates and/or bad SMS shorthand.
CAPTION: URL: ift.tt/1Qk8jhH SOURCE: ift.tt/1TCUwHx FROM: HM Harris Auto-action created by ifttt.com
Thomas Sully
American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania
9 x 11 1/2 in. (22.9 x 29.2 cm)
medium: Ink, wash, on paper
Metropolitan Museum of Art, New York, NY 53.182.22 recto 1953
Rogers Fund, 1953
Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.
Byzantium
gold
Diameter: 2.1 cm (13/16 in.)
The Norweb Collection
Comprar Fans para Facebook a los mejores precios de mercado y promos para redes sociales, twitter, youtube...
Fans para Facebook
Los usuarios que proporcionamos son perfiles 100% reales segmentados a idioma castellano. Amplia experiencia en estrategias y promos para redes sociales. 100% de pedidos hasta la fecha realizados con éxito alcanzando el total de fans contratados.
Para planes contratados desde fan.com.es en especial los planes de facebook garantizamos una de las más precisas segmentaciones para el mercado hispano con un 100% de usuarios en castellano. Segmentación única a España no podemos conseguirla, indicar lo contrario serÃa no estar actuando con honestidad. El único que puede ofrecerla es Facebook que para algo cobra lo que cobra por sus campañas.
Por el momento no podemos afinar más en cuanto a segmentación y de conseguir mejoras en adelante las tarifas serÃan superiores dado que no es lo mismo conseguir 1000 fans de cualquier parte del mundo a 1000 fans de mismo idioma como tampoco es lo mismo 1000 de un mismo paÃs o 1000 de una misma ciudad relacionados a una misma actividad o sector.
Dinámica de trabajo
Combinamos trabajo mediante campañas adwords, promos en páginas propias y de asociados con millones de fans ( en aumento constante), empleo de software propio en servidores 100% seguro y uso de dominios con buen número de visitas diarias y de tematicas y sectores afines a la página de destino del cliente etc...
Actualmente sólo trabajamos para grandes pedidos para algunos clientes y marcas de renombre. No obstante continuamos aceptando pedidos para ordenes pequeñas de 1000 nuevos fans para que nuevos clientes nos pongan a prueba y comprueben la efectividad y rapidez del servicio.
El máximo nº fans lo tenemos actualmente planificado en un tope de +100.000 nuevos fans por url pudiendo ser incrementado de cara a un futuro.
En caso de no conseguir el total de fans contratados garantizamos devolución del importe proporcional correspondiente al número de fans no obtenidos.
Otros
Privacidad absoluta. No publicitamos nunca las urls del cliente bajo ningún concepto.
La oferta sólo aplica durante el mes de diciembre 2011 a un sólo pedido por url
No realizamos promociones para concursos de ningún tipo.
Nos reservamos el derecho de aceptar encargos para determinadas páginas ( adultos, religión, politica...)
Afiliados
Indicarle también que ofrecemos la opción para afiliados (el primer programa de afiliados para redes sociales en castellano) ofreciendo por cada nuevo referido un 20% de comisión y un extra del 10% por cada referido del mismo afiliado.
Esperando esta información pueda resultar de su interés.
Atentamente
Fan.com.es
When you choose the "small" size of the original photo...right click (contolr click for Macs) on the download link...and choose "Open in New Window". This will open the small size image in a new window and give you the "static" URL for that image in the address bar.
Blind Man's Bluff, 1897. Alexandre Lunois (French, 1863–1916), Auguste Clot (French, 1858–1936). Color lithograph; The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer 2016.218
More at clevelandart.org/art/2016.218